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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #20236ACE it is the complementary color #DFDC95CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #20236ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #20236ACE shade: #252365CE, #363578CE, #47478BCE, #58599ECE and #696BB1CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #20236ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #20236ACE shade: #20236ACE, #0F1157CE, #000044CE, #000031CE and #00001ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #20236ACE shade: #20236A, #31206A, #45206A, #59206A and #6A2067

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #20236ACE shade: #20236A and #20206A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #20236ACE shade matches the following richer shades: #20236A, #151875 and #090E80

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #20236ACE shade: #20236A, #2B2D5F, #363754, #414149 and #4C4C3D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #20236ACE shade: #204B6A, #20376A, #20236A, #30206A and #44206A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #20236ACE shade: #0D0E2A, #16184A, #20236A, #292D8A and #3337AA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #20236ACE shade: #20236A, #6A205F and #416A20

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #20236ACE shade: #20236A, #6A2023 and #236A20

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #20236ACE shade: #20236A, #6A205F, #6A6620 and #206A2B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #20236ACE shade: #20236A, #6A2049, #6A6620 and #206A41

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 54 / 0 / 47

HEX #20236ACE

RGBA 32 35 106 0.81

HSLA 237.57, 0.54%, 0.27%, 0.81

LABA 18.14, 23.78, -41.91, 0.81

 

Complementary color

CMYK 0 / 1 / 27 / 10

HEX #DFDC95CE

RGBA 223 220 149 0.81

HSLA 57.57, 0.54%, 0.73%, 0.81

LABA 86.53, -9.58, 35.32, 0.81

 

CMYK 51 / 53 / 0 / 49

HEX #252365CE

RGBA 37 35 101 0.81

HSLA 241.82, 0.49%, 0.27%, 0.81

LABA 18.08, 22.77, -38.72, 0.81

 

CMYK 45 / 45 / 0 / 43

HEX #363578CE

RGBA 54 53 120 0.81

HSLA 240.9, 0.39%, 0.34%, 0.81

LABA 25.82, 20.84, -38.36, 0.81

 

CMYK 40 / 40 / 0 / 37

HEX #47478BCE

RGBA 71 71 139 0.81

HSLA 240, 0.32%, 0.41%, 0.81

LABA 33.37, 19.33, -38.02, 0.81

 

CMYK 36 / 35 / 0 / 31

HEX #58599ECE

RGBA 88 89 158 0.81

HSLA 239.14, 0.28%, 0.48%, 0.81

LABA 40.72, 18.13, -37.74, 0.81

 

CMYK 33 / 32 / 0 / 25

HEX #696BB1CE

RGBA 105 107 177 0.81

HSLA 238.33, 0.32%, 0.55%, 0.81

LABA 47.87, 17.15, -37.53, 0.81

 

CMYK 57 / 54 / 0 / 47

HEX #20236ACE

RGBA 32 35 106 0.81

HSLA 237.57, 0.54%, 0.27%, 0.81

LABA 18.14, 23.78, -41.91, 0.81

 

CMYK 67 / 65 / 0 / 53

HEX #0F1157CE

RGBA 15 17 87 0.81

HSLA 238.33, 0.71%, 0.2%, 0.81

LABA 10.49, 26.53, -41.89, 0.81

 

CMYK 81 / 81 / 0 / 59

HEX #000044CE

RGBA 0 0 68 0.81

HSLA 240, 1%, 0.13%, 0.81

LABA 3.77, 25.91, -39.82, 0.81

 

CMYK 81 / 81 / 0 / 65

HEX #000031CE

RGBA 0 0 49 0.81

HSLA 240, 1%, 0.1%, 0.81

LABA 2, 14.08, -28.82, 0.81

 

CMYK 81 / 81 / 0 / 71

HEX #00001ECE

RGBA 0 0 30 0.81

HSLA 240, 1%, 0.06%, 0.81

LABA 0.85, 5.95, -15.88, 0.81

 

CMYK 70 / 67 / 0 / 58

HEX #20236A

RGB 32 35 106

HSL 237.57, 0.54%, 0.27%

LAB 18.14, 23.78, -41.91

 

CMYK 54 / 70 / 0 / 58

HEX #31206A

RGB 49 32 106

HSL 253.78, 0.54%, 0.27%

LAB 18.91, 28.83, -40.58

 

CMYK 35 / 70 / 0 / 58

HEX #45206A

RGB 69 32 106

HSL 270, 0.54%, 0.27%

LAB 21.35, 33.23, -36.51

 

CMYK 16 / 70 / 0 / 58

HEX #59206A

RGB 89 32 106

HSL 286.22, 0.54%, 0.27%

LAB 24.31, 38.16, -31.59

 

CMYK 0 / 70 / 3 / 58

HEX #6A2067

RGB 106 32 103

HSL 302.43, 0.54%, 0.27%

LAB 26.95, 41.99, -25.28

 

CMYK 70 / 67 / 0 / 58

HEX #20236A

RGB 32 35 106

HSL 237.57, 0.54%, 0.27%

LAB 18.14, 23.78, -41.91

 

CMYK 70 / 70 / 0 / 58

HEX #20206A

RGB 32 32 106

HSL 240, 0.54%, 0.27%

LAB 17.37, 25.83, -43.17

 

CMYK 70 / 67 / 0 / 58

HEX #20236A

RGB 32 35 106

HSL 237.57, 0.54%, 0.27%

LAB 18.14, 23.78, -41.91

 

CMYK 82 / 79 / 0 / 54

HEX #151875

RGB 21 24 117

HSL 238.13, 0.7%, 0.27%

LAB 15.99, 33.79, -52.61

 

CMYK 93 / 89 / 0 / 50

HEX #090E80

RGB 9 14 128

HSL 237.48, 0.87%, 0.27%

LAB 15.12, 42.16, -61.12

 

CMYK 70 / 67 / 0 / 58

HEX #20236A

RGB 32 35 106

HSL 237.57, 0.54%, 0.27%

LAB 18.14, 23.78, -41.91

 

CMYK 55 / 53 / 0 / 63

HEX #2B2D5F

RGB 43 45 95

HSL 237.69, 0.38%, 0.27%

LAB 20.89, 14.91, -30.21

 

CMYK 36 / 35 / 0 / 67

HEX #363754

RGB 54 55 84

HSL 238, 0.22%, 0.27%

LAB 24.18, 7.51, -17.69

 

CMYK 11 / 11 / 0 / 71

HEX #414149

RGB 65 65 73

HSL 240, 0.06%, 0.27%

LAB 27.81, 1.88, -4.84

 

CMYK 0 / 0 / 20 / 70

HEX #4C4C3D

RGB 76 76 61

HSL 60, 0.11%, 0.27%

LAB 31.9, -2.99, 8.95

 

CMYK 70 / 29 / 0 / 58

HEX #204B6A

RGB 32 75 106

HSL 205.14, 0.54%, 0.27%

LAB 30.35, -3.93, -22.37

 

CMYK 70 / 48 / 0 / 58

HEX #20376A

RGB 32 55 106

HSL 221.35, 0.54%, 0.27%

LAB 23.93, 9.6, -32.53

 

CMYK 70 / 67 / 0 / 58

HEX #20236A

RGB 32 35 106

HSL 237.57, 0.54%, 0.27%

LAB 18.14, 23.78, -41.91

 

CMYK 55 / 70 / 0 / 58

HEX #30206A

RGB 48 32 106

HSL 252.97, 0.54%, 0.27%

LAB 18.81, 28.63, -40.76

 

CMYK 36 / 70 / 0 / 58

HEX #44206A

RGB 68 32 106

HSL 269.19, 0.54%, 0.27%

LAB 21.22, 33, -36.74

 

CMYK 69 / 67 / 0 / 84

HEX #0D0E2A

RGB 13 14 42

HSL 237.93, 0.53%, 0.11%

LAB 5.12, 8.28, -18.56

 

CMYK 70 / 68 / 0 / 71

HEX #16184A

RGB 22 24 74

HSL 237.69, 0.54%, 0.19%

LAB 11.4, 17.43, -31.45

 

CMYK 70 / 67 / 0 / 58

HEX #20236A

RGB 32 35 106

HSL 237.57, 0.54%, 0.27%

LAB 18.14, 23.78, -41.91

 

CMYK 70 / 67 / 0 / 46

HEX #292D8A

RGB 41 45 138

HSL 237.53, 0.54%, 0.35%

LAB 24.27, 30.27, -52.24

 

CMYK 70 / 68 / 0 / 33

HEX #3337AA

RGB 51 55 170

HSL 237.98, 0.54%, 0.43%

LAB 30.25, 36.58, -61.96

 

CMYK 70 / 67 / 0 / 58

HEX #20236A

RGB 32 35 106

HSL 237.57, 0.54%, 0.27%

LAB 18.14, 23.78, -41.91

 

CMYK 0 / 70 / 10 / 58

HEX #6A205F

RGB 106 32 95

HSL 308.92, 0.54%, 0.27%

LAB 26.52, 40.57, -20.76

 

CMYK 39 / 0 / 70 / 58

HEX #416A20

RGB 65 106 32

HSL 93.24, 0.54%, 0.27%

LAB 40.47, -28.04, 35.69

 

CMYK 70 / 67 / 0 / 58

HEX #20236A

RGB 32 35 106

HSL 237.57, 0.54%, 0.27%

LAB 18.14, 23.78, -41.91

 

CMYK 0 / 70 / 67 / 58

HEX #6A2023

RGB 106 32 35

HSL 357.57, 0.54%, 0.27%

LAB 24.38, 33.14, 16.43

 

CMYK 67 / 0 / 70 / 58

HEX #236A20

RGB 35 106 32

HSL 117.57, 0.54%, 0.27%

LAB 39.19, -37.61, 33.93

 

CMYK 70 / 67 / 0 / 58

HEX #20236A

RGB 32 35 106

HSL 237.57, 0.54%, 0.27%

LAB 18.14, 23.78, -41.91

 

CMYK 0 / 70 / 10 / 58

HEX #6A205F

RGB 106 32 95

HSL 308.92, 0.54%, 0.27%

LAB 26.52, 40.57, -20.76

 

CMYK 0 / 4 / 70 / 58

HEX #6A6620

RGB 106 102 32

HSL 56.76, 0.54%, 0.27%

LAB 42.26, -7.8, 38.51

 

CMYK 70 / 0 / 59 / 58

HEX #206A2B

RGB 32 106 43

HSL 128.92, 0.54%, 0.27%

LAB 39.22, -36.91, 28.5

 

CMYK 70 / 67 / 0 / 58

HEX #20236A

RGB 32 35 106

HSL 237.57, 0.54%, 0.27%

LAB 18.14, 23.78, -41.91

 

CMYK 0 / 70 / 31 / 58

HEX #6A2049

RGB 106 32 73

HSL 326.76, 0.54%, 0.27%

LAB 25.5, 37.13, -7.74

 

CMYK 0 / 4 / 70 / 58

HEX #6A6620

RGB 106 102 32

HSL 56.76, 0.54%, 0.27%

LAB 42.26, -7.8, 38.51

 

CMYK 70 / 0 / 39 / 58

HEX #206A41

RGB 32 106 65

HSL 146.76, 0.54%, 0.27%

LAB 39.58, -32.96, 16.58

 

Description

Color code: HEX #20236ACE | qconv.com Color code: HEX #20236ACE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 32 red, 35 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
32 35 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 54 magenta, none yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 54% 0% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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