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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #20230ACE it is the complementary color #DFDCF5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #20230ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #20230ACE shade: #252305CE, #363518CE, #47472BCE, #58593ECE and #696B51CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #20230ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #20230ACE shade: #20230ACE, #0F1100CE and #000000CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #20230ACE shade: #21240A, #24200A, #24190A, #24120A and #240B0A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #20230ACE shade: #21240A, #1A240A, #13240A, #0C240A and #0A240F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #20230ACE shade matches the following richer shades: #21240A, #242806 and #262B03

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #20230ACE shade: #21240A, #1E200E, #1B1C12, #181915 and #151519

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #20230ACE shade: #24190A, #24200A, #21240A, #1A240A and #13240A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #20230ACE shade: #000000, #030401, #21240A, #3E4413 and #5C641C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #20230ACE shade: #20230A, #0A2412 and #1D0A24

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #20230ACE shade: #20230A, #0A2124 and #240A21

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #20230ACE shade: #20230A, #0A2412, #0D0A24 and #240A1C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #20230ACE shade: #20230A, #0A241A, #0D0A24 and #240A14

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 58 / 70

HEX #20230ACE

RGBA 32 35 10 0.81

HSLA 67.2, 0.56%, 0.09%, 0.81

LABA 12.8, -6.09, 14.69, 0.81

 

Complementary color

CMYK 7 / 8 / 0 / 3

HEX #DFDCF5CE

RGBA 223 220 245 0.81

HSLA 247.2, 0.56%, 0.91%, 0.81

LABA 88.67, 5.7, -11.81, 0.81

 

CMYK 0 / 4 / 70 / 69

HEX #252305CE

RGBA 37 35 5 0.81

HSLA 56.25, 0.76%, 0.08%, 0.81

LABA 13.27, -3.85, 17.44, 0.81

 

CMYK 0 / 1 / 45 / 64

HEX #363518CE

RGBA 54 53 24 0.81

HSLA 58, 0.38%, 0.15%, 0.81

LABA 21.57, -4.63, 18.32, 0.81

 

CMYK 0 / 0 / 32 / 58

HEX #47472BCE

RGBA 71 71 43 0.81

HSLA 60, 0.25%, 0.22%, 0.81

LABA 29.46, -5.09, 16.87, 0.81

 

CMYK 1 / 0 / 25 / 53

HEX #58593ECE

RGBA 88 89 62 0.81

HSLA 62.22, 0.18%, 0.3%, 0.81

LABA 37.05, -5.38, 15.54, 0.81

 

CMYK 2 / 0 / 20 / 47

HEX #696B51CE

RGBA 105 107 81 0.81

HSLA 64.62, 0.14%, 0.37%, 0.81

LABA 44.39, -5.59, 14.36, 0.81

 

CMYK 7 / 0 / 58 / 70

HEX #20230ACE

RGBA 32 35 10 0.81

HSLA 67.2, 0.56%, 0.09%, 0.81

LABA 12.8, -6.09, 14.69, 0.81

 

CMYK 10 / 0 / 81 / 76

HEX #0F1100CE

RGBA 15 17 0 0.81

HSLA 67.06, 1%, 0.03%, 0.81

LABA 4.54, -3.28, 6.74, 0.81

 

CMYK 0 / 0 / 0 / 100

HEX #000000CE

RGBA 0 0 0 0.81

HSLA 0, 0%, 0%, 0.81

LABA 0, 0, 0, 0.81

 

CMYK 8 / 0 / 72 / 86

HEX #21240A

RGB 33 36 10

HSL 66.92, 0.57%, 0.09%

LAB 13.27, -6.21, 15.33

 

CMYK 0 / 11 / 72 / 86

HEX #24200A

RGB 36 32 10

HSL 50.77, 0.57%, 0.09%

LAB 12.16, -1.82, 13.88

 

CMYK 0 / 31 / 72 / 86

HEX #24190A

RGB 36 25 10

HSL 34.62, 0.57%, 0.09%

LAB 9.74, 3.18, 10.52

 

CMYK 0 / 50 / 72 / 86

HEX #24120A

RGB 36 18 10

HSL 18.46, 0.57%, 0.09%

LAB 7.49, 8.25, 7.28

 

CMYK 0 / 69 / 72 / 86

HEX #240B0A

RGB 36 11 10

HSL 2.31, 0.57%, 0.09%

LAB 5.75, 12.12, 4.73

 

CMYK 8 / 0 / 72 / 86

HEX #21240A

RGB 33 36 10

HSL 66.92, 0.57%, 0.09%

LAB 13.27, -6.21, 15.33

 

CMYK 28 / 0 / 72 / 86

HEX #1A240A

RGB 26 36 10

HSL 83.08, 0.57%, 0.09%

LAB 12.63, -9.9, 14.35

 

CMYK 47 / 0 / 72 / 86

HEX #13240A

RGB 19 36 10

HSL 99.23, 0.57%, 0.09%

LAB 12.1, -13.28, 13.55

 

CMYK 67 / 0 / 72 / 86

HEX #0C240A

RGB 12 36 10

HSL 115.38, 0.57%, 0.09%

LAB 11.7, -16.14, 12.94

 

CMYK 72 / 0 / 58 / 86

HEX #0A240F

RGB 10 36 15

HSL 131.54, 0.57%, 0.09%

LAB 11.69, -15.9, 10.58

 

CMYK 8 / 0 / 72 / 86

HEX #21240A

RGB 33 36 10

HSL 66.92, 0.57%, 0.09%

LAB 13.27, -6.21, 15.33

 

CMYK 10 / 0 / 85 / 84

HEX #242806

RGB 36 40 6

HSL 67.06, 0.74%, 0.09%

LAB 14.98, -7.61, 19.26

 

CMYK 12 / 0 / 93 / 83

HEX #262B03

RGB 38 43 3

HSL 67.5, 0.87%, 0.09%

LAB 16.24, -8.72, 22.1

 

CMYK 8 / 0 / 72 / 86

HEX #21240A

RGB 33 36 10

HSL 66.92, 0.57%, 0.09%

LAB 13.27, -6.21, 15.33

 

CMYK 6 / 0 / 56 / 87

HEX #1E200E

RGB 30 32 14

HSL 66.67, 0.39%, 0.09%

LAB 11.56, -4.63, 11.14

 

CMYK 4 / 0 / 36 / 89

HEX #1B1C12

RGB 27 28 18

HSL 66, 0.22%, 0.09%

LAB 9.85, -2.75, 6.48

 

CMYK 4 / 0 / 16 / 90

HEX #181915

RGB 24 25 21

HSL 75, 0.09%, 0.09%

LAB 8.51, -1.48, 2.57

 

CMYK 16 / 16 / 0 / 90

HEX #151519

RGB 21 21 25

HSL 240, 0.09%, 0.09%

LAB 6.92, 1.02, -2.75

 

CMYK 0 / 31 / 72 / 86

HEX #24190A

RGB 36 25 10

HSL 34.62, 0.57%, 0.09%

LAB 9.74, 3.18, 10.52

 

CMYK 0 / 11 / 72 / 86

HEX #24200A

RGB 36 32 10

HSL 50.77, 0.57%, 0.09%

LAB 12.16, -1.82, 13.88

 

CMYK 8 / 0 / 72 / 86

HEX #21240A

RGB 33 36 10

HSL 66.92, 0.57%, 0.09%

LAB 13.27, -6.21, 15.33

 

CMYK 28 / 0 / 72 / 86

HEX #1A240A

RGB 26 36 10

HSL 83.08, 0.57%, 0.09%

LAB 12.63, -9.9, 14.35

 

CMYK 47 / 0 / 72 / 86

HEX #13240A

RGB 19 36 10

HSL 99.23, 0.57%, 0.09%

LAB 12.1, -13.28, 13.55

 

CMYK 25 / 0 / 75 / 98

HEX #030401

RGB 3 4 1

HSL 80, 0.6%, 0.01%

LAB 0.98, -0.68, 1.04

 

CMYK 8 / 0 / 72 / 86

HEX #21240A

RGB 33 36 10

HSL 66.92, 0.57%, 0.09%

LAB 13.27, -6.21, 15.33

 

CMYK 9 / 0 / 72 / 73

HEX #3E4413

RGB 62 68 19

HSL 67.35, 0.56%, 0.17%

LAB 27.31, -10.32, 27.81

 

CMYK 8 / 0 / 72 / 61

HEX #5C641C

RGB 92 100 28

HSL 66.67, 0.56%, 0.25%

LAB 40.37, -13.55, 37.95

 

CMYK 9 / 0 / 71 / 86

HEX #20230A

RGB 32 35 10

HSL 67.2, 0.56%, 0.09%

LAB 12.8, -6.09, 14.69

 

CMYK 72 / 0 / 50 / 86

HEX #0A2412

RGB 10 36 18

HSL 138.46, 0.57%, 0.09%

LAB 11.76, -15.24, 8.95

 

CMYK 19 / 72 / 0 / 86

HEX #1D0A24

RGB 29 10 36

HSL 283.85, 0.57%, 0.09%

LAB 5.47, 14.54, -13.33

 

CMYK 9 / 0 / 71 / 86

HEX #20230A

RGB 32 35 10

HSL 67.2, 0.56%, 0.09%

LAB 12.8, -6.09, 14.69

 

CMYK 72 / 8 / 0 / 86

HEX #0A2124

RGB 10 33 36

HSL 186.92, 0.57%, 0.09%

LAB 11.13, -7.85, -4.77

 

CMYK 0 / 72 / 8 / 86

HEX #240A21

RGB 36 10 33

HSL 306.92, 0.57%, 0.09%

LAB 6.34, 17.16, -9.59

 

CMYK 9 / 0 / 71 / 86

HEX #20230A

RGB 32 35 10

HSL 67.2, 0.56%, 0.09%

LAB 12.8, -6.09, 14.69

 

CMYK 72 / 0 / 50 / 86

HEX #0A2412

RGB 10 36 18

HSL 138.46, 0.57%, 0.09%

LAB 11.76, -15.24, 8.95

 

CMYK 64 / 72 / 0 / 86

HEX #0D0A24

RGB 13 10 36

HSL 246.92, 0.57%, 0.09%

LAB 3.88, 7.55, -15.91

 

CMYK 0 / 72 / 22 / 86

HEX #240A1C

RGB 36 10 28

HSL 318.46, 0.57%, 0.09%

LAB 6.11, 15.92, -6.07

 

CMYK 9 / 0 / 71 / 86

HEX #20230A

RGB 32 35 10

HSL 67.2, 0.56%, 0.09%

LAB 12.8, -6.09, 14.69

 

CMYK 72 / 0 / 28 / 86

HEX #0A241A

RGB 10 36 26

HSL 156.92, 0.57%, 0.09%

LAB 11.96, -13.11, 3.73

 

CMYK 64 / 72 / 0 / 86

HEX #0D0A24

RGB 13 10 36

HSL 246.92, 0.57%, 0.09%

LAB 3.88, 7.55, -15.91

 

CMYK 0 / 72 / 44 / 86

HEX #240A14

RGB 36 10 20

HSL 336.92, 0.57%, 0.09%

LAB 5.81, 14.18, -0.51

 

Description

Color code: HEX #20230ACE | qconv.com Color code: HEX #20230ACE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 32 red, 35 green and 10 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
32 35 10 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 58 yellow and 70 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 58% 70% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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