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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #201685 it is the complementary color #DFE97A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #201685. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #201685 shade: #251680, #362893, #473AA6, #584CB9 and #695ECC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #201685. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #201685 shade: #201685, #0F0472, #00005F, #00004C and #000039

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #201685 shade: #1F1584, #3D1584, #5B1584, #781584 and #841571

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #201685 shade: #1F1584 and #151584

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #201685 shade matches the following richer shades: #1F1584 and #150990

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #201685 shade: #1F1584, #292277, #342E6B, #3E3B5E and #484752

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #201685 shade: #154784, #152A84, #1F1584, #3C1584 and #591584

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #201685 shade: #0E0A3D, #171060, #1F1584, #281BA7 and #3021CB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #201685 shade: #201685, #841564 and #388415

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #201685 shade: #201685, #841F15 and #15841F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #201685 shade: #201685, #841564, #7A8415 and #158435

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #201685 shade: #201685, #841543, #7A8415 and #158456

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 83 / 0 / 48

HEX #201685

RGB 32 22 133

HSL 245.41, 0.72%, 0.3%

LAB 18.25, 41.15, -59.04

 

Complementary color

CMYK 4 / 0 / 48 / 9

HEX #DFE97A

RGB 223 233 122

HSL 65.41, 0.72%, 0.7%

LAB 89.57, -18.89, 52.4

 

CMYK 71 / 83 / 0 / 50

HEX #251680

RGB 37 22 128

HSL 248.49, 0.71%, 0.29%

LAB 18.03, 39.97, -56.23

 

CMYK 63 / 73 / 0 / 42

HEX #362893

RGB 54 40 147

HSL 247.85, 0.57%, 0.37%

LAB 24.98, 38.27, -56.62

 

CMYK 57 / 65 / 0 / 35

HEX #473AA6

RGB 71 58 166

HSL 247.22, 0.48%, 0.44%

LAB 32.08, 36.4, -56.51

 

CMYK 52 / 59 / 0 / 27

HEX #584CB9

RGB 88 76 185

HSL 246.61, 0.44%, 0.51%

LAB 39.15, 34.67, -56.24

 

CMYK 49 / 54 / 0 / 20

HEX #695ECC

RGB 105 94 204

HSL 246, 0.52%, 0.58%

LAB 46.13, 33.14, -55.92

 

CMYK 76 / 83 / 0 / 48

HEX #201685

RGB 32 22 133

HSL 245.41, 0.72%, 0.3%

LAB 18.25, 41.15, -59.04

 

CMYK 87 / 96 / 0 / 55

HEX #0F0472

RGB 15 4 114

HSL 246, 0.93%, 0.23%

LAB 11.98, 42.15, -57.34

 

CMYK 100 / 100 / 0 / 63

HEX #00005F

RGB 0 0 95

HSL 240, 1%, 0.19%

LAB 7.46, 38.4, -52.35

 

CMYK 100 / 100 / 0 / 70

HEX #00004C

RGB 0 0 76

HSL 240, 1%, 0.15%

LAB 4.71, 30.43, -43.91

 

CMYK 100 / 100 / 0 / 78

HEX #000039

RGB 0 0 57

HSL 240, 1%, 0.11%

LAB 2.67, 18.75, -33.68

 

CMYK 77 / 84 / 0 / 48

HEX #1F1584

RGB 31 21 132

HSL 245.41, 0.73%, 0.3%

LAB 17.89, 41.25, -59.01

 

CMYK 54 / 84 / 0 / 48

HEX #3D1584

RGB 61 21 132

HSL 261.62, 0.73%, 0.3%

LAB 20.81, 44.32, -54.1

 

CMYK 31 / 84 / 0 / 48

HEX #5B1584

RGB 91 21 132

HSL 277.84, 0.73%, 0.3%

LAB 25.03, 48.87, -47.01

 

CMYK 9 / 84 / 0 / 48

HEX #781584

RGB 120 21 132

HSL 293.51, 0.73%, 0.3%

LAB 29.9, 54.23, -38.9

 

CMYK 0 / 84 / 14 / 48

HEX #841571

RGB 132 21 113

HSL 310.27, 0.73%, 0.3%

LAB 30.96, 53.64, -25.08

 

CMYK 77 / 84 / 0 / 48

HEX #1F1584

RGB 31 21 132

HSL 245.41, 0.73%, 0.3%

LAB 17.89, 41.25, -59.01

 

CMYK 84 / 84 / 0 / 48

HEX #151584

RGB 21 21 132

HSL 240, 0.73%, 0.3%

LAB 17.28, 40.62, -60.04

 

CMYK 77 / 84 / 0 / 48

HEX #1F1584

RGB 31 21 132

HSL 245.41, 0.73%, 0.3%

LAB 17.89, 41.25, -59.01

 

CMYK 85 / 94 / 0 / 44

HEX #150990

RGB 21 9 144

HSL 245.33, 0.88%, 0.3%

LAB 17.31, 49.11, -67.52

 

CMYK 77 / 84 / 0 / 48

HEX #1F1584

RGB 31 21 132

HSL 245.41, 0.73%, 0.3%

LAB 17.89, 41.25, -59.01

 

CMYK 66 / 71 / 0 / 53

HEX #292277

RGB 41 34 119

HSL 244.94, 0.56%, 0.3%

LAB 19.83, 30.58, -47.51

 

CMYK 51 / 57 / 0 / 58

HEX #342E6B

RGB 52 46 107

HSL 245.9, 0.4%, 0.3%

LAB 22.81, 20.64, -34.9

 

CMYK 34 / 37 / 0 / 63

HEX #3E3B5E

RGB 62 59 94

HSL 245.14, 0.23%, 0.3%

LAB 26.62, 10.51, -20.37

 

CMYK 12 / 13 / 0 / 68

HEX #484752

RGB 72 71 82

HSL 245.45, 0.07%, 0.3%

LAB 30.62, 2.96, -6.4

 

CMYK 84 / 46 / 0 / 48

HEX #154784

RGB 21 71 132

HSL 212.97, 0.73%, 0.3%

LAB 30.23, 7.54, -38.87

 

CMYK 84 / 68 / 0 / 48

HEX #152A84

RGB 21 42 132

HSL 228.65, 0.73%, 0.3%

LAB 21.88, 27.79, -52.45

 

CMYK 77 / 84 / 0 / 48

HEX #1F1584

RGB 31 21 132

HSL 245.41, 0.73%, 0.3%

LAB 17.89, 41.25, -59.01

 

CMYK 55 / 84 / 0 / 48

HEX #3C1584

RGB 60 21 132

HSL 261.08, 0.73%, 0.3%

LAB 20.68, 44.19, -54.3

 

CMYK 33 / 84 / 0 / 48

HEX #591584

RGB 89 21 132

HSL 276.76, 0.73%, 0.3%

LAB 24.72, 48.53, -47.53

 

CMYK 77 / 84 / 0 / 76

HEX #0E0A3D

RGB 14 10 61

HSL 244.71, 0.72%, 0.14%

LAB 5.85, 20.01, -31.38

 

CMYK 76 / 83 / 0 / 62

HEX #171060

RGB 23 16 96

HSL 245.25, 0.71%, 0.22%

LAB 11.94, 31.18, -45.53

 

CMYK 77 / 84 / 0 / 48

HEX #1F1584

RGB 31 21 132

HSL 245.41, 0.73%, 0.3%

LAB 17.89, 41.25, -59.01

 

CMYK 76 / 84 / 0 / 35

HEX #281BA7

RGB 40 27 167

HSL 245.57, 0.72%, 0.38%

LAB 23.75, 49.96, -70.9

 

CMYK 76 / 84 / 0 / 20

HEX #3021CB

RGB 48 33 203

HSL 245.29, 0.72%, 0.46%

LAB 29.48, 58.51, -82.77

 

CMYK 76 / 83 / 0 / 48

HEX #201685

RGB 32 22 133

HSL 245.41, 0.72%, 0.3%

LAB 18.25, 41.15, -59.04

 

CMYK 0 / 84 / 24 / 48

HEX #841564

RGB 132 21 100

HSL 317.3, 0.73%, 0.3%

LAB 30.31, 51.81, -17.74

 

CMYK 58 / 0 / 84 / 48

HEX #388415

RGB 56 132 21

HSL 101.08, 0.73%, 0.3%

LAB 48.76, -42.94, 47.82

 

CMYK 76 / 83 / 0 / 48

HEX #201685

RGB 32 22 133

HSL 245.41, 0.72%, 0.3%

LAB 18.25, 41.15, -59.04

 

CMYK 0 / 77 / 84 / 48

HEX #841F15

RGB 132 31 21

HSL 5.41, 0.73%, 0.3%

LAB 29.26, 42.06, 32.07

 

CMYK 84 / 0 / 77 / 48

HEX #15841F

RGB 21 132 31

HSL 125.41, 0.73%, 0.3%

LAB 47.96, -49.42, 43.41

 

CMYK 76 / 83 / 0 / 48

HEX #201685

RGB 32 22 133

HSL 245.41, 0.72%, 0.3%

LAB 18.25, 41.15, -59.04

 

CMYK 0 / 84 / 24 / 48

HEX #841564

RGB 132 21 100

HSL 317.3, 0.73%, 0.3%

LAB 30.31, 51.81, -17.74

 

CMYK 8 / 0 / 84 / 48

HEX #7A8415

RGB 122 132 21

HSL 65.41, 0.73%, 0.3%

LAB 52.61, -17.32, 52.72

 

CMYK 84 / 0 / 60 / 48

HEX #158435

RGB 21 132 53

HSL 137.3, 0.73%, 0.3%

LAB 48.16, -46.94, 33.89

 

CMYK 76 / 83 / 0 / 48

HEX #201685

RGB 32 22 133

HSL 245.41, 0.72%, 0.3%

LAB 18.25, 41.15, -59.04

 

CMYK 0 / 84 / 49 / 48

HEX #841543

RGB 132 21 67

HSL 335.14, 0.73%, 0.3%

LAB 29.02, 48.09, 2.07

 

CMYK 8 / 0 / 84 / 48

HEX #7A8415

RGB 122 132 21

HSL 65.41, 0.73%, 0.3%

LAB 52.61, -17.32, 52.72

 

CMYK 84 / 0 / 35 / 48

HEX #158456

RGB 21 132 86

HSL 155.14, 0.73%, 0.3%

LAB 48.68, -40.87, 16.67

 

Description

Color code: HEX #201685 | qconv.com Color code: HEX #201685 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 32 red, 22 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
32 22 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, 83 magenta, none yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 83% 0% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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