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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2002CC it is the complementary color #DFFD33. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2002CC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2002CC shade: #2502C7, #3614DA, #4726ED, #5838FF and #694AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2002CC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2002CC shade: #2002CC, #0F00B9, #0000A6, #000093 and #000080

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2002CC shade: #2002CA, #5602CA, #8C02CA, #C102CA and #CA029D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2002CC shade: #2002CA and #0202CA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2002CC shade matches the following richer shades: #2002CA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2002CC shade: #2002CA, #2B13B9, #3723A9, #433498 and #4E4488

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2002CC shade: #0252CA, #021DCA, #1D02CA, #5202CA and #8702CA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2002CC shade: #130178, #1902A1, #2002CA, #2602F3 and #4222FD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2002CC shade: #2002CC, #CA0287 and #37CA02

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2002CC shade: #2002CC, #CA1D02 and #02CA1D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2002CC shade: #2002CC, #CA0287, #AFCA02 and #02CA45

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2002CC shade: #2002CC, #CA024B, #AFCA02 and #02CA81

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 99 / 0 / 20

HEX #2002CC

RGB 32 2 204

HSL 248.91, 0.98%, 0.4%

LAB 25.89, 66.85, -89.36

 

Complementary color

CMYK 12 / 0 / 80 / 1

HEX #DFFD33

RGB 223 253 51

HSL 68.91, 0.98%, 0.6%

LAB 94.39, -32.7, 84.17

 

CMYK 81 / 99 / 0 / 22

HEX #2502C7

RGB 37 2 199

HSL 250.66, 0.98%, 0.39%

LAB 25.44, 65.72, -87.18

 

CMYK 75 / 91 / 0 / 15

HEX #3614DA

RGB 54 20 218

HSL 250.3, 0.83%, 0.47%

LAB 30.27, 67.27, -90.16

 

CMYK 70 / 84 / 0 / 7

HEX #4726ED

RGB 71 38 237

HSL 249.95, 0.85%, 0.54%

LAB 35.67, 67.43, -92.01

 

CMYK 65 / 78 / 0 / 0

HEX #5838FF

RGB 88 56 255

HSL 249.65, 1%, 0.61%

LAB 41.41, 66.31, -92.6

 

CMYK 59 / 71 / 0 / 0

HEX #694AFF

RGB 105 74 255

HSL 250.28, 1%, 0.65%

LAB 45.8, 59.54, -85.32

 

CMYK 84 / 99 / 0 / 20

HEX #2002CC

RGB 32 2 204

HSL 248.91, 0.98%, 0.4%

LAB 25.89, 66.85, -89.36

 

CMYK 92 / 100 / 0 / 27

HEX #0F00B9

RGB 15 0 185

HSL 244.86, 1%, 0.36%

LAB 22.32, 62.34, -84.14

 

CMYK 100 / 100 / 0 / 35

HEX #0000A6

RGB 0 0 166

HSL 240, 1%, 0.33%

LAB 19.03, 57.43, -78.22

 

CMYK 100 / 100 / 0 / 42

HEX #000093

RGB 0 0 147

HSL 240, 1%, 0.29%

LAB 16.04, 52.53, -71.54

 

CMYK 100 / 100 / 0 / 50

HEX #000080

RGB 0 0 128

HSL 240, 1%, 0.25%

LAB 12.98, 47.51, -64.7

 

CMYK 84 / 99 / 0 / 21

HEX #2002CA

RGB 32 2 202

HSL 249, 0.98%, 0.4%

LAB 25.61, 66.35, -88.67

 

CMYK 57 / 99 / 0 / 21

HEX #5602CA

RGB 86 2 202

HSL 265.2, 0.98%, 0.4%

LAB 30.12, 68.48, -81.03

 

CMYK 31 / 99 / 0 / 21

HEX #8C02CA

RGB 140 2 202

HSL 281.4, 0.98%, 0.4%

LAB 37.63, 73.47, -68.39

 

CMYK 4 / 99 / 0 / 21

HEX #C102CA

RGB 193 2 202

HSL 297.3, 0.98%, 0.4%

LAB 46.51, 80.84, -53.59

 

CMYK 0 / 99 / 22 / 21

HEX #CA029D

RGB 202 2 157

HSL 313.5, 0.98%, 0.4%

LAB 45.68, 76.31, -28.26

 

CMYK 84 / 99 / 0 / 21

HEX #2002CA

RGB 32 2 202

HSL 249, 0.98%, 0.4%

LAB 25.61, 66.35, -88.67

 

CMYK 99 / 99 / 0 / 21

HEX #0202CA

RGB 2 2 202

HSL 240, 0.98%, 0.4%

LAB 24.7, 66.03, -90.2

 

CMYK 84 / 99 / 0 / 21

HEX #2002CA

RGB 32 2 202

HSL 249, 0.98%, 0.4%

LAB 25.61, 66.35, -88.67

 

CMYK 84 / 99 / 0 / 21

HEX #2002CA

RGB 32 2 202

HSL 249, 0.98%, 0.4%

LAB 25.61, 66.35, -88.67

 

CMYK 77 / 90 / 0 / 27

HEX #2B13B9

RGB 43 19 185

HSL 248.67, 0.81%, 0.4%

LAB 25.21, 58.32, -79.29

 

CMYK 67 / 79 / 0 / 34

HEX #3723A9

RGB 55 35 169

HSL 248.96, 0.66%, 0.4%

LAB 26.39, 48.01, -67.71

 

CMYK 56 / 66 / 0 / 40

HEX #433498

RGB 67 52 152

HSL 249, 0.49%, 0.4%

LAB 29.2, 34.83, -52.73

 

CMYK 43 / 50 / 0 / 47

HEX #4E4488

RGB 78 68 136

HSL 248.82, 0.33%, 0.4%

LAB 32.99, 22.13, -36.75

 

CMYK 99 / 59 / 0 / 21

HEX #0252CA

RGB 2 82 202

HSL 216, 0.98%, 0.4%

LAB 38.4, 27.71, -67.54

 

CMYK 99 / 86 / 0 / 21

HEX #021DCA

RGB 2 29 202

HSL 231.9, 0.98%, 0.4%

LAB 27.17, 58.49, -86.07

 

CMYK 86 / 99 / 0 / 21

HEX #1D02CA

RGB 29 2 202

HSL 248.1, 0.98%, 0.4%

LAB 25.47, 66.3, -88.9

 

CMYK 59 / 99 / 0 / 21

HEX #5202CA

RGB 82 2 202

HSL 264, 0.98%, 0.4%

LAB 29.67, 68.23, -81.8

 

CMYK 33 / 99 / 0 / 21

HEX #8702CA

RGB 135 2 202

HSL 279.9, 0.98%, 0.4%

LAB 36.85, 72.89, -69.7

 

CMYK 84 / 99 / 0 / 53

HEX #130178

RGB 19 1 120

HSL 249.08, 0.98%, 0.24%

LAB 12.71, 45.24, -60

 

CMYK 84 / 99 / 0 / 37

HEX #1902A1

RGB 25 2 161

HSL 248.68, 0.98%, 0.32%

LAB 19.32, 55.88, -74.66

 

CMYK 84 / 99 / 0 / 21

HEX #2002CA

RGB 32 2 202

HSL 249, 0.98%, 0.4%

LAB 25.61, 66.35, -88.67

 

CMYK 84 / 99 / 0 / 5

HEX #2602F3

RGB 38 2 243

HSL 248.96, 0.98%, 0.48%

LAB 31.64, 76.36, -102.19

 

CMYK 74 / 87 / 0 / 1

HEX #4222FD

RGB 66 34 253

HSL 248.77, 0.98%, 0.56%

LAB 36.73, 72.79, -99.29

 

CMYK 84 / 99 / 0 / 20

HEX #2002CC

RGB 32 2 204

HSL 248.91, 0.98%, 0.4%

LAB 25.89, 66.85, -89.36

 

CMYK 0 / 99 / 33 / 21

HEX #CA0287

RGB 202 2 135

HSL 320.1, 0.98%, 0.4%

LAB 44.73, 73.88, -16.4

 

CMYK 73 / 0 / 99 / 21

HEX #37CA02

RGB 55 202 2

HSL 104.1, 0.98%, 0.4%

LAB 71.59, -67.31, 70.25

 

CMYK 84 / 99 / 0 / 20

HEX #2002CC

RGB 32 2 204

HSL 248.91, 0.98%, 0.4%

LAB 25.89, 66.85, -89.36

 

CMYK 0 / 86 / 99 / 21

HEX #CA1D02

RGB 202 29 2

HSL 8.1, 0.98%, 0.4%

LAB 43.42, 63.42, 56.22

 

CMYK 99 / 0 / 86 / 21

HEX #02CA1D

RGB 2 202 29

HSL 128.1, 0.98%, 0.4%

LAB 71.11, -71.44, 65.69

 

CMYK 84 / 99 / 0 / 20

HEX #2002CC

RGB 32 2 204

HSL 248.91, 0.98%, 0.4%

LAB 25.89, 66.85, -89.36

 

CMYK 0 / 99 / 33 / 21

HEX #CA0287

RGB 202 2 135

HSL 320.1, 0.98%, 0.4%

LAB 44.73, 73.88, -16.4

 

CMYK 13 / 0 / 99 / 21

HEX #AFCA02

RGB 175 202 2

HSL 68.1, 0.98%, 0.4%

LAB 76.9, -29.47, 76.66

 

CMYK 99 / 0 / 66 / 21

HEX #02CA45

RGB 2 202 69

HSL 140.1, 0.98%, 0.4%

LAB 71.34, -68.45, 52.87

 

CMYK 84 / 99 / 0 / 20

HEX #2002CC

RGB 32 2 204

HSL 248.91, 0.98%, 0.4%

LAB 25.89, 66.85, -89.36

 

CMYK 0 / 99 / 63 / 21

HEX #CA024B

RGB 202 2 75

HSL 338.1, 0.98%, 0.4%

LAB 42.93, 69.12, 18.41

 

CMYK 13 / 0 / 99 / 21

HEX #AFCA02

RGB 175 202 2

HSL 68.1, 0.98%, 0.4%

LAB 76.9, -29.47, 76.66

 

CMYK 99 / 0 / 36 / 21

HEX #02CA81

RGB 2 202 129

HSL 158.1, 0.98%, 0.4%

LAB 72.12, -59.01, 24.89

 

Description

Color code: HEX #2002CC | qconv.com Color code: HEX #2002CC | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 32 red, 2 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
32 2 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, 99 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 99% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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