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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1FFAA4 it is the complementary color #E0055B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1FFAA4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1FFAA4 shade: #24FA9F, #35FFB2, #46FFC5, #57FFD8 and #68FFEB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1FFAA4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1FFAA4 shade: #1FFAA4, #0EE891, #00D67E, #00C46B and #00B258

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1FFAA4 shade: #1EFAA4, #1EFA68, #1EFA2D, #4BFA1E and #86FA1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1FFAA4 shade: #1EFAA4, #1EFADF, #1EDAFA, #1E9FFA and #1E63FA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1FFAA4 shade matches the following richer shades: #1EFAA4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1FFAA4 shade: #1EFAA4, #31E8A0, #43D59C, #56C398 and #68B094

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1FFAA4 shade: #1EFA2D, #1EFA68, #1EFAA2, #1EFADD and #1EDDFA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1FFAA4 shade: #04C277, #05EA90, #1EFAA4, #47FBB4 and #6FFCC5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1FFAA4 shade: #1FFAA4, #1E4AFA and #FA4A1E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1FFAA4 shade: #1FFAA4, #A21EFA and #FAA21E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1FFAA4 shade: #1FFAA4, #1E4AFA, #FA1E76 and #FACE1E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1FFAA4 shade: #1FFAA4, #341EFA, #FA1E76 and #E4FA1E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 34 / 2

HEX #1FFAA4

RGB 31 250 164

HSL 156.44, 0.96%, 0.55%

LAB 87.65, -67.6, 27.87

 

Complementary color

CMYK 0 / 98 / 59 / 12

HEX #E0055B

RGB 224 5 91

HSL 336.44, 0.96%, 0.45%

LAB 47.89, 74.89, 15.9

 

CMYK 86 / 0 / 36 / 2

HEX #24FA9F

RGB 36 250 159

HSL 154.49, 0.96%, 0.56%

LAB 87.61, -68.26, 30.34

 

CMYK 79 / 0 / 30 / 0

HEX #35FFB2

RGB 53 255 178

HSL 157.13, 1%, 0.6%

LAB 89.62, -64.81, 23.5

 

CMYK 73 / 0 / 23 / 0

HEX #46FFC5

RGB 70 255 197

HSL 161.19, 1%, 0.64%

LAB 90.25, -58.82, 14.7

 

CMYK 66 / 0 / 15 / 0

HEX #57FFD8

RGB 87 255 216

HSL 166.07, 1%, 0.67%

LAB 91.01, -52.09, 6.03

 

CMYK 59 / 0 / 8 / 0

HEX #68FFEB

RGB 104 255 235

HSL 172.05, 1%, 0.7%

LAB 91.89, -44.73, -2.47

 

CMYK 88 / 0 / 34 / 2

HEX #1FFAA4

RGB 31 250 164

HSL 156.44, 0.96%, 0.55%

LAB 87.65, -67.6, 27.87

 

CMYK 94 / 0 / 38 / 9

HEX #0EE891

RGB 14 232 145

HSL 156.06, 0.89%, 0.48%

LAB 81.76, -65.91, 29.56

 

CMYK 100 / 0 / 41 / 16

HEX #00D67E

RGB 0 214 126

HSL 155.33, 1%, 0.42%

LAB 75.82, -63.84, 31.36

 

CMYK 100 / 0 / 45 / 23

HEX #00C46B

RGB 0 196 107

HSL 152.76, 1%, 0.38%

LAB 69.85, -61.24, 33.29

 

CMYK 100 / 0 / 51 / 30

HEX #00B258

RGB 0 178 88

HSL 149.66, 1%, 0.35%

LAB 63.79, -58.5, 35.24

 

CMYK 88 / 0 / 34 / 2

HEX #1EFAA4

RGB 30 250 164

HSL 156.55, 0.96%, 0.55%

LAB 87.64, -67.66, 27.86

 

CMYK 88 / 0 / 58 / 2

HEX #1EFA68

RGB 30 250 104

HSL 140.18, 0.96%, 0.55%

LAB 86.82, -77.4, 55.51

 

CMYK 88 / 0 / 82 / 2

HEX #1EFA2D

RGB 30 250 45

HSL 124.09, 0.96%, 0.55%

LAB 86.42, -82.43, 75.85

 

CMYK 70 / 0 / 88 / 2

HEX #4BFA1E

RGB 75 250 30

HSL 107.73, 0.96%, 0.55%

LAB 86.98, -77.73, 79.66

 

CMYK 46 / 0 / 88 / 2

HEX #86FA1E

RGB 134 250 30

HSL 91.64, 0.96%, 0.55%

LAB 88.7, -63.77, 81.81

 

CMYK 88 / 0 / 34 / 2

HEX #1EFAA4

RGB 30 250 164

HSL 156.55, 0.96%, 0.55%

LAB 87.64, -67.66, 27.86

 

CMYK 88 / 0 / 11 / 2

HEX #1EFADF

RGB 30 250 223

HSL 172.64, 0.96%, 0.55%

LAB 88.91, -53.92, -0.75

 

CMYK 88 / 13 / 0 / 2

HEX #1EDAFA

RGB 30 218 250

HSL 188.73, 0.96%, 0.55%

LAB 80.36, -31.92, -27.78

 

CMYK 88 / 36 / 0 / 2

HEX #1E9FFA

RGB 30 159 250

HSL 204.82, 0.96%, 0.55%

LAB 63.32, -0.76, -54.36

 

CMYK 88 / 60 / 0 / 2

HEX #1E63FA

RGB 30 99 250

HSL 221.18, 0.96%, 0.55%

LAB 47.11, 36.15, -80.53

 

CMYK 88 / 0 / 34 / 2

HEX #1EFAA4

RGB 30 250 164

HSL 156.55, 0.96%, 0.55%

LAB 87.64, -67.66, 27.86

 

CMYK 88 / 0 / 34 / 2

HEX #1EFAA4

RGB 30 250 164

HSL 156.55, 0.96%, 0.55%

LAB 87.64, -67.66, 27.86

 

CMYK 79 / 0 / 31 / 9

HEX #31E8A0

RGB 49 232 160

HSL 156.39, 0.8%, 0.55%

LAB 82.33, -60.5, 22.69

 

CMYK 69 / 0 / 27 / 16

HEX #43D59C

RGB 67 213 156

HSL 156.58, 0.63%, 0.55%

LAB 76.79, -51.72, 17.17

 

CMYK 56 / 0 / 22 / 24

HEX #56C398

RGB 86 195 152

HSL 156.33, 0.48%, 0.55%

LAB 71.74, -41.51, 12.31

 

CMYK 41 / 0 / 16 / 31

HEX #68B094

RGB 104 176 148

HSL 156.67, 0.31%, 0.55%

LAB 66.62, -29.15, 7.31

 

CMYK 88 / 0 / 82 / 2

HEX #1EFA2D

RGB 30 250 45

HSL 124.09, 0.96%, 0.55%

LAB 86.42, -82.43, 75.85

 

CMYK 88 / 0 / 58 / 2

HEX #1EFA68

RGB 30 250 104

HSL 140.18, 0.96%, 0.55%

LAB 86.82, -77.4, 55.51

 

CMYK 88 / 0 / 35 / 2

HEX #1EFAA2

RGB 30 250 162

HSL 156, 0.96%, 0.55%

LAB 87.61, -68.06, 28.82

 

CMYK 88 / 0 / 12 / 2

HEX #1EFADD

RGB 30 250 221

HSL 172.09, 0.96%, 0.55%

LAB 88.86, -54.44, 0.21

 

CMYK 88 / 12 / 0 / 2

HEX #1EDDFA

RGB 30 221 250

HSL 187.91, 0.96%, 0.55%

LAB 81.23, -33.35, -26.45

 

CMYK 98 / 0 / 39 / 24

HEX #04C277

RGB 4 194 119

HSL 156.32, 0.96%, 0.39%

LAB 69.43, -58.13, 26.53

 

CMYK 98 / 0 / 38 / 8

HEX #05EA90

RGB 5 234 144

HSL 156.42, 0.96%, 0.47%

LAB 82.32, -67.06, 30.81

 

CMYK 88 / 0 / 34 / 2

HEX #1EFAA4

RGB 30 250 164

HSL 156.55, 0.96%, 0.55%

LAB 87.64, -67.66, 27.86

 

CMYK 72 / 0 / 28 / 2

HEX #47FBB4

RGB 71 251 180

HSL 156.33, 0.96%, 0.63%

LAB 88.75, -60.84, 21.31

 

CMYK 56 / 0 / 22 / 1

HEX #6FFCC5

RGB 111 252 197

HSL 156.6, 0.96%, 0.71%

LAB 90.34, -50.87, 14.95

 

CMYK 88 / 0 / 34 / 2

HEX #1FFAA4

RGB 31 250 164

HSL 156.44, 0.96%, 0.55%

LAB 87.65, -67.6, 27.87

 

CMYK 88 / 70 / 0 / 2

HEX #1E4AFA

RGB 30 74 250

HSL 228, 0.96%, 0.55%

LAB 41.34, 51.44, -90.02

 

CMYK 0 / 70 / 88 / 2

HEX #FA4A1E

RGB 250 74 30

HSL 12, 0.96%, 0.55%

LAB 57.38, 64.86, 60.62

 

CMYK 88 / 0 / 34 / 2

HEX #1FFAA4

RGB 31 250 164

HSL 156.44, 0.96%, 0.55%

LAB 87.65, -67.6, 27.87

 

CMYK 35 / 88 / 0 / 2

HEX #A21EFA

RGB 162 30 250

HSL 276, 0.96%, 0.55%

LAB 46.33, 81.41, -81.42

 

CMYK 0 / 35 / 88 / 2

HEX #FAA21E

RGB 250 162 30

HSL 36, 0.96%, 0.55%

LAB 73.71, 23.76, 73.11

 

CMYK 88 / 0 / 34 / 2

HEX #1FFAA4

RGB 31 250 164

HSL 156.44, 0.96%, 0.55%

LAB 87.65, -67.6, 27.87

 

CMYK 88 / 70 / 0 / 2

HEX #1E4AFA

RGB 30 74 250

HSL 228, 0.96%, 0.55%

LAB 41.34, 51.44, -90.02

 

CMYK 0 / 88 / 53 / 2

HEX #FA1E76

RGB 250 30 118

HSL 336, 0.96%, 0.55%

LAB 54.62, 79.93, 9.56

 

CMYK 0 / 18 / 88 / 2

HEX #FACE1E

RGB 250 206 30

HSL 48, 0.96%, 0.55%

LAB 84.26, 0.86, 81.33

 

CMYK 88 / 0 / 34 / 2

HEX #1FFAA4

RGB 31 250 164

HSL 156.44, 0.96%, 0.55%

LAB 87.65, -67.6, 27.87

 

CMYK 79 / 88 / 0 / 2

HEX #341EFA

RGB 52 30 250

HSL 246, 0.96%, 0.55%

LAB 35.12, 72.68, -100.3

 

CMYK 0 / 88 / 53 / 2

HEX #FA1E76

RGB 250 30 118

HSL 336, 0.96%, 0.55%

LAB 54.62, 79.93, 9.56

 

CMYK 9 / 0 / 88 / 2

HEX #E4FA1E

RGB 228 250 30

HSL 66, 0.96%, 0.55%

LAB 93.87, -29.87, 88.17

 

Description

Color code: HEX #1FFAA4 | qconv.com Color code: HEX #1FFAA4 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31 red, 250 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31 250 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 34 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 34% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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