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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1FF477 it is the complementary color #E00B88. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1FF477. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1FF477 shade: #24F472, #35FF85, #46FF98, #57FFAB and #68FFBE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1FF477. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1FF477 shade: #1FF477, #0EE264, #00D051, #00BE3E and #00AC2B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1FF477 shade: #1FF477, #1FF43E, #3AF41F, #73F41F and #ADF41F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1FF477 shade: #1FF477, #1FF4B1, #1FF4EA, #1FC5F4 and #1F8BF4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1FF477 shade matches the following richer shades: #1FF477

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1FF477 shade: #1FF477, #32E17A, #45CE7E, #58BC81 and #6BA984

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1FF477 shade: #3BF41F, #1FF43B, #1FF474, #1FF4AD and #1FF4E6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1FF477 shade: #09B851, #0BE063, #1FF477, #46F68F and #6EF8A7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1FF477 shade: #1FF477, #1F74F4 and #F41F1F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1FF477 shade: #1FF477, #741FF4 and #F4741F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1FF477 shade: #1FF477, #1F74F4, #F41F9F and #F49F1F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1FF477 shade: #1FF477, #1F34F4, #F41F9F and #F4DF1F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 0 / 51 / 4

HEX #1FF477

RGB 31 244 119

HSL 144.79, 0.91%, 0.54%

LAB 85.16, -73.46, 46.71

 

Complementary color

CMYK 0 / 95 / 39 / 12

HEX #E00B88

RGB 224 11 136

HSL 324.79, 0.91%, 0.46%

LAB 49.33, 77.82, -9.63

 

CMYK 85 / 0 / 53 / 4

HEX #24F472

RGB 36 244 114

HSL 142.5, 0.9%, 0.55%

LAB 85.14, -73.82, 49.03

 

CMYK 79 / 0 / 48 / 0

HEX #35FF85

RGB 53 255 133

HSL 143.76, 1%, 0.6%

LAB 88.91, -72.99, 44.82

 

CMYK 73 / 0 / 40 / 0

HEX #46FF98

RGB 70 255 152

HSL 146.59, 1%, 0.64%

LAB 89.43, -67.81, 36.33

 

CMYK 66 / 0 / 33 / 0

HEX #57FFAB

RGB 87 255 171

HSL 150, 1%, 0.67%

LAB 90.08, -61.76, 27.77

 

CMYK 59 / 0 / 25 / 0

HEX #68FFBE

RGB 104 255 190

HSL 154.17, 1%, 0.7%

LAB 90.86, -54.94, 19.25

 

CMYK 87 / 0 / 51 / 4

HEX #1FF477

RGB 31 244 119

HSL 144.79, 0.91%, 0.54%

LAB 85.16, -73.46, 46.71

 

CMYK 94 / 0 / 56 / 11

HEX #0EE264

RGB 14 226 100

HSL 144.34, 0.88%, 0.47%

LAB 79.27, -71.46, 48.37

 

CMYK 100 / 0 / 61 / 18

HEX #00D051

RGB 0 208 81

HSL 143.37, 1%, 0.41%

LAB 73.35, -68.94, 49.99

 

CMYK 100 / 0 / 67 / 25

HEX #00BE3E

RGB 0 190 62

HSL 139.58, 1%, 0.37%

LAB 67.41, -65.72, 51.47

 

CMYK 100 / 0 / 75 / 33

HEX #00AC2B

RGB 0 172 43

HSL 135, 1%, 0.34%

LAB 61.38, -62.19, 52.48

 

CMYK 87 / 0 / 51 / 4

HEX #1FF477

RGB 31 244 119

HSL 144.79, 0.91%, 0.54%

LAB 85.16, -73.46, 46.71

 

CMYK 87 / 0 / 75 / 4

HEX #1FF43E

RGB 31 244 62

HSL 128.73, 0.91%, 0.54%

LAB 84.66, -79.69, 69.37

 

CMYK 76 / 0 / 87 / 4

HEX #3AF41F

RGB 58 244 31

HSL 112.39, 0.91%, 0.54%

LAB 84.84, -78.54, 77.53

 

CMYK 53 / 0 / 87 / 4

HEX #73F41F

RGB 115 244 31

HSL 96.34, 0.91%, 0.54%

LAB 86.23, -66.98, 79.27

 

CMYK 29 / 0 / 87 / 4

HEX #ADF41F

RGB 173 244 31

HSL 80, 0.91%, 0.54%

LAB 88.77, -48.43, 82.43

 

CMYK 87 / 0 / 51 / 4

HEX #1FF477

RGB 31 244 119

HSL 144.79, 0.91%, 0.54%

LAB 85.16, -73.46, 46.71

 

CMYK 87 / 0 / 27 / 4

HEX #1FF4B1

RGB 31 244 177

HSL 161.13, 0.91%, 0.54%

LAB 86.09, -62.71, 19.09

 

CMYK 87 / 0 / 4 / 4

HEX #1FF4EA

RGB 31 244 234

HSL 177.18, 0.91%, 0.54%

LAB 87.45, -48.39, -8.64

 

CMYK 87 / 19 / 0 / 4

HEX #1FC5F4

RGB 31 197 244

HSL 193.24, 0.91%, 0.54%

LAB 74.03, -23.45, -34.31

 

CMYK 87 / 43 / 0 / 4

HEX #1F8BF4

RGB 31 139 244

HSL 209.58, 0.91%, 0.54%

LAB 57.36, 8.92, -60.59

 

CMYK 87 / 0 / 51 / 4

HEX #1FF477

RGB 31 244 119

HSL 144.79, 0.91%, 0.54%

LAB 85.16, -73.46, 46.71

 

CMYK 87 / 0 / 51 / 4

HEX #1FF477

RGB 31 244 119

HSL 144.79, 0.91%, 0.54%

LAB 85.16, -73.46, 46.71

 

CMYK 78 / 0 / 46 / 12

HEX #32E17A

RGB 50 225 122

HSL 144.69, 0.74%, 0.54%

LAB 79.58, -65.03, 38.31

 

CMYK 67 / 0 / 39 / 19

HEX #45CE7E

RGB 69 206 126

HSL 144.96, 0.58%, 0.54%

LAB 74.13, -54.67, 29.29

 

CMYK 53 / 0 / 31 / 26

HEX #58BC81

RGB 88 188 129

HSL 144.6, 0.43%, 0.54%

LAB 69.2, -42.8, 21.17

 

CMYK 37 / 0 / 22 / 34

HEX #6BA984

RGB 107 169 132

HSL 144.19, 0.26%, 0.54%

LAB 64.3, -28.26, 12.88

 

CMYK 76 / 0 / 87 / 4

HEX #3BF41F

RGB 59 244 31

HSL 112.11, 0.91%, 0.54%

LAB 84.86, -78.41, 77.55

 

CMYK 87 / 0 / 76 / 4

HEX #1FF43B

RGB 31 244 59

HSL 127.89, 0.91%, 0.54%

LAB 84.64, -79.9, 70.3

 

CMYK 87 / 0 / 52 / 4

HEX #1FF474

RGB 31 244 116

HSL 143.94, 0.91%, 0.54%

LAB 85.13, -73.89, 48.07

 

CMYK 87 / 0 / 29 / 4

HEX #1FF4AD

RGB 31 244 173

HSL 160, 0.91%, 0.54%

LAB 86.01, -63.58, 21.04

 

CMYK 87 / 0 / 6 / 4

HEX #1FF4E6

RGB 31 244 230

HSL 176.06, 0.91%, 0.54%

LAB 87.34, -49.5, -6.71

 

CMYK 95 / 0 / 56 / 28

HEX #09B851

RGB 9 184 81

HSL 144.69, 0.91%, 0.38%

LAB 65.7, -61.14, 41.03

 

CMYK 95 / 0 / 56 / 12

HEX #0BE063

RGB 11 224 99

HSL 144.79, 0.91%, 0.46%

LAB 78.63, -71.09, 48.05

 

CMYK 87 / 0 / 51 / 4

HEX #1FF477

RGB 31 244 119

HSL 144.79, 0.91%, 0.54%

LAB 85.16, -73.46, 46.71

 

CMYK 72 / 0 / 42 / 4

HEX #46F68F

RGB 70 246 143

HSL 144.89, 0.91%, 0.62%

LAB 86.6, -66.19, 37.07

 

CMYK 56 / 0 / 33 / 3

HEX #6EF8A7

RGB 110 248 167

HSL 144.78, 0.91%, 0.7%

LAB 88.56, -55.39, 27.83

 

CMYK 87 / 0 / 51 / 4

HEX #1FF477

RGB 31 244 119

HSL 144.79, 0.91%, 0.54%

LAB 85.16, -73.46, 46.71

 

CMYK 87 / 52 / 0 / 4

HEX #1F74F4

RGB 31 116 244

HSL 216.06, 0.91%, 0.54%

LAB 51.05, 23.19, -70.76

 

CMYK 0 / 87 / 87 / 4

HEX #F41F1F

RGB 244 31 31

HSL 0, 0.91%, 0.54%

LAB 52.19, 74.58, 55.77

 

CMYK 87 / 0 / 51 / 4

HEX #1FF477

RGB 31 244 119

HSL 144.79, 0.91%, 0.54%

LAB 85.16, -73.46, 46.71

 

CMYK 52 / 87 / 0 / 4

HEX #741FF4

RGB 116 31 244

HSL 263.94, 0.91%, 0.54%

LAB 39.96, 74.93, -88.75

 

CMYK 0 / 52 / 87 / 4

HEX #F4741F

RGB 244 116 31

HSL 23.94, 0.91%, 0.54%

LAB 63.2, 44.84, 64.31

 

CMYK 87 / 0 / 51 / 4

HEX #1FF477

RGB 31 244 119

HSL 144.79, 0.91%, 0.54%

LAB 85.16, -73.46, 46.71

 

CMYK 87 / 52 / 0 / 4

HEX #1F74F4

RGB 31 116 244

HSL 216.06, 0.91%, 0.54%

LAB 51.05, 23.19, -70.76

 

CMYK 0 / 87 / 35 / 4

HEX #F41F9F

RGB 244 31 159

HSL 323.94, 0.91%, 0.54%

LAB 54.78, 81.87, -14.79

 

CMYK 0 / 35 / 87 / 4

HEX #F49F1F

RGB 244 159 31

HSL 36.06, 0.91%, 0.54%

LAB 72.31, 22.84, 71.46

 

CMYK 87 / 0 / 51 / 4

HEX #1FF477

RGB 31 244 119

HSL 144.79, 0.91%, 0.54%

LAB 85.16, -73.46, 46.71

 

CMYK 87 / 79 / 0 / 4

HEX #1F34F4

RGB 31 52 244

HSL 234.08, 0.91%, 0.54%

LAB 36.52, 61.42, -94.63

 

CMYK 0 / 87 / 35 / 4

HEX #F41F9F

RGB 244 31 159

HSL 323.94, 0.91%, 0.54%

LAB 54.78, 81.87, -14.79

 

CMYK 0 / 9 / 87 / 4

HEX #F4DF1F

RGB 244 223 31

HSL 54.08, 0.91%, 0.54%

LAB 88.02, -10.25, 83.87

 

Description

Color code: HEX #1FF477 | qconv.com Color code: HEX #1FF477 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31 red, 244 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31 244 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, none magenta, 51 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 0% 51% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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