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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1FEF05 it is the complementary color #E010FA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1FEF05. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1FEF05 shade: #24EF00, #35FF13, #46FF26, #57FF39 and #68FF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1FEF05. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1FEF05 shade: #1FEF05, #0EDD00, #00CB00, #00B900 and #00A700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1FEF05 shade: #1FF005, #5EF005, #9EF005, #DDF005 and #F0C305

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1FEF05 shade: #1FF005, #05F02A, #05F06A, #05F0A9 and #05F0E8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1FEF05 shade matches the following richer shades: #1FF005

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1FEF05 shade: #1FF005, #2EDC19, #3EC82D, #4DB440 and #5DA154

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1FEF05 shade: #9EF005, #5FF005, #20F005, #05F028 and #05F067

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1FEF05 shade: #159F03, #1AC704, #1FF005, #3BFB24 and #5FFB4C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1FEF05 shade: #1FEF05, #05DCF0 and #F0057E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1FEF05 shade: #1FEF05, #0520F0 and #F00520

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1FEF05 shade: #1FEF05, #05DCF0, #D405F0 and #F01805

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1FEF05 shade: #1FEF05, #0596F0, #D405F0 and #F05F05

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 0 / 98 / 6

HEX #1FEF05

RGB 31 239 5

HSL 113.33, 0.96%, 0.48%

LAB 82.93, -80.57, 78.98

 

Complementary color

CMYK 10 / 94 / 0 / 2

HEX #E010FA

RGB 224 16 250

HSL 293.33, 0.96%, 0.52%

LAB 55.2, 91.79, -66.58

 

CMYK 85 / 0 / 100 / 6

HEX #24EF00

RGB 36 239 0

HSL 110.96, 1%, 0.47%

LAB 82.97, -80.24, 79.44

 

CMYK 79 / 0 / 93 / 0

HEX #35FF13

RGB 53 255 19

HSL 111.36, 1%, 0.54%

LAB 88.12, -82.6, 82.04

 

CMYK 73 / 0 / 85 / 0

HEX #46FF26

RGB 70 255 38

HSL 111.15, 1%, 0.57%

LAB 88.43, -79.74, 79.39

 

CMYK 66 / 0 / 78 / 0

HEX #57FF39

RGB 87 255 57

HSL 110.91, 1%, 0.61%

LAB 88.85, -75.9, 75.25

 

CMYK 59 / 0 / 70 / 0

HEX #68FF4C

RGB 104 255 76

HSL 110.61, 1%, 0.65%

LAB 89.39, -71.09, 69.83

 

CMYK 87 / 0 / 98 / 6

HEX #1FEF05

RGB 31 239 5

HSL 113.33, 0.96%, 0.48%

LAB 82.93, -80.57, 78.98

 

CMYK 94 / 0 / 100 / 13

HEX #0EDD00

RGB 14 221 0

HSL 116.2, 1%, 0.43%

LAB 77.16, -76.84, 74.73

 

CMYK 100 / 0 / 100 / 20

HEX #00CB00

RGB 0 203 0

HSL 120, 1%, 0.4%

LAB 71.36, -72.58, 70.05

 

CMYK 100 / 0 / 100 / 27

HEX #00B900

RGB 0 185 0

HSL 120, 1%, 0.36%

LAB 65.51, -67.72, 65.36

 

CMYK 100 / 0 / 100 / 35

HEX #00A700

RGB 0 167 0

HSL 120, 1%, 0.33%

LAB 59.56, -62.77, 60.59

 

CMYK 87 / 0 / 98 / 6

HEX #1FF005

RGB 31 240 5

HSL 113.36, 0.96%, 0.48%

LAB 83.24, -80.84, 79.23

 

CMYK 61 / 0 / 98 / 6

HEX #5EF005

RGB 94 240 5

HSL 97.28, 0.96%, 0.48%

LAB 84.33, -71.37, 80.56

 

CMYK 34 / 0 / 98 / 6

HEX #9EF005

RGB 158 240 5

HSL 80.94, 0.96%, 0.48%

LAB 86.8, -52.58, 83.56

 

CMYK 8 / 0 / 98 / 6

HEX #DDF005

RGB 221 240 5

HSL 64.85, 0.96%, 0.48%

LAB 90.64, -28.37, 88.18

 

CMYK 0 / 19 / 98 / 6

HEX #F0C305

RGB 240 195 5

HSL 48.51, 0.96%, 0.48%

LAB 80.5, 1.92, 81.47

 

CMYK 87 / 0 / 98 / 6

HEX #1FF005

RGB 31 240 5

HSL 113.36, 0.96%, 0.48%

LAB 83.24, -80.84, 79.23

 

CMYK 98 / 0 / 83 / 6

HEX #05F02A

RGB 5 240 42

HSL 129.45, 0.96%, 0.48%

LAB 83.19, -81.01, 73.58

 

CMYK 98 / 0 / 56 / 6

HEX #05F06A

RGB 5 240 106

HSL 145.79, 0.96%, 0.48%

LAB 83.65, -75.2, 50.85

 

CMYK 98 / 0 / 30 / 6

HEX #05F0A9

RGB 5 240 169

HSL 161.87, 0.96%, 0.48%

LAB 84.6, -64.02, 21.12

 

CMYK 98 / 0 / 3 / 6

HEX #05F0E8

RGB 5 240 232

HSL 177.96, 0.96%, 0.48%

LAB 86.1, -48.11, -9.63

 

CMYK 87 / 0 / 98 / 6

HEX #1FF005

RGB 31 240 5

HSL 113.36, 0.96%, 0.48%

LAB 83.24, -80.84, 79.23

 

CMYK 87 / 0 / 98 / 6

HEX #1FF005

RGB 31 240 5

HSL 113.36, 0.96%, 0.48%

LAB 83.24, -80.84, 79.23

 

CMYK 79 / 0 / 89 / 14

HEX #2EDC19

RGB 46 220 25

HSL 113.54, 0.8%, 0.48%

LAB 77.18, -73.39, 71.93

 

CMYK 69 / 0 / 78 / 22

HEX #3EC82D

RGB 62 200 45

HSL 113.42, 0.63%, 0.48%

LAB 71.23, -63.89, 61.78

 

CMYK 57 / 0 / 64 / 29

HEX #4DB440

RGB 77 180 64

HSL 113.28, 0.48%, 0.48%

LAB 65.43, -52.07, 48.81

 

CMYK 42 / 0 / 48 / 37

HEX #5DA154

RGB 93 161 84

HSL 112.99, 0.31%, 0.48%

LAB 60.3, -37.25, 33.36

 

CMYK 34 / 0 / 98 / 6

HEX #9EF005

RGB 158 240 5

HSL 80.94, 0.96%, 0.48%

LAB 86.8, -52.58, 83.56

 

CMYK 60 / 0 / 98 / 6

HEX #5FF005

RGB 95 240 5

HSL 97.02, 0.96%, 0.48%

LAB 84.36, -71.14, 80.6

 

CMYK 87 / 0 / 98 / 6

HEX #20F005

RGB 32 240 5

HSL 113.11, 0.96%, 0.48%

LAB 83.25, -80.76, 79.24

 

CMYK 98 / 0 / 83 / 6

HEX #05F028

RGB 5 240 40

HSL 128.94, 0.96%, 0.48%

LAB 83.18, -81.11, 74.04

 

CMYK 98 / 0 / 57 / 6

HEX #05F067

RGB 5 240 103

HSL 145.02, 0.96%, 0.48%

LAB 83.62, -75.59, 52.16

 

CMYK 87 / 0 / 98 / 38

HEX #159F03

RGB 21 159 3

HSL 113.08, 0.96%, 0.32%

LAB 57.04, -59.04, 58.17

 

CMYK 87 / 0 / 98 / 22

HEX #1AC704

RGB 26 199 4

HSL 113.23, 0.96%, 0.4%

LAB 70.23, -70.02, 68.77

 

CMYK 87 / 0 / 98 / 6

HEX #1FF005

RGB 31 240 5

HSL 113.36, 0.96%, 0.48%

LAB 83.24, -80.84, 79.23

 

CMYK 76 / 0 / 86 / 2

HEX #3BFB24

RGB 59 251 36

HSL 113.58, 0.96%, 0.56%

LAB 87.02, -80.23, 78.49

 

CMYK 62 / 0 / 70 / 2

HEX #5FFB4C

RGB 95 251 76

HSL 113.49, 0.96%, 0.64%

LAB 87.94, -71.72, 68.26

 

CMYK 87 / 0 / 98 / 6

HEX #1FEF05

RGB 31 239 5

HSL 113.33, 0.96%, 0.48%

LAB 82.93, -80.57, 78.98

 

CMYK 98 / 8 / 0 / 6

HEX #05DCF0

RGB 5 220 240

HSL 185.11, 0.96%, 0.48%

LAB 80.47, -36.83, -22.32

 

CMYK 0 / 98 / 48 / 6

HEX #F0057E

RGB 240 5 126

HSL 329.11, 0.96%, 0.48%

LAB 52, 80.85, 0.71

 

CMYK 87 / 0 / 98 / 6

HEX #1FEF05

RGB 31 239 5

HSL 113.33, 0.96%, 0.48%

LAB 82.93, -80.57, 78.98

 

CMYK 98 / 87 / 0 / 6

HEX #0520F0

RGB 5 32 240

HSL 233.11, 0.96%, 0.48%

LAB 32.61, 68.33, -98.9

 

CMYK 0 / 98 / 87 / 6

HEX #F00520

RGB 240 5 32

HSL 353.11, 0.96%, 0.48%

LAB 50.38, 76.48, 53.56

 

CMYK 87 / 0 / 98 / 6

HEX #1FEF05

RGB 31 239 5

HSL 113.33, 0.96%, 0.48%

LAB 82.93, -80.57, 78.98

 

CMYK 98 / 8 / 0 / 6

HEX #05DCF0

RGB 5 220 240

HSL 185.11, 0.96%, 0.48%

LAB 80.47, -36.83, -22.32

 

CMYK 12 / 98 / 0 / 6

HEX #D405F0

RGB 212 5 240

HSL 292.85, 0.96%, 0.48%

LAB 52.28, 89.32, -65.78

 

CMYK 0 / 90 / 98 / 6

HEX #F01805

RGB 240 24 5

HSL 4.85, 0.96%, 0.48%

LAB 50.91, 74.33, 63.17

 

CMYK 87 / 0 / 98 / 6

HEX #1FEF05

RGB 31 239 5

HSL 113.33, 0.96%, 0.48%

LAB 82.93, -80.57, 78.98

 

CMYK 98 / 38 / 0 / 6

HEX #0596F0

RGB 5 150 240

HSL 202.98, 0.96%, 0.48%

LAB 60.01, -0.19, -54.15

 

CMYK 12 / 98 / 0 / 6

HEX #D405F0

RGB 212 5 240

HSL 292.85, 0.96%, 0.48%

LAB 52.28, 89.32, -65.78

 

CMYK 0 / 60 / 98 / 6

HEX #F05F05

RGB 240 95 5

HSL 22.98, 0.96%, 0.48%

LAB 58.71, 52.82, 67.16

 

Description

Color code: HEX #1FEF05 | qconv.com Color code: HEX #1FEF05 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31 red, 239 green and 5 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31 239 5 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, none magenta, 98 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 0% 98% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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