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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1FE9BD it is the complementary color #E01642. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1FE9BD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1FE9BD shade: #24E9B8, #35FBCB, #46FFDE, #57FFF1 and #68FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1FE9BD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1FE9BD shade: #1FE9BD, #0ED7AA, #00C597, #00B384 and #00A171

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1FE9BD shade: #20E9BD, #20E987, #20E951, #26E920 and #5CE920

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1FE9BD shade: #20E9BD, #20DFE9, #20A8E9, #2072E9 and #203CE9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1FE9BD shade matches the following richer shades: #20E9BD and #0CFDC8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1FE9BD shade: #20E9BD, #34D5B2, #48C1A7, #5CAE9C and #6F9A91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1FE9BD shade: #20E94F, #20E985, #20E9BA, #20E2E9 and #20ADE9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1FE9BD shade: #10A686, #14CCA4, #20E9BD, #46EDC8 and #6BF0D3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1FE9BD shade: #1FE9BD, #2027E9 and #E96A20

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1FE9BD shade: #1FE9BD, #BA20E9 and #E9BA20

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1FE9BD shade: #1FE9BD, #2027E9, #E9204F and #E9E220

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1FE9BD shade: #1FE9BD, #5620E9, #E9204F and #B3E920

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 0 / 19 / 9

HEX #1FE9BD

RGB 31 233 189

HSL 166.93, 0.82%, 0.52%

LAB 83.04, -55.71, 8.54

 

Complementary color

CMYK 0 / 90 / 71 / 12

HEX #E01642

RGB 224 22 66

HSL 346.93, 0.82%, 0.48%

LAB 48.03, 71.9, 31.38

 

CMYK 85 / 0 / 21 / 9

HEX #24E9B8

RGB 36 233 184

HSL 165.08, 0.82%, 0.53%

LAB 82.97, -56.6, 11.07

 

CMYK 79 / 0 / 19 / 2

HEX #35FBCB

RGB 53 251 203

HSL 165.45, 0.96%, 0.6%

LAB 88.95, -57.71, 9.72

 

CMYK 73 / 0 / 13 / 0

HEX #46FFDE

RGB 70 255 222

HSL 169.3, 1%, 0.64%

LAB 90.82, -52.9, 2.61

 

CMYK 66 / 0 / 5 / 0

HEX #57FFF1

RGB 87 255 241

HSL 175, 1%, 0.67%

LAB 91.64, -45.87, -6

 

CMYK 59 / 0 / 0 / 0

HEX #68FFFF

RGB 104 255 255

HSL 180, 1%, 0.7%

LAB 92.43, -39.62, -12.03

 

CMYK 87 / 0 / 19 / 9

HEX #1FE9BD

RGB 31 233 189

HSL 166.93, 0.82%, 0.52%

LAB 83.04, -55.71, 8.54

 

CMYK 93 / 0 / 21 / 16

HEX #0ED7AA

RGB 14 215 170

HSL 166.57, 0.88%, 0.45%

LAB 77.04, -54.15, 10

 

CMYK 100 / 0 / 23 / 23

HEX #00C597

RGB 0 197 151

HSL 165.99, 1%, 0.39%

LAB 70.99, -52.24, 11.59

 

CMYK 100 / 0 / 26 / 30

HEX #00B384

RGB 0 179 132

HSL 164.25, 1%, 0.35%

LAB 64.89, -49.85, 13.34

 

CMYK 100 / 0 / 30 / 37

HEX #00A171

RGB 0 161 113

HSL 162.11, 1%, 0.32%

LAB 58.68, -47.4, 15.17

 

CMYK 86 / 0 / 19 / 9

HEX #20E9BD

RGB 32 233 189

HSL 166.87, 0.82%, 0.52%

LAB 83.05, -55.65, 8.55

 

CMYK 86 / 0 / 42 / 9

HEX #20E987

RGB 32 233 135

HSL 150.75, 0.82%, 0.52%

LAB 82.02, -67.19, 34.97

 

CMYK 86 / 0 / 65 / 9

HEX #20E951

RGB 32 233 81

HSL 134.63, 0.82%, 0.52%

LAB 81.39, -74.8, 59.05

 

CMYK 84 / 0 / 86 / 9

HEX #26E920

RGB 38 233 32

HSL 118.21, 0.82%, 0.52%

LAB 81.18, -77.69, 74.05

 

CMYK 61 / 0 / 86 / 9

HEX #5CE920

RGB 92 233 32

HSL 102.09, 0.82%, 0.52%

LAB 82.19, -68.97, 75.33

 

CMYK 86 / 0 / 19 / 9

HEX #20E9BD

RGB 32 233 189

HSL 166.87, 0.82%, 0.52%

LAB 83.05, -55.65, 8.55

 

CMYK 86 / 4 / 0 / 9

HEX #20DFE9

RGB 32 223 233

HSL 182.99, 0.82%, 0.52%

LAB 81.27, -39.38, -17.36

 

CMYK 86 / 28 / 0 / 9

HEX #20A8E9

RGB 32 168 233

HSL 199.4, 0.82%, 0.52%

LAB 65.12, -11.86, -42.21

 

CMYK 86 / 51 / 0 / 9

HEX #2072E9

RGB 32 114 233

HSL 215.52, 0.82%, 0.52%

LAB 49.77, 20.32, -66.69

 

CMYK 86 / 74 / 0 / 9

HEX #203CE9

RGB 32 60 233

HSL 231.64, 0.82%, 0.52%

LAB 36.78, 53.75, -87.96

 

CMYK 86 / 0 / 19 / 9

HEX #20E9BD

RGB 32 233 189

HSL 166.87, 0.82%, 0.52%

LAB 83.05, -55.65, 8.55

 

CMYK 95 / 0 / 21 / 1

HEX #0CFDC8

RGB 12 253 200

HSL 166.8, 0.98%, 0.52%

LAB 89.16, -61.55, 11.52

 

CMYK 86 / 0 / 19 / 9

HEX #20E9BD

RGB 32 233 189

HSL 166.87, 0.82%, 0.52%

LAB 83.05, -55.65, 8.55

 

CMYK 76 / 0 / 16 / 16

HEX #34D5B2

RGB 52 213 178

HSL 166.96, 0.66%, 0.52%

LAB 77, -48.57, 5.72

 

CMYK 63 / 0 / 13 / 24

HEX #48C1A7

RGB 72 193 167

HSL 167.11, 0.49%, 0.52%

LAB 71.08, -39.85, 3.17

 

CMYK 47 / 0 / 10 / 32

HEX #5CAE9C

RGB 92 174 156

HSL 166.83, 0.34%, 0.52%

LAB 65.71, -29.5, 1.5

 

CMYK 28 / 0 / 6 / 40

HEX #6F9A91

RGB 111 154 145

HSL 167.44, 0.18%, 0.52%

LAB 60.37, -16.6, -0

 

CMYK 86 / 0 / 66 / 9

HEX #20E94F

RGB 32 233 79

HSL 134.03, 0.82%, 0.52%

LAB 81.37, -75, 59.83

 

CMYK 86 / 0 / 43 / 9

HEX #20E985

RGB 32 233 133

HSL 150.15, 0.82%, 0.52%

LAB 81.99, -67.54, 35.93

 

CMYK 86 / 0 / 20 / 9

HEX #20E9BA

RGB 32 233 186

HSL 165.97, 0.82%, 0.52%

LAB 82.98, -56.39, 10.03

 

CMYK 86 / 3 / 0 / 9

HEX #20E2E9

RGB 32 226 233

HSL 182.09, 0.82%, 0.52%

LAB 82.15, -40.73, -16.03

 

CMYK 86 / 26 / 0 / 9

HEX #20ADE9

RGB 32 173 233

HSL 197.91, 0.82%, 0.52%

LAB 66.58, -14.58, -39.92

 

CMYK 90 / 0 / 19 / 35

HEX #10A686

RGB 16 166 134

HSL 167.2, 0.82%, 0.36%

LAB 60.87, -43.41, 6.56

 

CMYK 90 / 0 / 20 / 20

HEX #14CCA4

RGB 20 204 164

HSL 166.96, 0.82%, 0.44%

LAB 73.56, -51.03, 8.24

 

CMYK 86 / 0 / 19 / 9

HEX #20E9BD

RGB 32 233 189

HSL 166.87, 0.82%, 0.52%

LAB 83.05, -55.65, 8.55

 

CMYK 70 / 0 / 16 / 7

HEX #46EDC8

RGB 70 237 200

HSL 166.71, 0.82%, 0.6%

LAB 85.02, -50.88, 5.67

 

CMYK 55 / 0 / 12 / 6

HEX #6BF0D3

RGB 107 240 211

HSL 166.92, 0.82%, 0.68%

LAB 87.07, -43.4, 2.99

 

CMYK 87 / 0 / 19 / 9

HEX #1FE9BD

RGB 31 233 189

HSL 166.93, 0.82%, 0.52%

LAB 83.04, -55.71, 8.54

 

CMYK 86 / 83 / 0 / 9

HEX #2027E9

RGB 32 39 233

HSL 237.91, 0.82%, 0.52%

LAB 33.22, 64.07, -93.87

 

CMYK 0 / 55 / 86 / 9

HEX #E96A20

RGB 233 106 32

HSL 22.09, 0.82%, 0.52%

LAB 59.65, 45.53, 60.45

 

CMYK 87 / 0 / 19 / 9

HEX #1FE9BD

RGB 31 233 189

HSL 166.93, 0.82%, 0.52%

LAB 83.04, -55.71, 8.54

 

CMYK 20 / 86 / 0 / 9

HEX #BA20E9

RGB 186 32 233

HSL 285.97, 0.82%, 0.52%

LAB 48.7, 81.09, -67.83

 

CMYK 0 / 20 / 86 / 9

HEX #E9BA20

RGB 233 186 32

HSL 45.97, 0.82%, 0.52%

LAB 77.61, 3.95, 74.92

 

CMYK 87 / 0 / 19 / 9

HEX #1FE9BD

RGB 31 233 189

HSL 166.93, 0.82%, 0.52%

LAB 83.04, -55.71, 8.54

 

CMYK 86 / 83 / 0 / 9

HEX #2027E9

RGB 32 39 233

HSL 237.91, 0.82%, 0.52%

LAB 33.22, 64.07, -93.87

 

CMYK 0 / 86 / 66 / 9

HEX #E9204F

RGB 233 32 79

HSL 345.97, 0.82%, 0.52%

LAB 50.59, 73.14, 27.13

 

CMYK 0 / 3 / 86 / 9

HEX #E9E220

RGB 233 226 32

HSL 57.91, 0.82%, 0.52%

LAB 87.88, -16.34, 83.19

 

CMYK 87 / 0 / 19 / 9

HEX #1FE9BD

RGB 31 233 189

HSL 166.93, 0.82%, 0.52%

LAB 83.04, -55.71, 8.54

 

CMYK 63 / 86 / 0 / 9

HEX #5620E9

RGB 86 32 233

HSL 256.12, 0.82%, 0.52%

LAB 35.78, 69.48, -89.53

 

CMYK 0 / 86 / 66 / 9

HEX #E9204F

RGB 233 32 79

HSL 345.97, 0.82%, 0.52%

LAB 50.59, 73.14, 27.13

 

CMYK 23 / 0 / 86 / 9

HEX #B3E920

RGB 179 233 32

HSL 76.12, 0.82%, 0.52%

LAB 85.99, -41.46, 80.07

 

Description

Color code: HEX #1FE9BD | qconv.com Color code: HEX #1FE9BD | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31 red, 233 green and 189 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31 233 189 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, none magenta, 19 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 0% 19% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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