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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1FE7C3 it is the complementary color #E0183C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1FE7C3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1FE7C3 shade: #24E7BE, #35F9D1, #46FFE4, #57FFF7 and #68FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1FE7C3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1FE7C3 shade: #1FE7C3, #0ED5B0, #00C39D, #00B18A and #009F77

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1FE7C3 shade: #1DE7C3, #1DE78C, #1DE756, #1DE71F and #51E71D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1FE7C3 shade: #1DE7C3, #1DD5E7, #1D9FE7, #1D68E7 and #1D31E7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1FE7C3 shade matches the following richer shades: #1DE7C3 and #09FBD0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1FE7C3 shade: #1DE7C3, #31D3B6, #45BFA9, #59AB9C and #6E968F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1FE7C3 shade: #1DE756, #1DE78C, #1DE7C2, #1DD6E7 and #1DA0E7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1FE7C3 shade: #11A187, #15C6A6, #1DE7C3, #42EBCD and #68EFD7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1FE7C3 shade: #1FE7C3, #201DE7 and #E7711D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1FE7C3 shade: #1FE7C3, #C21DE7 and #E7C21D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1FE7C3 shade: #1FE7C3, #201DE7, #E71D42 and #E4E71D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1FE7C3 shade: #1FE7C3, #5D1DE7, #E71D42 and #A7E71D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 0 / 16 / 9

HEX #1FE7C3

RGB 31 231 195

HSL 169.2, 0.81%, 0.51%

LAB 82.58, -53.41, 4.72

 

Complementary color

CMYK 0 / 89 / 73 / 12

HEX #E0183C

RGB 224 24 60

HSL 349.2, 0.81%, 0.49%

LAB 48.04, 71.37, 34.98

 

CMYK 84 / 0 / 18 / 9

HEX #24E7BE

RGB 36 231 190

HSL 167.38, 0.8%, 0.52%

LAB 82.51, -54.35, 7.25

 

CMYK 79 / 0 / 16 / 2

HEX #35F9D1

RGB 53 249 209

HSL 167.76, 0.94%, 0.59%

LAB 88.5, -55.46, 5.96

 

CMYK 73 / 0 / 11 / 0

HEX #46FFE4

RGB 70 255 228

HSL 171.24, 1%, 0.64%

LAB 90.97, -51.39, -0.28

 

CMYK 66 / 0 / 3 / 0

HEX #57FFF7

RGB 87 255 247

HSL 177.14, 1%, 0.67%

LAB 91.8, -44.31, -8.87

 

CMYK 59 / 0 / 0 / 0

HEX #68FFFF

RGB 104 255 255

HSL 180, 1%, 0.7%

LAB 92.43, -39.62, -12.03

 

CMYK 87 / 0 / 16 / 9

HEX #1FE7C3

RGB 31 231 195

HSL 169.2, 0.81%, 0.51%

LAB 82.58, -53.41, 4.72

 

CMYK 93 / 0 / 17 / 16

HEX #0ED5B0

RGB 14 213 176

HSL 168.84, 0.88%, 0.45%

LAB 76.57, -51.85, 6.12

 

CMYK 100 / 0 / 19 / 24

HEX #00C39D

RGB 0 195 157

HSL 168.31, 1%, 0.38%

LAB 70.5, -49.94, 7.65

 

CMYK 100 / 0 / 22 / 31

HEX #00B18A

RGB 0 177 138

HSL 166.78, 1%, 0.35%

LAB 64.39, -47.57, 9.33

 

CMYK 100 / 0 / 25 / 38

HEX #009F77

RGB 0 159 119

HSL 164.91, 1%, 0.31%

LAB 58.16, -45.15, 11.1

 

CMYK 87 / 0 / 16 / 9

HEX #1DE7C3

RGB 29 231 195

HSL 169.31, 0.81%, 0.51%

LAB 82.57, -53.53, 4.69

 

CMYK 87 / 0 / 39 / 9

HEX #1DE78C

RGB 29 231 140

HSL 152.97, 0.81%, 0.51%

LAB 81.46, -65.79, 31.72

 

CMYK 87 / 0 / 63 / 9

HEX #1DE756

RGB 29 231 86

HSL 136.93, 0.81%, 0.51%

LAB 80.79, -73.89, 56.31

 

CMYK 87 / 0 / 87 / 9

HEX #1DE71F

RGB 29 231 31

HSL 120.59, 0.81%, 0.51%

LAB 80.47, -77.93, 73.6

 

CMYK 65 / 0 / 87 / 9

HEX #51E71D

RGB 81 231 29

HSL 104.55, 0.81%, 0.51%

LAB 81.29, -70.81, 75.01

 

CMYK 87 / 0 / 16 / 9

HEX #1DE7C3

RGB 29 231 195

HSL 169.31, 0.81%, 0.51%

LAB 82.57, -53.53, 4.69

 

CMYK 87 / 8 / 0 / 9

HEX #1DD5E7

RGB 29 213 231

HSL 185.35, 0.81%, 0.51%

LAB 78.24, -35.53, -20.88

 

CMYK 87 / 31 / 0 / 9

HEX #1D9FE7

RGB 29 159 231

HSL 201.39, 0.81%, 0.51%

LAB 62.36, -7.75, -45.45

 

CMYK 87 / 55 / 0 / 9

HEX #1D68E7

RGB 29 104 231

HSL 217.72, 0.81%, 0.51%

LAB 46.88, 25.75, -70.25

 

CMYK 87 / 79 / 0 / 9

HEX #1D31E7

RGB 29 49 231

HSL 234.06, 0.81%, 0.51%

LAB 34.45, 58.78, -90.69

 

CMYK 87 / 0 / 16 / 9

HEX #1DE7C3

RGB 29 231 195

HSL 169.31, 0.81%, 0.51%

LAB 82.57, -53.53, 4.69

 

CMYK 96 / 0 / 17 / 2

HEX #09FBD0

RGB 9 251 208

HSL 169.34, 0.97%, 0.51%

LAB 88.74, -58.9, 6.78

 

CMYK 87 / 0 / 16 / 9

HEX #1DE7C3

RGB 29 231 195

HSL 169.31, 0.81%, 0.51%

LAB 82.57, -53.53, 4.69

 

CMYK 77 / 0 / 14 / 17

HEX #31D3B6

RGB 49 211 182

HSL 169.26, 0.65%, 0.51%

LAB 76.45, -47.04, 2.77

 

CMYK 64 / 0 / 12 / 25

HEX #45BFA9

RGB 69 191 169

HSL 169.18, 0.49%, 0.51%

LAB 70.45, -38.96, 1.15

 

CMYK 48 / 0 / 9 / 33

HEX #59AB9C

RGB 89 171 156

HSL 169.02, 0.33%, 0.51%

LAB 64.68, -28.77, -0.01

 

CMYK 27 / 0 / 5 / 41

HEX #6E968F

RGB 110 150 143

HSL 169.5, 0.16%, 0.51%

LAB 59.08, -15.25, -0.76

 

CMYK 87 / 0 / 63 / 9

HEX #1DE756

RGB 29 231 86

HSL 136.93, 0.81%, 0.51%

LAB 80.79, -73.89, 56.31

 

CMYK 87 / 0 / 39 / 9

HEX #1DE78C

RGB 29 231 140

HSL 152.97, 0.81%, 0.51%

LAB 81.46, -65.79, 31.72

 

CMYK 87 / 0 / 16 / 9

HEX #1DE7C2

RGB 29 231 194

HSL 169.01, 0.81%, 0.51%

LAB 82.54, -53.79, 5.19

 

CMYK 87 / 7 / 0 / 9

HEX #1DD6E7

RGB 29 214 231

HSL 185.05, 0.81%, 0.51%

LAB 78.53, -36, -20.44

 

CMYK 87 / 31 / 0 / 9

HEX #1DA0E7

RGB 29 160 231

HSL 201.09, 0.81%, 0.51%

LAB 62.65, -8.32, -44.99

 

CMYK 89 / 0 / 16 / 37

HEX #11A187

RGB 17 161 135

HSL 169.17, 0.81%, 0.35%

LAB 59.3, -40.96, 3.74

 

CMYK 89 / 0 / 16 / 22

HEX #15C6A6

RGB 21 198 166

HSL 169.15, 0.81%, 0.43%

LAB 71.76, -48.03, 4.58

 

CMYK 87 / 0 / 16 / 9

HEX #1DE7C3

RGB 29 231 195

HSL 169.31, 0.81%, 0.51%

LAB 82.57, -53.53, 4.69

 

CMYK 72 / 0 / 13 / 8

HEX #42EBCD

RGB 66 235 205

HSL 169.35, 0.81%, 0.59%

LAB 84.47, -49.32, 2.25

 

CMYK 56 / 0 / 10 / 6

HEX #68EFD7

RGB 104 239 215

HSL 169.33, 0.81%, 0.67%

LAB 86.79, -42.58, 0.48

 

CMYK 87 / 0 / 16 / 9

HEX #1FE7C3

RGB 31 231 195

HSL 169.2, 0.81%, 0.51%

LAB 82.58, -53.41, 4.72

 

CMYK 86 / 87 / 0 / 9

HEX #201DE7

RGB 32 29 231

HSL 240.89, 0.81%, 0.51%

LAB 31.7, 67.3, -95.26

 

CMYK 0 / 51 / 87 / 9

HEX #E7711D

RGB 231 113 29

HSL 24.95, 0.81%, 0.51%

LAB 60.68, 41.28, 62.16

 

CMYK 87 / 0 / 16 / 9

HEX #1FE7C3

RGB 31 231 195

HSL 169.2, 0.81%, 0.51%

LAB 82.58, -53.41, 4.72

 

CMYK 16 / 87 / 0 / 9

HEX #C21DE7

RGB 194 29 231

HSL 289.01, 0.81%, 0.51%

LAB 49.64, 82.52, -65.13

 

CMYK 0 / 16 / 87 / 9

HEX #E7C21D

RGB 231 194 29

HSL 49.01, 0.81%, 0.51%

LAB 79.42, -1.13, 76.95

 

CMYK 87 / 0 / 16 / 9

HEX #1FE7C3

RGB 31 231 195

HSL 169.2, 0.81%, 0.51%

LAB 82.58, -53.41, 4.72

 

CMYK 86 / 87 / 0 / 9

HEX #201DE7

RGB 32 29 231

HSL 240.89, 0.81%, 0.51%

LAB 31.7, 67.3, -95.26

 

CMYK 0 / 87 / 71 / 9

HEX #E71D42

RGB 231 29 66

HSL 349.01, 0.81%, 0.51%

LAB 49.81, 72.58, 33.86

 

CMYK 1 / 0 / 87 / 9

HEX #E4E71D

RGB 228 231 29

HSL 60.89, 0.81%, 0.51%

LAB 88.8, -20.91, 84.29

 

CMYK 87 / 0 / 16 / 9

HEX #1FE7C3

RGB 31 231 195

HSL 169.2, 0.81%, 0.51%

LAB 82.58, -53.41, 4.72

 

CMYK 60 / 87 / 0 / 9

HEX #5D1DE7

RGB 93 29 231

HSL 259.01, 0.81%, 0.51%

LAB 35.94, 70.41, -88.11

 

CMYK 0 / 87 / 71 / 9

HEX #E71D42

RGB 231 29 66

HSL 349.01, 0.81%, 0.51%

LAB 49.81, 72.58, 33.86

 

CMYK 28 / 0 / 87 / 9

HEX #A7E71D

RGB 167 231 29

HSL 79.01, 0.81%, 0.51%

LAB 84.72, -45.2, 79.28

 

Description

Color code: HEX #1FE7C3 | qconv.com Color code: HEX #1FE7C3 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31 red, 231 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31 231 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, none magenta, 16 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 0% 16% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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