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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1FE32E it is the complementary color #E01CD1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1FE32E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1FE32E shade: #24E329, #35F53C, #46FF4F, #57FF62 and #68FF75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1FE32E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1FE32E shade: #1FE32E, #0ED11B, #00BF08, #00AD00 and #009B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1FE32E shade: #21E430, #46E421, #7BE421, #AFE421 and #E4E321

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1FE32E shade: #21E430, #21E464, #21E499, #21E4CD and #21C5E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1FE32E shade matches the following richer shades: #21E430 and #0CF81E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1FE32E shade: #21E430, #35CF41, #49BB52, #5DA763 and #719374

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1FE32E shade: #7CE421, #48E421, #21E42E, #21E462 and #21E496

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1FE32E shade: #149E1E, #18C325, #21E430, #45E852 and #6AED74

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1FE32E shade: #1FE32E, #21B0E4 and #E42162

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1FE32E shade: #1FE32E, #2E21E4 and #E42E21

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1FE32E shade: #1FE32E, #21B0E4, #E421D7 and #E45521

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1FE32E shade: #1FE32E, #2175E4, #E421D7 and #E48F21

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 0 / 80 / 11

HEX #1FE32E

RGB 31 227 46

HSL 124.59, 0.78%, 0.51%

LAB 79.29, -75.95, 68.99

 

Complementary color

CMYK 0 / 88 / 7 / 12

HEX #E01CD1

RGB 224 28 209

HSL 304.59, 0.78%, 0.49%

LAB 53.26, 84.32, -46.52

 

CMYK 84 / 0 / 82 / 11

HEX #24E329

RGB 36 227 41

HSL 121.57, 0.77%, 0.52%

LAB 79.31, -75.79, 70.35

 

CMYK 78 / 0 / 76 / 4

HEX #35F53C

RGB 53 245 60

HSL 122.19, 0.91%, 0.58%

LAB 85.19, -78.02, 70.61

 

CMYK 73 / 0 / 69 / 0

HEX #46FF4F

RGB 70 255 79

HSL 122.92, 1%, 0.64%

LAB 88.63, -77.25, 67.72

 

CMYK 66 / 0 / 62 / 0

HEX #57FF62

RGB 87 255 98

HSL 123.93, 1%, 0.67%

LAB 89.12, -72.6, 60.92

 

CMYK 59 / 0 / 54 / 0

HEX #68FF75

RGB 104 255 117

HSL 125.17, 1%, 0.7%

LAB 89.74, -67.01, 53.49

 

CMYK 86 / 0 / 80 / 11

HEX #1FE32E

RGB 31 227 46

HSL 124.59, 0.78%, 0.51%

LAB 79.29, -75.95, 68.99

 

CMYK 93 / 0 / 87 / 18

HEX #0ED11B

RGB 14 209 27

HSL 124, 0.87%, 0.44%

LAB 73.4, -72.95, 68.16

 

CMYK 100 / 0 / 96 / 25

HEX #00BF08

RGB 0 191 8

HSL 122.51, 1%, 0.37%

LAB 67.49, -69.18, 66.01

 

CMYK 100 / 0 / 100 / 32

HEX #00AD00

RGB 0 173 0

HSL 120, 1%, 0.34%

LAB 61.56, -64.43, 62.19

 

CMYK 100 / 0 / 100 / 39

HEX #009B00

RGB 0 155 0

HSL 120, 1%, 0.3%

LAB 55.53, -59.42, 57.35

 

CMYK 86 / 0 / 79 / 11

HEX #21E430

RGB 33 228 48

HSL 124.62, 0.78%, 0.51%

LAB 79.63, -75.95, 68.76

 

CMYK 69 / 0 / 86 / 11

HEX #46E421

RGB 70 228 33

HSL 108.62, 0.78%, 0.51%

LAB 80.12, -71.84, 73.12

 

CMYK 46 / 0 / 86 / 11

HEX #7BE421

RGB 123 228 33

HSL 92.31, 0.78%, 0.51%

LAB 81.73, -58.88, 75.14

 

CMYK 23 / 0 / 86 / 11

HEX #AFE421

RGB 175 228 33

HSL 76.31, 0.78%, 0.51%

LAB 84.33, -40.78, 78.39

 

CMYK 0 / 0 / 86 / 11

HEX #E4E321

RGB 228 227 33

HSL 59.69, 0.78%, 0.51%

LAB 87.75, -18.89, 82.72

 

CMYK 86 / 0 / 79 / 11

HEX #21E430

RGB 33 228 48

HSL 124.62, 0.78%, 0.51%

LAB 79.63, -75.95, 68.76

 

CMYK 86 / 0 / 56 / 11

HEX #21E464

RGB 33 228 100

HSL 140.62, 0.78%, 0.51%

LAB 80.03, -70.96, 49.3

 

CMYK 86 / 0 / 33 / 11

HEX #21E499

RGB 33 228 153

HSL 156.92, 0.78%, 0.51%

LAB 80.8, -61.89, 24.19

 

CMYK 86 / 0 / 10 / 11

HEX #21E4CD

RGB 33 228 205

HSL 172.92, 0.78%, 0.51%

LAB 81.96, -49.45, -1.48

 

CMYK 86 / 14 / 0 / 11

HEX #21C5E4

RGB 33 197 228

HSL 189.54, 0.78%, 0.51%

LAB 73.45, -28.57, -26.56

 

CMYK 86 / 0 / 79 / 11

HEX #21E430

RGB 33 228 48

HSL 124.62, 0.78%, 0.51%

LAB 79.63, -75.95, 68.76

 

CMYK 95 / 0 / 88 / 3

HEX #0CF81E

RGB 12 248 30

HSL 124.58, 0.94%, 0.51%

LAB 85.66, -83.41, 78.25

 

CMYK 86 / 0 / 79 / 11

HEX #21E430

RGB 33 228 48

HSL 124.62, 0.78%, 0.51%

LAB 79.63, -75.95, 68.76

 

CMYK 74 / 0 / 69 / 19

HEX #35CF41

RGB 53 207 65

HSL 124.68, 0.62%, 0.51%

LAB 73.39, -66.09, 56.84

 

CMYK 61 / 0 / 56 / 27

HEX #49BB52

RGB 73 187 82

HSL 124.74, 0.46%, 0.51%

LAB 67.7, -53.59, 43.19

 

CMYK 44 / 0 / 41 / 35

HEX #5DA763

RGB 93 167 99

HSL 124.86, 0.3%, 0.51%

LAB 62.39, -37.64, 28.15

 

CMYK 23 / 0 / 21 / 42

HEX #719374

RGB 113 147 116

HSL 125.29, 0.14%, 0.51%

LAB 57.69, -18.3, 12.62

 

CMYK 46 / 0 / 86 / 11

HEX #7CE421

RGB 124 228 33

HSL 92, 0.78%, 0.51%

LAB 81.77, -58.57, 75.2

 

CMYK 68 / 0 / 86 / 11

HEX #48E421

RGB 72 228 33

HSL 108, 0.78%, 0.51%

LAB 80.17, -71.48, 73.17

 

CMYK 86 / 0 / 80 / 11

HEX #21E42E

RGB 33 228 46

HSL 124, 0.78%, 0.51%

LAB 79.62, -76.07, 69.31

 

CMYK 86 / 0 / 57 / 11

HEX #21E462

RGB 33 228 98

HSL 140, 0.78%, 0.51%

LAB 80.01, -71.22, 50.18

 

CMYK 86 / 0 / 34 / 11

HEX #21E496

RGB 33 228 150

HSL 156, 0.78%, 0.51%

LAB 80.75, -62.5, 25.66

 

CMYK 87 / 0 / 81 / 38

HEX #149E1E

RGB 20 158 30

HSL 124.35, 0.78%, 0.35%

LAB 56.78, -57.75, 52.35

 

CMYK 88 / 0 / 81 / 24

HEX #18C325

RGB 24 195 37

HSL 124.56, 0.78%, 0.43%

LAB 69.01, -67.91, 61.83

 

CMYK 86 / 0 / 79 / 11

HEX #21E430

RGB 33 228 48

HSL 124.62, 0.78%, 0.51%

LAB 79.63, -75.95, 68.76

 

CMYK 70 / 0 / 65 / 9

HEX #45E852

RGB 69 232 82

HSL 124.79, 0.78%, 0.59%

LAB 81.61, -69.92, 59.04

 

CMYK 55 / 0 / 51 / 7

HEX #6AED74

RGB 106 237 116

HSL 124.58, 0.78%, 0.67%

LAB 84.43, -60.13, 47.54

 

CMYK 86 / 0 / 80 / 11

HEX #1FE32E

RGB 31 227 46

HSL 124.59, 0.78%, 0.51%

LAB 79.29, -75.95, 68.99

 

CMYK 86 / 23 / 0 / 11

HEX #21B0E4

RGB 33 176 228

HSL 196, 0.78%, 0.51%

LAB 67.26, -17.85, -36.13

 

CMYK 0 / 86 / 57 / 11

HEX #E42162

RGB 228 33 98

HSL 340, 0.78%, 0.51%

LAB 50.05, 72.79, 14.68

 

CMYK 86 / 0 / 80 / 11

HEX #1FE32E

RGB 31 227 46

HSL 124.59, 0.78%, 0.51%

LAB 79.29, -75.95, 68.99

 

CMYK 80 / 86 / 0 / 11

HEX #2E21E4

RGB 46 33 228

HSL 244, 0.78%, 0.51%

LAB 32.41, 65.51, -92.35

 

CMYK 0 / 80 / 86 / 11

HEX #E42E21

RGB 228 46 33

HSL 4, 0.78%, 0.51%

LAB 50.17, 67.1, 51.92

 

CMYK 86 / 0 / 80 / 11

HEX #1FE32E

RGB 31 227 46

HSL 124.59, 0.78%, 0.51%

LAB 79.29, -75.95, 68.99

 

CMYK 86 / 23 / 0 / 11

HEX #21B0E4

RGB 33 176 228

HSL 196, 0.78%, 0.51%

LAB 67.26, -17.85, -36.13

 

CMYK 0 / 86 / 6 / 11

HEX #E421D7

RGB 228 33 215

HSL 304, 0.78%, 0.51%

LAB 54.54, 85.08, -47.87

 

CMYK 0 / 63 / 86 / 11

HEX #E45521

RGB 228 85 33

HSL 16, 0.78%, 0.51%

LAB 55.18, 53.35, 56.09

 

CMYK 86 / 0 / 80 / 11

HEX #1FE32E

RGB 31 227 46

HSL 124.59, 0.78%, 0.51%

LAB 79.29, -75.95, 68.99

 

CMYK 86 / 49 / 0 / 11

HEX #2175E4

RGB 33 117 228

HSL 214.15, 0.78%, 0.51%

LAB 50.27, 16.58, -63.06

 

CMYK 0 / 86 / 6 / 11

HEX #E421D7

RGB 228 33 215

HSL 304, 0.78%, 0.51%

LAB 54.54, 85.08, -47.87

 

CMYK 0 / 37 / 86 / 11

HEX #E48F21

RGB 228 143 33

HSL 33.85, 0.78%, 0.51%

LAB 66.71, 24.61, 65.59

 

Description

Color code: HEX #1FE32E | qconv.com Color code: HEX #1FE32E | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31 red, 227 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31 227 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, none magenta, 80 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 0% 80% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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