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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1FDF13 it is the complementary color #E020EC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1FDF13. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1FDF13 shade: #24DF0E, #35F121, #46FF34, #57FF47 and #68FF5A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1FDF13. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1FDF13 shade: #1FDF13, #0ECD00, #00BB00, #00A900 and #009700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1FDF13 shade: #1FDD13, #55DD13, #8CDD13, #C2DD13 and #DDC113

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1FDF13 shade: #1FDD13, #13DD3E, #13DD74, #13DDAA and #13D9DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1FDF13 shade matches the following richer shades: #1FDD13

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1FDF13 shade: #1FDD13, #30C927, #41B63A, #52A24D and #638F61

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1FDF13 shade: #8CDD13, #56DD13, #21DD13, #13DD3B and #13DD71

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1FDF13 shade: #14910D, #1AB710, #1FDD13, #38ED2C and #5CF052

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1FDF13 shade: #1FDF13, #13C2DD and #DD1371

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1FDF13 shade: #1FDF13, #1321DD and #DD1321

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1FDF13 shade: #1FDF13, #13C2DD, #CF13DD and #DD2E13

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1FDF13 shade: #1FDF13, #1385DD, #CF13DD and #DD6A13

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 0 / 91 / 13

HEX #1FDF13

RGB 31 223 19

HSL 116.47, 0.84%, 0.47%

LAB 77.94, -75.95, 73.45

 

Complementary color

CMYK 5 / 86 / 0 / 7

HEX #E020EC

RGB 224 32 236

HSL 296.47, 0.84%, 0.53%

LAB 55.01, 87.63, -59.05

 

CMYK 84 / 0 / 94 / 13

HEX #24DF0E

RGB 36 223 14

HSL 113.68, 0.88%, 0.46%

LAB 77.98, -75.63, 74.13

 

CMYK 78 / 0 / 86 / 5

HEX #35F121

RGB 53 241 33

HSL 114.23, 0.88%, 0.54%

LAB 83.85, -78.26, 76.27

 

CMYK 73 / 0 / 80 / 0

HEX #46FF34

RGB 70 255 52

HSL 114.68, 1%, 0.6%

LAB 88.48, -79.1, 76.16

 

CMYK 66 / 0 / 72 / 0

HEX #57FF47

RGB 87 255 71

HSL 114.78, 1%, 0.64%

LAB 88.92, -74.99, 70.95

 

CMYK 59 / 0 / 65 / 0

HEX #68FF5A

RGB 104 255 90

HSL 114.91, 1%, 0.68%

LAB 89.49, -69.92, 64.68

 

CMYK 86 / 0 / 91 / 13

HEX #1FDF13

RGB 31 223 19

HSL 116.47, 0.84%, 0.47%

LAB 77.94, -75.95, 73.45

 

CMYK 93 / 0 / 100 / 20

HEX #0ECD00

RGB 14 205 0

HSL 115.9, 1%, 0.4%

LAB 72.07, -72.54, 70.64

 

CMYK 100 / 0 / 100 / 27

HEX #00BB00

RGB 0 187 0

HSL 120, 1%, 0.37%

LAB 66.17, -68.26, 65.89

 

CMYK 100 / 0 / 100 / 34

HEX #00A900

RGB 0 169 0

HSL 120, 1%, 0.33%

LAB 60.23, -63.33, 61.12

 

CMYK 100 / 0 / 100 / 41

HEX #009700

RGB 0 151 0

HSL 120, 1%, 0.3%

LAB 54.17, -58.3, 56.26

 

CMYK 86 / 0 / 91 / 13

HEX #1FDD13

RGB 31 221 19

HSL 116.44, 0.84%, 0.47%

LAB 77.31, -75.4, 72.92

 

CMYK 62 / 0 / 91 / 13

HEX #55DD13

RGB 85 221 19

HSL 100.4, 0.84%, 0.47%

LAB 78.28, -67.01, 74.12

 

CMYK 37 / 0 / 91 / 13

HEX #8CDD13

RGB 140 221 19

HSL 84.06, 0.84%, 0.47%

LAB 80.37, -50.99, 76.69

 

CMYK 12 / 0 / 91 / 13

HEX #C2DD13

RGB 194 221 19

HSL 68.02, 0.84%, 0.47%

LAB 83.56, -30.36, 80.59

 

CMYK 0 / 13 / 91 / 13

HEX #DDC113

RGB 221 193 19

HSL 51.68, 0.84%, 0.47%

LAB 78.2, -5.12, 77.38

 

CMYK 86 / 0 / 91 / 13

HEX #1FDD13

RGB 31 221 19

HSL 116.44, 0.84%, 0.47%

LAB 77.31, -75.4, 72.92

 

CMYK 91 / 0 / 72 / 13

HEX #13DD3E

RGB 19 221 62

HSL 132.77, 0.84%, 0.47%

LAB 77.4, -73.92, 62.02

 

CMYK 91 / 0 / 48 / 13

HEX #13DD74

RGB 19 221 116

HSL 148.81, 0.84%, 0.47%

LAB 77.94, -67.24, 39.12

 

CMYK 91 / 0 / 23 / 13

HEX #13DDAA

RGB 19 221 170

HSL 164.85, 0.84%, 0.47%

LAB 78.9, -56.28, 12.64

 

CMYK 91 / 2 / 0 / 13

HEX #13D9DD

RGB 19 217 221

HSL 181.19, 0.84%, 0.47%

LAB 79.03, -40.85, -14.34

 

CMYK 86 / 0 / 91 / 13

HEX #1FDD13

RGB 31 221 19

HSL 116.44, 0.84%, 0.47%

LAB 77.31, -75.4, 72.92

 

CMYK 86 / 0 / 91 / 13

HEX #1FDD13

RGB 31 221 19

HSL 116.44, 0.84%, 0.47%

LAB 77.31, -75.4, 72.92

 

CMYK 76 / 0 / 81 / 21

HEX #30C927

RGB 48 201 39

HSL 116.67, 0.68%, 0.47%

LAB 71.25, -66.89, 63.47

 

CMYK 64 / 0 / 68 / 29

HEX #41B63A

RGB 65 182 58

HSL 116.61, 0.52%, 0.47%

LAB 65.66, -56.22, 51.47

 

CMYK 49 / 0 / 52 / 36

HEX #52A24D

RGB 82 162 77

HSL 116.47, 0.36%, 0.47%

LAB 60.04, -42.03, 36.5

 

CMYK 31 / 0 / 32 / 44

HEX #638F61

RGB 99 143 97

HSL 117.39, 0.19%, 0.47%

LAB 55.24, -24.65, 19.81

 

CMYK 37 / 0 / 91 / 13

HEX #8CDD13

RGB 140 221 19

HSL 84.06, 0.84%, 0.47%

LAB 80.37, -50.99, 76.69

 

CMYK 61 / 0 / 91 / 13

HEX #56DD13

RGB 86 221 19

HSL 100.1, 0.84%, 0.47%

LAB 78.31, -66.79, 74.15

 

CMYK 85 / 0 / 91 / 13

HEX #21DD13

RGB 33 221 19

HSL 115.84, 0.84%, 0.47%

LAB 77.33, -75.23, 72.94

 

CMYK 91 / 0 / 73 / 13

HEX #13DD3B

RGB 19 221 59

HSL 131.88, 0.84%, 0.47%

LAB 77.38, -74.17, 63.06

 

CMYK 91 / 0 / 49 / 13

HEX #13DD71

RGB 19 221 113

HSL 147.92, 0.84%, 0.47%

LAB 77.9, -67.73, 40.54

 

CMYK 86 / 0 / 91 / 43

HEX #14910D

RGB 20 145 13

HSL 116.82, 0.84%, 0.31%

LAB 52.32, -54.67, 52.6

 

CMYK 86 / 0 / 91 / 28

HEX #1AB710

RGB 26 183 16

HSL 116.41, 0.84%, 0.39%

LAB 65.06, -65.21, 62.99

 

CMYK 86 / 0 / 91 / 13

HEX #1FDD13

RGB 31 221 19

HSL 116.44, 0.84%, 0.47%

LAB 77.31, -75.4, 72.92

 

CMYK 76 / 0 / 81 / 7

HEX #38ED2C

RGB 56 237 44

HSL 116.27, 0.84%, 0.55%

LAB 82.7, -76.24, 72.79

 

CMYK 62 / 0 / 66 / 6

HEX #5CF052

RGB 92 240 82

HSL 116.2, 0.84%, 0.63%

LAB 84.59, -68.17, 62.43

 

CMYK 86 / 0 / 91 / 13

HEX #1FDF13

RGB 31 223 19

HSL 116.47, 0.84%, 0.47%

LAB 77.94, -75.95, 73.45

 

CMYK 91 / 12 / 0 / 13

HEX #13C2DD

RGB 19 194 221

HSL 188.02, 0.84%, 0.47%

LAB 72.19, -30.09, -24.71

 

CMYK 0 / 91 / 49 / 13

HEX #DD1371

RGB 221 19 113

HSL 332.08, 0.84%, 0.47%

LAB 48.3, 74.39, 2.81

 

CMYK 86 / 0 / 91 / 13

HEX #1FDF13

RGB 31 223 19

HSL 116.47, 0.84%, 0.47%

LAB 77.94, -75.95, 73.45

 

CMYK 91 / 85 / 0 / 13

HEX #1321DD

RGB 19 33 221

HSL 235.84, 0.84%, 0.47%

LAB 30.51, 62.71, -91.53

 

CMYK 0 / 91 / 85 / 13

HEX #DD1321

RGB 221 19 33

HSL 355.84, 0.84%, 0.47%

LAB 46.91, 70.52, 48.6

 

CMYK 86 / 0 / 91 / 13

HEX #1FDF13

RGB 31 223 19

HSL 116.47, 0.84%, 0.47%

LAB 77.94, -75.95, 73.45

 

CMYK 91 / 12 / 0 / 13

HEX #13C2DD

RGB 19 194 221

HSL 188.02, 0.84%, 0.47%

LAB 72.19, -30.09, -24.71

 

CMYK 6 / 91 / 0 / 13

HEX #CF13DD

RGB 207 19 221

HSL 295.84, 0.84%, 0.47%

LAB 50.63, 84.4, -57.74

 

CMYK 0 / 79 / 91 / 13

HEX #DD2E13

RGB 221 46 19

HSL 8.02, 0.84%, 0.47%

LAB 48.73, 64.86, 55.99

 

CMYK 86 / 0 / 91 / 13

HEX #1FDF13

RGB 31 223 19

HSL 116.47, 0.84%, 0.47%

LAB 77.94, -75.95, 73.45

 

CMYK 91 / 40 / 0 / 13

HEX #1385DD

RGB 19 133 221

HSL 206.14, 0.84%, 0.47%

LAB 54.17, 3.18, -52.89

 

CMYK 6 / 91 / 0 / 13

HEX #CF13DD

RGB 207 19 221

HSL 295.84, 0.84%, 0.47%

LAB 50.63, 84.4, -57.74

 

CMYK 0 / 52 / 91 / 13

HEX #DD6A13

RGB 221 106 19

HSL 25.84, 0.84%, 0.47%

LAB 57.78, 40.69, 62.23

 

Description

Color code: HEX #1FDF13 | qconv.com Color code: HEX #1FDF13 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31 red, 223 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31 223 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, none magenta, 91 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 0% 91% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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