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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1FDDB5 it is the complementary color #E0224A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1FDDB5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1FDDB5 shade: #24DDB0, #35EFC3, #46FFD6, #57FFE9 and #68FFFC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1FDDB5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1FDDB5 shade: #1FDDB5, #0ECBA2, #00B98F, #00A77C and #009569

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1FDDB5 shade: #1FDBB3, #1FDB81, #1FDB4E, #23DB1F and #55DB1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1FDDB5 shade: #1FDBB3, #1FD0DB, #1F9DDB, #1F6ADB and #1F38DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1FDDB5 shade matches the following richer shades: #1FDBB3 and #0BEFBF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1FDDB5 shade: #1FDBB3, #33C6A8, #48B29C, #5C9E90 and #708A84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1FDDB5 shade: #1FDB4E, #1FDB80, #1FDBB2, #1FD1DB and #1F9FDB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1FDDB5 shade: #159278, #1AB796, #1FDBB3, #40E4C1 and #64E9CD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1FDDB5 shade: #1FDDB5, #1F22DB and #DB671F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1FDDB5 shade: #1FDDB5, #B21FDB and #DBB21F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1FDDB5 shade: #1FDDB5, #1F22DB, #DB1F48 and #DBD81F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1FDDB5 shade: #1FDDB5, #541FDB, #DB1F48 and #A6DB1F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 0 / 18 / 13

HEX #1FDDB5

RGB 31 221 181

HSL 167.37, 0.75%, 0.49%

LAB 79.24, -52.94, 7.31

 

Complementary color

CMYK 0 / 85 / 67 / 12

HEX #E0224A

RGB 224 34 74

HSL 347.37, 0.75%, 0.51%

LAB 48.87, 70.22, 27.59

 

CMYK 84 / 0 / 20 / 13

HEX #24DDB0

RGB 36 221 176

HSL 165.41, 0.73%, 0.5%

LAB 79.17, -53.82, 9.87

 

CMYK 78 / 0 / 18 / 6

HEX #35EFC3

RGB 53 239 195

HSL 165.81, 0.85%, 0.57%

LAB 85.22, -54.88, 8.54

 

CMYK 73 / 0 / 16 / 0

HEX #46FFD6

RGB 70 255 214

HSL 166.7, 1%, 0.64%

LAB 90.63, -54.86, 6.47

 

CMYK 66 / 0 / 9 / 0

HEX #57FFE9

RGB 87 255 233

HSL 172.14, 1%, 0.67%

LAB 91.43, -47.92, -2.17

 

CMYK 59 / 0 / 1 / 0

HEX #68FFFC

RGB 104 255 252

HSL 178.81, 1%, 0.7%

LAB 92.35, -40.41, -10.6

 

CMYK 86 / 0 / 18 / 13

HEX #1FDDB5

RGB 31 221 181

HSL 167.37, 0.75%, 0.49%

LAB 79.24, -52.94, 7.31

 

CMYK 93 / 0 / 20 / 20

HEX #0ECBA2

RGB 14 203 162

HSL 166.98, 0.87%, 0.43%

LAB 73.16, -51.4, 8.76

 

CMYK 100 / 0 / 23 / 27

HEX #00B98F

RGB 0 185 143

HSL 166.38, 1%, 0.36%

LAB 67.04, -49.5, 10.35

 

CMYK 100 / 0 / 26 / 35

HEX #00A77C

RGB 0 167 124

HSL 164.55, 1%, 0.33%

LAB 60.86, -47.09, 12.11

 

CMYK 100 / 0 / 30 / 42

HEX #009569

RGB 0 149 105

HSL 162.28, 1%, 0.29%

LAB 54.57, -44.61, 13.96

 

CMYK 86 / 0 / 18 / 14

HEX #1FDBB3

RGB 31 219 179

HSL 167.23, 0.75%, 0.49%

LAB 78.58, -52.64, 7.43

 

CMYK 86 / 0 / 41 / 14

HEX #1FDB81

RGB 31 219 129

HSL 151.28, 0.75%, 0.49%

LAB 77.6, -63.56, 32.21

 

CMYK 86 / 0 / 64 / 14

HEX #1FDB4E

RGB 31 219 78

HSL 135, 0.75%, 0.49%

LAB 76.98, -71.01, 55.41

 

CMYK 84 / 0 / 86 / 14

HEX #23DB1F

RGB 35 219 31

HSL 118.72, 0.75%, 0.49%

LAB 76.75, -74.09, 70.35

 

CMYK 61 / 0 / 86 / 14

HEX #55DB1F

RGB 85 219 31

HSL 102.77, 0.75%, 0.49%

LAB 77.69, -65.99, 71.54

 

CMYK 86 / 0 / 18 / 14

HEX #1FDBB3

RGB 31 219 179

HSL 167.23, 0.75%, 0.49%

LAB 78.58, -52.64, 7.43

 

CMYK 86 / 5 / 0 / 14

HEX #1FD0DB

RGB 31 208 219

HSL 183.51, 0.75%, 0.49%

LAB 76.39, -36.76, -17.25

 

CMYK 86 / 28 / 0 / 14

HEX #1F9DDB

RGB 31 157 219

HSL 199.79, 0.75%, 0.49%

LAB 61.24, -10.83, -40.57

 

CMYK 86 / 52 / 0 / 14

HEX #1F6ADB

RGB 31 106 219

HSL 216.06, 0.75%, 0.49%

LAB 46.6, 19.98, -63.93

 

CMYK 86 / 74 / 0 / 14

HEX #1F38DB

RGB 31 56 219

HSL 232.02, 0.75%, 0.49%

LAB 34.47, 51.26, -83.8

 

CMYK 86 / 0 / 18 / 14

HEX #1FDBB3

RGB 31 219 179

HSL 167.23, 0.75%, 0.49%

LAB 78.58, -52.64, 7.43

 

CMYK 95 / 0 / 20 / 6

HEX #0BEFBF

RGB 11 239 191

HSL 167.37, 0.91%, 0.49%

LAB 84.77, -58.41, 9.95

 

CMYK 86 / 0 / 18 / 14

HEX #1FDBB3

RGB 31 219 179

HSL 167.23, 0.75%, 0.49%

LAB 78.58, -52.64, 7.43

 

CMYK 74 / 0 / 15 / 22

HEX #33C6A8

RGB 51 198 168

HSL 167.76, 0.59%, 0.49%

LAB 72.17, -44.9, 4.15

 

CMYK 60 / 0 / 12 / 30

HEX #48B29C

RGB 72 178 156

HSL 167.55, 0.42%, 0.49%

LAB 66.23, -35.82, 2.17

 

CMYK 42 / 0 / 9 / 38

HEX #5C9E90

RGB 92 158 144

HSL 167.27, 0.26%, 0.49%

LAB 60.55, -24.5, 0.71

 

CMYK 19 / 0 / 4 / 46

HEX #708A84

RGB 112 138 132

HSL 166.15, 0.1%, 0.49%

LAB 55.37, -10.54, 0.13

 

CMYK 86 / 0 / 64 / 14

HEX #1FDB4E

RGB 31 219 78

HSL 135, 0.75%, 0.49%

LAB 76.98, -71.01, 55.41

 

CMYK 86 / 0 / 42 / 14

HEX #1FDB80

RGB 31 219 128

HSL 150.96, 0.75%, 0.49%

LAB 77.59, -63.74, 32.69

 

CMYK 86 / 0 / 19 / 14

HEX #1FDBB2

RGB 31 219 178

HSL 166.91, 0.75%, 0.49%

LAB 78.56, -52.89, 7.93

 

CMYK 86 / 5 / 0 / 14

HEX #1FD1DB

RGB 31 209 219

HSL 183.19, 0.75%, 0.49%

LAB 76.68, -37.23, -16.8

 

CMYK 86 / 27 / 0 / 14

HEX #1F9FDB

RGB 31 159 219

HSL 199.15, 0.75%, 0.49%

LAB 61.83, -11.94, -39.64

 

CMYK 86 / 0 / 18 / 43

HEX #159278

RGB 21 146 120

HSL 167.52, 0.75%, 0.33%

LAB 54.1, -38.25, 4.78

 

CMYK 86 / 0 / 18 / 28

HEX #1AB796

RGB 26 183 150

HSL 167.39, 0.75%, 0.41%

LAB 66.74, -45.67, 6.1

 

CMYK 86 / 0 / 18 / 14

HEX #1FDBB3

RGB 31 219 179

HSL 167.23, 0.75%, 0.49%

LAB 78.58, -52.64, 7.43

 

CMYK 72 / 0 / 15 / 11

HEX #40E4C1

RGB 64 228 193

HSL 167.2, 0.75%, 0.57%

LAB 82.07, -49.64, 5.09

 

CMYK 57 / 0 / 12 / 9

HEX #64E9CD

RGB 100 233 205

HSL 167.37, 0.75%, 0.65%

LAB 84.69, -43.11, 2.66

 

CMYK 86 / 0 / 18 / 13

HEX #1FDDB5

RGB 31 221 181

HSL 167.37, 0.75%, 0.49%

LAB 79.24, -52.94, 7.31

 

CMYK 86 / 84 / 0 / 14

HEX #1F22DB

RGB 31 34 219

HSL 239.04, 0.75%, 0.49%

LAB 30.76, 62.03, -89.96

 

CMYK 0 / 53 / 86 / 14

HEX #DB671F

RGB 219 103 31

HSL 22.98, 0.75%, 0.49%

LAB 56.94, 41.63, 57.72

 

CMYK 86 / 0 / 18 / 13

HEX #1FDDB5

RGB 31 221 181

HSL 167.37, 0.75%, 0.49%

LAB 79.24, -52.94, 7.31

 

CMYK 19 / 86 / 0 / 14

HEX #B21FDB

RGB 178 31 219

HSL 286.91, 0.75%, 0.49%

LAB 46.39, 77.59, -63.68

 

CMYK 0 / 19 / 86 / 14

HEX #DBB21F

RGB 219 178 31

HSL 46.91, 0.75%, 0.49%

LAB 74.19, 2.05, 71.81

 

CMYK 86 / 0 / 18 / 13

HEX #1FDDB5

RGB 31 221 181

HSL 167.37, 0.75%, 0.49%

LAB 79.24, -52.94, 7.31

 

CMYK 86 / 84 / 0 / 14

HEX #1F22DB

RGB 31 34 219

HSL 239.04, 0.75%, 0.49%

LAB 30.76, 62.03, -89.96

 

CMYK 0 / 86 / 67 / 14

HEX #DB1F48

RGB 219 31 72

HSL 346.91, 0.75%, 0.49%

LAB 47.63, 69.42, 27.04

 

CMYK 0 / 1 / 86 / 14

HEX #DBD81F

RGB 219 216 31

HSL 59.04, 0.75%, 0.49%

LAB 84.11, -17.34, 79.86

 

CMYK 86 / 0 / 18 / 13

HEX #1FDDB5

RGB 31 221 181

HSL 167.37, 0.75%, 0.49%

LAB 79.24, -52.94, 7.31

 

CMYK 62 / 86 / 0 / 14

HEX #541FDB

RGB 84 31 219

HSL 256.91, 0.75%, 0.49%

LAB 33.94, 66.08, -84.57

 

CMYK 0 / 86 / 67 / 14

HEX #DB1F48

RGB 219 31 72

HSL 346.91, 0.75%, 0.49%

LAB 47.63, 69.42, 27.04

 

CMYK 24 / 0 / 86 / 14

HEX #A6DB1F

RGB 166 219 31

HSL 76.91, 0.75%, 0.49%

LAB 81.22, -40.32, 75.96

 

Description

Color code: HEX #1FDDB5 | qconv.com Color code: HEX #1FDDB5 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31 red, 221 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31 221 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, none magenta, 18 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 0% 18% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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