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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1FDB3A it is the complementary color #E024C5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1FDB3A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1FDB3A shade: #24DB35, #35ED48, #46FF5B, #57FF6E and #68FF81

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1FDB3A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1FDB3A shade: #1FDB3A, #0EC927, #00B714, #00A501 and #009300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1FDB3A shade: #1FDB3A, #37DB1F, #69DB1F, #9CDB1F and #CEDB1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1FDB3A shade: #1FDB3A, #1FDB6D, #1FDB9F, #1FDBD2 and #1FB1DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1FDB3A shade matches the following richer shades: #1FDB3A and #0BEF2C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1FDB3A shade: #1FDB3A, #33C649, #48B257, #5C9E65 and #708A74

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1FDB3A shade: #6ADB1F, #38DB1F, #1FDB38, #1FDB6A and #1FDB9C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1FDB3A shade: #159227, #1AB731, #1FDB3A, #40E457 and #64E977

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1FDB3A shade: #1FDB3A, #1F9CDB and #DB1F51

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1FDB3A shade: #1FDB3A, #381FDB and #DB381F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1FDB3A shade: #1FDB3A, #1F9CDB, #DB1FC2 and #DB5E1F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1FDB3A shade: #1FDB3A, #1F64DB, #DB1FC2 and #DB961F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 0 / 74 / 14

HEX #1FDB3A

RGB 31 219 58

HSL 128.62, 0.75%, 0.49%

LAB 76.84, -72.86, 62.88

 

Complementary color

CMYK 0 / 84 / 12 / 12

HEX #E024C5

RGB 224 36 197

HSL 308.62, 0.75%, 0.51%

LAB 53.1, 81.31, -39.87

 

CMYK 84 / 0 / 76 / 14

HEX #24DB35

RGB 36 219 53

HSL 125.57, 0.72%, 0.5%

LAB 76.86, -72.78, 64.58

 

CMYK 78 / 0 / 70 / 7

HEX #35ED48

RGB 53 237 72

HSL 126.2, 0.84%, 0.57%

LAB 82.8, -74.73, 64.11

 

CMYK 73 / 0 / 64 / 0

HEX #46FF5B

RGB 70 255 91

HSL 126.81, 1%, 0.64%

LAB 88.72, -76.15, 63.23

 

CMYK 66 / 0 / 57 / 0

HEX #57FF6E

RGB 87 255 110

HSL 128.21, 1%, 0.67%

LAB 89.24, -71.26, 55.91

 

CMYK 59 / 0 / 49 / 0

HEX #68FF81

RGB 104 255 129

HSL 129.93, 1%, 0.7%

LAB 89.88, -65.45, 48.14

 

CMYK 86 / 0 / 74 / 14

HEX #1FDB3A

RGB 31 219 58

HSL 128.62, 0.75%, 0.49%

LAB 76.84, -72.86, 62.88

 

CMYK 93 / 0 / 81 / 21

HEX #0EC927

RGB 14 201 39

HSL 128.02, 0.87%, 0.42%

LAB 70.88, -70.14, 63

 

CMYK 100 / 0 / 89 / 28

HEX #00B714

RGB 0 183 20

HSL 126.56, 1%, 0.36%

LAB 64.9, -66.65, 62.08

 

CMYK 100 / 0 / 99 / 35

HEX #00A501

RGB 0 165 1

HSL 120.36, 1%, 0.32%

LAB 58.89, -62.19, 59.91

 

CMYK 100 / 0 / 100 / 42

HEX #009300

RGB 0 147 0

HSL 120, 1%, 0.29%

LAB 52.8, -57.16, 55.17

 

CMYK 86 / 0 / 74 / 14

HEX #1FDB3A

RGB 31 219 58

HSL 128.62, 0.75%, 0.49%

LAB 76.84, -72.86, 62.88

 

CMYK 75 / 0 / 86 / 14

HEX #37DB1F

RGB 55 219 31

HSL 112.34, 0.75%, 0.49%

LAB 77.03, -71.66, 70.7

 

CMYK 52 / 0 / 86 / 14

HEX #69DB1F

RGB 105 219 31

HSL 96.38, 0.75%, 0.49%

LAB 78.32, -60.91, 72.34

 

CMYK 29 / 0 / 86 / 14

HEX #9CDB1F

RGB 156 219 31

HSL 80.11, 0.75%, 0.49%

LAB 80.64, -44.11, 75.24

 

CMYK 6 / 0 / 86 / 14

HEX #CEDB1F

RGB 206 219 31

HSL 64.15, 0.75%, 0.49%

LAB 83.91, -24.24, 79.28

 

CMYK 86 / 0 / 74 / 14

HEX #1FDB3A

RGB 31 219 58

HSL 128.62, 0.75%, 0.49%

LAB 76.84, -72.86, 62.88

 

CMYK 86 / 0 / 50 / 14

HEX #1FDB6D

RGB 31 219 109

HSL 144.89, 0.75%, 0.49%

LAB 77.32, -66.95, 41.77

 

CMYK 86 / 0 / 27 / 14

HEX #1FDB9F

RGB 31 219 159

HSL 160.85, 0.75%, 0.49%

LAB 78.14, -57.4, 17.4

 

CMYK 86 / 0 / 4 / 14

HEX #1FDBD2

RGB 31 219 210

HSL 177.13, 0.75%, 0.49%

LAB 79.39, -44.35, -7.92

 

CMYK 86 / 19 / 0 / 14

HEX #1FB1DB

RGB 31 177 219

HSL 193.4, 0.75%, 0.49%

LAB 67.16, -21.58, -31.34

 

CMYK 86 / 0 / 74 / 14

HEX #1FDB3A

RGB 31 219 58

HSL 128.62, 0.75%, 0.49%

LAB 76.84, -72.86, 62.88

 

CMYK 95 / 0 / 82 / 6

HEX #0BEF2C

RGB 11 239 44

HSL 128.68, 0.91%, 0.49%

LAB 82.91, -80.45, 72.84

 

CMYK 86 / 0 / 74 / 14

HEX #1FDB3A

RGB 31 219 58

HSL 128.62, 0.75%, 0.49%

LAB 76.84, -72.86, 62.88

 

CMYK 74 / 0 / 63 / 22

HEX #33C649

RGB 51 198 73

HSL 128.98, 0.59%, 0.49%

LAB 70.58, -62.67, 50.46

 

CMYK 60 / 0 / 51 / 30

HEX #48B257

RGB 72 178 87

HSL 128.49, 0.42%, 0.49%

LAB 64.89, -49.72, 37.35

 

CMYK 42 / 0 / 36 / 38

HEX #5C9E65

RGB 92 158 101

HSL 128.18, 0.26%, 0.49%

LAB 59.59, -33.51, 23.37

 

CMYK 19 / 0 / 16 / 46

HEX #708A74

RGB 112 138 116

HSL 129.23, 0.1%, 0.49%

LAB 54.95, -13.87, 8.75

 

CMYK 52 / 0 / 86 / 14

HEX #6ADB1F

RGB 106 219 31

HSL 96.06, 0.75%, 0.49%

LAB 78.36, -60.63, 72.38

 

CMYK 74 / 0 / 86 / 14

HEX #38DB1F

RGB 56 219 31

HSL 112.02, 0.75%, 0.49%

LAB 77.04, -71.51, 70.72

 

CMYK 86 / 0 / 74 / 14

HEX #1FDB38

RGB 31 219 56

HSL 127.98, 0.75%, 0.49%

LAB 76.82, -73.01, 63.55

 

CMYK 86 / 0 / 52 / 14

HEX #1FDB6A

RGB 31 219 106

HSL 143.94, 0.75%, 0.49%

LAB 77.28, -67.41, 43.16

 

CMYK 86 / 0 / 29 / 14

HEX #1FDB9C

RGB 31 219 156

HSL 159.89, 0.75%, 0.49%

LAB 78.08, -58.07, 18.89

 

CMYK 86 / 0 / 73 / 43

HEX #159227

RGB 21 146 39

HSL 128.64, 0.75%, 0.33%

LAB 52.8, -53.23, 45.28

 

CMYK 86 / 0 / 73 / 28

HEX #1AB731

RGB 26 183 49

HSL 128.79, 0.75%, 0.41%

LAB 65.21, -63.36, 54.25

 

CMYK 86 / 0 / 74 / 14

HEX #1FDB3A

RGB 31 219 58

HSL 128.62, 0.75%, 0.49%

LAB 76.84, -72.86, 62.88

 

CMYK 72 / 0 / 62 / 11

HEX #40E457

RGB 64 228 87

HSL 128.41, 0.75%, 0.57%

LAB 80.33, -68.91, 55.5

 

CMYK 57 / 0 / 49 / 9

HEX #64E977

RGB 100 233 119

HSL 128.57, 0.75%, 0.65%

LAB 83.08, -59.63, 44.42

 

CMYK 86 / 0 / 74 / 14

HEX #1FDB3A

RGB 31 219 58

HSL 128.62, 0.75%, 0.49%

LAB 76.84, -72.86, 62.88

 

CMYK 86 / 29 / 0 / 14

HEX #1F9CDB

RGB 31 156 219

HSL 200.11, 0.75%, 0.49%

LAB 60.94, -10.27, -41.03

 

CMYK 0 / 86 / 63 / 14

HEX #DB1F51

RGB 219 31 81

HSL 344.04, 0.75%, 0.49%

LAB 47.8, 69.89, 21.75

 

CMYK 86 / 0 / 74 / 14

HEX #1FDB3A

RGB 31 219 58

HSL 128.62, 0.75%, 0.49%

LAB 76.84, -72.86, 62.88

 

CMYK 74 / 86 / 0 / 14

HEX #381FDB

RGB 56 31 219

HSL 247.98, 0.75%, 0.49%

LAB 31.66, 64.22, -88.42

 

CMYK 0 / 74 / 86 / 14

HEX #DB381F

RGB 219 56 31

HSL 7.98, 0.75%, 0.49%

LAB 49.48, 61.47, 51.56

 

CMYK 86 / 0 / 74 / 14

HEX #1FDB3A

RGB 31 219 58

HSL 128.62, 0.75%, 0.49%

LAB 76.84, -72.86, 62.88

 

CMYK 86 / 29 / 0 / 14

HEX #1F9CDB

RGB 31 156 219

HSL 200.11, 0.75%, 0.49%

LAB 60.94, -10.27, -41.03

 

CMYK 0 / 86 / 11 / 14

HEX #DB1FC2

RGB 219 31 194

HSL 307.98, 0.75%, 0.49%

LAB 51.76, 80.86, -40.3

 

CMYK 0 / 57 / 86 / 14

HEX #DB5E1F

RGB 219 94 31

HSL 20.11, 0.75%, 0.49%

LAB 55.24, 45.98, 56.32

 

CMYK 86 / 0 / 74 / 14

HEX #1FDB3A

RGB 31 219 58

HSL 128.62, 0.75%, 0.49%

LAB 76.84, -72.86, 62.88

 

CMYK 86 / 54 / 0 / 14

HEX #1F64DB

RGB 31 100 219

HSL 217.98, 0.75%, 0.49%

LAB 44.97, 23.84, -66.57

 

CMYK 0 / 86 / 11 / 14

HEX #DB1FC2

RGB 219 31 194

HSL 307.98, 0.75%, 0.49%

LAB 51.76, 80.86, -40.3

 

CMYK 0 / 32 / 86 / 14

HEX #DB961F

RGB 219 150 31

HSL 37.98, 0.75%, 0.49%

LAB 67.26, 16.98, 66.17

 

Description

Color code: HEX #1FDB3A | qconv.com Color code: HEX #1FDB3A | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31 red, 219 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31 219 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, none magenta, 74 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 0% 74% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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