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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1FD999 it is the complementary color #E02666. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1FD999. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1FD999 shade: #24D994, #35EBA7, #46FDBA, #57FFCD and #68FFE0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1FD999. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1FD999 shade: #1FD999, #0EC786, #00B573, #00A360 and #00914D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1FD999 shade: #1FDB9A, #1FDB68, #1FDB35, #3CDB1F and #6EDB1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1FD999 shade: #1FDB9A, #1FDBCD, #1FB6DB, #1F84DB and #1F51DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1FD999 shade matches the following richer shades: #1FDB9A and #0BEFA0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1FD999 shade: #1FDB9A, #33C694, #48B28E, #5C9E87 and #708A81

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1FD999 shade: #1FDB35, #1FDB67, #1FDB99, #1FDBCB and #1FB8DB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1FD999 shade: #159267, #1AB781, #1FDB9A, #40E4AB and #64E9BB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1FD999 shade: #1FD999, #1F3BDB and #DB4E1F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1FD999 shade: #1FD999, #991FDB and #DB991F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1FD999 shade: #1FD999, #1F3BDB, #DB1F61 and #DBBF1F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1FD999 shade: #1FD999, #3B1FDB, #DB1F61 and #BFDB1F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 0 / 29 / 15

HEX #1FD999

RGB 31 217 153

HSL 159.35, 0.75%, 0.49%

LAB 77.41, -57.99, 19.53

 

Complementary color

CMYK 0 / 83 / 54 / 12

HEX #E02666

RGB 224 38 102

HSL 339.35, 0.75%, 0.51%

LAB 49.73, 71.03, 11.67

 

CMYK 83 / 0 / 32 / 15

HEX #24D994

RGB 36 217 148

HSL 157.13, 0.72%, 0.5%

LAB 77.36, -58.68, 22.1

 

CMYK 77 / 0 / 29 / 8

HEX #35EBA7

RGB 53 235 167

HSL 157.58, 0.82%, 0.56%

LAB 83.42, -59.72, 20.59

 

CMYK 72 / 0 / 26 / 1

HEX #46FDBA

RGB 70 253 186

HSL 158.03, 0.98%, 0.63%

LAB 89.44, -60.46, 19.2

 

CMYK 66 / 0 / 20 / 0

HEX #57FFCD

RGB 87 255 205

HSL 162.14, 1%, 0.67%

LAB 90.76, -54.64, 11.35

 

CMYK 59 / 0 / 12 / 0

HEX #68FFE0

RGB 104 255 224

HSL 167.68, 1%, 0.7%

LAB 91.62, -47.4, 2.82

 

CMYK 86 / 0 / 29 / 15

HEX #1FD999

RGB 31 217 153

HSL 159.35, 0.75%, 0.49%

LAB 77.41, -57.99, 19.53

 

CMYK 93 / 0 / 33 / 22

HEX #0EC786

RGB 14 199 134

HSL 158.92, 0.87%, 0.42%

LAB 71.32, -56.43, 21.18

 

CMYK 100 / 0 / 36 / 29

HEX #00B573

RGB 0 181 115

HSL 158.12, 1%, 0.35%

LAB 65.19, -54.46, 22.97

 

CMYK 100 / 0 / 41 / 36

HEX #00A360

RGB 0 163 96

HSL 155.34, 1%, 0.32%

LAB 59.01, -51.87, 24.94

 

CMYK 100 / 0 / 47 / 43

HEX #00914D

RGB 0 145 77

HSL 151.86, 1%, 0.28%

LAB 52.72, -49.14, 26.97

 

CMYK 86 / 0 / 30 / 14

HEX #1FDB9A

RGB 31 219 154

HSL 159.26, 0.75%, 0.49%

LAB 78.04, -58.51, 19.89

 

CMYK 86 / 0 / 53 / 14

HEX #1FDB68

RGB 31 219 104

HSL 143.3, 0.75%, 0.49%

LAB 77.25, -67.7, 44.09

 

CMYK 86 / 0 / 76 / 14

HEX #1FDB35

RGB 31 219 53

HSL 127.02, 0.75%, 0.49%

LAB 76.81, -73.23, 64.51

 

CMYK 73 / 0 / 86 / 14

HEX #3CDB1F

RGB 60 219 31

HSL 110.74, 0.75%, 0.49%

LAB 77.11, -70.89, 70.81

 

CMYK 50 / 0 / 86 / 14

HEX #6EDB1F

RGB 110 219 31

HSL 94.79, 0.75%, 0.49%

LAB 78.51, -59.49, 72.57

 

CMYK 86 / 0 / 30 / 14

HEX #1FDB9A

RGB 31 219 154

HSL 159.26, 0.75%, 0.49%

LAB 78.04, -58.51, 19.89

 

CMYK 86 / 0 / 6 / 14

HEX #1FDBCD

RGB 31 219 205

HSL 175.53, 0.75%, 0.49%

LAB 79.25, -45.75, -5.46

 

CMYK 86 / 17 / 0 / 14

HEX #1FB6DB

RGB 31 182 219

HSL 191.81, 0.75%, 0.49%

LAB 68.65, -24.14, -29.04

 

CMYK 86 / 40 / 0 / 14

HEX #1F84DB

RGB 31 132 219

HSL 207.77, 0.75%, 0.49%

LAB 53.93, 3.71, -52.13

 

CMYK 86 / 63 / 0 / 14

HEX #1F51DB

RGB 31 81 219

HSL 224.04, 0.75%, 0.49%

LAB 40.07, 36.09, -74.57

 

CMYK 86 / 0 / 30 / 14

HEX #1FDB9A

RGB 31 219 154

HSL 159.26, 0.75%, 0.49%

LAB 78.04, -58.51, 19.89

 

CMYK 95 / 0 / 33 / 6

HEX #0BEFA0

RGB 11 239 160

HSL 159.21, 0.91%, 0.49%

LAB 84.14, -65.42, 25.13

 

CMYK 86 / 0 / 30 / 14

HEX #1FDB9A

RGB 31 219 154

HSL 159.26, 0.75%, 0.49%

LAB 78.04, -58.51, 19.89

 

CMYK 74 / 0 / 25 / 22

HEX #33C694

RGB 51 198 148

HSL 159.59, 0.59%, 0.49%

LAB 71.71, -49.77, 14.3

 

CMYK 60 / 0 / 20 / 30

HEX #48B28E

RGB 72 178 142

HSL 159.62, 0.42%, 0.49%

LAB 65.88, -39.23, 9.4

 

CMYK 42 / 0 / 15 / 38

HEX #5C9E87

RGB 92 158 135

HSL 159.09, 0.26%, 0.49%

LAB 60.32, -26.62, 5.45

 

CMYK 19 / 0 / 7 / 46

HEX #708A81

RGB 112 138 129

HSL 159.23, 0.1%, 0.49%

LAB 55.28, -11.2, 1.74

 

CMYK 86 / 0 / 76 / 14

HEX #1FDB35

RGB 31 219 53

HSL 127.02, 0.75%, 0.49%

LAB 76.81, -73.23, 64.51

 

CMYK 86 / 0 / 53 / 14

HEX #1FDB67

RGB 31 219 103

HSL 142.98, 0.75%, 0.49%

LAB 77.24, -67.85, 44.55

 

CMYK 86 / 0 / 30 / 14

HEX #1FDB99

RGB 31 219 153

HSL 158.94, 0.75%, 0.49%

LAB 78.02, -58.73, 20.38

 

CMYK 86 / 0 / 7 / 14

HEX #1FDBCB

RGB 31 219 203

HSL 174.89, 0.75%, 0.49%

LAB 79.19, -46.31, -4.48

 

CMYK 86 / 16 / 0 / 14

HEX #1FB8DB

RGB 31 184 219

HSL 191.17, 0.75%, 0.49%

LAB 69.25, -25.16, -28.13

 

CMYK 86 / 0 / 29 / 43

HEX #159267

RGB 21 146 103

HSL 159.36, 0.75%, 0.33%

LAB 53.7, -42.59, 13.91

 

CMYK 86 / 0 / 30 / 28

HEX #1AB781

RGB 26 183 129

HSL 159.36, 0.75%, 0.41%

LAB 66.27, -50.8, 16.92

 

CMYK 86 / 0 / 30 / 14

HEX #1FDB9A

RGB 31 219 154

HSL 159.26, 0.75%, 0.49%

LAB 78.04, -58.51, 19.89

 

CMYK 72 / 0 / 25 / 11

HEX #40E4AB

RGB 64 228 171

HSL 159.15, 0.75%, 0.57%

LAB 81.57, -54.81, 15.96

 

CMYK 57 / 0 / 20 / 9

HEX #64E9BB

RGB 100 233 187

HSL 159.25, 0.75%, 0.65%

LAB 84.26, -47.26, 11.5

 

CMYK 86 / 0 / 29 / 15

HEX #1FD999

RGB 31 217 153

HSL 159.35, 0.75%, 0.49%

LAB 77.41, -57.99, 19.53

 

CMYK 86 / 73 / 0 / 14

HEX #1F3BDB

RGB 31 59 219

HSL 231.06, 0.75%, 0.49%

LAB 35.07, 49.56, -82.8

 

CMYK 0 / 64 / 86 / 14

HEX #DB4E1F

RGB 219 78 31

HSL 15, 0.75%, 0.49%

LAB 52.52, 53.17, 54.08

 

CMYK 86 / 0 / 29 / 15

HEX #1FD999

RGB 31 217 153

HSL 159.35, 0.75%, 0.49%

LAB 77.41, -57.99, 19.53

 

CMYK 30 / 86 / 0 / 14

HEX #991FDB

RGB 153 31 219

HSL 278.94, 0.75%, 0.49%

LAB 42.56, 73.86, -70.08

 

CMYK 0 / 30 / 86 / 14

HEX #DB991F

RGB 219 153 31

HSL 38.94, 0.75%, 0.49%

LAB 67.98, 15.36, 66.76

 

CMYK 86 / 0 / 29 / 15

HEX #1FD999

RGB 31 217 153

HSL 159.35, 0.75%, 0.49%

LAB 77.41, -57.99, 19.53

 

CMYK 86 / 73 / 0 / 14

HEX #1F3BDB

RGB 31 59 219

HSL 231.06, 0.75%, 0.49%

LAB 35.07, 49.56, -82.8

 

CMYK 0 / 86 / 56 / 14

HEX #DB1F61

RGB 219 31 97

HSL 338.94, 0.75%, 0.49%

LAB 48.14, 70.88, 12.37

 

CMYK 0 / 13 / 86 / 14

HEX #DBBF1F

RGB 219 191 31

HSL 51.06, 0.75%, 0.49%

LAB 77.53, -4.73, 74.53

 

CMYK 86 / 0 / 29 / 15

HEX #1FD999

RGB 31 217 153

HSL 159.35, 0.75%, 0.49%

LAB 77.41, -57.99, 19.53

 

CMYK 73 / 86 / 0 / 14

HEX #3B1FDB

RGB 59 31 219

HSL 248.94, 0.75%, 0.49%

LAB 31.86, 64.38, -88.08

 

CMYK 0 / 86 / 56 / 14

HEX #DB1F61

RGB 219 31 97

HSL 338.94, 0.75%, 0.49%

LAB 48.14, 70.88, 12.37

 

CMYK 13 / 0 / 86 / 14

HEX #BFDB1F

RGB 191 219 31

HSL 68.94, 0.75%, 0.49%

LAB 82.83, -30.41, 77.95

 

Description

Color code: HEX #1FD999 | qconv.com Color code: HEX #1FD999 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31 red, 217 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31 217 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, none magenta, 29 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 0% 29% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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