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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1FD840 it is the complementary color #E027BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1FD840. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1FD840 shade: #24D83B, #35EA4E, #46FC61, #57FF74 and #68FF87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1FD840. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1FD840 shade: #1FD840, #0EC62D, #00B41A, #00A207 and #009000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1FD840 shade: #1FD63F, #2FD61F, #61D61F, #92D61F and #C4D61F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1FD840 shade: #1FD63F, #1FD671, #1FD6A2, #1FD6D4 and #1FA7D6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1FD840 shade matches the following richer shades: #1FD63F and #0BEA33

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1FD840 shade: #1FD63F, #32C24C, #46AF59, #5A9B66 and #6E8772

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1FD840 shade: #62D61F, #31D61F, #1FD63D, #1FD66E and #1FD69F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1FD840 shade: #148E2A, #19B235, #1FD63F, #3BE359 and #5FE878

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1FD840 shade: #1FD840, #1F93D6 and #D61F49

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1FD840 shade: #1FD840, #3D1FD6 and #D63D1F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1FD840 shade: #1FD840, #1F93D6, #D61FB8 and #D6621F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1FD840 shade: #1FD840, #1F5CD6, #D61FB8 and #D6991F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 0 / 70 / 15

HEX #1FD840

RGB 31 216 64

HSL 130.7, 0.75%, 0.48%

LAB 75.93, -71.48, 59.8

 

Complementary color

CMYK 0 / 83 / 15 / 12

HEX #E027BF

RGB 224 39 191

HSL 310.7, 0.75%, 0.52%

LAB 53.02, 79.91, -36.53

 

CMYK 83 / 0 / 73 / 15

HEX #24D83B

RGB 36 216 59

HSL 127.67, 0.71%, 0.49%

LAB 75.95, -71.45, 61.65

 

CMYK 77 / 0 / 67 / 8

HEX #35EA4E

RGB 53 234 78

HSL 128.29, 0.81%, 0.56%

LAB 81.92, -73.28, 60.89

 

CMYK 72 / 0 / 62 / 1

HEX #46FC61

RGB 70 252 97

HSL 128.9, 0.97%, 0.63%

LAB 87.87, -74.59, 59.82

 

CMYK 66 / 0 / 55 / 0

HEX #57FF74

RGB 87 255 116

HSL 130.36, 1%, 0.67%

LAB 89.3, -70.52, 53.32

 

CMYK 59 / 0 / 47 / 0

HEX #68FF87

RGB 104 255 135

HSL 132.32, 1%, 0.7%

LAB 89.96, -64.6, 45.4

 

CMYK 86 / 0 / 70 / 15

HEX #1FD840

RGB 31 216 64

HSL 130.7, 0.75%, 0.48%

LAB 75.93, -71.48, 59.8

 

CMYK 93 / 0 / 77 / 22

HEX #0EC62D

RGB 14 198 45

HSL 130.11, 0.87%, 0.42%

LAB 69.94, -68.91, 60.31

 

CMYK 100 / 0 / 86 / 29

HEX #00B41A

RGB 0 180 26

HSL 128.67, 1%, 0.35%

LAB 63.93, -65.56, 59.96

 

CMYK 100 / 0 / 96 / 36

HEX #00A207

RGB 0 162 7

HSL 122.59, 1%, 0.32%

LAB 57.9, -61.19, 58.22

 

CMYK 100 / 0 / 100 / 44

HEX #009000

RGB 0 144 0

HSL 120, 1%, 0.28%

LAB 51.78, -56.31, 54.35

 

CMYK 86 / 0 / 71 / 16

HEX #1FD63F

RGB 31 214 63

HSL 130.49, 0.75%, 0.48%

LAB 75.29, -70.98, 59.51

 

CMYK 78 / 0 / 86 / 16

HEX #2FD61F

RGB 47 214 31

HSL 114.75, 0.75%, 0.48%

LAB 75.32, -71.3, 69.15

 

CMYK 55 / 0 / 86 / 16

HEX #61D61F

RGB 97 214 31

HSL 98.36, 0.75%, 0.48%

LAB 76.52, -61.31, 70.66

 

CMYK 32 / 0 / 86 / 16

HEX #92D61F

RGB 146 214 31

HSL 82.3, 0.75%, 0.48%

LAB 78.64, -45.66, 73.32

 

CMYK 8 / 0 / 86 / 16

HEX #C4D61F

RGB 196 214 31

HSL 65.9, 0.75%, 0.48%

LAB 81.8, -25.99, 77.25

 

CMYK 86 / 0 / 71 / 16

HEX #1FD63F

RGB 31 214 63

HSL 130.49, 0.75%, 0.48%

LAB 75.29, -70.98, 59.51

 

CMYK 86 / 0 / 47 / 16

HEX #1FD671

RGB 31 214 113

HSL 146.89, 0.75%, 0.48%

LAB 75.81, -64.66, 37.92

 

CMYK 86 / 0 / 24 / 16

HEX #1FD6A2

RGB 31 214 162

HSL 162.95, 0.75%, 0.48%

LAB 76.67, -54.79, 13.75

 

CMYK 86 / 0 / 1 / 16

HEX #1FD6D4

RGB 31 214 212

HSL 179.34, 0.75%, 0.48%

LAB 77.96, -41.57, -11.13

 

CMYK 86 / 22 / 0 / 16

HEX #1FA7D6

RGB 31 167 214

HSL 195.41, 0.75%, 0.48%

LAB 63.99, -18.03, -33.51

 

CMYK 86 / 0 / 71 / 16

HEX #1FD63F

RGB 31 214 63

HSL 130.49, 0.75%, 0.48%

LAB 75.29, -70.98, 59.51

 

CMYK 95 / 0 / 78 / 8

HEX #0BEA33

RGB 11 234 51

HSL 130.76, 0.91%, 0.48%

LAB 81.38, -78.7, 69.51

 

CMYK 86 / 0 / 71 / 16

HEX #1FD63F

RGB 31 214 63

HSL 130.49, 0.75%, 0.48%

LAB 75.29, -70.98, 59.51

 

CMYK 74 / 0 / 61 / 24

HEX #32C24C

RGB 50 194 76

HSL 130.83, 0.59%, 0.48%

LAB 69.32, -61.15, 47.71

 

CMYK 60 / 0 / 49 / 31

HEX #46AF59

RGB 70 175 89

HSL 130.86, 0.43%, 0.48%

LAB 63.9, -48.72, 35.11

 

CMYK 42 / 0 / 34 / 39

HEX #5A9B66

RGB 90 155 102

HSL 131.08, 0.27%, 0.48%

LAB 58.58, -32.56, 21.46

 

CMYK 19 / 0 / 16 / 47

HEX #6E8772

RGB 110 135 114

HSL 129.6, 0.1%, 0.48%

LAB 53.88, -13.36, 8.36

 

CMYK 54 / 0 / 86 / 16

HEX #62D61F

RGB 98 214 31

HSL 98.03, 0.75%, 0.48%

LAB 76.55, -61.04, 70.7

 

CMYK 77 / 0 / 86 / 16

HEX #31D61F

RGB 49 214 31

HSL 114.1, 0.75%, 0.48%

LAB 75.35, -71.04, 69.19

 

CMYK 86 / 0 / 71 / 16

HEX #1FD63D

RGB 31 214 61

HSL 129.84, 0.75%, 0.48%

LAB 75.28, -71.15, 60.23

 

CMYK 86 / 0 / 49 / 16

HEX #1FD66E

RGB 31 214 110

HSL 145.9, 0.75%, 0.48%

LAB 75.77, -65.15, 39.35

 

CMYK 86 / 0 / 26 / 16

HEX #1FD69F

RGB 31 214 159

HSL 161.97, 0.75%, 0.48%

LAB 76.61, -55.49, 15.25

 

CMYK 86 / 0 / 70 / 44

HEX #148E2A

RGB 20 142 42

HSL 130.82, 0.75%, 0.32%

LAB 51.45, -51.75, 42.64

 

CMYK 86 / 0 / 70 / 30

HEX #19B235

RGB 25 178 53

HSL 130.98, 0.75%, 0.4%

LAB 63.59, -61.56, 51.06

 

CMYK 86 / 0 / 71 / 16

HEX #1FD63F

RGB 31 214 63

HSL 130.49, 0.75%, 0.48%

LAB 75.29, -70.98, 59.51

 

CMYK 74 / 0 / 61 / 11

HEX #3BE359

RGB 59 227 89

HSL 130.71, 0.75%, 0.56%

LAB 79.95, -69.11, 54.19

 

CMYK 59 / 0 / 48 / 9

HEX #5FE878

RGB 95 232 120

HSL 130.95, 0.75%, 0.64%

LAB 82.65, -60.24, 43.37

 

CMYK 86 / 0 / 70 / 15

HEX #1FD840

RGB 31 216 64

HSL 130.7, 0.75%, 0.48%

LAB 75.93, -71.48, 59.8

 

CMYK 86 / 31 / 0 / 16

HEX #1F93D6

RGB 31 147 214

HSL 201.97, 0.75%, 0.48%

LAB 58.05, -6.99, -42.79

 

CMYK 0 / 86 / 66 / 16

HEX #D61F49

RGB 214 31 73

HSL 346.23, 0.75%, 0.48%

LAB 46.65, 68.18, 24.98

 

CMYK 86 / 0 / 70 / 15

HEX #1FD840

RGB 31 216 64

HSL 130.7, 0.75%, 0.48%

LAB 75.93, -71.48, 59.8

 

CMYK 71 / 86 / 0 / 16

HEX #3D1FD6

RGB 61 31 214

HSL 249.84, 0.75%, 0.48%

LAB 31.41, 63.13, -85.94

 

CMYK 0 / 71 / 86 / 16

HEX #D63D1F

RGB 214 61 31

HSL 9.84, 0.75%, 0.48%

LAB 49.17, 58.19, 50.92

 

CMYK 86 / 0 / 70 / 15

HEX #1FD840

RGB 31 216 64

HSL 130.7, 0.75%, 0.48%

LAB 75.93, -71.48, 59.8

 

CMYK 86 / 31 / 0 / 16

HEX #1F93D6

RGB 31 147 214

HSL 201.97, 0.75%, 0.48%

LAB 58.05, -6.99, -42.79

 

CMYK 0 / 86 / 14 / 16

HEX #D61FB8

RGB 214 31 184

HSL 309.84, 0.75%, 0.48%

LAB 50.38, 78.55, -36.73

 

CMYK 0 / 54 / 86 / 16

HEX #D6621F

RGB 214 98 31

HSL 21.97, 0.75%, 0.48%

LAB 55.21, 42.16, 55.97

 

CMYK 86 / 0 / 70 / 15

HEX #1FD840

RGB 31 216 64

HSL 130.7, 0.75%, 0.48%

LAB 75.93, -71.48, 59.8

 

CMYK 86 / 57 / 0 / 16

HEX #1F5CD6

RGB 31 92 214

HSL 220, 0.75%, 0.48%

LAB 42.46, 27.1, -67.79

 

CMYK 0 / 86 / 14 / 16

HEX #D61FB8

RGB 214 31 184

HSL 309.84, 0.75%, 0.48%

LAB 50.38, 78.55, -36.73

 

CMYK 0 / 29 / 86 / 16

HEX #D6991F

RGB 214 153 31

HSL 40, 0.75%, 0.48%

LAB 67.41, 13.19, 66.06

 

Description

Color code: HEX #1FD840 | qconv.com Color code: HEX #1FD840 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31 red, 216 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31 216 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, none magenta, 70 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 0% 70% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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