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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1FCC7B it is the complementary color #E03384. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1FCC7B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1FCC7B shade: #24CC76, #35DE89, #46F09C, #57FFAF and #68FFC2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1FCC7B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1FCC7B shade: #1FCC7B, #0EBA68, #00A855, #009642 and #00842F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1FCC7B shade: #1ECC7B, #1ECC4C, #20CC1E, #4FCC1E and #7DCC1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1FCC7B shade: #1ECC7B, #1ECCAA, #1EC0CC, #1E91CC and #1E62CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1FCC7B shade matches the following richer shades: #1ECC7B and #0CDF7C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1FCC7B shade: #1ECC7B, #31B97A, #44A678, #579377 and #6A8076

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1FCC7B shade: #21CC1E, #1ECC4A, #1ECC78, #1ECCA6 and #1EC3CC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1FCC7B shade: #148450, #19A865, #1ECC7B, #33E18F and #57E6A3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1FCC7B shade: #1FCC7B, #1E50CC and #CC331E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1FCC7B shade: #1FCC7B, #781ECC and #CC781E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1FCC7B shade: #1FCC7B, #1E50CC, #CC1E72 and #CC9B1E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1FCC7B shade: #1FCC7B, #211ECC, #CC1E72 and #C9CC1E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 40 / 20

HEX #1FCC7B

RGB 31 204 123

HSL 151.91, 0.74%, 0.46%

LAB 72.83, -59.43, 29

 

Complementary color

CMYK 0 / 77 / 41 / 12

HEX #E03384

RGB 224 51 132

HSL 331.91, 0.74%, 0.54%

LAB 51.7, 70.24, -3.69

 

CMYK 82 / 0 / 42 / 20

HEX #24CC76

RGB 36 204 118

HSL 149.29, 0.7%, 0.47%

LAB 72.81, -59.92, 31.55

 

CMYK 76 / 0 / 38 / 13

HEX #35DE89

RGB 53 222 137

HSL 149.82, 0.72%, 0.54%

LAB 78.93, -60.96, 29.94

 

CMYK 71 / 0 / 35 / 6

HEX #46F09C

RGB 70 240 156

HSL 150.35, 0.85%, 0.61%

LAB 85.01, -61.67, 28.44

 

CMYK 66 / 0 / 31 / 0

HEX #57FFAF

RGB 87 255 175

HSL 151.43, 1%, 0.67%

LAB 90.16, -60.99, 25.85

 

CMYK 59 / 0 / 24 / 0

HEX #68FFC2

RGB 104 255 194

HSL 155.76, 1%, 0.7%

LAB 90.94, -54.11, 17.32

 

CMYK 85 / 0 / 40 / 20

HEX #1FCC7B

RGB 31 204 123

HSL 151.91, 0.74%, 0.46%

LAB 72.83, -59.43, 29

 

CMYK 92 / 0 / 44 / 27

HEX #0EBA68

RGB 14 186 104

HSL 151.4, 0.86%, 0.39%

LAB 66.68, -57.81, 30.75

 

CMYK 100 / 0 / 49 / 34

HEX #00A855

RGB 0 168 85

HSL 150.36, 1%, 0.33%

LAB 60.48, -55.66, 32.63

 

CMYK 100 / 0 / 56 / 41

HEX #009642

RGB 0 150 66

HSL 146.4, 1%, 0.29%

LAB 54.24, -52.72, 34.6

 

CMYK 100 / 0 / 64 / 48

HEX #00842F

RGB 0 132 47

HSL 141.36, 1%, 0.26%

LAB 47.89, -49.5, 36.44

 

CMYK 85 / 0 / 40 / 20

HEX #1ECC7B

RGB 30 204 123

HSL 152.07, 0.74%, 0.46%

LAB 72.82, -59.51, 28.98

 

CMYK 85 / 0 / 63 / 20

HEX #1ECC4C

RGB 30 204 76

HSL 135.86, 0.74%, 0.46%

LAB 72.22, -66.73, 50.93

 

CMYK 84 / 0 / 85 / 20

HEX #20CC1E

RGB 32 204 30

HSL 119.31, 0.74%, 0.46%

LAB 71.95, -70.15, 66.3

 

CMYK 61 / 0 / 85 / 20

HEX #4FCC1E

RGB 79 204 30

HSL 103.1, 0.74%, 0.46%

LAB 72.85, -62.41, 67.44

 

CMYK 39 / 0 / 85 / 20

HEX #7DCC1E

RGB 125 204 30

HSL 87.24, 0.74%, 0.46%

LAB 74.6, -49, 69.64

 

CMYK 85 / 0 / 40 / 20

HEX #1ECC7B

RGB 30 204 123

HSL 152.07, 0.74%, 0.46%

LAB 72.82, -59.51, 28.98

 

CMYK 85 / 0 / 17 / 20

HEX #1ECCAA

RGB 30 204 170

HSL 168.28, 0.74%, 0.46%

LAB 73.78, -48.9, 5.35

 

CMYK 85 / 6 / 0 / 20

HEX #1EC0CC

RGB 30 192 204

HSL 184.14, 0.74%, 0.46%

LAB 71.1, -33.93, -17.1

 

CMYK 85 / 29 / 0 / 20

HEX #1E91CC

RGB 30 145 204

HSL 200.34, 0.74%, 0.46%

LAB 56.96, -9.57, -38.89

 

CMYK 85 / 52 / 0 / 20

HEX #1E62CC

RGB 30 98 204

HSL 216.55, 0.74%, 0.46%

LAB 43.32, 19.26, -60.67

 

CMYK 85 / 0 / 40 / 20

HEX #1ECC7B

RGB 30 204 123

HSL 152.07, 0.74%, 0.46%

LAB 72.82, -59.51, 28.98

 

CMYK 95 / 0 / 44 / 13

HEX #0CDF7C

RGB 12 223 124

HSL 151.85, 0.9%, 0.46%

LAB 78.64, -66.84, 36.05

 

CMYK 85 / 0 / 40 / 20

HEX #1ECC7B

RGB 30 204 123

HSL 152.07, 0.74%, 0.46%

LAB 72.82, -59.51, 28.98

 

CMYK 74 / 0 / 34 / 27

HEX #31B97A

RGB 49 185 122

HSL 152.21, 0.58%, 0.46%

LAB 67.09, -50.57, 21.88

 

CMYK 59 / 0 / 28 / 35

HEX #44A678

RGB 68 166 120

HSL 151.84, 0.42%, 0.46%

LAB 61.53, -39.74, 15.42

 

CMYK 41 / 0 / 19 / 42

HEX #579377

RGB 87 147 119

HSL 152, 0.26%, 0.46%

LAB 56.31, -26.2, 8.77

 

CMYK 17 / 0 / 8 / 50

HEX #6A8076

RGB 106 128 118

HSL 152.73, 0.09%, 0.46%

LAB 51.62, -10.13, 2.77

 

CMYK 84 / 0 / 85 / 20

HEX #21CC1E

RGB 33 204 30

HSL 118.97, 0.74%, 0.46%

LAB 71.96, -70.05, 66.31

 

CMYK 85 / 0 / 64 / 20

HEX #1ECC4A

RGB 30 204 74

HSL 135.17, 0.74%, 0.46%

LAB 72.2, -66.95, 51.77

 

CMYK 85 / 0 / 41 / 20

HEX #1ECC78

RGB 30 204 120

HSL 151.03, 0.74%, 0.46%

LAB 72.77, -60.08, 30.46

 

CMYK 85 / 0 / 19 / 20

HEX #1ECCA6

RGB 30 204 166

HSL 166.9, 0.74%, 0.46%

LAB 73.68, -49.92, 7.36

 

CMYK 85 / 4 / 0 / 20

HEX #1EC3CC

RGB 30 195 204

HSL 183.1, 0.74%, 0.46%

LAB 72, -35.34, -15.74

 

CMYK 85 / 0 / 39 / 48

HEX #148450

RGB 20 132 80

HSL 152.14, 0.74%, 0.3%

LAB 48.55, -42.28, 19.9

 

CMYK 85 / 0 / 40 / 34

HEX #19A865

RGB 25 168 101

HSL 151.89, 0.74%, 0.38%

LAB 60.92, -51.19, 24.8

 

CMYK 85 / 0 / 40 / 20

HEX #1ECC7B

RGB 30 204 123

HSL 152.07, 0.74%, 0.46%

LAB 72.82, -59.51, 28.98

 

CMYK 77 / 0 / 36 / 12

HEX #33E18F

RGB 51 225 143

HSL 151.72, 0.74%, 0.54%

LAB 79.92, -61.14, 28.18

 

CMYK 62 / 0 / 29 / 10

HEX #57E6A3

RGB 87 230 163

HSL 151.89, 0.74%, 0.62%

LAB 82.52, -53.63, 21.52

 

CMYK 85 / 0 / 40 / 20

HEX #1FCC7B

RGB 31 204 123

HSL 151.91, 0.74%, 0.46%

LAB 72.83, -59.43, 29

 

CMYK 85 / 61 / 0 / 20

HEX #1E50CC

RGB 30 80 204

HSL 222.76, 0.74%, 0.46%

LAB 38.5, 31.02, -68.5

 

CMYK 0 / 75 / 85 / 20

HEX #CC331E

RGB 204 51 30

HSL 7.24, 0.74%, 0.46%

LAB 46.04, 58.48, 47.98

 

CMYK 85 / 0 / 40 / 20

HEX #1FCC7B

RGB 31 204 123

HSL 151.91, 0.74%, 0.46%

LAB 72.83, -59.43, 29

 

CMYK 41 / 85 / 0 / 20

HEX #781ECC

RGB 120 30 204

HSL 271.03, 0.74%, 0.46%

LAB 36.52, 66.53, -71.49

 

CMYK 0 / 41 / 85 / 20

HEX #CC781E

RGB 204 120 30

HSL 31.03, 0.74%, 0.46%

LAB 58.38, 26.69, 58.39

 

CMYK 85 / 0 / 40 / 20

HEX #1FCC7B

RGB 31 204 123

HSL 151.91, 0.74%, 0.46%

LAB 72.83, -59.43, 29

 

CMYK 85 / 61 / 0 / 20

HEX #1E50CC

RGB 30 80 204

HSL 222.76, 0.74%, 0.46%

LAB 38.5, 31.02, -68.5

 

CMYK 0 / 85 / 44 / 20

HEX #CC1E72

RGB 204 30 114

HSL 331.03, 0.74%, 0.46%

LAB 45.61, 68.73, -2.13

 

CMYK 0 / 24 / 85 / 20

HEX #CC9B1E

RGB 204 155 30

HSL 43.1, 0.74%, 0.46%

LAB 66.8, 7.7, 65.38

 

CMYK 85 / 0 / 40 / 20

HEX #1FCC7B

RGB 31 204 123

HSL 151.91, 0.74%, 0.46%

LAB 72.83, -59.43, 29

 

CMYK 84 / 85 / 0 / 20

HEX #211ECC

RGB 33 30 204

HSL 241.03, 0.74%, 0.46%

LAB 28.41, 59.34, -85.16

 

CMYK 0 / 85 / 44 / 20

HEX #CC1E72

RGB 204 30 114

HSL 331.03, 0.74%, 0.46%

LAB 45.61, 68.73, -2.13

 

CMYK 1 / 0 / 85 / 20

HEX #C9CC1E

RGB 201 204 30

HSL 61.03, 0.74%, 0.46%

LAB 79.44, -19.06, 75.66

 

Description

Color code: HEX #1FCC7B | qconv.com Color code: HEX #1FCC7B | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31 red, 204 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31 204 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 40 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 40% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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