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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1FC94A it is the complementary color #E036B5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1FC94A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1FC94A shade: #24C945, #35DB58, #46ED6B, #57FF7E and #68FF91

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1FC94A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1FC94A shade: #1FC94A, #0EB737, #00A524, #009311 and #008100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1FC94A shade: #1FC749, #22C71F, #4FC71F, #7CC71F and #A9C71F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1FC94A shade: #1FC749, #1FC777, #1FC7A4, #1FBCC7 and #1F8FC7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1FC94A shade matches the following richer shades: #1FC749 and #0CD940

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1FC94A shade: #1FC749, #32B453, #44A15C, #578F65 and #697C6E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1FC94A shade: #4EC71F, #22C71F, #1FC749, #1FC776 and #1FC7A2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1FC94A shade: #147F2F, #19A33C, #1FC749, #30DF5C and #54E478

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1FC94A shade: #1FC94A, #1F7BC7 and #C71F38

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1FC94A shade: #1FC94A, #491FC7 and #C7491F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1FC94A shade: #1FC94A, #1F7BC7, #C71F9D and #C76A1F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1FC94A shade: #1FC94A, #1F49C7, #C71F9D and #C79D1F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 63 / 21

HEX #1FC94A

RGB 31 201 74

HSL 135.18, 0.73%, 0.45%

LAB 71.25, -65.94, 50.72

 

Complementary color

CMYK 0 / 76 / 19 / 12

HEX #E036B5

RGB 224 54 181

HSL 315.18, 0.73%, 0.55%

LAB 53.84, 74.92, -29.44

 

CMYK 82 / 0 / 66 / 21

HEX #24C945

RGB 36 201 69

HSL 132, 0.7%, 0.46%

LAB 71.27, -65.99, 52.86

 

CMYK 76 / 0 / 60 / 14

HEX #35DB58

RGB 53 219 88

HSL 132.65, 0.7%, 0.53%

LAB 77.36, -67.49, 51.62

 

CMYK 70 / 0 / 55 / 7

HEX #46ED6B

RGB 70 237 107

HSL 133.29, 0.82%, 0.6%

LAB 83.41, -68.52, 50.26

 

CMYK 66 / 0 / 51 / 0

HEX #57FF7E

RGB 87 255 126

HSL 133.93, 1%, 0.67%

LAB 89.42, -69.2, 48.87

 

CMYK 59 / 0 / 43 / 0

HEX #68FF91

RGB 104 255 145

HSL 136.29, 1%, 0.7%

LAB 90.09, -63.1, 40.76

 

CMYK 85 / 0 / 63 / 21

HEX #1FC94A

RGB 31 201 74

HSL 135.18, 0.73%, 0.45%

LAB 71.25, -65.94, 50.72

 

CMYK 92 / 0 / 70 / 28

HEX #0EB737

RGB 14 183 55

HSL 134.56, 0.86%, 0.39%

LAB 65.15, -63.7, 51.88

 

CMYK 100 / 0 / 78 / 35

HEX #00A524

RGB 0 165 36

HSL 133.09, 1%, 0.32%

LAB 59.01, -60.69, 52.54

 

CMYK 100 / 0 / 88 / 42

HEX #009311

RGB 0 147 17

HSL 126.94, 1%, 0.29%

LAB 52.85, -56.58, 52.16

 

CMYK 100 / 0 / 100 / 49

HEX #008100

RGB 0 129 0

HSL 120, 1%, 0.25%

LAB 46.58, -51.99, 50.18

 

CMYK 84 / 0 / 63 / 22

HEX #1FC749

RGB 31 199 73

HSL 135, 0.73%, 0.45%

LAB 70.61, -65.43, 50.42

 

CMYK 83 / 0 / 84 / 22

HEX #22C71F

RGB 34 199 31

HSL 118.93, 0.73%, 0.45%

LAB 70.38, -68.46, 64.67

 

CMYK 60 / 0 / 84 / 22

HEX #4FC71F

RGB 79 199 31

HSL 102.86, 0.73%, 0.45%

LAB 71.29, -60.67, 65.83

 

CMYK 38 / 0 / 84 / 22

HEX #7CC71F

RGB 124 199 31

HSL 86.79, 0.73%, 0.45%

LAB 73.04, -47.27, 68.05

 

CMYK 15 / 0 / 84 / 22

HEX #A9C71F

RGB 169 199 31

HSL 70.71, 0.73%, 0.45%

LAB 75.69, -30.01, 71.36

 

CMYK 84 / 0 / 63 / 22

HEX #1FC749

RGB 31 199 73

HSL 135, 0.73%, 0.45%

LAB 70.61, -65.43, 50.42

 

CMYK 84 / 0 / 40 / 22

HEX #1FC777

RGB 31 199 119

HSL 151.43, 0.73%, 0.45%

LAB 71.19, -58.42, 28.91

 

CMYK 84 / 0 / 18 / 22

HEX #1FC7A4

RGB 31 199 164

HSL 167.5, 0.73%, 0.45%

LAB 72.11, -48.31, 6.18

 

CMYK 84 / 6 / 0 / 22

HEX #1FBCC7

RGB 31 188 199

HSL 183.93, 0.73%, 0.45%

LAB 69.74, -33.52, -16.42

 

CMYK 84 / 28 / 0 / 22

HEX #1F8FC7

RGB 31 143 199

HSL 200, 0.73%, 0.45%

LAB 56.15, -10.17, -37.35

 

CMYK 84 / 0 / 63 / 22

HEX #1FC749

RGB 31 199 73

HSL 135, 0.73%, 0.45%

LAB 70.61, -65.43, 50.42

 

CMYK 94 / 0 / 71 / 15

HEX #0CD940

RGB 12 217 64

HSL 135.22, 0.9%, 0.45%

LAB 76.11, -72.93, 59.96

 

CMYK 84 / 0 / 63 / 22

HEX #1FC749

RGB 31 199 73

HSL 135, 0.73%, 0.45%

LAB 70.61, -65.43, 50.42

 

CMYK 72 / 0 / 54 / 29

HEX #32B453

RGB 50 180 83

HSL 135.23, 0.57%, 0.45%

LAB 64.92, -55.42, 39.24

 

CMYK 58 / 0 / 43 / 37

HEX #44A15C

RGB 68 161 92

HSL 135.48, 0.41%, 0.45%

LAB 59.43, -43.07, 27.84

 

CMYK 39 / 0 / 29 / 44

HEX #578F65

RGB 87 143 101

HSL 135, 0.24%, 0.45%

LAB 54.67, -27.95, 16.68

 

CMYK 15 / 0 / 11 / 51

HEX #697C6E

RGB 105 124 110

HSL 135.79, 0.08%, 0.45%

LAB 50.15, -9.93, 5.32

 

CMYK 61 / 0 / 84 / 22

HEX #4EC71F

RGB 78 199 31

HSL 103.21, 0.73%, 0.45%

LAB 71.26, -60.91, 65.79

 

CMYK 83 / 0 / 84 / 22

HEX #22C71F

RGB 34 199 31

HSL 118.93, 0.73%, 0.45%

LAB 70.38, -68.46, 64.67

 

CMYK 84 / 0 / 63 / 22

HEX #1FC749

RGB 31 199 73

HSL 135, 0.73%, 0.45%

LAB 70.61, -65.43, 50.42

 

CMYK 84 / 0 / 41 / 22

HEX #1FC776

RGB 31 199 118

HSL 151.07, 0.73%, 0.45%

LAB 71.18, -58.6, 29.4

 

CMYK 84 / 0 / 19 / 22

HEX #1FC7A2

RGB 31 199 162

HSL 166.79, 0.73%, 0.45%

LAB 72.06, -48.82, 7.2

 

CMYK 84 / 0 / 63 / 50

HEX #147F2F

RGB 20 127 47

HSL 135.14, 0.73%, 0.29%

LAB 46.36, -46.14, 34.74

 

CMYK 85 / 0 / 63 / 36

HEX #19A33C

RGB 25 163 60

HSL 135.22, 0.73%, 0.37%

LAB 58.72, -56.06, 42.76

 

CMYK 84 / 0 / 63 / 22

HEX #1FC749

RGB 31 199 73

HSL 135, 0.73%, 0.45%

LAB 70.61, -65.43, 50.42

 

CMYK 78 / 0 / 59 / 13

HEX #30DF5C

RGB 48 223 92

HSL 135.09, 0.73%, 0.53%

LAB 78.56, -68.93, 51.23

 

CMYK 63 / 0 / 47 / 11

HEX #54E478

RGB 84 228 120

HSL 135, 0.73%, 0.61%

LAB 81.14, -61.05, 41.42

 

CMYK 85 / 0 / 63 / 21

HEX #1FC94A

RGB 31 201 74

HSL 135.18, 0.73%, 0.45%

LAB 71.25, -65.94, 50.72

 

CMYK 84 / 38 / 0 / 22

HEX #1F7BC7

RGB 31 123 199

HSL 207.14, 0.73%, 0.45%

LAB 50.19, 1.59, -46.75

 

CMYK 0 / 84 / 72 / 22

HEX #C71F38

RGB 199 31 56

HSL 351.07, 0.73%, 0.45%

LAB 43.37, 63.41, 30.63

 

CMYK 85 / 0 / 63 / 21

HEX #1FC94A

RGB 31 201 74

HSL 135.18, 0.73%, 0.45%

LAB 71.25, -65.94, 50.72

 

CMYK 63 / 84 / 0 / 22

HEX #491FC7

RGB 73 31 199

HSL 255, 0.73%, 0.45%

LAB 30.69, 59.93, -78.38

 

CMYK 0 / 63 / 84 / 22

HEX #C7491F

RGB 199 73 31

HSL 15, 0.73%, 0.45%

LAB 48.27, 48.32, 49.09

 

CMYK 85 / 0 / 63 / 21

HEX #1FC94A

RGB 31 201 74

HSL 135.18, 0.73%, 0.45%

LAB 71.25, -65.94, 50.72

 

CMYK 84 / 38 / 0 / 22

HEX #1F7BC7

RGB 31 123 199

HSL 207.14, 0.73%, 0.45%

LAB 50.19, 1.59, -46.75

 

CMYK 0 / 84 / 21 / 22

HEX #C71F9D

RGB 199 31 157

HSL 315, 0.73%, 0.45%

LAB 46.39, 72.01, -27.2

 

CMYK 0 / 47 / 84 / 22

HEX #C76A1F

RGB 199 106 31

HSL 26.79, 0.73%, 0.45%

LAB 54.6, 32.1, 54.57

 

CMYK 85 / 0 / 63 / 21

HEX #1FC94A

RGB 31 201 74

HSL 135.18, 0.73%, 0.45%

LAB 71.25, -65.94, 50.72

 

CMYK 84 / 63 / 0 / 22

HEX #1F49C7

RGB 31 73 199

HSL 225, 0.73%, 0.45%

LAB 36.33, 33.74, -69.16

 

CMYK 0 / 84 / 21 / 22

HEX #C71F9D

RGB 199 31 157

HSL 315, 0.73%, 0.45%

LAB 46.39, 72.01, -27.2

 

CMYK 0 / 21 / 84 / 22

HEX #C79D1F

RGB 199 157 31

HSL 45, 0.73%, 0.45%

LAB 66.79, 4.43, 64.88

 

Description

Color code: HEX #1FC94A | qconv.com Color code: HEX #1FC94A | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31 red, 201 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31 201 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 63 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 63% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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