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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1FC849 it is the complementary color #E037B6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1FC849. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1FC849 shade: #24C844, #35DA57, #46EC6A, #57FE7D and #68FF90

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1FC849. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1FC849 shade: #1FC849, #0EB636, #00A423, #009210 and #008000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1FC849 shade: #1FC749, #23C71F, #50C71F, #7DC71F and #AAC71F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1FC849 shade: #1FC749, #1FC776, #1FC7A3, #1FBDC7 and #1F90C7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1FC849 shade matches the following richer shades: #1FC749 and #0CD93F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1FC849 shade: #1FC749, #32B452, #44A15B, #578F65 and #697C6E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1FC849 shade: #51C71F, #25C71F, #1FC746, #1FC773 and #1FC79F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1FC849 shade: #147F2F, #19A33C, #1FC749, #30DF5B and #54E478

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1FC849 shade: #1FC849, #1F7EC7 and #C71F3B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1FC849 shade: #1FC849, #461FC7 and #C7461F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1FC849 shade: #1FC849, #1F7EC7, #C71F9F and #C7681F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1FC849 shade: #1FC849, #1F4CC7, #C71F9F and #C79A1F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 64 / 22

HEX #1FC849

RGB 31 200 73

HSL 134.91, 0.73%, 0.45%

LAB 70.93, -65.74, 50.78

 

Complementary color

CMYK 0 / 75 / 19 / 12

HEX #E037B6

RGB 224 55 182

HSL 314.91, 0.73%, 0.55%

LAB 53.98, 74.76, -29.8

 

CMYK 82 / 0 / 66 / 22

HEX #24C844

RGB 36 200 68

HSL 131.71, 0.69%, 0.46%

LAB 70.94, -65.78, 52.92

 

CMYK 76 / 0 / 60 / 15

HEX #35DA57

RGB 53 218 87

HSL 132.36, 0.69%, 0.53%

LAB 77.03, -67.29, 51.69

 

CMYK 70 / 0 / 55 / 7

HEX #46EC6A

RGB 70 236 106

HSL 133.01, 0.81%, 0.6%

LAB 83.09, -68.31, 50.34

 

CMYK 66 / 0 / 51 / 0

HEX #57FE7D

RGB 87 254 125

HSL 133.65, 0.99%, 0.67%

LAB 89.11, -68.99, 48.96

 

CMYK 59 / 0 / 44 / 0

HEX #68FF90

RGB 104 255 144

HSL 135.89, 1%, 0.7%

LAB 90.08, -63.25, 41.23

 

CMYK 85 / 0 / 64 / 22

HEX #1FC849

RGB 31 200 73

HSL 134.91, 0.73%, 0.45%

LAB 70.93, -65.74, 50.78

 

CMYK 92 / 0 / 70 / 29

HEX #0EB636

RGB 14 182 54

HSL 134.29, 0.86%, 0.38%

LAB 64.82, -63.49, 51.92

 

CMYK 100 / 0 / 79 / 36

HEX #00A423

RGB 0 164 35

HSL 132.8, 1%, 0.32%

LAB 58.67, -60.47, 52.54

 

CMYK 100 / 0 / 89 / 43

HEX #009210

RGB 0 146 16

HSL 126.58, 1%, 0.29%

LAB 52.5, -56.34, 52.08

 

CMYK 100 / 0 / 100 / 50

HEX #008000

RGB 0 128 0

HSL 120, 1%, 0.25%

LAB 46.23, -51.7, 49.9

 

CMYK 84 / 0 / 63 / 22

HEX #1FC749

RGB 31 199 73

HSL 135, 0.73%, 0.45%

LAB 70.61, -65.43, 50.42

 

CMYK 82 / 0 / 84 / 22

HEX #23C71F

RGB 35 199 31

HSL 118.57, 0.73%, 0.45%

LAB 70.39, -68.35, 64.68

 

CMYK 60 / 0 / 84 / 22

HEX #50C71F

RGB 80 199 31

HSL 102.5, 0.73%, 0.45%

LAB 71.32, -60.43, 65.87

 

CMYK 37 / 0 / 84 / 22

HEX #7DC71F

RGB 125 199 31

HSL 86.43, 0.73%, 0.45%

LAB 73.09, -46.92, 68.11

 

CMYK 15 / 0 / 84 / 22

HEX #AAC71F

RGB 170 199 31

HSL 70.36, 0.73%, 0.45%

LAB 75.76, -29.6, 71.45

 

CMYK 84 / 0 / 63 / 22

HEX #1FC749

RGB 31 199 73

HSL 135, 0.73%, 0.45%

LAB 70.61, -65.43, 50.42

 

CMYK 84 / 0 / 41 / 22

HEX #1FC776

RGB 31 199 118

HSL 151.07, 0.73%, 0.45%

LAB 71.18, -58.6, 29.4

 

CMYK 84 / 0 / 18 / 22

HEX #1FC7A3

RGB 31 199 163

HSL 167.14, 0.73%, 0.45%

LAB 72.08, -48.57, 6.69

 

CMYK 84 / 5 / 0 / 22

HEX #1FBDC7

RGB 31 189 199

HSL 183.57, 0.73%, 0.45%

LAB 70.04, -33.99, -15.96

 

CMYK 84 / 28 / 0 / 22

HEX #1F90C7

RGB 31 144 199

HSL 199.64, 0.73%, 0.45%

LAB 56.45, -10.74, -36.88

 

CMYK 84 / 0 / 63 / 22

HEX #1FC749

RGB 31 199 73

HSL 135, 0.73%, 0.45%

LAB 70.61, -65.43, 50.42

 

CMYK 94 / 0 / 71 / 15

HEX #0CD93F

RGB 12 217 63

HSL 134.93, 0.9%, 0.45%

LAB 76.11, -73.02, 60.32

 

CMYK 84 / 0 / 63 / 22

HEX #1FC749

RGB 31 199 73

HSL 135, 0.73%, 0.45%

LAB 70.61, -65.43, 50.42

 

CMYK 72 / 0 / 54 / 29

HEX #32B452

RGB 50 180 82

HSL 134.77, 0.57%, 0.45%

LAB 64.91, -55.57, 39.71

 

CMYK 58 / 0 / 43 / 37

HEX #44A15B

RGB 68 161 91

HSL 134.84, 0.41%, 0.45%

LAB 59.41, -43.24, 28.35

 

CMYK 39 / 0 / 29 / 44

HEX #578F65

RGB 87 143 101

HSL 135, 0.24%, 0.45%

LAB 54.67, -27.95, 16.68

 

CMYK 15 / 0 / 11 / 51

HEX #697C6E

RGB 105 124 110

HSL 135.79, 0.08%, 0.45%

LAB 50.15, -9.93, 5.32

 

CMYK 59 / 0 / 84 / 22

HEX #51C71F

RGB 81 199 31

HSL 102.14, 0.73%, 0.45%

LAB 71.35, -60.19, 65.9

 

CMYK 81 / 0 / 84 / 22

HEX #25C71F

RGB 37 199 31

HSL 117.86, 0.73%, 0.45%

LAB 70.41, -68.13, 64.71

 

CMYK 84 / 0 / 65 / 22

HEX #1FC746

RGB 31 199 70

HSL 133.93, 0.73%, 0.45%

LAB 70.58, -65.76, 51.67

 

CMYK 84 / 0 / 42 / 22

HEX #1FC773

RGB 31 199 115

HSL 150, 0.73%, 0.45%

LAB 71.13, -59.16, 30.89

 

CMYK 84 / 0 / 20 / 22

HEX #1FC79F

RGB 31 199 159

HSL 165.71, 0.73%, 0.45%

LAB 71.99, -49.58, 8.72

 

CMYK 84 / 0 / 63 / 50

HEX #147F2F

RGB 20 127 47

HSL 135.14, 0.73%, 0.29%

LAB 46.36, -46.14, 34.74

 

CMYK 85 / 0 / 63 / 36

HEX #19A33C

RGB 25 163 60

HSL 135.22, 0.73%, 0.37%

LAB 58.72, -56.06, 42.76

 

CMYK 84 / 0 / 63 / 22

HEX #1FC749

RGB 31 199 73

HSL 135, 0.73%, 0.45%

LAB 70.61, -65.43, 50.42

 

CMYK 78 / 0 / 59 / 13

HEX #30DF5B

RGB 48 223 91

HSL 134.74, 0.73%, 0.53%

LAB 78.55, -69.05, 51.66

 

CMYK 63 / 0 / 47 / 11

HEX #54E478

RGB 84 228 120

HSL 135, 0.73%, 0.61%

LAB 81.14, -61.05, 41.42

 

CMYK 85 / 0 / 64 / 22

HEX #1FC849

RGB 31 200 73

HSL 134.91, 0.73%, 0.45%

LAB 70.93, -65.74, 50.78

 

CMYK 84 / 37 / 0 / 22

HEX #1F7EC7

RGB 31 126 199

HSL 206.07, 0.73%, 0.45%

LAB 51.08, -0.23, -45.35

 

CMYK 0 / 84 / 70 / 22

HEX #C71F3B

RGB 199 31 59

HSL 350, 0.73%, 0.45%

LAB 43.42, 63.54, 28.86

 

CMYK 85 / 0 / 64 / 22

HEX #1FC849

RGB 31 200 73

HSL 134.91, 0.73%, 0.45%

LAB 70.93, -65.74, 50.78

 

CMYK 65 / 84 / 0 / 22

HEX #461FC7

RGB 70 31 199

HSL 253.93, 0.73%, 0.45%

LAB 30.41, 59.68, -78.84

 

CMYK 0 / 65 / 84 / 22

HEX #C7461F

RGB 199 70 31

HSL 13.93, 0.73%, 0.45%

LAB 47.78, 49.63, 48.67

 

CMYK 85 / 0 / 64 / 22

HEX #1FC849

RGB 31 200 73

HSL 134.91, 0.73%, 0.45%

LAB 70.93, -65.74, 50.78

 

CMYK 84 / 37 / 0 / 22

HEX #1F7EC7

RGB 31 126 199

HSL 206.07, 0.73%, 0.45%

LAB 51.08, -0.23, -45.35

 

CMYK 0 / 84 / 20 / 22

HEX #C71F9F

RGB 199 31 159

HSL 314.29, 0.73%, 0.45%

LAB 46.48, 72.26, -28.26

 

CMYK 0 / 48 / 84 / 22

HEX #C7681F

RGB 199 104 31

HSL 26.07, 0.73%, 0.45%

LAB 54.18, 33.15, 54.21

 

CMYK 85 / 0 / 64 / 22

HEX #1FC849

RGB 31 200 73

HSL 134.91, 0.73%, 0.45%

LAB 70.93, -65.74, 50.78

 

CMYK 84 / 62 / 0 / 22

HEX #1F4CC7

RGB 31 76 199

HSL 223.93, 0.73%, 0.45%

LAB 37.08, 31.79, -67.92

 

CMYK 0 / 84 / 20 / 22

HEX #C71F9F

RGB 199 31 159

HSL 314.29, 0.73%, 0.45%

LAB 46.48, 72.26, -28.26

 

CMYK 0 / 23 / 84 / 22

HEX #C79A1F

RGB 199 154 31

HSL 43.93, 0.73%, 0.45%

LAB 66.02, 6.05, 64.24

 

Description

Color code: HEX #1FC849 | qconv.com Color code: HEX #1FC849 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31 red, 200 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31 200 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 64 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 64% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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