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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1FC5AF it is the complementary color #E03A50. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1FC5AF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1FC5AF shade: #24C5AA, #35D7BD, #46E9D0, #57FBE3 and #68FFF6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1FC5AF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1FC5AF shade: #1FC5AF, #0EB39C, #00A189, #008F76 and #007D63

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1FC5AF shade: #1FC7B0, #1FC783, #1FC756, #1FC729 and #42C71F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1FC5AF shade: #1FC7B0, #1FB0C7, #1F82C7, #1F55C7 and #1F28C7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1FC5AF shade matches the following richer shades: #1FC7B0 and #0CD9BE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1FC5AF shade: #1FC7B0, #32B4A3, #44A195, #578F87 and #697C7A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1FC5AF shade: #1FC757, #1FC784, #1FC7B0, #1FB0C7 and #1F84C7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1FC5AF shade: #147F71, #19A391, #1FC7B0, #30DFC8 and #54E4D1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1FC5AF shade: #1FC5AF, #2A1FC7 and #C76D1F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1FC5AF shade: #1FC5AF, #B01FC7 and #C7B01F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1FC5AF shade: #1FC5AF, #2A1FC7, #C71F35 and #BBC71F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1FC5AF shade: #1FC5AF, #5C1FC7, #C71F35 and #89C71F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 0 / 11 / 23

HEX #1FC5AF

RGB 31 197 175

HSL 172.05, 0.73%, 0.45%

LAB 71.77, -44.57, -0.28

 

Complementary color

CMYK 0 / 74 / 64 / 12

HEX #E03A50

RGB 224 58 80

HSL 352.05, 0.73%, 0.55%

LAB 51.21, 64.18, 26.97

 

CMYK 82 / 0 / 14 / 23

HEX #24C5AA

RGB 36 197 170

HSL 169.94, 0.69%, 0.46%

LAB 71.7, -45.51, 2.34

 

CMYK 75 / 0 / 12 / 16

HEX #35D7BD

RGB 53 215 189

HSL 170.37, 0.67%, 0.53%

LAB 77.89, -46.49, 1.13

 

CMYK 70 / 0 / 11 / 9

HEX #46E9D0

RGB 70 233 208

HSL 170.8, 0.79%, 0.59%

LAB 84.04, -47.2, 0.04

 

CMYK 65 / 0 / 10 / 2

HEX #57FBE3

RGB 87 251 227

HSL 171.22, 0.95%, 0.66%

LAB 90.12, -47.72, -0.97

 

CMYK 59 / 0 / 4 / 0

HEX #68FFF6

RGB 104 255 246

HSL 176.42, 1%, 0.7%

LAB 92.18, -41.96, -7.74

 

CMYK 84 / 0 / 11 / 23

HEX #1FC5AF

RGB 31 197 175

HSL 172.05, 0.73%, 0.45%

LAB 71.77, -44.57, -0.28

 

CMYK 92 / 0 / 13 / 30

HEX #0EB39C

RGB 14 179 156

HSL 171.64, 0.85%, 0.38%

LAB 65.54, -43.08, 1.05

 

CMYK 100 / 0 / 15 / 37

HEX #00A189

RGB 0 161 137

HSL 171.06, 1%, 0.32%

LAB 59.25, -41.2, 2.51

 

CMYK 100 / 0 / 17 / 44

HEX #008F76

RGB 0 143 118

HSL 169.51, 1%, 0.28%

LAB 52.9, -38.75, 4.17

 

CMYK 100 / 0 / 21 / 51

HEX #007D63

RGB 0 125 99

HSL 167.52, 1%, 0.25%

LAB 46.4, -36.24, 5.92

 

CMYK 84 / 0 / 12 / 22

HEX #1FC7B0

RGB 31 199 176

HSL 171.79, 0.73%, 0.45%

LAB 72.41, -45.15, 0.11

 

CMYK 84 / 0 / 34 / 22

HEX #1FC783

RGB 31 199 131

HSL 155.71, 0.73%, 0.45%

LAB 71.4, -56.02, 22.9

 

CMYK 84 / 0 / 57 / 22

HEX #1FC756

RGB 31 199 86

HSL 139.64, 0.73%, 0.45%

LAB 70.74, -63.81, 44.72

 

CMYK 84 / 0 / 79 / 22

HEX #1FC729

RGB 31 199 41

HSL 123.57, 0.73%, 0.45%

LAB 70.38, -68.22, 62.01

 

CMYK 67 / 0 / 84 / 22

HEX #42C71F

RGB 66 199 31

HSL 107.5, 0.73%, 0.45%

LAB 70.94, -63.55, 65.39

 

CMYK 84 / 0 / 12 / 22

HEX #1FC7B0

RGB 31 199 176

HSL 171.79, 0.73%, 0.45%

LAB 72.41, -45.15, 0.11

 

CMYK 84 / 12 / 0 / 22

HEX #1FB0C7

RGB 31 176 199

HSL 188.21, 0.73%, 0.45%

LAB 66.11, -27.69, -21.93

 

CMYK 84 / 35 / 0 / 22

HEX #1F82C7

RGB 31 130 199

HSL 204.64, 0.73%, 0.45%

LAB 52.26, -2.63, -43.47

 

CMYK 84 / 57 / 0 / 22

HEX #1F55C7

RGB 31 85 199

HSL 220.71, 0.73%, 0.45%

LAB 39.43, 25.9, -64.09

 

CMYK 84 / 80 / 0 / 22

HEX #1F28C7

RGB 31 40 199

HSL 236.79, 0.73%, 0.45%

LAB 29.24, 53.24, -80.86

 

CMYK 84 / 0 / 12 / 22

HEX #1FC7B0

RGB 31 199 176

HSL 171.79, 0.73%, 0.45%

LAB 72.41, -45.15, 0.11

 

CMYK 94 / 0 / 12 / 15

HEX #0CD9BE

RGB 12 217 190

HSL 172.1, 0.9%, 0.45%

LAB 78.12, -49.87, 0.88

 

CMYK 84 / 0 / 12 / 22

HEX #1FC7B0

RGB 31 199 176

HSL 171.79, 0.73%, 0.45%

LAB 72.41, -45.15, 0.11

 

CMYK 72 / 0 / 9 / 29

HEX #32B4A3

RGB 50 180 163

HSL 172.15, 0.57%, 0.45%

LAB 66.49, -38.46, -1.38

 

CMYK 58 / 0 / 7 / 37

HEX #44A195

RGB 68 161 149

HSL 172.26, 0.41%, 0.45%

LAB 60.68, -30.42, -2.03

 

CMYK 39 / 0 / 6 / 44

HEX #578F87

RGB 87 143 135

HSL 171.43, 0.24%, 0.45%

LAB 55.5, -20.4, -1.57

 

CMYK 15 / 0 / 2 / 51

HEX #697C7A

RGB 105 124 122

HSL 173.68, 0.08%, 0.45%

LAB 50.48, -7.37, -1.25

 

CMYK 84 / 0 / 56 / 22

HEX #1FC757

RGB 31 199 87

HSL 140, 0.73%, 0.45%

LAB 70.75, -63.67, 44.27

 

CMYK 84 / 0 / 34 / 22

HEX #1FC784

RGB 31 199 132

HSL 156.07, 0.73%, 0.45%

LAB 71.42, -55.81, 22.39

 

CMYK 84 / 0 / 12 / 22

HEX #1FC7B0

RGB 31 199 176

HSL 171.79, 0.73%, 0.45%

LAB 72.41, -45.15, 0.11

 

CMYK 84 / 12 / 0 / 22

HEX #1FB0C7

RGB 31 176 199

HSL 188.21, 0.73%, 0.45%

LAB 66.11, -27.69, -21.93

 

CMYK 84 / 34 / 0 / 22

HEX #1F84C7

RGB 31 132 199

HSL 203.93, 0.73%, 0.45%

LAB 52.86, -3.81, -42.53

 

CMYK 84 / 0 / 11 / 50

HEX #147F71

RGB 20 127 113

HSL 172.15, 0.73%, 0.29%

LAB 47.65, -31.74, -0.51

 

CMYK 85 / 0 / 11 / 36

HEX #19A391

RGB 25 163 145

HSL 172.17, 0.73%, 0.37%

LAB 60.29, -38.5, -0.46

 

CMYK 84 / 0 / 12 / 22

HEX #1FC7B0

RGB 31 199 176

HSL 171.79, 0.73%, 0.45%

LAB 72.41, -45.15, 0.11

 

CMYK 78 / 0 / 10 / 13

HEX #30DFC8

RGB 48 223 200

HSL 172.11, 0.73%, 0.53%

LAB 80.5, -47.51, -0.94

 

CMYK 63 / 0 / 8 / 11

HEX #54E4D1

RGB 84 228 209

HSL 172.08, 0.73%, 0.61%

LAB 82.9, -42.73, -2.11

 

CMYK 84 / 0 / 11 / 23

HEX #1FC5AF

RGB 31 197 175

HSL 172.05, 0.73%, 0.45%

LAB 71.77, -44.57, -0.28

 

CMYK 79 / 84 / 0 / 22

HEX #2A1FC7

RGB 42 31 199

HSL 243.93, 0.73%, 0.45%

LAB 28.37, 57.86, -82.29

 

CMYK 0 / 45 / 84 / 22

HEX #C76D1F

RGB 199 109 31

HSL 27.86, 0.73%, 0.45%

LAB 55.26, 30.51, 55.13

 

CMYK 84 / 0 / 11 / 23

HEX #1FC5AF

RGB 31 197 175

HSL 172.05, 0.73%, 0.45%

LAB 71.77, -44.57, -0.28

 

CMYK 12 / 84 / 0 / 22

HEX #B01FC7

RGB 176 31 199

HSL 291.79, 0.73%, 0.45%

LAB 44.71, 73.78, -54.89

 

CMYK 0 / 12 / 84 / 22

HEX #C7B01F

RGB 199 176 31

HSL 51.79, 0.73%, 0.45%

LAB 71.75, -5.67, 69.02

 

CMYK 84 / 0 / 11 / 23

HEX #1FC5AF

RGB 31 197 175

HSL 172.05, 0.73%, 0.45%

LAB 71.77, -44.57, -0.28

 

CMYK 79 / 84 / 0 / 22

HEX #2A1FC7

RGB 42 31 199

HSL 243.93, 0.73%, 0.45%

LAB 28.37, 57.86, -82.29

 

CMYK 0 / 84 / 73 / 22

HEX #C71F35

RGB 199 31 53

HSL 352.14, 0.73%, 0.45%

LAB 43.33, 63.28, 32.39

 

CMYK 6 / 0 / 84 / 22

HEX #BBC71F

RGB 187 199 31

HSL 64.29, 0.73%, 0.45%

LAB 76.99, -22.51, 72.98

 

CMYK 84 / 0 / 11 / 23

HEX #1FC5AF

RGB 31 197 175

HSL 172.05, 0.73%, 0.45%

LAB 71.77, -44.57, -0.28

 

CMYK 54 / 84 / 0 / 22

HEX #5C1FC7

RGB 92 31 199

HSL 261.79, 0.73%, 0.45%

LAB 32.65, 61.75, -75.06

 

CMYK 0 / 84 / 73 / 22

HEX #C71F35

RGB 199 31 53

HSL 352.14, 0.73%, 0.45%

LAB 43.33, 63.28, 32.39

 

CMYK 31 / 0 / 84 / 22

HEX #89C71F

RGB 137 199 31

HSL 82.14, 0.73%, 0.45%

LAB 73.72, -42.58, 68.9

 

Description

Color code: HEX #1FC5AF | qconv.com Color code: HEX #1FC5AF | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31 red, 197 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31 197 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, none magenta, 11 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 0% 11% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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