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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1FBF77 it is the complementary color #E04088. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1FBF77. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1FBF77 shade: #24BF72, #35D185, #46E398, #57F5AB and #68FFBE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1FBF77. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1FBF77 shade: #1FBF77, #0EAD64, #009B51, #00893E and #00772B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1FBF77 shade: #1FC178, #1FC14D, #1FC121, #49C11F and #75C11F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1FBF77 shade: #1FC178, #1FC1A4, #1FB3C1, #1F87C1 and #1F5BC1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1FBF77 shade matches the following richer shades: #1FC178 and #0DD37A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1FBF77 shade: #1FC178, #32AF76, #449D75, #568B73 and #687871

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1FBF77 shade: #1FC122, #1FC14D, #1FC178, #1FC1A3 and #1FB4C1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1FBF77 shade: #147A4C, #1A9E62, #1FC178, #2DDD8E and #50E3A1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1FBF77 shade: #1FBF77, #1F48C1 and #C1381F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1FBF77 shade: #1FBF77, #781FC1 and #C1781F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1FBF77 shade: #1FBF77, #1F48C1, #C11F68 and #C1991F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1FBF77 shade: #1FBF77, #271FC1, #C11F68 and #B9C11F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 0 / 38 / 25

HEX #1FBF77

RGB 31 191 119

HSL 153, 0.72%, 0.44%

LAB 68.67, -55.53, 25.55

 

Complementary color

CMYK 0 / 71 / 39 / 12

HEX #E04088

RGB 224 64 136

HSL 333, 0.72%, 0.56%

LAB 53.27, 66.58, -3.77

 

CMYK 81 / 0 / 40 / 25

HEX #24BF72

RGB 36 191 114

HSL 150.19, 0.68%, 0.45%

LAB 68.64, -56.02, 28.16

 

CMYK 75 / 0 / 36 / 18

HEX #35D185

RGB 53 209 133

HSL 150.77, 0.63%, 0.51%

LAB 74.86, -56.96, 26.56

 

CMYK 69 / 0 / 33 / 11

HEX #46E398

RGB 70 227 152

HSL 151.34, 0.74%, 0.58%

LAB 81.02, -57.56, 25.1

 

CMYK 64 / 0 / 30 / 4

HEX #57F5AB

RGB 87 245 171

HSL 151.9, 0.89%, 0.65%

LAB 87.13, -57.93, 23.74

 

CMYK 59 / 0 / 25 / 0

HEX #68FFBE

RGB 104 255 190

HSL 154.17, 1%, 0.7%

LAB 90.86, -54.94, 19.25

 

CMYK 84 / 0 / 38 / 25

HEX #1FBF77

RGB 31 191 119

HSL 153, 0.72%, 0.44%

LAB 68.67, -55.53, 25.55

 

CMYK 92 / 0 / 42 / 32

HEX #0EAD64

RGB 14 173 100

HSL 152.45, 0.85%, 0.37%

LAB 62.42, -53.99, 27.3

 

CMYK 100 / 0 / 48 / 39

HEX #009B51

RGB 0 155 81

HSL 151.35, 1%, 0.3%

LAB 56.12, -51.91, 29.19

 

CMYK 100 / 0 / 55 / 46

HEX #00893E

RGB 0 137 62

HSL 147.15, 1%, 0.27%

LAB 49.78, -48.98, 31.22

 

CMYK 100 / 0 / 64 / 53

HEX #00772B

RGB 0 119 43

HSL 141.68, 1%, 0.23%

LAB 43.31, -45.75, 33.14

 

CMYK 84 / 0 / 38 / 24

HEX #1FC178

RGB 31 193 120

HSL 152.96, 0.72%, 0.44%

LAB 69.32, -56.06, 25.89

 

CMYK 84 / 0 / 60 / 24

HEX #1FC14D

RGB 31 193 77

HSL 137.04, 0.72%, 0.44%

LAB 68.73, -63.05, 46.51

 

CMYK 84 / 0 / 83 / 24

HEX #1FC121

RGB 31 193 33

HSL 120.74, 0.72%, 0.44%

LAB 68.42, -66.92, 62.38

 

CMYK 62 / 0 / 84 / 24

HEX #49C11F

RGB 73 193 31

HSL 104.44, 0.72%, 0.44%

LAB 69.22, -60.05, 63.92

 

CMYK 39 / 0 / 84 / 24

HEX #75C11F

RGB 117 193 31

HSL 88.15, 0.72%, 0.44%

LAB 70.89, -47.23, 66.03

 

CMYK 84 / 0 / 38 / 24

HEX #1FC178

RGB 31 193 120

HSL 152.96, 0.72%, 0.44%

LAB 69.32, -56.06, 25.89

 

CMYK 84 / 0 / 15 / 24

HEX #1FC1A4

RGB 31 193 164

HSL 169.26, 0.72%, 0.44%

LAB 70.25, -45.82, 3.51

 

CMYK 84 / 7 / 0 / 24

HEX #1FB3C1

RGB 31 179 193

HSL 185.19, 0.72%, 0.44%

LAB 66.81, -31.08, -17.55

 

CMYK 84 / 30 / 0 / 24

HEX #1F87C1

RGB 31 135 193

HSL 201.48, 0.72%, 0.44%

LAB 53.46, -7.79, -38.16

 

CMYK 84 / 53 / 0 / 24

HEX #1F5BC1

RGB 31 91 193

HSL 217.78, 0.72%, 0.44%

LAB 40.61, 19.61, -58.69

 

CMYK 84 / 0 / 38 / 24

HEX #1FC178

RGB 31 193 120

HSL 152.96, 0.72%, 0.44%

LAB 69.32, -56.06, 25.89

 

CMYK 94 / 0 / 42 / 17

HEX #0DD37A

RGB 13 211 122

HSL 153.03, 0.88%, 0.44%

LAB 74.87, -63.13, 32.17

 

CMYK 84 / 0 / 38 / 24

HEX #1FC178

RGB 31 193 120

HSL 152.96, 0.72%, 0.44%

LAB 69.32, -56.06, 25.89

 

CMYK 71 / 0 / 33 / 31

HEX #32AF76

RGB 50 175 118

HSL 152.64, 0.56%, 0.44%

LAB 63.87, -47.31, 19.66

 

CMYK 57 / 0 / 25 / 38

HEX #449D75

RGB 68 157 117

HSL 153.03, 0.4%, 0.44%

LAB 58.63, -36.4, 13.04

 

CMYK 38 / 0 / 17 / 45

HEX #568B73

RGB 86 139 115

HSL 152.83, 0.24%, 0.44%

LAB 53.69, -23.35, 7.32

 

CMYK 13 / 0 / 6 / 53

HEX #687871

RGB 104 120 113

HSL 153.75, 0.07%, 0.44%

LAB 48.97, -7.42, 1.84

 

CMYK 84 / 0 / 82 / 24

HEX #1FC122

RGB 31 193 34

HSL 121.11, 0.72%, 0.44%

LAB 68.42, -66.87, 62.13

 

CMYK 84 / 0 / 60 / 24

HEX #1FC14D

RGB 31 193 77

HSL 137.04, 0.72%, 0.44%

LAB 68.73, -63.05, 46.51

 

CMYK 84 / 0 / 38 / 24

HEX #1FC178

RGB 31 193 120

HSL 152.96, 0.72%, 0.44%

LAB 69.32, -56.06, 25.89

 

CMYK 84 / 0 / 16 / 24

HEX #1FC1A3

RGB 31 193 163

HSL 168.89, 0.72%, 0.44%

LAB 70.23, -46.08, 4.02

 

CMYK 84 / 7 / 0 / 24

HEX #1FB4C1

RGB 31 180 193

HSL 184.81, 0.72%, 0.44%

LAB 67.11, -31.56, -17.09

 

CMYK 84 / 0 / 38 / 52

HEX #147A4C

RGB 20 122 76

HSL 152.94, 0.72%, 0.28%

LAB 45.07, -39.16, 17.52

 

CMYK 84 / 0 / 38 / 38

HEX #1A9E62

RGB 26 158 98

HSL 152.73, 0.72%, 0.36%

LAB 57.61, -47.95, 22.03

 

CMYK 84 / 0 / 38 / 24

HEX #1FC178

RGB 31 193 120

HSL 152.96, 0.72%, 0.44%

LAB 69.32, -56.06, 25.89

 

CMYK 80 / 0 / 36 / 13

HEX #2DDD8E

RGB 45 221 142

HSL 153.07, 0.72%, 0.52%

LAB 78.59, -60.54, 26.9

 

CMYK 65 / 0 / 29 / 11

HEX #50E3A1

RGB 80 227 161

HSL 153.06, 0.72%, 0.6%

LAB 81.41, -54.1, 21

 

CMYK 84 / 0 / 38 / 25

HEX #1FBF77

RGB 31 191 119

HSL 153, 0.72%, 0.44%

LAB 68.67, -55.53, 25.55

 

CMYK 84 / 63 / 0 / 24

HEX #1F48C1

RGB 31 72 193

HSL 224.81, 0.72%, 0.44%

LAB 35.55, 32.13, -66.94

 

CMYK 0 / 71 / 84 / 24

HEX #C1381F

RGB 193 56 31

HSL 9.26, 0.72%, 0.44%

LAB 44.61, 53.25, 45.45

 

CMYK 84 / 0 / 38 / 25

HEX #1FBF77

RGB 31 191 119

HSL 153, 0.72%, 0.44%

LAB 68.67, -55.53, 25.55

 

CMYK 38 / 84 / 0 / 24

HEX #781FC1

RGB 120 31 193

HSL 272.96, 0.72%, 0.44%

LAB 35.64, 63.8, -66.5

 

CMYK 0 / 38 / 84 / 24

HEX #C1781F

RGB 193 120 31

HSL 32.96, 0.72%, 0.44%

LAB 56.95, 22.01, 56.27

 

CMYK 84 / 0 / 38 / 25

HEX #1FBF77

RGB 31 191 119

HSL 153, 0.72%, 0.44%

LAB 68.67, -55.53, 25.55

 

CMYK 84 / 63 / 0 / 24

HEX #1F48C1

RGB 31 72 193

HSL 224.81, 0.72%, 0.44%

LAB 35.55, 32.13, -66.94

 

CMYK 0 / 84 / 46 / 24

HEX #C11F68

RGB 193 31 104

HSL 332.96, 0.72%, 0.44%

LAB 43.24, 64.95, 0.35

 

CMYK 0 / 21 / 84 / 24

HEX #C1991F

RGB 193 153 31

HSL 45.19, 0.72%, 0.44%

LAB 65.14, 3.92, 63.24

 

CMYK 84 / 0 / 38 / 25

HEX #1FBF77

RGB 31 191 119

HSL 153, 0.72%, 0.44%

LAB 68.67, -55.53, 25.55

 

CMYK 80 / 84 / 0 / 24

HEX #271FC1

RGB 39 31 193

HSL 242.96, 0.72%, 0.44%

LAB 27.47, 55.95, -80.27

 

CMYK 0 / 84 / 46 / 24

HEX #C11F68

RGB 193 31 104

HSL 332.96, 0.72%, 0.44%

LAB 43.24, 64.95, 0.35

 

CMYK 4 / 0 / 84 / 24

HEX #B9C11F

RGB 185 193 31

HSL 62.96, 0.72%, 0.44%

LAB 75.17, -20.41, 71.4

 

Description

Color code: HEX #1FBF77 | qconv.com Color code: HEX #1FBF77 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31 red, 191 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31 191 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, none magenta, 38 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 0% 38% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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