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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1FB445 it is the complementary color #E04BBA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1FB445. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1FB445 shade: #24B440, #35C653, #46D866, #57EA79 and #68FC8C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1FB445. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1FB445 shade: #1FB445, #0EA232, #00901F, #007E0C and #006C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1FB445 shade: #1EB344, #20B31E, #49B31E, #71B31E and #99B31E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1FB445 shade: #1EB344, #1EB36C, #1EB394, #1EA9B3 and #1E81B3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1FB445 shade matches the following richer shades: #1EB344 and #0DC43C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1FB445 shade: #1EB344, #2FA24C, #409155, #51805D and #626F65

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1FB445 shade: #48B31E, #21B31E, #1EB343, #1EB36B and #1EB393

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1FB445 shade: #126C29, #189037, #1EB344, #24D652 and #44DF6C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1FB445 shade: #1FB445, #1E70B3 and #B31E35

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1FB445 shade: #1FB445, #431EB3 and #B3431E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1FB445 shade: #1FB445, #1E70B3, #B31E8E and #B3611E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1FB445 shade: #1FB445, #1E43B3, #B31E8E and #B38E1E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 0 / 62 / 29

HEX #1FB445

RGB 31 180 69

HSL 135.3, 0.71%, 0.41%

LAB 64.45, -59.86, 45.22

 

Complementary color

CMYK 0 / 67 / 17 / 12

HEX #E04BBA

RGB 224 75 186

HSL 315.3, 0.71%, 0.59%

LAB 56.51, 68.65, -28.19

 

CMYK 80 / 0 / 64 / 29

HEX #24B440

RGB 36 180 64

HSL 131.67, 0.67%, 0.42%

LAB 64.47, -59.87, 47.48

 

CMYK 73 / 0 / 58 / 22

HEX #35C653

RGB 53 198 83

HSL 132.41, 0.58%, 0.49%

LAB 70.71, -61.17, 46.16

 

CMYK 68 / 0 / 53 / 15

HEX #46D866

RGB 70 216 102

HSL 133.15, 0.65%, 0.56%

LAB 76.9, -62, 44.75

 

CMYK 63 / 0 / 48 / 8

HEX #57EA79

RGB 87 234 121

HSL 133.88, 0.78%, 0.63%

LAB 83.05, -62.49, 43.34

 

CMYK 59 / 0 / 44 / 1

HEX #68FC8C

RGB 104 252 140

HSL 134.59, 0.96%, 0.7%

LAB 89.14, -62.76, 41.96

 

CMYK 83 / 0 / 62 / 29

HEX #1FB445

RGB 31 180 69

HSL 135.3, 0.71%, 0.41%

LAB 64.45, -59.86, 45.22

 

CMYK 91 / 0 / 69 / 36

HEX #0EA232

RGB 14 162 50

HSL 134.59, 0.84%, 0.35%

LAB 58.19, -57.78, 46.5

 

CMYK 100 / 0 / 78 / 44

HEX #00901F

RGB 0 144 31

HSL 132.92, 1%, 0.28%

LAB 51.89, -54.86, 47.26

 

CMYK 100 / 0 / 90 / 51

HEX #007E0C

RGB 0 126 12

HSL 125.71, 1%, 0.25%

LAB 45.56, -50.64, 46.86

 

CMYK 100 / 0 / 100 / 58

HEX #006C00

RGB 0 108 0

HSL 120, 1%, 0.21%

LAB 39.11, -45.79, 44.19

 

CMYK 83 / 0 / 62 / 30

HEX #1EB344

RGB 30 179 68

HSL 135.3, 0.71%, 0.41%

LAB 64.11, -59.77, 45.27

 

CMYK 82 / 0 / 83 / 30

HEX #20B31E

RGB 32 179 30

HSL 119.19, 0.71%, 0.41%

LAB 63.87, -62.83, 59

 

CMYK 59 / 0 / 83 / 30

HEX #49B31E

RGB 73 179 30

HSL 102.68, 0.71%, 0.41%

LAB 64.76, -55.24, 60.15

 

CMYK 37 / 0 / 83 / 30

HEX #71B31E

RGB 113 179 30

HSL 86.58, 0.71%, 0.41%

LAB 66.4, -42.86, 62.23

 

CMYK 15 / 0 / 83 / 30

HEX #99B31E

RGB 153 179 30

HSL 70.47, 0.71%, 0.41%

LAB 68.83, -27.14, 65.3

 

CMYK 83 / 0 / 62 / 30

HEX #1EB344

RGB 30 179 68

HSL 135.3, 0.71%, 0.41%

LAB 64.11, -59.77, 45.27

 

CMYK 83 / 0 / 40 / 30

HEX #1EB36C

RGB 30 179 108

HSL 151.41, 0.71%, 0.41%

LAB 64.64, -53.4, 26.01

 

CMYK 83 / 0 / 17 / 30

HEX #1EB394

RGB 30 179 148

HSL 167.52, 0.71%, 0.41%

LAB 65.48, -44.2, 5.4

 

CMYK 83 / 6 / 0 / 30

HEX #1EA9B3

RGB 30 169 179

HSL 184.03, 0.71%, 0.41%

LAB 63.27, -30.72, -15.13

 

CMYK 83 / 28 / 0 / 30

HEX #1E81B3

RGB 30 129 179

HSL 200.13, 0.71%, 0.41%

LAB 50.96, -9.56, -34.07

 

CMYK 83 / 0 / 62 / 30

HEX #1EB344

RGB 30 179 68

HSL 135.3, 0.71%, 0.41%

LAB 64.11, -59.77, 45.27

 

CMYK 93 / 0 / 69 / 23

HEX #0DC43C

RGB 13 196 60

HSL 135.41, 0.88%, 0.41%

LAB 69.39, -67.14, 54.41

 

CMYK 83 / 0 / 62 / 30

HEX #1EB344

RGB 30 179 68

HSL 135.3, 0.71%, 0.41%

LAB 64.11, -59.77, 45.27

 

CMYK 71 / 0 / 53 / 36

HEX #2FA24C

RGB 47 162 76

HSL 135.13, 0.55%, 0.41%

LAB 58.94, -50.47, 35.42

 

CMYK 56 / 0 / 41 / 43

HEX #409155

RGB 64 145 85

HSL 135.56, 0.39%, 0.41%

LAB 54.02, -38.53, 24.55

 

CMYK 37 / 0 / 27 / 50

HEX #51805D

RGB 81 128 93

HSL 135.32, 0.22%, 0.41%

LAB 49.47, -24, 14.05

 

CMYK 12 / 0 / 9 / 56

HEX #626F65

RGB 98 111 101

HSL 133.85, 0.06%, 0.41%

LAB 45.5, -7.02, 3.91

 

CMYK 60 / 0 / 83 / 30

HEX #48B31E

RGB 72 179 30

HSL 103.09, 0.71%, 0.41%

LAB 64.73, -55.5, 60.11

 

CMYK 82 / 0 / 83 / 30

HEX #21B31E

RGB 33 179 30

HSL 118.79, 0.71%, 0.41%

LAB 63.88, -62.71, 59.02

 

CMYK 83 / 0 / 63 / 30

HEX #1EB343

RGB 30 179 67

HSL 134.9, 0.71%, 0.41%

LAB 64.1, -59.89, 45.71

 

CMYK 83 / 0 / 40 / 30

HEX #1EB36B

RGB 30 179 107

HSL 151.01, 0.71%, 0.41%

LAB 64.63, -53.59, 26.52

 

CMYK 83 / 0 / 18 / 30

HEX #1EB393

RGB 30 179 147

HSL 167.11, 0.71%, 0.41%

LAB 65.45, -44.46, 5.92

 

CMYK 83 / 0 / 62 / 58

HEX #126C29

RGB 18 108 41

HSL 135.33, 0.71%, 0.25%

LAB 39.6, -40.45, 29.9

 

CMYK 83 / 0 / 62 / 44

HEX #189037

RGB 24 144 55

HSL 135.5, 0.71%, 0.33%

LAB 52.3, -50.46, 37.75

 

CMYK 83 / 0 / 62 / 30

HEX #1EB344

RGB 30 179 68

HSL 135.3, 0.71%, 0.41%

LAB 64.11, -59.77, 45.27

 

CMYK 83 / 0 / 62 / 16

HEX #24D652

RGB 36 214 82

HSL 135.51, 0.71%, 0.49%

LAB 75.5, -68.59, 52.07

 

CMYK 70 / 0 / 52 / 13

HEX #44DF6C

RGB 68 223 108

HSL 135.48, 0.71%, 0.57%

LAB 79.09, -63.94, 44.56

 

CMYK 83 / 0 / 62 / 29

HEX #1FB445

RGB 31 180 69

HSL 135.3, 0.71%, 0.41%

LAB 64.45, -59.86, 45.22

 

CMYK 83 / 37 / 0 / 30

HEX #1E70B3

RGB 30 112 179

HSL 206.98, 0.71%, 0.41%

LAB 45.8, 0.59, -42.21

 

CMYK 0 / 83 / 70 / 30

HEX #B31E35

RGB 179 30 53

HSL 350.74, 0.71%, 0.41%

LAB 39.19, 58, 26.48

 

CMYK 83 / 0 / 62 / 29

HEX #1FB445

RGB 31 180 69

HSL 135.3, 0.71%, 0.41%

LAB 64.45, -59.86, 45.22

 

CMYK 63 / 83 / 0 / 30

HEX #431EB3

RGB 67 30 179

HSL 254.9, 0.71%, 0.41%

LAB 27.78, 54.32, -71.37

 

CMYK 0 / 63 / 83 / 30

HEX #B3431E

RGB 179 67 30

HSL 14.9, 0.71%, 0.41%

LAB 43.79, 43.76, 44.24

 

CMYK 83 / 0 / 62 / 29

HEX #1FB445

RGB 31 180 69

HSL 135.3, 0.71%, 0.41%

LAB 64.45, -59.86, 45.22

 

CMYK 83 / 37 / 0 / 30

HEX #1E70B3

RGB 30 112 179

HSL 206.98, 0.71%, 0.41%

LAB 45.8, 0.59, -42.21

 

CMYK 0 / 83 / 21 / 30

HEX #B31E8E

RGB 179 30 142

HSL 314.9, 0.71%, 0.41%

LAB 41.95, 65.99, -25.33

 

CMYK 0 / 46 / 83 / 30

HEX #B3611E

RGB 179 97 30

HSL 26.98, 0.71%, 0.41%

LAB 49.77, 28.53, 49.63

 

CMYK 83 / 0 / 62 / 29

HEX #1FB445

RGB 31 180 69

HSL 135.3, 0.71%, 0.41%

LAB 64.45, -59.86, 45.22

 

CMYK 83 / 63 / 0 / 30

HEX #1E43B3

RGB 30 67 179

HSL 225.1, 0.71%, 0.41%

LAB 33.02, 29.99, -62.84

 

CMYK 0 / 83 / 21 / 30

HEX #B31E8E

RGB 179 30 142

HSL 314.9, 0.71%, 0.41%

LAB 41.95, 65.99, -25.33

 

CMYK 0 / 21 / 83 / 30

HEX #B38E1E

RGB 179 142 30

HSL 45.1, 0.71%, 0.41%

LAB 60.8, 3.61, 59.26

 

Description

Color code: HEX #1FB445 | qconv.com Color code: HEX #1FB445 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31 red, 180 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31 180 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, none magenta, 62 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 0% 62% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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