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Color name
HEX #1FAA90

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1FAA90 it is the complementary color #E0556F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1FAA90. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1FAA90 shade: #24AA8B, #35BC9E, #46CEB1, #57E0C4 and #68F2D7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1FAA90. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1FAA90 shade: #1FAA90, #0E987D, #00866A, #007457 and #006244

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1FAA90 shade: #1FA88E, #1FA869, #1FA844, #1FA81F and #43A81F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1FAA90 shade: #1FA88E, #1F9DA8, #1F78A8, #1F53A8 and #1F2EA8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1FAA90 shade matches the following richer shades: #1FA88E and #0FB898

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1FAA90 shade: #1FA88E, #2F9884, #3F887A, #4F7870 and #5F6866

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1FAA90 shade: #1FA843, #1FA868, #1FA88D, #1F9FA8 and #1F7AA8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1FAA90 shade: #126253, #188571, #1FA88E, #25CBAC and #3EDCBE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1FAA90 shade: #1FAA90, #1F1FA8 and #A8561F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1FAA90 shade: #1FAA90, #8D1FA8 and #A88D1F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1FAA90 shade: #1FAA90, #1F1FA8, #A81F3A and #A8A81F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1FAA90 shade: #1FAA90, #481FA8, #A81F3A and #7FA81F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 0 / 15 / 33

HEX #1FAA90

RGB 31 170 144

HSL 168.78, 0.69%, 0.39%

LAB 62.55, -41.33, 3.4

 

Complementary color

CMYK 0 / 62 / 50 / 12

HEX #E0556F

RGB 224 85 111

HSL 348.78, 0.69%, 0.61%

LAB 55.58, 56.1, 14.4

 

CMYK 79 / 0 / 18 / 33

HEX #24AA8B

RGB 36 170 139

HSL 166.12, 0.65%, 0.4%

LAB 62.5, -42.14, 6.12

 

CMYK 72 / 0 / 16 / 26

HEX #35BC9E

RGB 53 188 158

HSL 166.67, 0.56%, 0.47%

LAB 68.89, -42.91, 4.86

 

CMYK 66 / 0 / 14 / 19

HEX #46CEB1

RGB 70 206 177

HSL 167.21, 0.58%, 0.54%

LAB 75.21, -43.41, 3.72

 

CMYK 61 / 0 / 13 / 12

HEX #57E0C4

RGB 87 224 196

HSL 167.74, 0.69%, 0.61%

LAB 81.47, -43.72, 2.69

 

CMYK 57 / 0 / 11 / 5

HEX #68F2D7

RGB 104 242 215

HSL 168.26, 0.84%, 0.68%

LAB 87.66, -43.9, 1.74

 

CMYK 82 / 0 / 15 / 33

HEX #1FAA90

RGB 31 170 144

HSL 168.78, 0.69%, 0.39%

LAB 62.55, -41.33, 3.4

 

CMYK 91 / 0 / 18 / 40

HEX #0E987D

RGB 14 152 125

HSL 168.26, 0.83%, 0.33%

LAB 56.12, -39.99, 4.81

 

CMYK 100 / 0 / 21 / 47

HEX #00866A

RGB 0 134 106

HSL 167.46, 1%, 0.26%

LAB 49.61, -38.19, 6.4

 

CMYK 100 / 0 / 25 / 55

HEX #007457

RGB 0 116 87

HSL 165, 1%, 0.23%

LAB 43.03, -35.64, 8.23

 

CMYK 100 / 0 / 31 / 62

HEX #006244

RGB 0 98 68

HSL 161.63, 1%, 0.19%

LAB 36.28, -32.98, 10.2

 

CMYK 82 / 0 / 15 / 34

HEX #1FA88E

RGB 31 168 142

HSL 168.61, 0.69%, 0.39%

LAB 61.87, -41, 3.53

 

CMYK 82 / 0 / 38 / 34

HEX #1FA869

RGB 31 168 105

HSL 152.41, 0.69%, 0.39%

LAB 61.06, -49.79, 22.85

 

CMYK 82 / 0 / 60 / 34

HEX #1FA844

RGB 31 168 68

HSL 136.2, 0.69%, 0.39%

LAB 60.53, -56.04, 41.15

 

CMYK 82 / 0 / 82 / 34

HEX #1FA81F

RGB 31 168 31

HSL 120, 0.69%, 0.39%

LAB 60.24, -59.55, 55.36

 

CMYK 60 / 0 / 82 / 34

HEX #43A81F

RGB 67 168 31

HSL 104.23, 0.69%, 0.39%

LAB 61.04, -52.8, 56.4

 

CMYK 82 / 0 / 15 / 34

HEX #1FA88E

RGB 31 168 142

HSL 168.61, 0.69%, 0.39%

LAB 61.87, -41, 3.53

 

CMYK 82 / 7 / 0 / 34

HEX #1F9DA8

RGB 31 157 168

HSL 184.82, 0.69%, 0.39%

LAB 59.19, -28.24, -15.1

 

CMYK 82 / 29 / 0 / 34

HEX #1F78A8

RGB 31 120 168

HSL 201.02, 0.69%, 0.39%

LAB 47.69, -8.29, -32.81

 

CMYK 82 / 51 / 0 / 34

HEX #1F53A8

RGB 31 83 168

HSL 217.23, 0.69%, 0.39%

LAB 36.56, 15.05, -50.52

 

CMYK 82 / 73 / 0 / 34

HEX #1F2EA8

RGB 31 46 168

HSL 233.43, 0.69%, 0.39%

LAB 26.94, 39.47, -66.24

 

CMYK 82 / 0 / 15 / 34

HEX #1FA88E

RGB 31 168 142

HSL 168.61, 0.69%, 0.39%

LAB 61.87, -41, 3.53

 

CMYK 92 / 0 / 17 / 28

HEX #0FB898

RGB 15 184 152

HSL 168.64, 0.85%, 0.39%

LAB 67.01, -46.22, 5.39

 

CMYK 82 / 0 / 15 / 34

HEX #1FA88E

RGB 31 168 142

HSL 168.61, 0.69%, 0.39%

LAB 61.87, -41, 3.53

 

CMYK 69 / 0 / 13 / 40

HEX #2F9884

RGB 47 152 132

HSL 168.57, 0.53%, 0.39%

LAB 56.81, -34.54, 1.88

 

CMYK 54 / 0 / 10 / 47

HEX #3F887A

RGB 63 136 122

HSL 168.49, 0.37%, 0.39%

LAB 51.92, -26.4, 0.58

 

CMYK 34 / 0 / 7 / 53

HEX #4F7870

RGB 79 120 112

HSL 168.29, 0.21%, 0.39%

LAB 47.32, -16.21, -0.17

 

CMYK 9 / 0 / 2 / 59

HEX #5F6866

RGB 95 104 102

HSL 166.67, 0.05%, 0.39%

LAB 43.2, -3.87, -0.06

 

CMYK 82 / 0 / 60 / 34

HEX #1FA843

RGB 31 168 67

HSL 135.77, 0.69%, 0.39%

LAB 60.52, -56.17, 41.6

 

CMYK 82 / 0 / 38 / 34

HEX #1FA868

RGB 31 168 104

HSL 151.97, 0.69%, 0.39%

LAB 61.04, -50, 23.37

 

CMYK 82 / 0 / 16 / 34

HEX #1FA88D

RGB 31 168 141

HSL 168.18, 0.69%, 0.39%

LAB 61.84, -41.26, 4.05

 

CMYK 82 / 5 / 0 / 34

HEX #1F9FA8

RGB 31 159 168

HSL 183.94, 0.69%, 0.39%

LAB 59.81, -29.23, -14.16

 

CMYK 82 / 27 / 0 / 34

HEX #1F7AA8

RGB 31 122 168

HSL 200.15, 0.69%, 0.39%

LAB 48.31, -9.45, -31.84

 

CMYK 82 / 0 / 15 / 62

HEX #126253

RGB 18 98 83

HSL 168.75, 0.69%, 0.23%

LAB 36.91, -27.01, 1.93

 

CMYK 82 / 0 / 15 / 48

HEX #188571

RGB 24 133 113

HSL 168.99, 0.69%, 0.31%

LAB 49.69, -34.11, 2.47

 

CMYK 82 / 0 / 15 / 34

HEX #1FA88E

RGB 31 168 142

HSL 168.61, 0.69%, 0.39%

LAB 61.87, -41, 3.53

 

CMYK 82 / 0 / 15 / 20

HEX #25CBAC

RGB 37 203 172

HSL 168.8, 0.69%, 0.47%

LAB 73.6, -47.43, 4.01

 

CMYK 72 / 0 / 14 / 14

HEX #3EDCBE

RGB 62 220 190

HSL 168.61, 0.69%, 0.55%

LAB 79.57, -47.28, 3.06

 

CMYK 82 / 0 / 15 / 33

HEX #1FAA90

RGB 31 170 144

HSL 168.78, 0.69%, 0.39%

LAB 62.55, -41.33, 3.4

 

CMYK 82 / 82 / 0 / 34

HEX #1F1FA8

RGB 31 31 168

HSL 240, 0.69%, 0.39%

LAB 23.99, 47.85, -71.12

 

CMYK 0 / 49 / 82 / 34

HEX #A8561F

RGB 168 86 31

HSL 24.09, 0.69%, 0.39%

LAB 45.74, 29.89, 44.94

 

CMYK 82 / 0 / 15 / 33

HEX #1FAA90

RGB 31 170 144

HSL 168.78, 0.69%, 0.39%

LAB 62.55, -41.33, 3.4

 

CMYK 16 / 82 / 0 / 34

HEX #8D1FA8

RGB 141 31 168

HSL 288.18, 0.69%, 0.39%

LAB 36.87, 62.08, -49.52

 

CMYK 0 / 16 / 82 / 34

HEX #A88D1F

RGB 168 141 31

HSL 48.18, 0.69%, 0.39%

LAB 59.41, -0.8, 57.3

 

CMYK 82 / 0 / 15 / 33

HEX #1FAA90

RGB 31 170 144

HSL 168.78, 0.69%, 0.39%

LAB 62.55, -41.33, 3.4

 

CMYK 82 / 82 / 0 / 34

HEX #1F1FA8

RGB 31 31 168

HSL 240, 0.69%, 0.39%

LAB 23.99, 47.85, -71.12

 

CMYK 0 / 82 / 65 / 34

HEX #A81F3A

RGB 168 31 58

HSL 348.18, 0.69%, 0.39%

LAB 37.13, 54.89, 20.27

 

CMYK 0 / 0 / 82 / 34

HEX #A8A81F

RGB 168 168 31

HSL 60, 0.69%, 0.39%

LAB 66.85, -15.16, 63.78

 

CMYK 82 / 0 / 15 / 33

HEX #1FAA90

RGB 31 170 144

HSL 168.78, 0.69%, 0.39%

LAB 62.55, -41.33, 3.4

 

CMYK 57 / 82 / 0 / 34

HEX #481FA8

RGB 72 31 168

HSL 257.96, 0.69%, 0.39%

LAB 27.26, 51.4, -65.62

 

CMYK 0 / 82 / 65 / 34

HEX #A81F3A

RGB 168 31 58

HSL 348.18, 0.69%, 0.39%

LAB 37.13, 54.89, 20.27

 

CMYK 24 / 0 / 82 / 34

HEX #7FA81F

RGB 127 168 31

HSL 77.96, 0.69%, 0.39%

LAB 63.85, -32.59, 59.99

 

Description

Color code: HEX #1FAA90 | qconv.com Color code: HEX #1FAA90 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31 red, 170 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31 170 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, none magenta, 15 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 0% 15% 33% C M Y K

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Provide designers and agencies with accurate color values.

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