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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1FA005 it is the complementary color #E05FFA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1FA005. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1FA005 shade: #24A000, #35B213, #46C426, #57D639 and #68E84C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1FA005. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1FA005 shade: #1FA005, #0E8E00, #007C00, #006A00 and #005800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1FA005 shade: #1F9E05, #489E05, #719E05, #9B9E05 and #9E7905

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1FA005 shade: #1F9E05, #059E15, #059E3E, #059E67 and #059E91

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1FA005 shade matches the following richer shades: #1F9E05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1FA005 shade: #1F9E05, #279112, #30841F, #39772D and #42693A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1FA005 shade: #739E05, #4A9E05, #219E05, #059E12 and #059E3B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1FA005 shade: #0F4E02, #177604, #1F9E05, #26C606 and #2EEE07

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1FA005 shade: #1FA005, #059C9E and #9E055E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1FA005 shade: #1FA005, #05219E and #9E0521

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1FA005 shade: #1FA005, #059C9E, #82059E and #9E0705

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1FA005 shade: #1FA005, #056E9E, #82059E and #9E3505

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 0 / 97 / 37

HEX #1FA005

RGB 31 160 5

HSL 109.94, 0.94%, 0.32%

LAB 57.51, -58.14, 58.3

 

Complementary color

CMYK 10 / 62 / 0 / 2

HEX #E05FFA

RGB 224 95 250

HSL 289.94, 0.94%, 0.68%

LAB 62.45, 71.02, -54.95

 

CMYK 78 / 0 / 100 / 37

HEX #24A000

RGB 36 160 0

HSL 106.5, 1%, 0.31%

LAB 57.58, -57.56, 59.15

 

CMYK 70 / 0 / 89 / 30

HEX #35B213

RGB 53 178 19

HSL 107.17, 0.81%, 0.39%

LAB 63.87, -59.8, 61.63

 

CMYK 64 / 0 / 81 / 23

HEX #46C426

RGB 70 196 38

HSL 107.85, 0.68%, 0.46%

LAB 70.12, -61.38, 62.87

 

CMYK 59 / 0 / 73 / 16

HEX #57D639

RGB 87 214 57

HSL 108.54, 0.66%, 0.53%

LAB 76.32, -62.44, 63.05

 

CMYK 55 / 0 / 67 / 9

HEX #68E84C

RGB 104 232 76

HSL 109.23, 0.77%, 0.6%

LAB 82.47, -63.13, 62.61

 

CMYK 81 / 0 / 97 / 37

HEX #1FA005

RGB 31 160 5

HSL 109.94, 0.94%, 0.32%

LAB 57.51, -58.14, 58.3

 

CMYK 90 / 0 / 100 / 44

HEX #0E8E00

RGB 14 142 0

HSL 114.08, 1%, 0.28%

LAB 51.2, -54.75, 53.93

 

CMYK 100 / 0 / 100 / 51

HEX #007C00

RGB 0 124 0

HSL 120, 1%, 0.24%

LAB 44.82, -50.53, 48.77

 

CMYK 100 / 0 / 100 / 58

HEX #006A00

RGB 0 106 0

HSL 120, 1%, 0.21%

LAB 38.39, -45.19, 43.61

 

CMYK 100 / 0 / 100 / 65

HEX #005800

RGB 0 88 0

HSL 120, 1%, 0.17%

LAB 31.76, -39.68, 38.3

 

CMYK 80 / 0 / 97 / 38

HEX #1F9E05

RGB 31 158 5

HSL 109.8, 0.94%, 0.32%

LAB 56.84, -57.54, 57.76

 

CMYK 54 / 0 / 97 / 38

HEX #489E05

RGB 72 158 5

HSL 93.73, 0.94%, 0.32%

LAB 57.89, -48.72, 59.05

 

CMYK 28 / 0 / 97 / 38

HEX #719E05

RGB 113 158 5

HSL 77.65, 0.94%, 0.32%

LAB 59.87, -34.33, 61.46

 

CMYK 2 / 0 / 97 / 38

HEX #9B9E05

RGB 155 158 5

HSL 61.18, 0.94%, 0.32%

LAB 62.87, -16.34, 65.08

 

CMYK 0 / 23 / 97 / 38

HEX #9E7905

RGB 158 121 5

HSL 45.49, 0.94%, 0.32%

LAB 52.9, 5.12, 57.83

 

CMYK 80 / 0 / 97 / 38

HEX #1F9E05

RGB 31 158 5

HSL 109.8, 0.94%, 0.32%

LAB 56.84, -57.54, 57.76

 

CMYK 97 / 0 / 87 / 38

HEX #059E15

RGB 5 158 21

HSL 126.27, 0.94%, 0.32%

LAB 56.62, -59.28, 54.61

 

CMYK 97 / 0 / 61 / 38

HEX #059E3E

RGB 5 158 62

HSL 142.35, 0.94%, 0.32%

LAB 56.91, -55.62, 39.71

 

CMYK 97 / 0 / 35 / 38

HEX #059E67

RGB 5 158 103

HSL 158.43, 0.94%, 0.32%

LAB 57.53, -48.31, 19.14

 

CMYK 97 / 0 / 8 / 38

HEX #059E91

RGB 5 158 145

HSL 174.9, 0.94%, 0.32%

LAB 58.54, -37.37, -3.05

 

CMYK 80 / 0 / 97 / 38

HEX #1F9E05

RGB 31 158 5

HSL 109.8, 0.94%, 0.32%

LAB 56.84, -57.54, 57.76

 

CMYK 80 / 0 / 97 / 38

HEX #1F9E05

RGB 31 158 5

HSL 109.8, 0.94%, 0.32%

LAB 56.84, -57.54, 57.76

 

CMYK 73 / 0 / 88 / 43

HEX #279112

RGB 39 145 18

HSL 110.08, 0.78%, 0.32%

LAB 52.65, -51.71, 51.93

 

CMYK 64 / 0 / 77 / 48

HEX #30841F

RGB 48 132 31

HSL 109.9, 0.62%, 0.32%

LAB 48.55, -44.43, 44.2

 

CMYK 52 / 0 / 62 / 53

HEX #39772D

RGB 57 119 45

HSL 110.27, 0.45%, 0.32%

LAB 44.59, -35.35, 33.96

 

CMYK 37 / 0 / 45 / 59

HEX #42693A

RGB 66 105 58

HSL 109.79, 0.29%, 0.32%

LAB 40.52, -23.93, 22.15

 

CMYK 27 / 0 / 97 / 38

HEX #739E05

RGB 115 158 5

HSL 76.86, 0.94%, 0.32%

LAB 59.99, -33.52, 61.61

 

CMYK 53 / 0 / 97 / 38

HEX #4A9E05

RGB 74 158 5

HSL 92.94, 0.94%, 0.32%

LAB 57.96, -48.13, 59.14

 

CMYK 79 / 0 / 97 / 38

HEX #219E05

RGB 33 158 5

HSL 109.02, 0.94%, 0.32%

LAB 56.87, -57.26, 57.8

 

CMYK 97 / 0 / 89 / 38

HEX #059E12

RGB 5 158 18

HSL 125.1, 0.94%, 0.32%

LAB 56.61, -59.41, 55.27

 

CMYK 97 / 0 / 63 / 38

HEX #059E3B

RGB 5 158 59

HSL 141.18, 0.94%, 0.32%

LAB 56.88, -56.01, 41.08

 

CMYK 81 / 0 / 97 / 69

HEX #0F4E02

RGB 15 78 2

HSL 109.74, 0.95%, 0.16%

LAB 28.26, -33.96, 34.78

 

CMYK 81 / 0 / 97 / 54

HEX #177604

RGB 23 118 4

HSL 110, 0.93%, 0.24%

LAB 42.99, -46.13, 46.48

 

CMYK 80 / 0 / 97 / 38

HEX #1F9E05

RGB 31 158 5

HSL 109.8, 0.94%, 0.32%

LAB 56.84, -57.54, 57.76

 

CMYK 81 / 0 / 97 / 22

HEX #26C606

RGB 38 198 6

HSL 110, 0.94%, 0.4%

LAB 70.04, -68.49, 68.46

 

CMYK 81 / 0 / 97 / 7

HEX #2EEE07

RGB 46 238 7

HSL 109.87, 0.94%, 0.48%

LAB 82.78, -78.88, 78.75

 

CMYK 81 / 0 / 97 / 37

HEX #1FA005

RGB 31 160 5

HSL 109.94, 0.94%, 0.32%

LAB 57.51, -58.14, 58.3

 

CMYK 97 / 1 / 0 / 38

HEX #059C9E

RGB 5 156 158

HSL 180.78, 0.94%, 0.32%

LAB 58.3, -32.48, -10.79

 

CMYK 0 / 97 / 41 / 38

HEX #9E055E

RGB 158 5 94

HSL 325.1, 0.94%, 0.32%

LAB 34.37, 59.98, -7.2

 

CMYK 81 / 0 / 97 / 37

HEX #1FA005

RGB 31 160 5

HSL 109.94, 0.94%, 0.32%

LAB 57.51, -58.14, 58.3

 

CMYK 97 / 79 / 0 / 38

HEX #05219E

RGB 5 33 158

HSL 229.02, 0.94%, 0.32%

LAB 22.26, 42.42, -67.94

 

CMYK 0 / 97 / 79 / 38

HEX #9E0521

RGB 158 5 33

HSL 349.02, 0.94%, 0.32%

LAB 32.89, 55.99, 30.46

 

CMYK 81 / 0 / 97 / 37

HEX #1FA005

RGB 31 160 5

HSL 109.94, 0.94%, 0.32%

LAB 57.51, -58.14, 58.3

 

CMYK 97 / 1 / 0 / 38

HEX #059C9E

RGB 5 156 158

HSL 180.78, 0.94%, 0.32%

LAB 58.3, -32.48, -10.79

 

CMYK 18 / 97 / 0 / 38

HEX #82059E

RGB 130 5 158

HSL 289.02, 0.94%, 0.32%

LAB 32.53, 63.58, -50.6

 

CMYK 0 / 96 / 97 / 38

HEX #9E0705

RGB 158 7 5

HSL 0.78, 0.94%, 0.32%

LAB 32.77, 55.12, 44.64

 

CMYK 81 / 0 / 97 / 37

HEX #1FA005

RGB 31 160 5

HSL 109.94, 0.94%, 0.32%

LAB 57.51, -58.14, 58.3

 

CMYK 97 / 30 / 0 / 38

HEX #056E9E

RGB 5 110 158

HSL 198.82, 0.94%, 0.32%

LAB 43.73, -7.96, -33.18

 

CMYK 18 / 97 / 0 / 38

HEX #82059E

RGB 130 5 158

HSL 289.02, 0.94%, 0.32%

LAB 32.53, 63.58, -50.6

 

CMYK 0 / 66 / 97 / 38

HEX #9E3505

RGB 158 53 5

HSL 18.82, 0.94%, 0.32%

LAB 37.53, 41.86, 47.43

 

Description

Color code: HEX #1FA005 | qconv.com Color code: HEX #1FA005 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31 red, 160 green and 5 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31 160 5 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, none magenta, 97 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 0% 97% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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