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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1F996D it is the complementary color #E06692. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1F996D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #1F996D: #249968, #35AB7B, #46BD8E, #57CFA1 and #68E1B4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1F996D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #1F996D: #1F996D, #0E875A, #007547, #006334 and #005121

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 0 / 29 / 40

HEX #1F996D

RGB 31 153 109

HSL 158.36, 0.66%, 0.36%

LAB 56.27, -43, 14.1

 

Complementary color

CMYK 0 / 54 / 35 / 12

HEX #E06692

RGB 224 102 146

HSL 338.36, 0.66%, 0.64%

LAB 59.37, 51.95, -0.7

 

CMYK 76 / 0 / 32 / 40

HEX #249968

RGB 36 153 104

HSL 154.87, 0.62%, 0.37%

LAB 56.24, -43.51, 16.89

 

CMYK 69 / 0 / 28 / 33

HEX #35AB7B

RGB 53 171 123

HSL 155.59, 0.53%, 0.44%

LAB 62.77, -44.1, 15.42

 

CMYK 63 / 0 / 25 / 26

HEX #46BD8E

RGB 70 189 142

HSL 156.3, 0.47%, 0.51%

LAB 69.22, -44.4, 14.1

 

CMYK 58 / 0 / 22 / 19

HEX #57CFA1

RGB 87 207 161

HSL 157, 0.56%, 0.58%

LAB 75.59, -44.52, 12.91

 

CMYK 54 / 0 / 20 / 12

HEX #68E1B4

RGB 104 225 180

HSL 157.69, 0.67%, 0.65%

LAB 81.89, -44.53, 11.82

 

CMYK 80 / 0 / 29 / 40

HEX #1F996D

RGB 31 153 109

HSL 158.36, 0.66%, 0.36%

LAB 56.27, -43, 14.1

 

CMYK 90 / 0 / 33 / 47

HEX #0E875A

RGB 14 135 90

HSL 157.69, 0.81%, 0.29%

LAB 49.69, -41.79, 15.76

 

CMYK 100 / 0 / 39 / 54

HEX #007547

RGB 0 117 71

HSL 156.41, 1%, 0.23%

LAB 43.03, -39.99, 17.63

 

CMYK 100 / 0 / 47 / 61

HEX #006334

RGB 0 99 52

HSL 151.52, 1%, 0.19%

LAB 36.31, -37.12, 19.78

 

CMYK 100 / 0 / 59 / 68

HEX #005121

RGB 0 81 33

HSL 144.44, 1%, 0.16%

LAB 29.4, -33.95, 21.99

 

CMYK 80 / 0 / 29 / 40

HEX #1F996D

RGB 31 153 109

HSL 158.36, 0.66%, 0.36%

LAB 56.27, -43, 14.1

 

CMYK 80 / 0 / 16 / 40

HEX #1F9880

RGB 31 152 128

HSL 168.1, 0.66%, 0.36%

LAB 56.39, -37.76, 3.52

 

CMYK 80 / 0 / 3 / 40

HEX #1F9894

RGB 31 152 148

HSL 178.02, 0.66%, 0.36%

LAB 56.96, -32.02, -7.06

 

CMYK 80 / 11 / 0 / 40

HEX #1F8898

RGB 31 136 152

HSL 187.93, 0.66%, 0.36%

LAB 52.03, -22.79, -16.79

 

CMYK 80 / 24 / 0 / 40

HEX #1F7498

RGB 31 116 152

HSL 197.85, 0.66%, 0.36%

LAB 45.7, -11.83, -26.52

 

CMYK 80 / 0 / 29 / 40

HEX #1F996D

RGB 31 153 109

HSL 158.36, 0.66%, 0.36%

LAB 56.27, -43, 14.1

 

CMYK 80 / 0 / 29 / 20

HEX #29CC91

RGB 41 204 145

HSL 158.28, 0.67%, 0.48%

LAB 73.35, -53.96, 18.16

 

CMYK 0 / 0 / 0 / 100

HEX #000000

RGB 0 0 0

HSL 0, 0%, 0%

LAB 0, 0, 0

 

CMYK 80 / 0 / 29 / 80

HEX #0A3324

RGB 10 51 36

HSL 158.05, 0.67%, 0.12%

LAB 18.19, -18.48, 5.5

 

CMYK 79 / 0 / 28 / 60

HEX #156649

RGB 21 102 73

HSL 158.52, 0.66%, 0.24%

LAB 38.1, -31.23, 9.75

 

CMYK 80 / 0 / 29 / 40

HEX #1F996D

RGB 31 153 109

HSL 158.36, 0.66%, 0.36%

LAB 56.27, -43, 14.1

 

CMYK 80 / 66 / 0 / 40

HEX #1F3398

RGB 31 51 152

HSL 230.08, 0.66%, 0.36%

LAB 26.52, 30.37, -57.21

 

CMYK 0 / 61 / 80 / 40

HEX #983B1F

RGB 152 59 31

HSL 13.88, 0.66%, 0.36%

LAB 37.67, 37.43, 36.22

 

CMYK 80 / 0 / 29 / 40

HEX #1F996D

RGB 31 153 109

HSL 158.36, 0.66%, 0.36%

LAB 56.27, -43, 14.1

 

CMYK 30 / 80 / 0 / 40

HEX #6B1F98

RGB 107 31 152

HSL 277.69, 0.66%, 0.36%

LAB 30.33, 52.65, -50.68

 

CMYK 0 / 30 / 80 / 40

HEX #986B1F

RGB 152 107 31

HSL 37.69, 0.66%, 0.36%

LAB 48.62, 10.98, 46.87

 

CMYK 80 / 0 / 29 / 40

HEX #1F996D

RGB 31 153 109

HSL 158.36, 0.66%, 0.36%

LAB 56.27, -43, 14.1

 

CMYK 80 / 66 / 0 / 40

HEX #1F3398

RGB 31 51 152

HSL 230.08, 0.66%, 0.36%

LAB 26.52, 30.37, -57.21

 

CMYK 0 / 80 / 51 / 40

HEX #981F4B

RGB 152 31 75

HSL 338.18, 0.66%, 0.36%

LAB 34.32, 51.54, 4.93

 

CMYK 0 / 13 / 80 / 40

HEX #98841F

RGB 152 132 31

HSL 50.08, 0.66%, 0.36%

LAB 55.36, -3.17, 53.08

 

CMYK 80 / 0 / 29 / 40

HEX #1F996D

RGB 31 153 109

HSL 158.36, 0.66%, 0.36%

LAB 56.27, -43, 14.1

 

CMYK 69 / 80 / 0 / 40

HEX #2F1F98

RGB 47 31 152

HSL 247.93, 0.66%, 0.36%

LAB 23.17, 43.97, -62.69

 

CMYK 0 / 80 / 51 / 40

HEX #981F4B

RGB 152 31 75

HSL 338.18, 0.66%, 0.36%

LAB 34.32, 51.54, 4.93

 

CMYK 11 / 0 / 80 / 40

HEX #88981F

RGB 136 152 31

HSL 67.93, 0.66%, 0.36%

LAB 59.7, -21.03, 56.49

 

Description

Color code: HEX #1F996D | qconv.com Color code: HEX #1F996D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31 red, 153 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31 153 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, none magenta, 29 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 0% 29% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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