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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1F8FDB it is the complementary color #E07024. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1F8FDB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1F8FDB shade: #248FD6, #35A1E9, #46B3FC, #57C5FF and #68D7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1F8FDB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1F8FDB shade: #1F8FDB, #0E7DC8, #006BB5, #0059A2 and #00478F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1F8FDB shade: #1F8FDB, #1F5CDB, #1F2ADB, #471FDB and #7A1FDB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1F8FDB shade: #1F8FDB, #1F5CDB, #1F2ADB and #1F1FDB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1F8FDB shade matches the following richer shades: #1F8FDB and #0B93EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1F8FDB shade: #1F8FDB, #338BC6, #4887B2, #5C839E and #707F8A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1F8FDB shade: #1FDBC2, #1FC2DB, #1F90DB, #1F5EDB and #1F2CDB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1F8FDB shade: #156092, #1A77B7, #1F8FDB, #40A1E4 and #64B3E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1F8FDB shade: #1F8FDB, #901FDB and #DBDB1F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1F8FDB shade: #1F8FDB, #DB1F90 and #90DB1F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1F8FDB shade: #1F8FDB, #901FDB, #DB6A1F and #6ADB1F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1F8FDB shade: #1F8FDB, #C81FDB, #DB6A1F and #32DB1F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 35 / 0 / 14

HEX #1F8FDB

RGB 31 143 219

HSL 204.26, 0.75%, 0.49%

LAB 57.12, -2.83, -47.05

 

Complementary color

CMYK 0 / 50 / 84 / 12

HEX #E07024

RGB 224 112 36

HSL 24.26, 0.75%, 0.51%

LAB 59.49, 39.2, 58.32

 

CMYK 83 / 33 / 0 / 16

HEX #248FD6

RGB 36 143 214

HSL 203.93, 0.71%, 0.49%

LAB 56.95, -4.29, -44.52

 

CMYK 77 / 31 / 0 / 9

HEX #35A1E9

RGB 53 161 233

HSL 204, 0.8%, 0.56%

LAB 63.45, -6.16, -44.81

 

CMYK 72 / 29 / 0 / 1

HEX #46B3FC

RGB 70 179 252

HSL 204.07, 0.97%, 0.63%

LAB 69.87, -7.66, -45.05

 

CMYK 66 / 23 / 0 / 0

HEX #57C5FF

RGB 87 197 255

HSL 200.71, 1%, 0.67%

LAB 75.56, -13.99, -37.76

 

CMYK 59 / 16 / 0 / 0

HEX #68D7FF

RGB 104 215 255

HSL 195.89, 1%, 0.7%

LAB 81.16, -20.46, -29.08

 

CMYK 86 / 35 / 0 / 14

HEX #1F8FDB

RGB 31 143 219

HSL 204.26, 0.75%, 0.49%

LAB 57.12, -2.83, -47.05

 

CMYK 93 / 38 / 0 / 22

HEX #0E7DC8

RGB 14 125 200

HSL 204.19, 0.87%, 0.42%

LAB 50.61, -0.28, -46.68

 

CMYK 100 / 41 / 0 / 29

HEX #006BB5

RGB 0 107 181

HSL 204.53, 1%, 0.35%

LAB 44.02, 2.8, -46.23

 

CMYK 100 / 45 / 0 / 36

HEX #0059A2

RGB 0 89 162

HSL 207.04, 1%, 0.32%

LAB 37.4, 6.62, -45.63

 

CMYK 100 / 50 / 0 / 44

HEX #00478F

RGB 0 71 143

HSL 210.21, 1%, 0.28%

LAB 30.62, 10.74, -45.06

 

CMYK 86 / 35 / 0 / 14

HEX #1F8FDB

RGB 31 143 219

HSL 204.26, 0.75%, 0.49%

LAB 57.12, -2.83, -47.05

 

CMYK 86 / 58 / 0 / 14

HEX #1F5CDB

RGB 31 92 219

HSL 220.53, 0.75%, 0.49%

LAB 42.85, 29.02, -70.01

 

CMYK 86 / 81 / 0 / 14

HEX #1F2ADB

RGB 31 42 219

HSL 236.49, 0.75%, 0.49%

LAB 31.95, 58.51, -87.98

 

CMYK 68 / 86 / 0 / 14

HEX #471FDB

RGB 71 31 219

HSL 252.77, 0.75%, 0.49%

LAB 32.78, 65.12, -86.54

 

CMYK 44 / 86 / 0 / 14

HEX #7A1FDB

RGB 122 31 219

HSL 269.04, 0.75%, 0.49%

LAB 38.26, 69.85, -77.3

 

CMYK 86 / 35 / 0 / 14

HEX #1F8FDB

RGB 31 143 219

HSL 204.26, 0.75%, 0.49%

LAB 57.12, -2.83, -47.05

 

CMYK 86 / 58 / 0 / 14

HEX #1F5CDB

RGB 31 92 219

HSL 220.53, 0.75%, 0.49%

LAB 42.85, 29.02, -70.01

 

CMYK 86 / 81 / 0 / 14

HEX #1F2ADB

RGB 31 42 219

HSL 236.49, 0.75%, 0.49%

LAB 31.95, 58.51, -87.98

 

CMYK 86 / 86 / 0 / 14

HEX #1F1FDB

RGB 31 31 219

HSL 240, 0.75%, 0.49%

LAB 30.37, 63.2, -90.61

 

CMYK 86 / 35 / 0 / 14

HEX #1F8FDB

RGB 31 143 219

HSL 204.26, 0.75%, 0.49%

LAB 57.12, -2.83, -47.05

 

CMYK 95 / 38 / 0 / 6

HEX #0B93EF

RGB 11 147 239

HSL 204.21, 0.91%, 0.49%

LAB 59.13, 1.36, -55

 

CMYK 86 / 35 / 0 / 14

HEX #1F8FDB

RGB 31 143 219

HSL 204.26, 0.75%, 0.49%

LAB 57.12, -2.83, -47.05

 

CMYK 74 / 30 / 0 / 22

HEX #338BC6

RGB 51 139 198

HSL 204.08, 0.59%, 0.49%

LAB 55.33, -6.17, -38.04

 

CMYK 60 / 24 / 0 / 30

HEX #4887B2

RGB 72 135 178

HSL 204.34, 0.42%, 0.49%

LAB 53.94, -7.22, -28.75

 

CMYK 42 / 17 / 0 / 38

HEX #5C839E

RGB 92 131 158

HSL 204.55, 0.26%, 0.49%

LAB 52.92, -6.27, -18.7

 

CMYK 19 / 8 / 0 / 46

HEX #707F8A

RGB 112 127 138

HSL 205.38, 0.1%, 0.49%

LAB 52.35, -2.99, -7.8

 

CMYK 86 / 0 / 11 / 14

HEX #1FDBC2

RGB 31 219 194

HSL 172.02, 0.75%, 0.49%

LAB 78.95, -48.75, -0.02

 

CMYK 86 / 11 / 0 / 14

HEX #1FC2DB

RGB 31 194 219

HSL 187.98, 0.75%, 0.49%

LAB 72.22, -30.11, -23.57

 

CMYK 86 / 34 / 0 / 14

HEX #1F90DB

RGB 31 144 219

HSL 203.94, 0.75%, 0.49%

LAB 57.42, -3.42, -46.59

 

CMYK 86 / 57 / 0 / 14

HEX #1F5EDB

RGB 31 94 219

HSL 219.89, 0.75%, 0.49%

LAB 43.38, 27.72, -69.16

 

CMYK 86 / 80 / 0 / 14

HEX #1F2CDB

RGB 31 44 219

HSL 235.85, 0.75%, 0.49%

LAB 32.27, 57.56, -87.44

 

CMYK 86 / 34 / 0 / 43

HEX #156092

RGB 21 96 146

HSL 204, 0.75%, 0.33%

LAB 38.9, -3.13, -33.62

 

CMYK 86 / 35 / 0 / 28

HEX #1A77B7

RGB 26 119 183

HSL 204.46, 0.75%, 0.41%

LAB 48.05, -2.49, -40.97

 

CMYK 86 / 35 / 0 / 14

HEX #1F8FDB

RGB 31 143 219

HSL 204.26, 0.75%, 0.49%

LAB 57.12, -2.83, -47.05

 

CMYK 72 / 29 / 0 / 11

HEX #40A1E4

RGB 64 161 228

HSL 204.51, 0.75%, 0.57%

LAB 63.49, -6.56, -41.97

 

CMYK 57 / 23 / 0 / 9

HEX #64B3E9

RGB 100 179 233

HSL 204.36, 0.75%, 0.65%

LAB 70.06, -8.9, -34.37

 

CMYK 86 / 35 / 0 / 14

HEX #1F8FDB

RGB 31 143 219

HSL 204.26, 0.75%, 0.49%

LAB 57.12, -2.83, -47.05

 

CMYK 34 / 86 / 0 / 14

HEX #901FDB

RGB 144 31 219

HSL 276.06, 0.75%, 0.49%

LAB 41.25, 72.62, -72.27

 

CMYK 0 / 0 / 86 / 14

HEX #DBDB1F

RGB 219 219 31

HSL 60, 0.75%, 0.49%

LAB 84.91, -18.81, 80.51

 

CMYK 86 / 35 / 0 / 14

HEX #1F8FDB

RGB 31 143 219

HSL 204.26, 0.75%, 0.49%

LAB 57.12, -2.83, -47.05

 

CMYK 0 / 86 / 34 / 14

HEX #DB1F90

RGB 219 31 144

HSL 323.94, 0.75%, 0.49%

LAB 49.56, 74.89, -14.21

 

CMYK 34 / 0 / 86 / 14

HEX #90DB1F

RGB 144 219 31

HSL 83.94, 0.75%, 0.49%

LAB 80.01, -48.47, 74.44

 

CMYK 86 / 35 / 0 / 14

HEX #1F8FDB

RGB 31 143 219

HSL 204.26, 0.75%, 0.49%

LAB 57.12, -2.83, -47.05

 

CMYK 34 / 86 / 0 / 14

HEX #901FDB

RGB 144 31 219

HSL 276.06, 0.75%, 0.49%

LAB 41.25, 72.62, -72.27

 

CMYK 0 / 52 / 86 / 14

HEX #DB6A1F

RGB 219 106 31

HSL 23.94, 0.75%, 0.49%

LAB 57.53, 40.13, 58.2

 

CMYK 52 / 0 / 86 / 14

HEX #6ADB1F

RGB 106 219 31

HSL 96.06, 0.75%, 0.49%

LAB 78.36, -60.63, 72.38

 

CMYK 86 / 35 / 0 / 14

HEX #1F8FDB

RGB 31 143 219

HSL 204.26, 0.75%, 0.49%

LAB 57.12, -2.83, -47.05

 

CMYK 9 / 86 / 0 / 14

HEX #C81FDB

RGB 200 31 219

HSL 293.94, 0.75%, 0.49%

LAB 49.95, 81.15, -57.76

 

CMYK 0 / 52 / 86 / 14

HEX #DB6A1F

RGB 219 106 31

HSL 23.94, 0.75%, 0.49%

LAB 57.53, 40.13, 58.2

 

CMYK 77 / 0 / 86 / 14

HEX #32DB1F

RGB 50 219 31

HSL 113.94, 0.75%, 0.49%

LAB 76.94, -72.37, 70.6

 

Description

Color code: HEX #1F8FDB | qconv.com Color code: HEX #1F8FDB | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31 red, 143 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31 143 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, 35 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 35% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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