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Color name
HEX #1F8C0E

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1F8C0E it is the complementary color #E073F1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1F8C0E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1F8C0E shade: #248C09, #359E1C, #46B02F, #57C242 and #68D455

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1F8C0E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1F8C0E shade: #1F8C0E, #0E7A00, #006800, #005600 and #004400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1F8C0E shade: #1F8B0E, #418B0E, #628B0E, #848B0E and #8B700E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1F8C0E shade: #1F8B0E, #0E8B1F, #0E8B40, #0E8B62 and #0E8B84

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1F8C0E shade matches the following richer shades: #1F8B0E and #169801

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1F8C0E shade: #1F8B0E, #287F1A, #317227, #3A6633 and #435A3F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1F8C0E shade: #648B0E, #428B0E, #218B0E, #0E8B1C and #0E8B3E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1F8C0E shade: #0E4006, #16660A, #1F8B0E, #27B111 and #2FD615

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1F8C0E shade: #1F8C0E, #0E858B and #8B0E53

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1F8C0E shade: #1F8C0E, #0E218B and #8B0E21

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1F8C0E shade: #1F8C0E, #0E858B, #780E8B and #8B140E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1F8C0E shade: #1F8C0E, #0E5F8B, #780E8B and #8B3A0E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 0 / 90 / 45

HEX #1F8C0E

RGB 31 140 14

HSL 111.9, 0.82%, 0.3%

LAB 50.78, -51.62, 51.13

 

Complementary color

CMYK 7 / 52 / 0 / 5

HEX #E073F1

RGB 224 115 241

HSL 291.9, 0.82%, 0.7%

LAB 65.33, 60.35, -45.44

 

CMYK 74 / 0 / 94 / 45

HEX #248C09

RGB 36 140 9

HSL 107.63, 0.88%, 0.29%

LAB 50.86, -50.95, 52.18

 

CMYK 66 / 0 / 82 / 38

HEX #359E1C

RGB 53 158 28

HSL 108.46, 0.7%, 0.36%

LAB 57.36, -52.75, 53.7

 

CMYK 60 / 0 / 73 / 31

HEX #46B02F

RGB 70 176 47

HSL 109.3, 0.58%, 0.44%

LAB 63.8, -53.87, 53.84

 

CMYK 55 / 0 / 66 / 24

HEX #57C242

RGB 87 194 66

HSL 110.16, 0.51%, 0.51%

LAB 70.18, -54.53, 53.25

 

CMYK 51 / 0 / 60 / 17

HEX #68D455

RGB 104 212 85

HSL 111.02, 0.6%, 0.58%

LAB 76.49, -54.88, 52.3

 

CMYK 78 / 0 / 90 / 45

HEX #1F8C0E

RGB 31 140 14

HSL 111.9, 0.82%, 0.3%

LAB 50.78, -51.62, 51.13

 

CMYK 89 / 0 / 100 / 52

HEX #0E7A00

RGB 14 122 0

HSL 113.11, 1%, 0.24%

LAB 44.25, -48.72, 48.37

 

CMYK 100 / 0 / 100 / 59

HEX #006800

RGB 0 104 0

HSL 120, 1%, 0.2%

LAB 37.66, -44.58, 43.03

 

CMYK 100 / 0 / 100 / 66

HEX #005600

RGB 0 86 0

HSL 120, 1%, 0.17%

LAB 31.01, -39.06, 37.69

 

CMYK 100 / 0 / 100 / 73

HEX #004400

RGB 0 68 0

HSL 120, 1%, 0.13%

LAB 24.11, -33.32, 31.71

 

CMYK 78 / 0 / 90 / 45

HEX #1F8B0E

RGB 31 139 14

HSL 111.84, 0.82%, 0.3%

LAB 50.44, -51.3, 50.83

 

CMYK 53 / 0 / 90 / 45

HEX #418B0E

RGB 65 139 14

HSL 95.52, 0.82%, 0.3%

LAB 51.41, -43.3, 52.04

 

CMYK 29 / 0 / 90 / 45

HEX #628B0E

RGB 98 139 14

HSL 79.68, 0.82%, 0.3%

LAB 53.05, -31.4, 54.1

 

CMYK 5 / 0 / 90 / 45

HEX #848B0E

RGB 132 139 14

HSL 63.36, 0.82%, 0.3%

LAB 55.48, -16.66, 57.1

 

CMYK 0 / 19 / 90 / 45

HEX #8B700E

RGB 139 112 14

HSL 47.04, 0.82%, 0.3%

LAB 48.4, 1.47, 51.67

 

CMYK 78 / 0 / 90 / 45

HEX #1F8B0E

RGB 31 139 14

HSL 111.84, 0.82%, 0.3%

LAB 50.44, -51.3, 50.83

 

CMYK 90 / 0 / 78 / 45

HEX #0E8B1F

RGB 14 139 31

HSL 128.16, 0.82%, 0.3%

LAB 50.28, -52.36, 45.71

 

CMYK 90 / 0 / 54 / 45

HEX #0E8B40

RGB 14 139 64

HSL 144, 0.82%, 0.3%

LAB 50.6, -48.4, 31.21

 

CMYK 90 / 0 / 29 / 45

HEX #0E8B62

RGB 14 139 98

HSL 160.32, 0.82%, 0.3%

LAB 51.2, -41.5, 13.27

 

CMYK 90 / 0 / 5 / 45

HEX #0E8B84

RGB 14 139 132

HSL 176.64, 0.82%, 0.3%

LAB 52.09, -32.11, -5.1

 

CMYK 78 / 0 / 90 / 45

HEX #1F8B0E

RGB 31 139 14

HSL 111.84, 0.82%, 0.3%

LAB 50.44, -51.3, 50.83

 

CMYK 86 / 0 / 99 / 40

HEX #169801

RGB 22 152 1

HSL 111.66, 0.99%, 0.3%

LAB 54.69, -56.93, 56.59

 

CMYK 78 / 0 / 90 / 45

HEX #1F8B0E

RGB 31 139 14

HSL 111.84, 0.82%, 0.3%

LAB 50.44, -51.3, 50.83

 

CMYK 69 / 0 / 80 / 50

HEX #287F1A

RGB 40 127 26

HSL 111.68, 0.66%, 0.3%

LAB 46.58, -44.85, 44

 

CMYK 57 / 0 / 66 / 55

HEX #317227

RGB 49 114 39

HSL 112, 0.49%, 0.3%

LAB 42.51, -36.33, 34.43

 

CMYK 43 / 0 / 50 / 60

HEX #3A6633

RGB 58 102 51

HSL 111.76, 0.33%, 0.3%

LAB 38.97, -26.42, 24.06

 

CMYK 26 / 0 / 30 / 65

HEX #435A3F

RGB 67 90 63

HSL 111.11, 0.18%, 0.3%

LAB 35.72, -14.68, 12.85

 

CMYK 28 / 0 / 90 / 45

HEX #648B0E

RGB 100 139 14

HSL 78.72, 0.82%, 0.3%

LAB 53.17, -30.59, 54.25

 

CMYK 53 / 0 / 90 / 45

HEX #428B0E

RGB 66 139 14

HSL 95.04, 0.82%, 0.3%

LAB 51.45, -42.99, 52.09

 

CMYK 76 / 0 / 90 / 45

HEX #218B0E

RGB 33 139 14

HSL 110.88, 0.82%, 0.3%

LAB 50.48, -50.97, 50.88

 

CMYK 90 / 0 / 80 / 45

HEX #0E8B1C

RGB 14 139 28

HSL 126.72, 0.82%, 0.3%

LAB 50.27, -52.59, 46.73

 

CMYK 90 / 0 / 55 / 45

HEX #0E8B3E

RGB 14 139 62

HSL 143.04, 0.82%, 0.3%

LAB 50.58, -48.72, 32.21

 

CMYK 78 / 0 / 91 / 75

HEX #0E4006

RGB 14 64 6

HSL 111.72, 0.83%, 0.14%

LAB 22.91, -28.58, 28.16

 

CMYK 78 / 0 / 90 / 60

HEX #16660A

RGB 22 102 10

HSL 112.17, 0.82%, 0.22%

LAB 37.29, -40.65, 40.12

 

CMYK 78 / 0 / 90 / 45

HEX #1F8B0E

RGB 31 139 14

HSL 111.84, 0.82%, 0.3%

LAB 50.44, -51.3, 50.83

 

CMYK 78 / 0 / 90 / 31

HEX #27B111

RGB 39 177 17

HSL 111.75, 0.82%, 0.38%

LAB 63.27, -61.87, 61.37

 

CMYK 78 / 0 / 90 / 16

HEX #2FD615

RGB 47 214 21

HSL 111.92, 0.82%, 0.46%

LAB 75.3, -71.65, 70.99

 

CMYK 78 / 0 / 90 / 45

HEX #1F8C0E

RGB 31 140 14

HSL 111.9, 0.82%, 0.3%

LAB 50.78, -51.62, 51.13

 

CMYK 90 / 4 / 0 / 45

HEX #0E858B

RGB 14 133 139

HSL 182.88, 0.82%, 0.3%

LAB 50.37, -26.97, -11.75

 

CMYK 0 / 90 / 40 / 45

HEX #8B0E53

RGB 139 14 83

HSL 326.88, 0.82%, 0.3%

LAB 30.47, 53.07, -6.27

 

CMYK 78 / 0 / 90 / 45

HEX #1F8C0E

RGB 31 140 14

HSL 111.9, 0.82%, 0.3%

LAB 50.78, -51.62, 51.13

 

CMYK 90 / 76 / 0 / 45

HEX #0E218B

RGB 14 33 139

HSL 230.88, 0.82%, 0.3%

LAB 20.22, 35.9, -59.57

 

CMYK 0 / 90 / 76 / 45

HEX #8B0E21

RGB 139 14 33

HSL 350.88, 0.82%, 0.3%

LAB 29.19, 49.45, 25.18

 

CMYK 78 / 0 / 90 / 45

HEX #1F8C0E

RGB 31 140 14

HSL 111.9, 0.82%, 0.3%

LAB 50.78, -51.62, 51.13

 

CMYK 90 / 4 / 0 / 45

HEX #0E858B

RGB 14 133 139

HSL 182.88, 0.82%, 0.3%

LAB 50.37, -26.97, -11.75

 

CMYK 14 / 90 / 0 / 45

HEX #780E8B

RGB 120 14 139

HSL 290.88, 0.82%, 0.3%

LAB 29.84, 57.11, -43.36

 

CMYK 0 / 86 / 90 / 45

HEX #8B140E

RGB 139 20 14

HSL 2.88, 0.82%, 0.3%

LAB 29.47, 47.52, 36.52

 

CMYK 78 / 0 / 90 / 45

HEX #1F8C0E

RGB 31 140 14

HSL 111.9, 0.82%, 0.3%

LAB 50.78, -51.62, 51.13

 

CMYK 90 / 32 / 0 / 45

HEX #0E5F8B

RGB 14 95 139

HSL 201.12, 0.82%, 0.3%

LAB 38.1, -5.84, -30.67

 

CMYK 14 / 90 / 0 / 45

HEX #780E8B

RGB 120 14 139

HSL 290.88, 0.82%, 0.3%

LAB 29.84, 57.11, -43.36

 

CMYK 0 / 58 / 90 / 45

HEX #8B3A0E

RGB 139 58 14

HSL 21.12, 0.82%, 0.3%

LAB 35.1, 32.25, 41.02

 

Description

Color code: HEX #1F8C0E | qconv.com Color code: HEX #1F8C0E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31 red, 140 green and 14 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31 140 14 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, none magenta, 90 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 0% 90% 45% C M Y K

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Provide designers and agencies with accurate color values.

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