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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1F8840 it is the complementary color #E077BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1F8840. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #1F8840: #24883B, #359A4E, #46AC61, #57BE74 and #68D087

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1F8840. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #1F8840: #1F8840, #0E762D, #00641A, #005207 and #004000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 53 / 47

HEX #1F8840

RGB 31 136 64

HSL 138.86, 0.63%, 0.33%

LAB 49.82, -45.38, 30.3

 

Complementary color

CMYK 0 / 47 / 15 / 12

HEX #E077BF

RGB 224 119 191

HSL 318.86, 0.63%, 0.67%

LAB 64, 49.83, -19.55

 

CMYK 74 / 0 / 57 / 47

HEX #24883B

RGB 36 136 59

HSL 133.8, 0.58%, 0.34%

LAB 49.86, -45.32, 32.95

 

CMYK 66 / 0 / 49 / 40

HEX #359A4E

RGB 53 154 78

HSL 134.85, 0.49%, 0.41%

LAB 56.5, -45.97, 31.4

 

CMYK 59 / 0 / 44 / 33

HEX #46AC61

RGB 70 172 97

HSL 135.88, 0.42%, 0.47%

LAB 63.07, -46.24, 29.92

 

CMYK 54 / 0 / 39 / 25

HEX #57BE74

RGB 87 190 116

HSL 136.89, 0.44%, 0.54%

LAB 69.55, -46.29, 28.52

 

CMYK 50 / 0 / 35 / 18

HEX #68D087

RGB 104 208 135

HSL 137.88, 0.53%, 0.61%

LAB 75.95, -46.2, 27.22

 

CMYK 77 / 0 / 53 / 47

HEX #1F8840

RGB 31 136 64

HSL 138.86, 0.63%, 0.33%

LAB 49.82, -45.38, 30.3

 

CMYK 88 / 0 / 62 / 54

HEX #0E762D

RGB 14 118 45

HSL 137.88, 0.79%, 0.26%

LAB 43.12, -43.93, 31.97

 

CMYK 100 / 0 / 74 / 61

HEX #00641A

RGB 0 100 26

HSL 135.6, 1%, 0.2%

LAB 36.35, -41.54, 33.4

 

CMYK 100 / 0 / 91 / 68

HEX #005207

RGB 0 82 7

HSL 125.12, 1%, 0.16%

LAB 29.54, -37.3, 33.91

 

CMYK 100 / 0 / 100 / 75

HEX #004000

RGB 0 64 0

HSL 120, 1%, 0.13%

LAB 22.54, -32.02, 30.12

 

CMYK 77 / 0 / 53 / 47

HEX #1F8840

RGB 31 136 64

HSL 138.86, 0.63%, 0.33%

LAB 49.82, -45.38, 30.3

 

CMYK 77 / 0 / 42 / 46

HEX #1F8950

RGB 31 137 80

HSL 147.74, 0.63%, 0.33%

LAB 50.41, -42.88, 22.39

 

CMYK 77 / 0 / 28 / 46

HEX #1F8962

RGB 31 137 98

HSL 157.92, 0.63%, 0.33%

LAB 50.76, -38.94, 12.7

 

CMYK 77 / 0 / 16 / 46

HEX #1F8973

RGB 31 137 115

HSL 167.55, 0.63%, 0.33%

LAB 51.18, -34.57, 3.47

 

CMYK 77 / 0 / 3 / 46

HEX #1F8985

RGB 31 137 133

HSL 177.74, 0.63%, 0.33%

LAB 51.7, -29.36, -6.24

 

CMYK 77 / 0 / 53 / 47

HEX #1F8840

RGB 31 136 64

HSL 138.86, 0.63%, 0.33%

LAB 49.82, -45.38, 30.3

 

CMYK 77 / 0 / 53 / 27

HEX #2BBB58

RGB 43 187 88

HSL 138.75, 0.63%, 0.45%

LAB 67.1, -58.18, 39.41

 

CMYK 77 / 0 / 53 / 7

HEX #36EE70

RGB 54 238 112

HSL 138.91, 0.84%, 0.57%

LAB 83.5, -70.41, 48

 

CMYK 76 / 0 / 53 / 87

HEX #082210

RGB 8 34 16

HSL 138.46, 0.62%, 0.08%

LAB 10.8, -15.18, 8.78

 

CMYK 78 / 0 / 53 / 67

HEX #135528

RGB 19 85 40

HSL 139.09, 0.63%, 0.2%

LAB 31.32, -31.51, 20.44

 

CMYK 77 / 0 / 53 / 47

HEX #1F8840

RGB 31 136 64

HSL 138.86, 0.63%, 0.33%

LAB 49.82, -45.38, 30.3

 

CMYK 77 / 39 / 0 / 46

HEX #1F5489

RGB 31 84 137

HSL 210, 0.63%, 0.33%

LAB 34.88, 2.08, -34.52

 

CMYK 0 / 77 / 70 / 46

HEX #891F29

RGB 137 31 41

HSL 354.34, 0.63%, 0.33%

LAB 30.54, 44.57, 21.54

 

CMYK 77 / 0 / 53 / 47

HEX #1F8840

RGB 31 136 64

HSL 138.86, 0.63%, 0.33%

LAB 49.82, -45.38, 30.3

 

CMYK 55 / 77 / 0 / 46

HEX #3E1F89

RGB 62 31 137

HSL 257.55, 0.63%, 0.33%

LAB 23.03, 41.25, -53.57

 

CMYK 0 / 55 / 77 / 46

HEX #893E1F

RGB 137 62 31

HSL 17.55, 0.63%, 0.33%

LAB 35.72, 29.89, 33.41

 

CMYK 77 / 0 / 53 / 47

HEX #1F8840

RGB 31 136 64

HSL 138.86, 0.63%, 0.33%

LAB 49.82, -45.38, 30.3

 

CMYK 77 / 39 / 0 / 46

HEX #1F5489

RGB 31 84 137

HSL 210, 0.63%, 0.33%

LAB 34.88, 2.08, -34.52

 

CMYK 0 / 77 / 23 / 46

HEX #891F69

RGB 137 31 105

HSL 318.11, 0.63%, 0.33%

LAB 32.52, 50.81, -17.46

 

CMYK 0 / 39 / 77 / 46

HEX #89541F

RGB 137 84 31

HSL 30, 0.63%, 0.33%

LAB 40.83, 17.42, 38.65

 

CMYK 77 / 0 / 53 / 47

HEX #1F8840

RGB 31 136 64

HSL 138.86, 0.63%, 0.33%

LAB 49.82, -45.38, 30.3

 

CMYK 77 / 62 / 0 / 46

HEX #1F3489

RGB 31 52 137

HSL 228.11, 0.63%, 0.33%

LAB 25.42, 23.89, -49.75

 

CMYK 0 / 77 / 23 / 46

HEX #891F69

RGB 137 31 105

HSL 318.11, 0.63%, 0.33%

LAB 32.52, 50.81, -17.46

 

CMYK 0 / 16 / 77 / 46

HEX #89731F

RGB 137 115 31

HSL 47.55, 0.63%, 0.33%

LAB 49.1, -0.61, 46.73

 

Description

Color code: HEX #1F8840 | qconv.com Color code: HEX #1F8840 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31 red, 136 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31 136 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 53 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 53% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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