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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1F856D it is the complementary color #E07A92. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1F856D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1F856D shade: #248568, #35977B, #46A98E, #57BBA1 and #68CDB4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1F856D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1F856D shade: #1F856D, #0E735A, #006147, #004F34 and #003D21

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1F856D shade: #1F846C, #1F8451, #1F8436, #23841F and #3F841F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1F856D shade: #1F846C, #1F8184, #1F6584, #1F4A84 and #1F2F84

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1F856D shade matches the following richer shades: #1F846C, #129173 and #059F7A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1F856D shade: #1F846C, #2C7765, #396A5E, #475D57 and #544F50

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1F856D shade: #1F8435, #1F8450, #1F846B, #1F8384 and #1F6884

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1F856D shade: #0F4136, #176351, #1F846C, #27A688 and #2FC7A3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1F856D shade: #1F856D, #1F2484 and #84421F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1F856D shade: #1F856D, #6B1F84 and #846B1F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1F856D shade: #1F856D, #1F2484, #841F38 and #847F1F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1F856D shade: #1F856D, #381F84, #841F38 and #6B841F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 18 / 48

HEX #1F856D

RGB 31 133 109

HSL 165.88, 0.62%, 0.32%

LAB 49.7, -34.38, 4.83

 

Complementary color

CMYK 0 / 46 / 35 / 12

HEX #E07A92

RGB 224 122 146

HSL 345.88, 0.62%, 0.68%

LAB 63.21, 42.07, 4.89

 

CMYK 73 / 0 / 22 / 48

HEX #248568

RGB 36 133 104

HSL 162.06, 0.57%, 0.33%

LAB 49.68, -34.98, 7.72

 

CMYK 65 / 0 / 19 / 41

HEX #35977B

RGB 53 151 123

HSL 162.86, 0.48%, 0.4%

LAB 56.41, -35.39, 6.45

 

CMYK 59 / 0 / 16 / 34

HEX #46A98E

RGB 70 169 142

HSL 163.64, 0.41%, 0.47%

LAB 63.04, -35.57, 5.33

 

CMYK 53 / 0 / 14 / 27

HEX #57BBA1

RGB 87 187 161

HSL 164.4, 0.42%, 0.54%

LAB 69.57, -35.61, 4.31

 

CMYK 49 / 0 / 12 / 20

HEX #68CDB4

RGB 104 205 180

HSL 165.15, 0.5%, 0.61%

LAB 76.01, -35.57, 3.39

 

CMYK 77 / 0 / 18 / 48

HEX #1F856D

RGB 31 133 109

HSL 165.88, 0.62%, 0.32%

LAB 49.7, -34.38, 4.83

 

CMYK 88 / 0 / 22 / 55

HEX #0E735A

RGB 14 115 90

HSL 165.15, 0.78%, 0.25%

LAB 42.9, -33.34, 6.28

 

CMYK 100 / 0 / 27 / 62

HEX #006147

RGB 0 97 71

HSL 163.92, 1%, 0.19%

LAB 35.99, -31.75, 7.97

 

CMYK 100 / 0 / 34 / 69

HEX #004F34

RGB 0 79 52

HSL 159.49, 1%, 0.15%

LAB 29, -28.98, 10.04

 

CMYK 100 / 0 / 46 / 76

HEX #003D21

RGB 0 61 33

HSL 152.46, 1%, 0.12%

LAB 21.75, -26.01, 12.31

 

CMYK 77 / 0 / 18 / 48

HEX #1F846C

RGB 31 132 108

HSL 165.74, 0.62%, 0.32%

LAB 49.35, -34.2, 4.91

 

CMYK 77 / 0 / 39 / 48

HEX #1F8451

RGB 31 132 81

HSL 149.7, 0.62%, 0.32%

LAB 48.75, -40.68, 19.63

 

CMYK 77 / 0 / 59 / 48

HEX #1F8436

RGB 31 132 54

HSL 133.66, 0.62%, 0.32%

LAB 48.34, -45.41, 33.64

 

CMYK 73 / 0 / 77 / 48

HEX #23841F

RGB 35 132 31

HSL 117.62, 0.62%, 0.32%

LAB 48.21, -47.26, 43.75

 

CMYK 52 / 0 / 77 / 48

HEX #3F841F

RGB 63 132 31

HSL 100.99, 0.62%, 0.32%

LAB 49.08, -40.23, 44.9

 

CMYK 77 / 0 / 18 / 48

HEX #1F846C

RGB 31 132 108

HSL 165.74, 0.62%, 0.32%

LAB 49.35, -34.2, 4.91

 

CMYK 77 / 2 / 0 / 48

HEX #1F8184

RGB 31 129 132

HSL 181.78, 0.62%, 0.32%

LAB 49.08, -25.7, -9.57

 

CMYK 77 / 23 / 0 / 48

HEX #1F6584

RGB 31 101 132

HSL 198.42, 0.62%, 0.32%

LAB 40.02, -10.39, -23.39

 

CMYK 77 / 44 / 0 / 48

HEX #1F4A84

RGB 31 74 132

HSL 214.46, 0.62%, 0.32%

LAB 31.47, 6.72, -36.87

 

CMYK 77 / 64 / 0 / 48

HEX #1F2F84

RGB 31 47 132

HSL 230.5, 0.62%, 0.32%

LAB 23.64, 25.38, -49.54

 

CMYK 77 / 0 / 18 / 48

HEX #1F846C

RGB 31 132 108

HSL 165.74, 0.62%, 0.32%

LAB 49.35, -34.2, 4.91

 

CMYK 88 / 0 / 21 / 43

HEX #129173

RGB 18 145 115

HSL 165.83, 0.78%, 0.32%

LAB 53.62, -39.4, 6.95

 

CMYK 97 / 0 / 23 / 38

HEX #059F7A

RGB 5 159 122

HSL 165.58, 0.94%, 0.32%

LAB 58.26, -44.15, 9.56

 

CMYK 77 / 0 / 18 / 48

HEX #1F846C

RGB 31 132 108

HSL 165.74, 0.62%, 0.32%

LAB 49.35, -34.2, 4.91

 

CMYK 63 / 0 / 15 / 53

HEX #2C7765

RGB 44 119 101

HSL 165.6, 0.46%, 0.32%

LAB 45.18, -27.77, 3.07

 

CMYK 46 / 0 / 11 / 58

HEX #396A5E

RGB 57 106 94

HSL 165.31, 0.3%, 0.32%

LAB 41.19, -19.8, 1.57

 

CMYK 24 / 0 / 6 / 64

HEX #475D57

RGB 71 93 87

HSL 163.64, 0.13%, 0.32%

LAB 37.58, -9.73, 0.71

 

CMYK 0 / 6 / 5 / 67

HEX #544F50

RGB 84 79 80

HSL 348, 0.03%, 0.32%

LAB 34.1, 2.26, 0.14

 

CMYK 77 / 0 / 60 / 48

HEX #1F8435

RGB 31 132 53

HSL 133.07, 0.62%, 0.32%

LAB 48.32, -45.55, 34.12

 

CMYK 77 / 0 / 39 / 48

HEX #1F8450

RGB 31 132 80

HSL 149.11, 0.62%, 0.32%

LAB 48.73, -40.89, 20.17

 

CMYK 77 / 0 / 19 / 48

HEX #1F846B

RGB 31 132 107

HSL 165.15, 0.62%, 0.32%

LAB 49.32, -34.47, 5.45

 

CMYK 77 / 1 / 0 / 48

HEX #1F8384

RGB 31 131 132

HSL 180.59, 0.62%, 0.32%

LAB 49.73, -26.7, -8.6

 

CMYK 77 / 21 / 0 / 48

HEX #1F6884

RGB 31 104 132

HSL 196.63, 0.62%, 0.32%

LAB 40.99, -12.14, -21.89

 

CMYK 77 / 0 / 17 / 75

HEX #0F4136

RGB 15 65 54

HSL 166.8, 0.63%, 0.16%

LAB 24.16, -19.53, 1.95

 

CMYK 77 / 0 / 18 / 61

HEX #176351

RGB 23 99 81

HSL 165.79, 0.62%, 0.24%

LAB 37.3, -27.38, 3.74

 

CMYK 77 / 0 / 18 / 48

HEX #1F846C

RGB 31 132 108

HSL 165.74, 0.62%, 0.32%

LAB 49.35, -34.2, 4.91

 

CMYK 77 / 0 / 18 / 35

HEX #27A688

RGB 39 166 136

HSL 165.83, 0.62%, 0.4%

LAB 61.2, -40.85, 5.95

 

CMYK 76 / 0 / 18 / 22

HEX #2FC7A3

RGB 47 199 163

HSL 165.79, 0.62%, 0.48%

LAB 72.29, -47.06, 7.02

 

CMYK 77 / 0 / 18 / 48

HEX #1F856D

RGB 31 133 109

HSL 165.88, 0.62%, 0.32%

LAB 49.7, -34.38, 4.83

 

CMYK 77 / 73 / 0 / 48

HEX #1F2484

RGB 31 36 132

HSL 237.03, 0.62%, 0.32%

LAB 20.9, 32.7, -54.04

 

CMYK 0 / 50 / 77 / 48

HEX #84421F

RGB 132 66 31

HSL 20.79, 0.62%, 0.32%

LAB 35.79, 25.56, 33.24

 

CMYK 77 / 0 / 18 / 48

HEX #1F856D

RGB 31 133 109

HSL 165.88, 0.62%, 0.32%

LAB 49.7, -34.38, 4.83

 

CMYK 19 / 77 / 0 / 48

HEX #6B1F84

RGB 107 31 132

HSL 285.15, 0.62%, 0.32%

LAB 28.83, 48.34, -40.74

 

CMYK 0 / 19 / 77 / 48

HEX #846B1F

RGB 132 107 31

HSL 45.15, 0.62%, 0.32%

LAB 46.34, 1.63, 43.89

 

CMYK 77 / 0 / 18 / 48

HEX #1F856D

RGB 31 133 109

HSL 165.88, 0.62%, 0.32%

LAB 49.7, -34.38, 4.83

 

CMYK 77 / 73 / 0 / 48

HEX #1F2484

RGB 31 36 132

HSL 237.03, 0.62%, 0.32%

LAB 20.9, 32.7, -54.04

 

CMYK 0 / 77 / 58 / 48

HEX #841F38

RGB 132 31 56

HSL 345.15, 0.62%, 0.32%

LAB 29.84, 43.99, 10.57

 

CMYK 0 / 4 / 77 / 48

HEX #847F1F

RGB 132 127 31

HSL 57.03, 0.62%, 0.32%

LAB 52.04, -9.65, 49.33

 

CMYK 77 / 0 / 18 / 48

HEX #1F856D

RGB 31 133 109

HSL 165.88, 0.62%, 0.32%

LAB 49.7, -34.38, 4.83

 

CMYK 58 / 77 / 0 / 48

HEX #381F84

RGB 56 31 132

HSL 254.85, 0.62%, 0.32%

LAB 21.9, 38.85, -52.33

 

CMYK 0 / 77 / 58 / 48

HEX #841F38

RGB 132 31 56

HSL 345.15, 0.62%, 0.32%

LAB 29.84, 43.99, 10.57

 

CMYK 19 / 0 / 77 / 48

HEX #6B841F

RGB 107 132 31

HSL 74.85, 0.62%, 0.32%

LAB 51.53, -23.52, 48.13

 

Description

Color code: HEX #1F856D | qconv.com Color code: HEX #1F856D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31 red, 133 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31 133 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 18 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 18% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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