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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1F5E63 it is the complementary color #E0A19C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1F5E63. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1F5E63 shade: #245E5E, #357071, #468284, #579497 and #68A6AA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1F5E63. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1F5E63 shade: #1F5E63, #0E4C50, #003A3D, #00282A and #001617

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1F5E63 shade: #1F5C61, #1F4A61, #1F3861, #1F2661 and #291F61

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1F5E63 shade: #1F5C61, #1F4A61, #1F3861, #1F2661 and #1F1F61

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1F5E63 shade matches the following richer shades: #1F5C61, #14656B and #0A6E76

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1F5E63 shade: #1F5C61, #295357, #334A4C, #3E4242 and #483938

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1F5E63 shade: #1F6142, #1F6154, #1F5C61, #1F4B61 and #1F3961

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1F5E63 shade: #0B2022, #153E42, #1F5C61, #297A80 and #3298A0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1F5E63 shade: #1F5E63, #301F61 and #614B1F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1F5E63 shade: #1F5E63, #611F5C and #5C611F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1F5E63 shade: #1F5E63, #301F61, #61231F and #4F611F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1F5E63 shade: #1F5E63, #441F61, #61231F and #3B611F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 5 / 0 / 61

HEX #1F5E63

RGB 31 94 99

HSL 184.41, 0.52%, 0.25%

LAB 36.36, -17.93, -8.76

 

Complementary color

CMYK 0 / 28 / 30 / 12

HEX #E0A19C

RGB 224 161 156

HSL 4.41, 0.52%, 0.75%

LAB 72.05, 22.7, 11.89

 

CMYK 62 / 0 / 0 / 63

HEX #245E5E

RGB 36 94 94

HSL 180, 0.45%, 0.25%

LAB 36.34, -18.56, -5.66

 

CMYK 53 / 1 / 0 / 56

HEX #357071

RGB 53 112 113

HSL 181, 0.36%, 0.33%

LAB 43.56, -18.79, -6.45

 

CMYK 47 / 2 / 0 / 48

HEX #468284

RGB 70 130 132

HSL 181.94, 0.31%, 0.4%

LAB 50.61, -18.88, -7.15

 

CMYK 42 / 2 / 0 / 41

HEX #579497

RGB 87 148 151

HSL 182.81, 0.27%, 0.47%

LAB 57.5, -18.9, -7.79

 

CMYK 39 / 2 / 0 / 33

HEX #68A6AA

RGB 104 166 170

HSL 183.64, 0.28%, 0.54%

LAB 64.26, -18.88, -8.39

 

CMYK 69 / 5 / 0 / 61

HEX #1F5E63

RGB 31 94 99

HSL 184.41, 0.52%, 0.25%

LAB 36.36, -17.93, -8.76

 

CMYK 83 / 5 / 0 / 69

HEX #0E4C50

RGB 14 76 80

HSL 183.64, 0.7%, 0.18%

LAB 29.01, -17.04, -7.86

 

CMYK 100 / 5 / 0 / 76

HEX #003A3D

RGB 0 58 61

HSL 182.95, 1%, 0.12%

LAB 21.44, -15.62, -6.78

 

CMYK 100 / 5 / 0 / 84

HEX #00282A

RGB 0 40 42

HSL 182.86, 1%, 0.08%

LAB 13.74, -12.51, -5.22

 

CMYK 100 / 4 / 0 / 91

HEX #001617

RGB 0 22 23

HSL 182.61, 1%, 0.05%

LAB 5.74, -6.66, -3.12

 

CMYK 68 / 5 / 0 / 62

HEX #1F5C61

RGB 31 92 97

HSL 184.55, 0.52%, 0.25%

LAB 35.61, -17.48, -8.64

 

CMYK 68 / 24 / 0 / 62

HEX #1F4A61

RGB 31 74 97

HSL 200.91, 0.52%, 0.25%

LAB 29.54, -6.84, -17.91

 

CMYK 68 / 42 / 0 / 62

HEX #1F3861

RGB 31 56 97

HSL 217.27, 0.52%, 0.25%

LAB 23.61, 5.13, -27.21

 

CMYK 68 / 61 / 0 / 62

HEX #1F2661

RGB 31 38 97

HSL 233.64, 0.52%, 0.25%

LAB 18.1, 18.01, -36.07

 

CMYK 58 / 68 / 0 / 62

HEX #291F61

RGB 41 31 97

HSL 249.09, 0.52%, 0.25%

LAB 17.06, 24.83, -37.73

 

CMYK 68 / 5 / 0 / 62

HEX #1F5C61

RGB 31 92 97

HSL 184.55, 0.52%, 0.25%

LAB 35.61, -17.48, -8.64

 

CMYK 68 / 24 / 0 / 62

HEX #1F4A61

RGB 31 74 97

HSL 200.91, 0.52%, 0.25%

LAB 29.54, -6.84, -17.91

 

CMYK 68 / 42 / 0 / 62

HEX #1F3861

RGB 31 56 97

HSL 217.27, 0.52%, 0.25%

LAB 23.61, 5.13, -27.21

 

CMYK 68 / 61 / 0 / 62

HEX #1F2661

RGB 31 38 97

HSL 233.64, 0.52%, 0.25%

LAB 18.1, 18.01, -36.07

 

CMYK 68 / 68 / 0 / 62

HEX #1F1F61

RGB 31 31 97

HSL 240, 0.52%, 0.25%

LAB 16.18, 22.97, -39.2

 

CMYK 68 / 5 / 0 / 62

HEX #1F5C61

RGB 31 92 97

HSL 184.55, 0.52%, 0.25%

LAB 35.61, -17.48, -8.64

 

CMYK 81 / 6 / 0 / 58

HEX #14656B

RGB 20 101 107

HSL 184.14, 0.69%, 0.25%

LAB 38.76, -20.65, -10.11

 

CMYK 92 / 7 / 0 / 54

HEX #0A6E76

RGB 10 110 118

HSL 184.44, 0.84%, 0.25%

LAB 42.04, -22.51, -11.86

 

CMYK 68 / 5 / 0 / 62

HEX #1F5C61

RGB 31 92 97

HSL 184.55, 0.52%, 0.25%

LAB 35.61, -17.48, -8.64

 

CMYK 53 / 5 / 0 / 66

HEX #295357

RGB 41 83 87

HSL 185.22, 0.36%, 0.25%

LAB 32.58, -13.37, -6.87

 

CMYK 33 / 3 / 0 / 70

HEX #334A4C

RGB 51 74 76

HSL 184.8, 0.2%, 0.25%

LAB 29.72, -8.26, -4.05

 

CMYK 6 / 0 / 0 / 74

HEX #3E4242

RGB 62 66 66

HSL 180, 0.03%, 0.25%

LAB 27.61, -1.66, -0.58

 

CMYK 0 / 21 / 22 / 72

HEX #483938

RGB 72 57 56

HSL 3.75, 0.13%, 0.25%

LAB 25.53, 6.43, 3.12

 

CMYK 68 / 0 / 32 / 62

HEX #1F6142

RGB 31 97 66

HSL 151.82, 0.52%, 0.25%

LAB 36.43, -28.89, 11.72

 

CMYK 68 / 0 / 13 / 62

HEX #1F6154

RGB 31 97 84

HSL 168.18, 0.52%, 0.25%

LAB 36.89, -24.15, 1.33

 

CMYK 68 / 5 / 0 / 62

HEX #1F5C61

RGB 31 92 97

HSL 184.55, 0.52%, 0.25%

LAB 35.61, -17.48, -8.64

 

CMYK 68 / 23 / 0 / 62

HEX #1F4B61

RGB 31 75 97

HSL 200, 0.52%, 0.25%

LAB 29.88, -7.47, -17.39

 

CMYK 68 / 41 / 0 / 62

HEX #1F3961

RGB 31 57 97

HSL 216.36, 0.52%, 0.25%

LAB 23.94, 4.43, -26.7

 

CMYK 68 / 6 / 0 / 87

HEX #0B2022

RGB 11 32 34

HSL 185.22, 0.51%, 0.09%

LAB 10.7, -7.64, -3.94

 

CMYK 68 / 6 / 0 / 74

HEX #153E42

RGB 21 62 66

HSL 185.33, 0.52%, 0.17%

LAB 23.66, -12.69, -6.72

 

CMYK 68 / 5 / 0 / 62

HEX #1F5C61

RGB 31 92 97

HSL 184.55, 0.52%, 0.25%

LAB 35.61, -17.48, -8.64

 

CMYK 68 / 5 / 0 / 50

HEX #297A80

RGB 41 122 128

HSL 184.14, 0.51%, 0.33%

LAB 46.91, -21.93, -10.44

 

CMYK 69 / 5 / 0 / 37

HEX #3298A0

RGB 50 152 160

HSL 184.36, 0.52%, 0.41%

LAB 57.73, -26, -12.73

 

CMYK 69 / 5 / 0 / 61

HEX #1F5E63

RGB 31 94 99

HSL 184.41, 0.52%, 0.25%

LAB 36.36, -17.93, -8.76

 

CMYK 51 / 68 / 0 / 62

HEX #301F61

RGB 48 31 97

HSL 255.45, 0.52%, 0.25%

LAB 17.79, 26.32, -36.51

 

CMYK 0 / 23 / 68 / 62

HEX #614B1F

RGB 97 75 31

HSL 40, 0.52%, 0.25%

LAB 33.29, 3.82, 29.13

 

CMYK 69 / 5 / 0 / 61

HEX #1F5E63

RGB 31 94 99

HSL 184.41, 0.52%, 0.25%

LAB 36.36, -17.93, -8.76

 

CMYK 0 / 68 / 5 / 62

HEX #611F5C

RGB 97 31 92

HSL 304.55, 0.52%, 0.25%

LAB 24.62, 37.95, -21.87

 

CMYK 5 / 0 / 68 / 62

HEX #5C611F

RGB 92 97 31

HSL 64.55, 0.52%, 0.25%

LAB 39.45, -11.66, 35.65

 

CMYK 69 / 5 / 0 / 61

HEX #1F5E63

RGB 31 94 99

HSL 184.41, 0.52%, 0.25%

LAB 36.36, -17.93, -8.76

 

CMYK 51 / 68 / 0 / 62

HEX #301F61

RGB 48 31 97

HSL 255.45, 0.52%, 0.25%

LAB 17.79, 26.32, -36.51

 

CMYK 0 / 64 / 68 / 62

HEX #61231F

RGB 97 35 31

HSL 3.64, 0.52%, 0.25%

LAB 23.14, 27.88, 17.18

 

CMYK 19 / 0 / 68 / 62

HEX #4F611F

RGB 79 97 31

HSL 76.36, 0.52%, 0.25%

LAB 38.39, -17.67, 34.21

 

CMYK 69 / 5 / 0 / 61

HEX #1F5E63

RGB 31 94 99

HSL 184.41, 0.52%, 0.25%

LAB 36.36, -17.93, -8.76

 

CMYK 30 / 68 / 0 / 62

HEX #441F61

RGB 68 31 97

HSL 273.64, 0.52%, 0.25%

LAB 20.33, 31.15, -32.27

 

CMYK 0 / 64 / 68 / 62

HEX #61231F

RGB 97 35 31

HSL 3.64, 0.52%, 0.25%

LAB 23.14, 27.88, 17.18

 

CMYK 39 / 0 / 68 / 62

HEX #3B611F

RGB 59 97 31

HSL 94.55, 0.52%, 0.25%

LAB 37.07, -26.14, 32.39

 

Description

Color code: HEX #1F5E63 | qconv.com Color code: HEX #1F5E63 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31 red, 94 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31 94 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, 5 magenta, none yellow and 61 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 5% 0% 61% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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