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Color name
HEX #1F4980

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1F4980 it is the complementary color #E0B67F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1F4980. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1F4980 shade: #24497B, #355B8E, #466DA1, #577FB4 and #6891C7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1F4980. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1F4980 shade: #1F4980, #0E376D, #00255A, #001347 and #000134

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1F4980 shade: #1F497F, #1F2F7F, #291F7F, #431F7F and #5D1F7F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1F4980 shade: #1F497F, #1F2F7F and #1F1F7F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1F4980 shade matches the following richer shades: #1F497F, #12478C and #054599

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1F4980 shade: #1F497F, #2C4A72, #384C66, #454E59 and #524F4C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1F4980 shade: #1F7C7F, #1F627F, #1F497F, #1F2F7F and #281F7F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1F4980 shade: #0F233D, #17365E, #1F497F, #275CA0 and #2F6EC2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1F4980 shade: #1F4980, #691F7F and #6F7F1F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1F4980 shade: #1F4980, #7F1F49 and #497F1F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1F4980 shade: #1F4980, #691F7F, #7F551F and #357F1F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1F4980 shade: #1F4980, #7F1F79, #7F551F and #1F7F25

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 43 / 0 / 50

HEX #1F4980

RGB 31 73 128

HSL 214.02, 0.61%, 0.31%

LAB 30.91, 5.8, -35.28

 

Complementary color

CMYK 0 / 19 / 43 / 12

HEX #E0B67F

RGB 224 182 127

HSL 34.02, 0.61%, 0.69%

LAB 76.58, 8.04, 33.68

 

CMYK 71 / 41 / 0 / 52

HEX #24497B

RGB 36 73 123

HSL 214.48, 0.55%, 0.31%

LAB 30.81, 4.64, -32.33

 

CMYK 63 / 36 / 0 / 44

HEX #355B8E

RGB 53 91 142

HSL 214.38, 0.46%, 0.38%

LAB 38.18, 3.21, -32.27

 

CMYK 57 / 32 / 0 / 37

HEX #466DA1

RGB 70 109 161

HSL 214.29, 0.39%, 0.45%

LAB 45.38, 2.17, -32.24

 

CMYK 52 / 29 / 0 / 29

HEX #577FB4

RGB 87 127 180

HSL 214.19, 0.38%, 0.52%

LAB 52.4, 1.37, -32.25

 

CMYK 48 / 27 / 0 / 22

HEX #6891C7

RGB 104 145 199

HSL 214.11, 0.46%, 0.59%

LAB 59.27, 0.74, -32.29

 

CMYK 76 / 43 / 0 / 50

HEX #1F4980

RGB 31 73 128

HSL 214.02, 0.61%, 0.31%

LAB 30.91, 5.8, -35.28

 

CMYK 87 / 50 / 0 / 57

HEX #0E376D

RGB 14 55 109

HSL 214.11, 0.77%, 0.24%

LAB 23.44, 8.27, -35.3

 

CMYK 100 / 59 / 0 / 65

HEX #00255A

RGB 0 37 90

HSL 215.33, 1%, 0.18%

LAB 15.81, 11.74, -35.21

 

CMYK 100 / 73 / 0 / 72

HEX #001347

RGB 0 19 71

HSL 223.94, 1%, 0.14%

LAB 8.31, 16.89, -34.47

 

CMYK 100 / 98 / 0 / 80

HEX #000134

RGB 0 1 52

HSL 238.85, 1%, 0.1%

LAB 2.44, 15.34, -30.37

 

CMYK 76 / 43 / 0 / 50

HEX #1F497F

RGB 31 73 127

HSL 213.75, 0.61%, 0.31%

LAB 30.85, 5.4, -34.76

 

CMYK 76 / 63 / 0 / 50

HEX #1F2F7F

RGB 31 47 127

HSL 230, 0.61%, 0.31%

LAB 23.19, 23.43, -47.13

 

CMYK 68 / 76 / 0 / 50

HEX #291F7F

RGB 41 31 127

HSL 246.25, 0.61%, 0.31%

LAB 19.98, 35.16, -52.37

 

CMYK 47 / 76 / 0 / 50

HEX #431F7F

RGB 67 31 127

HSL 262.5, 0.61%, 0.31%

LAB 22.67, 39.19, -47.85

 

CMYK 27 / 76 / 0 / 50

HEX #5D1F7F

RGB 93 31 127

HSL 278.75, 0.61%, 0.31%

LAB 26.27, 44.29, -41.83

 

CMYK 76 / 43 / 0 / 50

HEX #1F497F

RGB 31 73 127

HSL 213.75, 0.61%, 0.31%

LAB 30.85, 5.4, -34.76

 

CMYK 76 / 63 / 0 / 50

HEX #1F2F7F

RGB 31 47 127

HSL 230, 0.61%, 0.31%

LAB 23.19, 23.43, -47.13

 

CMYK 76 / 76 / 0 / 50

HEX #1F1F7F

RGB 31 31 127

HSL 240, 0.61%, 0.31%

LAB 19.24, 34.02, -53.61

 

CMYK 76 / 43 / 0 / 50

HEX #1F497F

RGB 31 73 127

HSL 213.75, 0.61%, 0.31%

LAB 30.85, 5.4, -34.76

 

CMYK 87 / 49 / 0 / 45

HEX #12478C

RGB 18 71 140

HSL 213.93, 0.77%, 0.31%

LAB 30.71, 10.59, -43.05

 

CMYK 97 / 55 / 0 / 40

HEX #054599

RGB 5 69 153

HSL 214.05, 0.94%, 0.31%

LAB 30.85, 16.63, -50.78

 

CMYK 76 / 43 / 0 / 50

HEX #1F497F

RGB 31 73 127

HSL 213.75, 0.61%, 0.31%

LAB 30.85, 5.4, -34.76

 

CMYK 61 / 35 / 0 / 55

HEX #2C4A72

RGB 44 74 114

HSL 214.29, 0.44%, 0.31%

LAB 30.99, 2.18, -26.38

 

CMYK 45 / 25 / 0 / 60

HEX #384C66

RGB 56 76 102

HSL 213.91, 0.29%, 0.31%

LAB 31.74, -0.11, -17.59

 

CMYK 22 / 12 / 0 / 65

HEX #454E59

RGB 69 78 89

HSL 213, 0.13%, 0.31%

LAB 32.78, -0.85, -7.67

 

CMYK 0 / 4 / 7 / 68

HEX #524F4C

RGB 82 79 76

HSL 30, 0.04%, 0.31%

LAB 33.79, 0.61, 2.2

 

CMYK 76 / 2 / 0 / 50

HEX #1F7C7F

RGB 31 124 127

HSL 181.88, 0.61%, 0.31%

LAB 47.29, -24.75, -9.3

 

CMYK 76 / 23 / 0 / 50

HEX #1F627F

RGB 31 98 127

HSL 198.13, 0.61%, 0.31%

LAB 38.83, -10.44, -22.21

 

CMYK 76 / 43 / 0 / 50

HEX #1F497F

RGB 31 73 127

HSL 213.75, 0.61%, 0.31%

LAB 30.85, 5.4, -34.76

 

CMYK 76 / 63 / 0 / 50

HEX #1F2F7F

RGB 31 47 127

HSL 230, 0.61%, 0.31%

LAB 23.19, 23.43, -47.13

 

CMYK 69 / 76 / 0 / 50

HEX #281F7F

RGB 40 31 127

HSL 245.63, 0.61%, 0.31%

LAB 19.9, 35.03, -52.51

 

CMYK 75 / 43 / 0 / 76

HEX #0F233D

RGB 15 35 61

HSL 213.91, 0.61%, 0.15%

LAB 13.48, 2.16, -19.06

 

CMYK 76 / 43 / 0 / 63

HEX #17365E

RGB 23 54 94

HSL 213.8, 0.61%, 0.23%

LAB 22.4, 3.81, -27.2

 

CMYK 76 / 43 / 0 / 50

HEX #1F497F

RGB 31 73 127

HSL 213.75, 0.61%, 0.31%

LAB 30.85, 5.4, -34.76

 

CMYK 76 / 43 / 0 / 37

HEX #275CA0

RGB 39 92 160

HSL 213.72, 0.61%, 0.39%

LAB 38.94, 6.92, -41.93

 

CMYK 76 / 43 / 0 / 24

HEX #2F6EC2

RGB 47 110 194

HSL 214.29, 0.61%, 0.47%

LAB 46.51, 9.39, -49.73

 

CMYK 76 / 43 / 0 / 50

HEX #1F4980

RGB 31 73 128

HSL 214.02, 0.61%, 0.31%

LAB 30.91, 5.8, -35.28

 

CMYK 17 / 76 / 0 / 50

HEX #691F7F

RGB 105 31 127

HSL 286.25, 0.61%, 0.31%

LAB 28.16, 46.86, -38.7

 

CMYK 13 / 0 / 76 / 50

HEX #6F7F1F

RGB 111 127 31

HSL 70, 0.61%, 0.31%

LAB 50.28, -19.2, 47.04

 

CMYK 76 / 43 / 0 / 50

HEX #1F4980

RGB 31 73 128

HSL 214.02, 0.61%, 0.31%

LAB 30.91, 5.8, -35.28

 

CMYK 0 / 76 / 43 / 50

HEX #7F1F49

RGB 127 31 73

HSL 333.75, 0.61%, 0.31%

LAB 29.34, 44.04, -1.58

 

CMYK 43 / 0 / 76 / 50

HEX #497F1F

RGB 73 127 31

HSL 93.75, 0.61%, 0.31%

LAB 47.87, -34.76, 43.86

 

CMYK 76 / 43 / 0 / 50

HEX #1F4980

RGB 31 73 128

HSL 214.02, 0.61%, 0.31%

LAB 30.91, 5.8, -35.28

 

CMYK 17 / 76 / 0 / 50

HEX #691F7F

RGB 105 31 127

HSL 286.25, 0.61%, 0.31%

LAB 28.16, 46.86, -38.7

 

CMYK 0 / 33 / 76 / 50

HEX #7F551F

RGB 127 85 31

HSL 33.75, 0.61%, 0.31%

LAB 39.76, 12.2, 37.14

 

CMYK 58 / 0 / 76 / 50

HEX #357F1F

RGB 53 127 31

HSL 106.25, 0.61%, 0.31%

LAB 47.02, -41.2, 42.72

 

CMYK 76 / 43 / 0 / 50

HEX #1F4980

RGB 31 73 128

HSL 214.02, 0.61%, 0.31%

LAB 30.91, 5.8, -35.28

 

CMYK 0 / 76 / 5 / 50

HEX #7F1F79

RGB 127 31 121

HSL 303.75, 0.61%, 0.31%

LAB 31.51, 50.77, -29.34

 

CMYK 0 / 33 / 76 / 50

HEX #7F551F

RGB 127 85 31

HSL 33.75, 0.61%, 0.31%

LAB 39.76, 12.2, 37.14

 

CMYK 76 / 0 / 71 / 50

HEX #1F7F25

RGB 31 127 37

HSL 123.75, 0.61%, 0.31%

LAB 46.45, -45.69, 39.49

 

Description

Color code: HEX #1F4980 | qconv.com Color code: HEX #1F4980 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31 red, 73 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31 73 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, 43 magenta, none yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 43% 0% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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