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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1F35D7 it is the complementary color #E0CA28. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1F35D7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1F35D7 shade: #2435D2, #3547E5, #4659F8, #576BFF and #687DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1F35D7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1F35D7 shade: #1F35D7, #0E23C4, #0011B1, #00009E and #00008B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1F35D7 shade: #1F35D6, #3A1FD6, #6C1FD6, #9D1FD6 and #CF1FD6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1F35D7 shade: #1F35D6 and #1F1FD6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1F35D7 shade matches the following richer shades: #1F35D6 and #0B25EA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1F35D7 shade: #1F35D6, #3244C2, #4653AF, #5A629B and #6E7187

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1F35D7 shade: #1F99D6, #1F68D6, #1F37D6, #371FD6 and #681FD6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1F35D7 shade: #14238E, #192CB2, #1F35D6, #3B4FE3 and #5F70E8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1F35D7 shade: #1F35D7, #D61FCA and #81D61F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1F35D7 shade: #1F35D7, #D61F37 and #37D61F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1F35D7 shade: #1F35D7, #D61FCA, #D6BE1F and #1FD62B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1F35D7 shade: #1F35D7, #D61F93, #D6BE1F and #1FD662

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 75 / 0 / 16

HEX #1F35D7

RGB 31 53 215

HSL 232.83, 0.75%, 0.48%

LAB 33.44, 51.59, -83.19

 

Complementary color

CMYK 0 / 10 / 82 / 12

HEX #E0CA28

RGB 224 202 40

HSL 52.83, 0.75%, 0.52%

LAB 80.87, -7.98, 75.32

 

CMYK 83 / 75 / 0 / 18

HEX #2435D2

RGB 36 53 210

HSL 234.14, 0.71%, 0.48%

LAB 33.08, 50.18, -80.9

 

CMYK 77 / 69 / 0 / 10

HEX #3547E5

RGB 53 71 229

HSL 233.86, 0.77%, 0.55%

LAB 39.45, 47.42, -81.26

 

CMYK 72 / 64 / 0 / 3

HEX #4659F8

RGB 70 89 248

HSL 233.6, 0.93%, 0.62%

LAB 45.94, 44.78, -81.27

 

CMYK 66 / 58 / 0 / 0

HEX #576BFF

RGB 87 107 255

HSL 232.86, 1%, 0.67%

LAB 51.57, 38.41, -75.94

 

CMYK 59 / 51 / 0 / 0

HEX #687DFF

RGB 104 125 255

HSL 231.66, 1%, 0.7%

LAB 56.91, 30.25, -67.24

 

CMYK 86 / 75 / 0 / 16

HEX #1F35D7

RGB 31 53 215

HSL 232.83, 0.75%, 0.48%

LAB 33.44, 51.59, -83.19

 

CMYK 93 / 82 / 0 / 23

HEX #0E23C4

RGB 14 35 196

HSL 233.08, 0.87%, 0.41%

LAB 27.52, 54.18, -81.97

 

CMYK 100 / 90 / 0 / 31

HEX #0011B1

RGB 0 17 177

HSL 234.24, 1%, 0.35%

LAB 22.21, 55.64, -79.54

 

CMYK 100 / 100 / 0 / 38

HEX #00009E

RGB 0 0 158

HSL 240, 1%, 0.31%

LAB 17.78, 55.38, -75.42

 

CMYK 100 / 100 / 0 / 45

HEX #00008B

RGB 0 0 139

HSL 240, 1%, 0.27%

LAB 14.76, 50.43, -68.68

 

CMYK 86 / 75 / 0 / 16

HEX #1F35D6

RGB 31 53 214

HSL 232.79, 0.75%, 0.48%

LAB 33.33, 51.26, -82.79

 

CMYK 73 / 86 / 0 / 16

HEX #3A1FD6

RGB 58 31 214

HSL 248.85, 0.75%, 0.48%

LAB 31.19, 62.95, -86.3

 

CMYK 50 / 86 / 0 / 16

HEX #6C1FD6

RGB 108 31 214

HSL 265.25, 0.75%, 0.48%

LAB 36.03, 67.12, -78.15

 

CMYK 27 / 86 / 0 / 16

HEX #9D1FD6

RGB 157 31 214

HSL 281.31, 0.75%, 0.48%

LAB 42.77, 73.46, -66.84

 

CMYK 3 / 86 / 0 / 16

HEX #CF1FD6

RGB 207 31 214

HSL 297.7, 0.75%, 0.48%

LAB 50.8, 81.55, -53.47

 

CMYK 86 / 75 / 0 / 16

HEX #1F35D6

RGB 31 53 214

HSL 232.79, 0.75%, 0.48%

LAB 33.33, 51.26, -82.79

 

CMYK 86 / 86 / 0 / 16

HEX #1F1FD6

RGB 31 31 214

HSL 240, 0.75%, 0.48%

LAB 29.73, 61.77, -88.78

 

CMYK 86 / 75 / 0 / 16

HEX #1F35D6

RGB 31 53 214

HSL 232.79, 0.75%, 0.48%

LAB 33.33, 51.26, -82.79

 

CMYK 95 / 84 / 0 / 8

HEX #0B25EA

RGB 11 37 234

HSL 233, 0.91%, 0.48%

LAB 32.56, 64.76, -95.57

 

CMYK 86 / 75 / 0 / 16

HEX #1F35D6

RGB 31 53 214

HSL 232.79, 0.75%, 0.48%

LAB 33.33, 51.26, -82.79

 

CMYK 74 / 65 / 0 / 24

HEX #3244C2

RGB 50 68 194

HSL 232.5, 0.59%, 0.48%

LAB 35.41, 36.79, -67.71

 

CMYK 60 / 53 / 0 / 31

HEX #4653AF

RGB 70 83 175

HSL 232.57, 0.43%, 0.48%

LAB 38.87, 23.44, -50.86

 

CMYK 42 / 37 / 0 / 39

HEX #5A629B

RGB 90 98 155

HSL 232.62, 0.27%, 0.48%

LAB 43.18, 12.1, -32.06

 

CMYK 19 / 16 / 0 / 47

HEX #6E7187

RGB 110 113 135

HSL 232.8, 0.1%, 0.48%

LAB 48.1, 3.79, -12.43

 

CMYK 86 / 29 / 0 / 16

HEX #1F99D6

RGB 31 153 214

HSL 200, 0.75%, 0.48%

LAB 59.82, -10.39, -40

 

CMYK 86 / 51 / 0 / 16

HEX #1F68D6

RGB 31 104 214

HSL 216.07, 0.75%, 0.48%

LAB 45.7, 19.33, -62.54

 

CMYK 86 / 74 / 0 / 16

HEX #1F37D6

RGB 31 55 214

HSL 232.13, 0.75%, 0.48%

LAB 33.73, 50.14, -82.14

 

CMYK 74 / 86 / 0 / 16

HEX #371FD6

RGB 55 31 214

HSL 247.87, 0.75%, 0.48%

LAB 30.99, 62.79, -86.65

 

CMYK 51 / 86 / 0 / 16

HEX #681FD6

RGB 104 31 214

HSL 263.93, 0.75%, 0.48%

LAB 35.55, 66.7, -78.95

 

CMYK 86 / 75 / 0 / 44

HEX #14238E

RGB 20 35 142

HSL 232.62, 0.75%, 0.32%

LAB 21.22, 36.09, -59.78

 

CMYK 86 / 75 / 0 / 30

HEX #192CB2

RGB 25 44 178

HSL 232.55, 0.75%, 0.4%

LAB 27.36, 43.82, -71.56

 

CMYK 86 / 75 / 0 / 16

HEX #1F35D6

RGB 31 53 214

HSL 232.79, 0.75%, 0.48%

LAB 33.33, 51.26, -82.79

 

CMYK 74 / 65 / 0 / 11

HEX #3B4FE3

RGB 59 79 227

HSL 232.86, 0.75%, 0.56%

LAB 41.32, 42.5, -77.03

 

CMYK 59 / 52 / 0 / 9

HEX #5F70E8

RGB 95 112 232

HSL 232.55, 0.75%, 0.64%

LAB 51.66, 29.04, -62.94

 

CMYK 86 / 75 / 0 / 16

HEX #1F35D7

RGB 31 53 215

HSL 232.83, 0.75%, 0.48%

LAB 33.44, 51.59, -83.19

 

CMYK 0 / 86 / 6 / 16

HEX #D61FCA

RGB 214 31 202

HSL 303.93, 0.75%, 0.48%

LAB 51.31, 81.03, -45.69

 

CMYK 40 / 0 / 86 / 16

HEX #81D61F

RGB 129 214 31

HSL 87.87, 0.75%, 0.48%

LAB 77.79, -51.63, 72.26

 

CMYK 86 / 75 / 0 / 16

HEX #1F35D7

RGB 31 53 215

HSL 232.83, 0.75%, 0.48%

LAB 33.44, 51.59, -83.19

 

CMYK 0 / 86 / 74 / 16

HEX #D61F37

RGB 214 31 55

HSL 352.13, 0.75%, 0.48%

LAB 46.38, 67.38, 35.49

 

CMYK 74 / 0 / 86 / 16

HEX #37D61F

RGB 55 214 31

HSL 112.13, 0.75%, 0.48%

LAB 75.45, -70.17, 69.31

 

CMYK 86 / 75 / 0 / 16

HEX #1F35D7

RGB 31 53 215

HSL 232.83, 0.75%, 0.48%

LAB 33.44, 51.59, -83.19

 

CMYK 0 / 86 / 6 / 16

HEX #D61FCA

RGB 214 31 202

HSL 303.93, 0.75%, 0.48%

LAB 51.31, 81.03, -45.69

 

CMYK 0 / 11 / 86 / 16

HEX #D6BE1F

RGB 214 190 31

HSL 52.13, 0.75%, 0.48%

LAB 76.81, -6.38, 73.76

 

CMYK 86 / 0 / 80 / 16

HEX #1FD62B

RGB 31 214 43

HSL 123.93, 0.75%, 0.48%

LAB 75.18, -72.44, 65.96

 

CMYK 86 / 75 / 0 / 16

HEX #1F35D7

RGB 31 53 215

HSL 232.83, 0.75%, 0.48%

LAB 33.44, 51.59, -83.19

 

CMYK 0 / 86 / 31 / 16

HEX #D61F93

RGB 214 31 147

HSL 321.97, 0.75%, 0.48%

LAB 48.74, 74.1, -17.35

 

CMYK 0 / 11 / 86 / 16

HEX #D6BE1F

RGB 214 190 31

HSL 52.13, 0.75%, 0.48%

LAB 76.81, -6.38, 73.76

 

CMYK 86 / 0 / 54 / 16

HEX #1FD662

RGB 31 214 98

HSL 141.97, 0.75%, 0.48%

LAB 75.62, -66.96, 44.94

 

Description

Color code: HEX #1F35D7 | qconv.com Color code: HEX #1F35D7 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31 red, 53 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31 53 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, 75 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 75% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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