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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1F313F it is the complementary color #E0CEC0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1F313F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1F313F shade: #24313A, #35434D, #465560, #576773 and #687986

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1F313F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1F313F shade: #1F313F, #0E1F2C, #000D19, #000006 and #000000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1F313F shade: #1E303E, #1E273E, #1E1F3E, #261E3E and #2E1E3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1F313F shade: #1E303E, #1E273E, #1E1F3E and #1E1E3E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1F313F shade matches the following richer shades: #1E303E, #173145, #0F324C, #083354 and #01345B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1F313F shade: #1E303E, #262F36, #2D2E2F, #352D27 and #3C2C20

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1F313F shade: #1E3E3A, #1E383E, #1E303E, #1E283E and #1E1F3E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1F313F shade: #030506, #111A22, #1E303E, #2C4559 and #3A5B75

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1F313F shade: #1F313F, #321E3E and #3C3E1E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1F313F shade: #1F313F, #3E1E30 and #303E1E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1F313F shade: #1F313F, #321E3E, #3E2C1E and #2A3E1E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1F313F shade: #1F313F, #3B1E3E, #3E2C1E and #203E1E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 22 / 0 / 75

HEX #1F313F

RGB 31 49 63

HSL 206.25, 0.34%, 0.18%

LAB 19.42, -2.78, -11.11

 

Complementary color

CMYK 0 / 8 / 14 / 12

HEX #E0CEC0

RGB 224 206 192

HSL 26.25, 0.34%, 0.82%

LAB 83.86, 3.96, 9.21

 

CMYK 38 / 16 / 0 / 77

HEX #24313A

RGB 36 49 58

HSL 204.55, 0.23%, 0.18%

LAB 19.55, -2.76, -7.46

 

CMYK 31 / 13 / 0 / 70

HEX #35434D

RGB 53 67 77

HSL 205, 0.18%, 0.25%

LAB 27.59, -2.89, -7.88

 

CMYK 27 / 11 / 0 / 62

HEX #465560

RGB 70 85 96

HSL 205.38, 0.16%, 0.33%

LAB 35.29, -3, -8.3

 

CMYK 24 / 10 / 0 / 55

HEX #576773

RGB 87 103 115

HSL 205.71, 0.14%, 0.4%

LAB 42.71, -3.1, -8.74

 

CMYK 22 / 10 / 0 / 47

HEX #687986

RGB 104 121 134

HSL 206, 0.13%, 0.47%

LAB 49.9, -3.19, -9.17

 

CMYK 51 / 22 / 0 / 75

HEX #1F313F

RGB 31 49 63

HSL 206.25, 0.34%, 0.18%

LAB 19.42, -2.78, -11.11

 

CMYK 68 / 30 / 0 / 83

HEX #0E1F2C

RGB 14 31 44

HSL 206, 0.52%, 0.11%

LAB 10.96, -2.23, -10.86

 

CMYK 100 / 48 / 0 / 90

HEX #000D19

RGB 0 13 25

HSL 208.8, 1%, 0.05%

LAB 3.23, -0.86, -8.33

 

CMYK 100 / 100 / 0 / 98

HEX #000006

RGB 0 0 6

HSL 240, 1%, 0.01%

LAB 0.12, 0.83, -2.27

 

CMYK 52 / 23 / 0 / 76

HEX #1E303E

RGB 30 48 62

HSL 206.25, 0.35%, 0.18%

LAB 18.96, -2.76, -11.13

 

CMYK 52 / 37 / 0 / 76

HEX #1E273E

RGB 30 39 62

HSL 223.13, 0.35%, 0.18%

LAB 15.88, 3.58, -15.92

 

CMYK 52 / 50 / 0 / 76

HEX #1E1F3E

RGB 30 31 62

HSL 238.13, 0.35%, 0.18%

LAB 13.25, 9.49, -20.05

 

CMYK 39 / 52 / 0 / 76

HEX #261E3E

RGB 38 30 62

HSL 255, 0.35%, 0.18%

LAB 13.76, 12.76, -19.2

 

CMYK 26 / 52 / 0 / 76

HEX #2E1E3E

RGB 46 30 62

HSL 270, 0.35%, 0.18%

LAB 14.72, 15.5, -17.62

 

CMYK 52 / 23 / 0 / 76

HEX #1E303E

RGB 30 48 62

HSL 206.25, 0.35%, 0.18%

LAB 18.96, -2.76, -11.13

 

CMYK 52 / 37 / 0 / 76

HEX #1E273E

RGB 30 39 62

HSL 223.13, 0.35%, 0.18%

LAB 15.88, 3.58, -15.92

 

CMYK 52 / 50 / 0 / 76

HEX #1E1F3E

RGB 30 31 62

HSL 238.13, 0.35%, 0.18%

LAB 13.25, 9.49, -20.05

 

CMYK 52 / 52 / 0 / 76

HEX #1E1E3E

RGB 30 30 62

HSL 240, 0.35%, 0.18%

LAB 12.94, 10.23, -20.56

 

CMYK 52 / 23 / 0 / 76

HEX #1E303E

RGB 30 48 62

HSL 206.25, 0.35%, 0.18%

LAB 18.96, -2.76, -11.13

 

CMYK 67 / 29 / 0 / 73

HEX #173145

RGB 23 49 69

HSL 206.09, 0.5%, 0.18%

LAB 19.26, -2.77, -15.48

 

CMYK 80 / 34 / 0 / 70

HEX #0F324C

RGB 15 50 76

HSL 205.57, 0.67%, 0.18%

LAB 19.66, -2.23, -19.62

 

CMYK 90 / 39 / 0 / 67

HEX #083354

RGB 8 51 84

HSL 206.05, 0.83%, 0.18%

LAB 20.28, -0.42, -24

 

CMYK 99 / 43 / 0 / 64

HEX #01345B

RGB 1 52 91

HSL 206, 0.98%, 0.18%

LAB 20.9, 1.21, -27.67

 

CMYK 52 / 23 / 0 / 76

HEX #1E303E

RGB 30 48 62

HSL 206.25, 0.35%, 0.18%

LAB 18.96, -2.76, -11.13

 

CMYK 30 / 13 / 0 / 79

HEX #262F36

RGB 38 47 54

HSL 206.25, 0.17%, 0.18%

LAB 18.85, -1.88, -5.74

 

CMYK 4 / 2 / 0 / 82

HEX #2D2E2F

RGB 45 46 47

HSL 210, 0.02%, 0.18%

LAB 18.87, -0.2, -0.8

 

CMYK 0 / 15 / 26 / 79

HEX #352D27

RGB 53 45 39

HSL 25.71, 0.15%, 0.18%

LAB 19.14, 2.45, 5.22

 

CMYK 0 / 27 / 47 / 76

HEX #3C2C20

RGB 60 44 32

HSL 25.71, 0.3%, 0.18%

LAB 19.5, 5.43, 10.64

 

CMYK 52 / 0 / 6 / 76

HEX #1E3E3A

RGB 30 62 58

HSL 172.5, 0.35%, 0.18%

LAB 23.76, -12.98, -1.21

 

CMYK 52 / 10 / 0 / 76

HEX #1E383E

RGB 30 56 62

HSL 191.25, 0.35%, 0.18%

LAB 21.77, -8.03, -6.86

 

CMYK 52 / 23 / 0 / 76

HEX #1E303E

RGB 30 48 62

HSL 206.25, 0.35%, 0.18%

LAB 18.96, -2.76, -11.13

 

CMYK 52 / 35 / 0 / 76

HEX #1E283E

RGB 30 40 62

HSL 221.25, 0.35%, 0.18%

LAB 16.21, 2.86, -15.39

 

CMYK 52 / 50 / 0 / 76

HEX #1E1F3E

RGB 30 31 62

HSL 238.13, 0.35%, 0.18%

LAB 13.25, 9.49, -20.05

 

CMYK 50 / 17 / 0 / 98

HEX #030506

RGB 3 5 6

HSL 200, 0.33%, 0.02%

LAB 1.27, -0.38, -0.56

 

CMYK 50 / 24 / 0 / 87

HEX #111A22

RGB 17 26 34

HSL 208.24, 0.33%, 0.1%

LAB 8.77, -1.4, -6.83

 

CMYK 52 / 23 / 0 / 76

HEX #1E303E

RGB 30 48 62

HSL 206.25, 0.35%, 0.18%

LAB 18.96, -2.76, -11.13

 

CMYK 51 / 22 / 0 / 65

HEX #2C4559

RGB 44 69 89

HSL 206.67, 0.34%, 0.26%

LAB 28.15, -3.33, -14.87

 

CMYK 50 / 22 / 0 / 54

HEX #3A5B75

RGB 58 91 117

HSL 206.44, 0.34%, 0.34%

LAB 37.24, -4.16, -18.46

 

CMYK 51 / 22 / 0 / 75

HEX #1F313F

RGB 31 49 63

HSL 206.25, 0.34%, 0.18%

LAB 19.42, -2.78, -11.11

 

CMYK 19 / 52 / 0 / 76

HEX #321E3E

RGB 50 30 62

HSL 277.5, 0.35%, 0.18%

LAB 15.25, 16.92, -16.75

 

CMYK 3 / 0 / 52 / 76

HEX #3C3E1E

RGB 60 62 30

HSL 63.75, 0.35%, 0.18%

LAB 25.26, -6.56, 19.3

 

CMYK 51 / 22 / 0 / 75

HEX #1F313F

RGB 31 49 63

HSL 206.25, 0.34%, 0.18%

LAB 19.42, -2.78, -11.11

 

CMYK 0 / 52 / 23 / 76

HEX #3E1E30

RGB 62 30 48

HSL 326.25, 0.35%, 0.18%

LAB 16.34, 18.36, -5.04

 

CMYK 23 / 0 / 52 / 76

HEX #303E1E

RGB 48 62 30

HSL 86.25, 0.35%, 0.18%

LAB 24.22, -12.31, 17.78

 

CMYK 51 / 22 / 0 / 75

HEX #1F313F

RGB 31 49 63

HSL 206.25, 0.34%, 0.18%

LAB 19.42, -2.78, -11.11

 

CMYK 19 / 52 / 0 / 76

HEX #321E3E

RGB 50 30 62

HSL 277.5, 0.35%, 0.18%

LAB 15.25, 16.92, -16.75

 

CMYK 0 / 29 / 52 / 76

HEX #3E2C1E

RGB 62 44 30

HSL 26.25, 0.35%, 0.18%

LAB 19.72, 6.17, 12.32

 

CMYK 32 / 0 / 52 / 76

HEX #2A3E1E

RGB 42 62 30

HSL 97.5, 0.35%, 0.18%

LAB 23.77, -14.99, 17.13

 

CMYK 51 / 22 / 0 / 75

HEX #1F313F

RGB 31 49 63

HSL 206.25, 0.34%, 0.18%

LAB 19.42, -2.78, -11.11

 

CMYK 5 / 52 / 0 / 76

HEX #3B1E3E

RGB 59 30 62

HSL 294.38, 0.35%, 0.18%

LAB 16.53, 20.16, -14.65

 

CMYK 0 / 29 / 52 / 76

HEX #3E2C1E

RGB 62 44 30

HSL 26.25, 0.35%, 0.18%

LAB 19.72, 6.17, 12.32

 

CMYK 48 / 0 / 52 / 76

HEX #203E1E

RGB 32 62 30

HSL 116.25, 0.35%, 0.18%

LAB 23.16, -19.04, 16.22

 

Description

Color code: HEX #1F313F | qconv.com Color code: HEX #1F313F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31 red, 49 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31 49 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, 22 magenta, none yellow and 75 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 22% 0% 75% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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