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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1F2F3F it is the complementary color #E0D0C0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1F2F3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1F2F3F shade: #242F3A, #35414D, #465360, #576573 and #687786

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1F2F3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1F2F3F shade: #1F2F3F, #0E1D2C, #000B19, #000006 and #000000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1F2F3F shade: #1E2E3E, #1E253E, #201E3E, #281E3E and #301E3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1F2F3F shade: #1E2E3E, #1E253E and #1E1E3E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1F2F3F shade matches the following richer shades: #1E2E3E, #172E45, #0F2E4C, #082E54 and #012E5B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1F2F3F shade: #1E2E3E, #262E36, #2D2E2F, #352E27 and #3C2E20

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1F2F3F shade: #1E3E3C, #1E363E, #1E2E3E, #1E263E and #1F1E3E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1F2F3F shade: #030506, #111922, #1E2E3E, #2C4359 and #3A5775

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1F2F3F shade: #1F2F3F, #341E3E and #3A3E1E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1F2F3F shade: #1F2F3F, #3E1E2E and #2E3E1E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1F2F3F shade: #1F2F3F, #341E3E, #3E2E1E and #283E1E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1F2F3F shade: #1F2F3F, #3E1E3E, #3E2E1E and #1E3E1E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 25 / 0 / 75

HEX #1F2F3F

RGB 31 47 63

HSL 210, 0.34%, 0.18%

LAB 18.73, -1.41, -12.17

 

Complementary color

CMYK 0 / 7 / 14 / 12

HEX #E0D0C0

RGB 224 208 192

HSL 30, 0.34%, 0.82%

LAB 84.36, 2.92, 9.93

 

CMYK 38 / 19 / 0 / 77

HEX #242F3A

RGB 36 47 58

HSL 210, 0.23%, 0.18%

LAB 18.86, -1.4, -8.5

 

CMYK 31 / 16 / 0 / 70

HEX #35414D

RGB 53 65 77

HSL 210, 0.18%, 0.25%

LAB 26.94, -1.6, -8.86

 

CMYK 27 / 14 / 0 / 62

HEX #465360

RGB 70 83 96

HSL 210, 0.16%, 0.33%

LAB 34.67, -1.76, -9.24

 

CMYK 24 / 12 / 0 / 55

HEX #576573

RGB 87 101 115

HSL 210, 0.14%, 0.4%

LAB 42.11, -1.9, -9.64

 

CMYK 22 / 11 / 0 / 47

HEX #687786

RGB 104 119 134

HSL 210, 0.13%, 0.47%

LAB 49.32, -2.03, -10.05

 

CMYK 51 / 25 / 0 / 75

HEX #1F2F3F

RGB 31 47 63

HSL 210, 0.34%, 0.18%

LAB 18.73, -1.41, -12.17

 

CMYK 68 / 34 / 0 / 83

HEX #0E1D2C

RGB 14 29 44

HSL 210, 0.52%, 0.11%

LAB 10.21, -0.75, -12.02

 

CMYK 100 / 56 / 0 / 90

HEX #000B19

RGB 0 11 25

HSL 213.6, 1%, 0.05%

LAB 2.8, 0.04, -8.97

 

CMYK 100 / 100 / 0 / 98

HEX #000006

RGB 0 0 6

HSL 240, 1%, 0.01%

LAB 0.12, 0.83, -2.27

 

CMYK 52 / 26 / 0 / 76

HEX #1E2E3E

RGB 30 46 62

HSL 210, 0.35%, 0.18%

LAB 18.27, -1.38, -12.2

 

CMYK 52 / 40 / 0 / 76

HEX #1E253E

RGB 30 37 62

HSL 226.88, 0.35%, 0.18%

LAB 15.21, 5.04, -16.97

 

CMYK 48 / 52 / 0 / 76

HEX #201E3E

RGB 32 30 62

HSL 243.75, 0.35%, 0.18%

LAB 13.13, 10.84, -20.24

 

CMYK 35 / 52 / 0 / 76

HEX #281E3E

RGB 40 30 62

HSL 258.75, 0.35%, 0.18%

LAB 13.99, 13.43, -18.83

 

CMYK 23 / 52 / 0 / 76

HEX #301E3E

RGB 48 30 62

HSL 273.75, 0.35%, 0.18%

LAB 14.98, 16.2, -17.19

 

CMYK 52 / 26 / 0 / 76

HEX #1E2E3E

RGB 30 46 62

HSL 210, 0.35%, 0.18%

LAB 18.27, -1.38, -12.2

 

CMYK 52 / 40 / 0 / 76

HEX #1E253E

RGB 30 37 62

HSL 226.88, 0.35%, 0.18%

LAB 15.21, 5.04, -16.97

 

CMYK 52 / 52 / 0 / 76

HEX #1E1E3E

RGB 30 30 62

HSL 240, 0.35%, 0.18%

LAB 12.94, 10.23, -20.56

 

CMYK 52 / 26 / 0 / 76

HEX #1E2E3E

RGB 30 46 62

HSL 210, 0.35%, 0.18%

LAB 18.27, -1.38, -12.2

 

CMYK 67 / 33 / 0 / 73

HEX #172E45

RGB 23 46 69

HSL 210, 0.5%, 0.18%

LAB 18.21, -0.69, -17.11

 

CMYK 80 / 39 / 0 / 70

HEX #0F2E4C

RGB 15 46 76

HSL 209.51, 0.67%, 0.18%

LAB 18.26, 0.58, -21.82

 

CMYK 90 / 45 / 0 / 67

HEX #082E54

RGB 8 46 84

HSL 210, 0.83%, 0.18%

LAB 18.57, 3.15, -26.74

 

CMYK 99 / 49 / 0 / 64

HEX #012E5B

RGB 1 46 91

HSL 210, 0.98%, 0.18%

LAB 18.87, 5.55, -30.92

 

CMYK 52 / 26 / 0 / 76

HEX #1E2E3E

RGB 30 46 62

HSL 210, 0.35%, 0.18%

LAB 18.27, -1.38, -12.2

 

CMYK 30 / 15 / 0 / 79

HEX #262E36

RGB 38 46 54

HSL 210, 0.17%, 0.18%

LAB 18.51, -1.2, -6.26

 

CMYK 4 / 2 / 0 / 82

HEX #2D2E2F

RGB 45 46 47

HSL 210, 0.02%, 0.18%

LAB 18.87, -0.2, -0.8

 

CMYK 0 / 13 / 26 / 79

HEX #352E27

RGB 53 46 39

HSL 30, 0.15%, 0.18%

LAB 19.46, 1.77, 5.68

 

CMYK 0 / 23 / 47 / 76

HEX #3C2E20

RGB 60 46 32

HSL 30, 0.3%, 0.18%

LAB 20.12, 4.08, 11.46

 

CMYK 52 / 0 / 3 / 76

HEX #1E3E3C

RGB 30 62 60

HSL 176.25, 0.35%, 0.18%

LAB 23.83, -12.37, -2.44

 

CMYK 52 / 13 / 0 / 76

HEX #1E363E

RGB 30 54 62

HSL 195, 0.35%, 0.18%

LAB 21.06, -6.75, -7.92

 

CMYK 52 / 26 / 0 / 76

HEX #1E2E3E

RGB 30 46 62

HSL 210, 0.35%, 0.18%

LAB 18.27, -1.38, -12.2

 

CMYK 52 / 39 / 0 / 76

HEX #1E263E

RGB 30 38 62

HSL 225, 0.35%, 0.18%

LAB 15.54, 4.31, -16.44

 

CMYK 50 / 52 / 0 / 76

HEX #1F1E3E

RGB 31 30 62

HSL 241.88, 0.35%, 0.18%

LAB 13.03, 10.53, -20.4

 

CMYK 50 / 17 / 0 / 98

HEX #030506

RGB 3 5 6

HSL 200, 0.33%, 0.02%

LAB 1.27, -0.38, -0.56

 

CMYK 50 / 26 / 0 / 87

HEX #111922

RGB 17 25 34

HSL 211.76, 0.33%, 0.1%

LAB 8.39, -0.65, -7.41

 

CMYK 52 / 26 / 0 / 76

HEX #1E2E3E

RGB 30 46 62

HSL 210, 0.35%, 0.18%

LAB 18.27, -1.38, -12.2

 

CMYK 51 / 25 / 0 / 65

HEX #2C4359

RGB 44 67 89

HSL 209.33, 0.34%, 0.26%

LAB 27.49, -2.03, -15.88

 

CMYK 50 / 26 / 0 / 54

HEX #3A5775

RGB 58 87 117

HSL 210.51, 0.34%, 0.34%

LAB 35.98, -1.68, -20.39

 

CMYK 51 / 25 / 0 / 75

HEX #1F2F3F

RGB 31 47 63

HSL 210, 0.34%, 0.18%

LAB 18.73, -1.41, -12.17

 

CMYK 16 / 52 / 0 / 76

HEX #341E3E

RGB 52 30 62

HSL 281.25, 0.35%, 0.18%

LAB 15.52, 17.63, -16.3

 

CMYK 6 / 0 / 52 / 76

HEX #3A3E1E

RGB 58 62 30

HSL 67.5, 0.35%, 0.18%

LAB 25.07, -7.55, 19.03

 

CMYK 51 / 25 / 0 / 75

HEX #1F2F3F

RGB 31 47 63

HSL 210, 0.34%, 0.18%

LAB 18.73, -1.41, -12.17

 

CMYK 0 / 52 / 26 / 76

HEX #3E1E2E

RGB 62 30 46

HSL 330, 0.35%, 0.18%

LAB 16.26, 17.99, -3.73

 

CMYK 26 / 0 / 52 / 76

HEX #2E3E1E

RGB 46 62 30

HSL 90, 0.35%, 0.18%

LAB 24.06, -13.22, 17.56

 

CMYK 51 / 25 / 0 / 75

HEX #1F2F3F

RGB 31 47 63

HSL 210, 0.34%, 0.18%

LAB 18.73, -1.41, -12.17

 

CMYK 16 / 52 / 0 / 76

HEX #341E3E

RGB 52 30 62

HSL 281.25, 0.35%, 0.18%

LAB 15.52, 17.63, -16.3

 

CMYK 0 / 26 / 52 / 76

HEX #3E2E1E

RGB 62 46 30

HSL 30, 0.35%, 0.18%

LAB 20.33, 4.82, 13.12

 

CMYK 35 / 0 / 52 / 76

HEX #283E1E

RGB 40 62 30

HSL 101.25, 0.35%, 0.18%

LAB 23.64, -15.85, 16.93

 

CMYK 51 / 25 / 0 / 75

HEX #1F2F3F

RGB 31 47 63

HSL 210, 0.34%, 0.18%

LAB 18.73, -1.41, -12.17

 

CMYK 0 / 52 / 0 / 76

HEX #3E1E3E

RGB 62 30 62

HSL 300, 0.35%, 0.18%

LAB 16.99, 21.25, -13.9

 

CMYK 0 / 26 / 52 / 76

HEX #3E2E1E

RGB 62 46 30

HSL 30, 0.35%, 0.18%

LAB 20.33, 4.82, 13.12

 

CMYK 52 / 0 / 52 / 76

HEX #1E3E1E

RGB 30 62 30

HSL 120, 0.35%, 0.18%

LAB 23.05, -19.77, 16.07

 

Description

Color code: HEX #1F2F3F | qconv.com Color code: HEX #1F2F3F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31 red, 47 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31 47 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, 25 magenta, none yellow and 75 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 25% 0% 75% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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