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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1F2E3E it is the complementary color #E0D1C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1F2E3E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1F2E3E shade: #242E39, #35404C, #46525F, #576472 and #687685

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1F2E3E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1F2E3E shade: #1F2E3E, #0E1C2B, #000A18, #000005 and #000000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1F2E3E shade: #1F2D3D, #1F253D, #201F3D, #291F3D and #311F3D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1F2E3E shade: #1F2D3D, #1F253D and #1F1F3D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1F2E3E shade matches the following richer shades: #1F2D3D, #172D44, #102D4C, #082D53 and #012C5B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1F2E3E shade: #1F2D3D, #262E36, #2E2E2E, #352E27 and #3C2E1F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1F2E3E shade: #1F3D3C, #1F363D, #1F2E3D, #1F263D and #201F3D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1F2E3E shade: #030506, #111922, #1F2D3D, #2D4258 and #3A5674

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1F2E3E shade: #1F2E3E, #341F3D and #3A3D1F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1F2E3E shade: #1F2E3E, #3D1F2E and #2E3D1F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1F2E3E shade: #1F2E3E, #341F3D, #3D2E1F and #283D1F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1F2E3E shade: #1F2E3E, #3D1F3D, #3D2E1F and #1F3D1F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 26 / 0 / 76

HEX #1F2E3E

RGB 31 46 62

HSL 210.97, 0.33%, 0.18%

LAB 18.33, -1.07, -12.09

 

Complementary color

CMYK 0 / 7 / 14 / 12

HEX #E0D1C1

RGB 224 209 193

HSL 30.97, 0.33%, 0.82%

LAB 84.64, 2.55, 9.79

 

CMYK 37 / 19 / 0 / 78

HEX #242E39

RGB 36 46 57

HSL 211.43, 0.23%, 0.18%

LAB 18.47, -1.03, -8.4

 

CMYK 30 / 16 / 0 / 70

HEX #35404C

RGB 53 64 76

HSL 211.3, 0.18%, 0.25%

LAB 26.58, -1.24, -8.75

 

CMYK 26 / 14 / 0 / 63

HEX #46525F

RGB 70 82 95

HSL 211.2, 0.15%, 0.32%

LAB 34.32, -1.41, -9.13

 

CMYK 24 / 12 / 0 / 55

HEX #576472

RGB 87 100 114

HSL 211.11, 0.13%, 0.39%

LAB 41.78, -1.55, -9.53

 

CMYK 22 / 11 / 0 / 48

HEX #687685

RGB 104 118 133

HSL 211.03, 0.12%, 0.46%

LAB 49, -1.69, -9.94

 

CMYK 50 / 26 / 0 / 76

HEX #1F2E3E

RGB 31 46 62

HSL 210.97, 0.33%, 0.18%

LAB 18.33, -1.07, -12.09

 

CMYK 67 / 35 / 0 / 83

HEX #0E1C2B

RGB 14 28 43

HSL 211.03, 0.51%, 0.11%

LAB 9.78, -0.41, -11.95

 

CMYK 100 / 58 / 0 / 91

HEX #000A18

RGB 0 10 24

HSL 215, 1%, 0.05%

LAB 2.56, 0.18, -8.53

 

CMYK 100 / 100 / 0 / 98

HEX #000005

RGB 0 0 5

HSL 240, 1%, 0.01%

LAB 0.1, 0.7, -1.89

 

CMYK 49 / 26 / 0 / 76

HEX #1F2D3D

RGB 31 45 61

HSL 212, 0.33%, 0.18%

LAB 17.94, -0.72, -12.01

 

CMYK 49 / 39 / 0 / 76

HEX #1F253D

RGB 31 37 61

HSL 228, 0.33%, 0.18%

LAB 15.23, 5, -16.23

 

CMYK 48 / 49 / 0 / 76

HEX #201F3D

RGB 32 31 61

HSL 242, 0.33%, 0.18%

LAB 13.38, 9.74, -19.14

 

CMYK 33 / 49 / 0 / 76

HEX #291F3D

RGB 41 31 61

HSL 260, 0.33%, 0.18%

LAB 14.33, 12.74, -17.57

 

CMYK 20 / 49 / 0 / 76

HEX #311F3D

RGB 49 31 61

HSL 276, 0.33%, 0.18%

LAB 15.33, 15.6, -15.93

 

CMYK 49 / 26 / 0 / 76

HEX #1F2D3D

RGB 31 45 61

HSL 212, 0.33%, 0.18%

LAB 17.94, -0.72, -12.01

 

CMYK 49 / 39 / 0 / 76

HEX #1F253D

RGB 31 37 61

HSL 228, 0.33%, 0.18%

LAB 15.23, 5, -16.23

 

CMYK 49 / 49 / 0 / 76

HEX #1F1F3D

RGB 31 31 61

HSL 240, 0.33%, 0.18%

LAB 13.28, 9.43, -19.3

 

CMYK 49 / 26 / 0 / 76

HEX #1F2D3D

RGB 31 45 61

HSL 212, 0.33%, 0.18%

LAB 17.94, -0.72, -12.01

 

CMYK 66 / 34 / 0 / 73

HEX #172D44

RGB 23 45 68

HSL 210.67, 0.49%, 0.18%

LAB 17.81, -0.38, -17.06

 

CMYK 79 / 41 / 0 / 70

HEX #102D4C

RGB 16 45 76

HSL 211, 0.65%, 0.18%

LAB 17.96, 1.46, -22.3

 

CMYK 90 / 46 / 0 / 67

HEX #082D53

RGB 8 45 83

HSL 210.4, 0.82%, 0.18%

LAB 18.16, 3.43, -26.72

 

CMYK 99 / 52 / 0 / 64

HEX #012C5B

RGB 1 44 91

HSL 211.33, 0.98%, 0.18%

LAB 18.2, 7.03, -32

 

CMYK 49 / 26 / 0 / 76

HEX #1F2D3D

RGB 31 45 61

HSL 212, 0.33%, 0.18%

LAB 17.94, -0.72, -12.01

 

CMYK 30 / 15 / 0 / 79

HEX #262E36

RGB 38 46 54

HSL 210, 0.17%, 0.18%

LAB 18.51, -1.2, -6.26

 

CMYK 0 / 0 / 0 / 82

HEX #2E2E2E

RGB 46 46 46

HSL 0, 0%, 0.18%

LAB 18.94, 0, -0

 

CMYK 0 / 13 / 26 / 79

HEX #352E27

RGB 53 46 39

HSL 30, 0.15%, 0.18%

LAB 19.46, 1.77, 5.68

 

CMYK 0 / 23 / 48 / 76

HEX #3C2E1F

RGB 60 46 31

HSL 31.03, 0.32%, 0.18%

LAB 20.1, 3.95, 12.1

 

CMYK 49 / 0 / 2 / 76

HEX #1F3D3C

RGB 31 61 60

HSL 178, 0.33%, 0.18%

LAB 23.52, -11.48, -2.89

 

CMYK 49 / 11 / 0 / 76

HEX #1F363D

RGB 31 54 61

HSL 194, 0.33%, 0.18%

LAB 21.08, -6.77, -7.21

 

CMYK 49 / 25 / 0 / 76

HEX #1F2E3D

RGB 31 46 61

HSL 210, 0.33%, 0.18%

LAB 18.29, -1.42, -11.48

 

CMYK 49 / 38 / 0 / 76

HEX #1F263D

RGB 31 38 61

HSL 226, 0.33%, 0.18%

LAB 15.56, 4.27, -15.7

 

CMYK 48 / 49 / 0 / 76

HEX #201F3D

RGB 32 31 61

HSL 242, 0.33%, 0.18%

LAB 13.38, 9.74, -19.14

 

CMYK 50 / 17 / 0 / 98

HEX #030506

RGB 3 5 6

HSL 200, 0.33%, 0.02%

LAB 1.27, -0.38, -0.56

 

CMYK 50 / 26 / 0 / 87

HEX #111922

RGB 17 25 34

HSL 211.76, 0.33%, 0.1%

LAB 8.39, -0.65, -7.41

 

CMYK 49 / 26 / 0 / 76

HEX #1F2D3D

RGB 31 45 61

HSL 212, 0.33%, 0.18%

LAB 17.94, -0.72, -12.01

 

CMYK 49 / 25 / 0 / 65

HEX #2D4258

RGB 45 66 88

HSL 210.7, 0.32%, 0.26%

LAB 27.18, -1.42, -15.71

 

CMYK 50 / 26 / 0 / 55

HEX #3A5674

RGB 58 86 116

HSL 211.03, 0.33%, 0.34%

LAB 35.63, -1.37, -20.33

 

CMYK 50 / 26 / 0 / 76

HEX #1F2E3E

RGB 31 46 62

HSL 210.97, 0.33%, 0.18%

LAB 18.33, -1.07, -12.09

 

CMYK 15 / 49 / 0 / 76

HEX #341F3D

RGB 52 31 61

HSL 282, 0.33%, 0.18%

LAB 15.73, 16.69, -15.27

 

CMYK 5 / 0 / 49 / 76

HEX #3A3D1F

RGB 58 61 31

HSL 66, 0.33%, 0.18%

LAB 24.75, -6.8, 18.02

 

CMYK 50 / 26 / 0 / 76

HEX #1F2E3E

RGB 31 46 62

HSL 210.97, 0.33%, 0.18%

LAB 18.33, -1.07, -12.09

 

CMYK 0 / 49 / 25 / 76

HEX #3D1F2E

RGB 61 31 46

HSL 330, 0.33%, 0.18%

LAB 16.35, 16.93, -3.61

 

CMYK 25 / 0 / 49 / 76

HEX #2E3D1F

RGB 46 61 31

HSL 90, 0.33%, 0.18%

LAB 23.73, -12.48, 16.52

 

CMYK 50 / 26 / 0 / 76

HEX #1F2E3E

RGB 31 46 62

HSL 210.97, 0.33%, 0.18%

LAB 18.33, -1.07, -12.09

 

CMYK 15 / 49 / 0 / 76

HEX #341F3D

RGB 52 31 61

HSL 282, 0.33%, 0.18%

LAB 15.73, 16.69, -15.27

 

CMYK 0 / 25 / 49 / 76

HEX #3D2E1F

RGB 61 46 31

HSL 30, 0.33%, 0.18%

LAB 20.22, 4.45, 12.29

 

CMYK 34 / 0 / 49 / 76

HEX #283D1F

RGB 40 61 31

HSL 102, 0.33%, 0.18%

LAB 23.3, -15.12, 15.88

 

CMYK 50 / 26 / 0 / 76

HEX #1F2E3E

RGB 31 46 62

HSL 210.97, 0.33%, 0.18%

LAB 18.33, -1.07, -12.09

 

CMYK 0 / 49 / 0 / 76

HEX #3D1F3D

RGB 61 31 61

HSL 300, 0.33%, 0.18%

LAB 17.03, 20.02, -13.15

 

CMYK 0 / 25 / 49 / 76

HEX #3D2E1F

RGB 61 46 31

HSL 30, 0.33%, 0.18%

LAB 20.22, 4.45, 12.29

 

CMYK 49 / 0 / 49 / 76

HEX #1F3D1F

RGB 31 61 31

HSL 120, 0.33%, 0.18%

LAB 22.75, -18.7, 15.07

 

Description

Color code: HEX #1F2E3E | qconv.com Color code: HEX #1F2E3E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31 red, 46 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31 46 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 26 magenta, none yellow and 76 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 26% 0% 76% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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