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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1F2883CE it is the complementary color #E0D77CCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1F2883CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1F2883CE shade: #24287ECE, #353A91CE, #464CA4CE, #575EB7CE and #6870CACE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1F2883CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1F2883CE shade: #1F2883CE, #0E1670CE, #00045DCE, #00004ACE and #000037CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1F2883CE shade: #1F2884, #311F84, #4C1F84, #681F84 and #831F84

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1F2883CE shade: #1F2884 and #1F1F84

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1F2883CE shade matches the following richer shades: #1F2884, #121D91 and #05129F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1F2883CE shade: #1F2884, #2C3377, #393E6A, #47495D and #54534F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1F2883CE shade: #1F5F84, #1F4484, #1F2984, #301F84 and #4B1F84

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1F2883CE shade: #0F1441, #171E63, #1F2884, #2732A6 and #2F3CC7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1F2883CE shade: #1F2883, #841F7A and #52841F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1F2883CE shade: #1F2883, #841F29 and #29841F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1F2883CE shade: #1F2883, #841F7A, #847A1F and #1F8429

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1F2883CE shade: #1F2883, #841F5C, #847A1F and #1F8447

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 56 / 0 / 39

HEX #1F2883CE

RGBA 31 40 131 0.81

HSLA 234.6, 0.62%, 0.32%, 0.81

LABA 21.75, 29.73, -52, 0.81

 

Complementary color

CMYK 0 / 3 / 36 / 10

HEX #E0D77CCE

RGBA 224 215 124 0.81

HSLA 54.6, 0.62%, 0.68%, 0.81

LABA 84.95, -9.37, 45.82, 0.81

 

CMYK 58 / 55 / 0 / 41

HEX #24287ECE

RGBA 36 40 126 0.81

HSLA 237.33, 0.56%, 0.32%, 0.81

LABA 21.58, 28.48, -49.13, 0.81

 

CMYK 51 / 49 / 0 / 35

HEX #353A91CE

RGBA 53 58 145 0.81

HSLA 236.74, 0.46%, 0.39%, 0.81

LABA 28.97, 26.11, -48.86, 0.81

 

CMYK 46 / 43 / 0 / 29

HEX #464CA4CE

RGBA 70 76 164 0.81

HSLA 236.17, 0.4%, 0.46%, 0.81

LABA 36.27, 24.19, -48.51, 0.81

 

CMYK 42 / 39 / 0 / 23

HEX #575EB7CE

RGBA 87 94 183 0.81

HSLA 235.63, 0.4%, 0.53%, 0.81

LABA 43.43, 22.63, -48.17, 0.81

 

CMYK 39 / 36 / 0 / 17

HEX #6870CACE

RGBA 104 112 202 0.81

HSLA 235.1, 0.48%, 0.6%, 0.81

LABA 50.45, 21.34, -47.87, 0.81

 

CMYK 62 / 56 / 0 / 39

HEX #1F2883CE

RGBA 31 40 131 0.81

HSLA 234.6, 0.62%, 0.32%, 0.81

LABA 21.75, 29.73, -52, 0.81

 

CMYK 71 / 65 / 0 / 45

HEX #0E1670CE

RGBA 14 22 112 0.81

HSLA 235.1, 0.78%, 0.25%, 0.81

LABA 14.61, 32.7, -51.67, 0.81

 

CMYK 81 / 78 / 0 / 51

HEX #00045DCE

RGBA 0 4 93 0.81

HSLA 237.42, 1%, 0.18%, 0.81

LABA 7.92, 35.36, -50.23, 0.81

 

CMYK 81 / 81 / 0 / 57

HEX #00004ACE

RGBA 0 0 74 0.81

HSLA 240, 1%, 0.15%, 0.81

LABA 4.47, 29.36, -42.91, 0.81

 

CMYK 81 / 81 / 0 / 64

HEX #000037CE

RGBA 0 0 55 0.81

HSLA 240, 1%, 0.11%, 0.81

LABA 2.49, 17.51, -32.5, 0.81

 

CMYK 77 / 70 / 0 / 48

HEX #1F2884

RGB 31 40 132

HSL 234.65, 0.62%, 0.32%

LAB 21.85, 30.1, -52.47

 

CMYK 63 / 77 / 0 / 48

HEX #311F84

RGB 49 31 132

HSL 250.69, 0.62%, 0.32%

LAB 21.2, 37.86, -53.49

 

CMYK 42 / 77 / 0 / 48

HEX #4C1F84

RGB 76 31 132

HSL 266.73, 0.62%, 0.32%

LAB 24.27, 42.18, -48.35

 

CMYK 21 / 77 / 0 / 48

HEX #681F84

RGB 104 31 132

HSL 283.37, 0.62%, 0.32%

LAB 28.35, 47.7, -41.53

 

CMYK 1 / 77 / 0 / 48

HEX #831F84

RGB 131 31 132

HSL 299.41, 0.62%, 0.32%

LAB 32.86, 53.56, -34.06

 

CMYK 77 / 70 / 0 / 48

HEX #1F2884

RGB 31 40 132

HSL 234.65, 0.62%, 0.32%

LAB 21.85, 30.1, -52.47

 

CMYK 77 / 77 / 0 / 48

HEX #1F1F84

RGB 31 31 132

HSL 240, 0.62%, 0.32%

LAB 19.79, 35.78, -55.87

 

CMYK 77 / 70 / 0 / 48

HEX #1F2884

RGB 31 40 132

HSL 234.65, 0.62%, 0.32%

LAB 21.85, 30.1, -52.47

 

CMYK 88 / 80 / 0 / 43

HEX #121D91

RGB 18 29 145

HSL 234.8, 0.78%, 0.32%

LAB 20.25, 40.6, -63.26

 

CMYK 97 / 89 / 0 / 38

HEX #05129F

RGB 5 18 159

HSL 234.94, 0.94%, 0.32%

LAB 19.92, 50.05, -72.46

 

CMYK 77 / 70 / 0 / 48

HEX #1F2884

RGB 31 40 132

HSL 234.65, 0.62%, 0.32%

LAB 21.85, 30.1, -52.47

 

CMYK 63 / 57 / 0 / 53

HEX #2C3377

RGB 44 51 119

HSL 234.4, 0.46%, 0.32%

LAB 24.43, 19.72, -40.01

 

CMYK 46 / 42 / 0 / 58

HEX #393E6A

RGB 57 62 106

HSL 233.88, 0.3%, 0.32%

LAB 27.73, 10.74, -26.4

 

CMYK 24 / 22 / 0 / 64

HEX #47495D

RGB 71 73 93

HSL 234.55, 0.13%, 0.32%

LAB 31.57, 4.12, -12.03

 

CMYK 0 / 1 / 6 / 67

HEX #54534F

RGB 84 83 79

HSL 48, 0.03%, 0.32%

LAB 35.27, -0.43, 2.48

 

CMYK 77 / 28 / 0 / 48

HEX #1F5F84

RGB 31 95 132

HSL 201.98, 0.62%, 0.32%

LAB 38.1, -6.78, -26.4

 

CMYK 77 / 48 / 0 / 48

HEX #1F4484

RGB 31 68 132

HSL 218.02, 0.62%, 0.32%

LAB 29.64, 10.8, -39.81

 

CMYK 77 / 69 / 0 / 48

HEX #1F2984

RGB 31 41 132

HSL 234.06, 0.62%, 0.32%

LAB 22.1, 29.44, -52.06

 

CMYK 64 / 77 / 0 / 48

HEX #301F84

RGB 48 31 132

HSL 250.1, 0.62%, 0.32%

LAB 21.11, 37.72, -53.65

 

CMYK 43 / 77 / 0 / 48

HEX #4B1F84

RGB 75 31 132

HSL 266.14, 0.62%, 0.32%

LAB 24.13, 42, -48.57

 

CMYK 77 / 69 / 0 / 75

HEX #0F1441

RGB 15 20 65

HSL 234, 0.63%, 0.16%

LAB 8.85, 15.48, -29.32

 

CMYK 77 / 70 / 0 / 61

HEX #171E63

RGB 23 30 99

HSL 234.47, 0.62%, 0.24%

LAB 15.55, 23.25, -41.58

 

CMYK 77 / 70 / 0 / 48

HEX #1F2884

RGB 31 40 132

HSL 234.65, 0.62%, 0.32%

LAB 21.85, 30.1, -52.47

 

CMYK 77 / 70 / 0 / 35

HEX #2732A6

RGB 39 50 166

HSL 234.8, 0.62%, 0.4%

LAB 28.02, 36.96, -63.24

 

CMYK 76 / 70 / 0 / 22

HEX #2F3CC7

RGB 47 60 199

HSL 234.87, 0.62%, 0.48%

LAB 33.9, 43.17, -73.13

 

CMYK 76 / 69 / 0 / 49

HEX #1F2883

RGB 31 40 131

HSL 234.6, 0.62%, 0.32%

LAB 21.75, 29.73, -52

 

CMYK 0 / 77 / 8 / 48

HEX #841F7A

RGB 132 31 122

HSL 305.94, 0.62%, 0.32%

LAB 32.46, 52.12, -28.42

 

CMYK 38 / 0 / 77 / 48

HEX #52841F

RGB 82 132 31

HSL 89.7, 0.62%, 0.32%

LAB 49.97, -33.68, 46.09

 

CMYK 76 / 69 / 0 / 49

HEX #1F2883

RGB 31 40 131

HSL 234.6, 0.62%, 0.32%

LAB 21.75, 29.73, -52

 

CMYK 0 / 77 / 69 / 48

HEX #841F29

RGB 132 31 41

HSL 354.06, 0.62%, 0.32%

LAB 29.53, 42.96, 20.06

 

CMYK 69 / 0 / 77 / 48

HEX #29841F

RGB 41 132 31

HSL 114.06, 0.62%, 0.32%

LAB 48.35, -46.05, 43.94

 

CMYK 76 / 69 / 0 / 49

HEX #1F2883

RGB 31 40 131

HSL 234.6, 0.62%, 0.32%

LAB 21.75, 29.73, -52

 

CMYK 0 / 77 / 8 / 48

HEX #841F7A

RGB 132 31 122

HSL 305.94, 0.62%, 0.32%

LAB 32.46, 52.12, -28.42

 

CMYK 0 / 8 / 77 / 48

HEX #847A1F

RGB 132 122 31

HSL 54.06, 0.62%, 0.32%

LAB 50.6, -6.89, 47.97

 

CMYK 77 / 0 / 69 / 48

HEX #1F8429

RGB 31 132 41

HSL 125.94, 0.62%, 0.32%

LAB 48.2, -47.02, 39.63

 

CMYK 76 / 69 / 0 / 49

HEX #1F2883

RGB 31 40 131

HSL 234.6, 0.62%, 0.32%

LAB 21.75, 29.73, -52

 

CMYK 0 / 77 / 30 / 48

HEX #841F5C

RGB 132 31 92

HSL 323.76, 0.62%, 0.32%

LAB 31.02, 47.74, -11.46

 

CMYK 0 / 8 / 77 / 48

HEX #847A1F

RGB 132 122 31

HSL 54.06, 0.62%, 0.32%

LAB 50.6, -6.89, 47.97

 

CMYK 77 / 0 / 46 / 48

HEX #1F8447

RGB 31 132 71

HSL 143.76, 0.62%, 0.32%

LAB 48.57, -42.65, 24.97

 

Description

Color code: HEX #1F2883CE | qconv.com Color code: HEX #1F2883CE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31 red, 40 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31 40 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, 56 magenta, none yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 56% 0% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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