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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1F0F1A it is the complementary color #E0F0E5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1F0F1A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1F0F1A shade: #240F15, #352128, #46333B, #57454E and #685761

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1F0F1A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1F0F1A shade: #1F0F1A, #0E0007 and #000000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1F0F1A shade: #1F0F1A, #1F0F16, #1F0F11 and #1F0F0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1F0F1A shade: #1F0F1A, #1F0F1E, #1B0F1F, #170F1F and #130F1F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1F0F1A shade matches the following richer shades: #1F0F1A, #230B1B, #26071D, #2A041E and #2E0020

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1F0F1A shade: #1F0F1A, #1B1319, #181617, #141A16 and #101E14

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1F0F1A shade: #1B0F1F, #1F0F1E, #1F0F1A, #1F0F16 and #1F0F12

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1F0F1A shade: #000000, #030203, #1F0F1A, #3B1C31 and #572A49

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1F0F1A shade: #1F0F1A, #1F170F and #0F1F1D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1F0F1A shade: #1F0F1A, #1A1F0F and #0F1A1F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1F0F1A shade: #1F0F1A, #1F170F, #0F1F14 and #0F171F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1F0F1A shade: #1F0F1A, #1F1C0F, #0F1F14 and #0F121F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 16 / 88

HEX #1F0F1A

RGB 31 15 26

HSL 318.75, 0.35%, 0.09%

LAB 6.39, 10.14, -4.17

 

Complementary color

CMYK 7 / 0 / 5 / 6

HEX #E0F0E5

RGB 224 240 229

HSL 138.75, 0.35%, 0.91%

LAB 93.37, -7.27, 3.49

 

CMYK 0 / 58 / 42 / 86

HEX #240F15

RGB 36 15 21

HSL 342.86, 0.41%, 0.1%

LAB 6.96, 11.8, 0.51

 

CMYK 0 / 38 / 25 / 79

HEX #352128

RGB 53 33 40

HSL 339, 0.23%, 0.17%

LAB 15.48, 10.92, -0.75

 

CMYK 0 / 27 / 16 / 73

HEX #46333B

RGB 70 51 59

HSL 334.74, 0.16%, 0.24%

LAB 23.62, 10.08, -1.69

 

CMYK 0 / 21 / 10 / 66

HEX #57454E

RGB 87 69 78

HSL 330, 0.12%, 0.31%

LAB 31.42, 9.42, -2.47

 

CMYK 0 / 16 / 7 / 59

HEX #685761

RGB 104 87 97

HSL 324.71, 0.09%, 0.37%

LAB 38.94, 8.88, -3.17

 

CMYK 0 / 52 / 16 / 88

HEX #1F0F1A

RGB 31 15 26

HSL 318.75, 0.35%, 0.09%

LAB 6.39, 10.14, -4.17

 

CMYK 0 / 100 / 50 / 95

HEX #0E0007

RGB 14 0 7

HSL 330, 1%, 0.03%

LAB 0.98, 4.76, -1.32

 

CMYK 0 / 52 / 16 / 88

HEX #1F0F1A

RGB 31 15 26

HSL 318.75, 0.35%, 0.09%

LAB 6.39, 10.14, -4.17

 

CMYK 0 / 52 / 29 / 88

HEX #1F0F16

RGB 31 15 22

HSL 333.75, 0.35%, 0.09%

LAB 6.24, 9.15, -1.34

 

CMYK 0 / 52 / 45 / 88

HEX #1F0F11

RGB 31 15 17

HSL 352.5, 0.35%, 0.09%

LAB 6.08, 8.07, 1.67

 

CMYK 0 / 52 / 52 / 88

HEX #1F0F0F

RGB 31 15 15

HSL 0, 0.35%, 0.09%

LAB 6.03, 7.69, 2.71

 

CMYK 0 / 52 / 16 / 88

HEX #1F0F1A

RGB 31 15 26

HSL 318.75, 0.35%, 0.09%

LAB 6.39, 10.14, -4.17

 

CMYK 0 / 52 / 3 / 88

HEX #1F0F1E

RGB 31 15 30

HSL 303.75, 0.35%, 0.09%

LAB 6.56, 11.2, -7.01

 

CMYK 13 / 52 / 0 / 88

HEX #1B0F1F

RGB 27 15 31

HSL 285, 0.35%, 0.09%

LAB 6.08, 9.41, -8.56

 

CMYK 26 / 52 / 0 / 88

HEX #170F1F

RGB 23 15 31

HSL 270, 0.35%, 0.09%

LAB 5.63, 7.36, -9.3

 

CMYK 39 / 52 / 0 / 88

HEX #130F1F

RGB 19 15 31

HSL 255, 0.35%, 0.09%

LAB 5.23, 5.59, -9.94

 

CMYK 0 / 52 / 16 / 88

HEX #1F0F1A

RGB 31 15 26

HSL 318.75, 0.35%, 0.09%

LAB 6.39, 10.14, -4.17

 

CMYK 0 / 69 / 23 / 86

HEX #230B1B

RGB 35 11 27

HSL 320, 0.52%, 0.09%

LAB 6.1, 14.67, -5.31

 

CMYK 0 / 82 / 24 / 85

HEX #26071D

RGB 38 7 29

HSL 317.42, 0.69%, 0.09%

LAB 5.9, 18.62, -7.13

 

CMYK 0 / 90 / 29 / 84

HEX #2A041E

RGB 42 4 30

HSL 318.95, 0.83%, 0.09%

LAB 6.08, 22.31, -7.57

 

CMYK 0 / 100 / 30 / 82

HEX #2E0020

RGB 46 0 32

HSL 318.26, 1%, 0.09%

LAB 6.19, 26.56, -8.88

 

CMYK 0 / 52 / 16 / 88

HEX #1F0F1A

RGB 31 15 26

HSL 318.75, 0.35%, 0.09%

LAB 6.39, 10.14, -4.17

 

CMYK 0 / 30 / 7 / 89

HEX #1B1319

RGB 27 19 25

HSL 315, 0.17%, 0.09%

LAB 6.95, 5.3, -2.64

 

CMYK 0 / 8 / 4 / 91

HEX #181617

RGB 24 22 23

HSL 330, 0.04%, 0.09%

LAB 7.5, 1.21, -0.34

 

CMYK 23 / 0 / 15 / 90

HEX #141A16

RGB 20 26 22

HSL 140, 0.13%, 0.09%

LAB 8.53, -3.88, 1.84

 

CMYK 47 / 0 / 33 / 88

HEX #101E14

RGB 16 30 20

HSL 137.14, 0.3%, 0.09%

LAB 9.71, -8.92, 4.88

 

CMYK 13 / 52 / 0 / 88

HEX #1B0F1F

RGB 27 15 31

HSL 285, 0.35%, 0.09%

LAB 6.08, 9.41, -8.56

 

CMYK 0 / 52 / 3 / 88

HEX #1F0F1E

RGB 31 15 30

HSL 303.75, 0.35%, 0.09%

LAB 6.56, 11.2, -7.01

 

CMYK 0 / 52 / 16 / 88

HEX #1F0F1A

RGB 31 15 26

HSL 318.75, 0.35%, 0.09%

LAB 6.39, 10.14, -4.17

 

CMYK 0 / 52 / 29 / 88

HEX #1F0F16

RGB 31 15 22

HSL 333.75, 0.35%, 0.09%

LAB 6.24, 9.15, -1.34

 

CMYK 0 / 52 / 42 / 88

HEX #1F0F12

RGB 31 15 18

HSL 348.75, 0.35%, 0.09%

LAB 6.11, 8.27, 1.12

 

CMYK 0 / 33 / 0 / 99

HEX #030203

RGB 3 2 3

HSL 300, 0.2%, 0.01%

LAB 0.63, 0.4, -0.29

 

CMYK 0 / 52 / 16 / 88

HEX #1F0F1A

RGB 31 15 26

HSL 318.75, 0.35%, 0.09%

LAB 6.39, 10.14, -4.17

 

CMYK 0 / 53 / 17 / 77

HEX #3B1C31

RGB 59 28 49

HSL 319.35, 0.36%, 0.17%

LAB 15.39, 18.62, -7.22

 

CMYK 0 / 52 / 16 / 66

HEX #572A49

RGB 87 42 73

HSL 318.67, 0.35%, 0.25%

LAB 24.2, 25.36, -10

 

CMYK 0 / 52 / 16 / 88

HEX #1F0F1A

RGB 31 15 26

HSL 318.75, 0.35%, 0.09%

LAB 6.39, 10.14, -4.17

 

CMYK 0 / 26 / 52 / 88

HEX #1F170F

RGB 31 23 15

HSL 30, 0.35%, 0.09%

LAB 8.47, 2.52, 6.27

 

CMYK 52 / 0 / 6 / 88

HEX #0F1F1D

RGB 15 31 29

HSL 172.5, 0.35%, 0.09%

LAB 10.34, -7.39, -0.77

 

CMYK 0 / 52 / 16 / 88

HEX #1F0F1A

RGB 31 15 26

HSL 318.75, 0.35%, 0.09%

LAB 6.39, 10.14, -4.17

 

CMYK 16 / 0 / 52 / 88

HEX #1A1F0F

RGB 26 31 15

HSL 78.75, 0.35%, 0.09%

LAB 10.81, -5.9, 9.52

 

CMYK 52 / 16 / 0 / 88

HEX #0F1A1F

RGB 15 26 31

HSL 198.75, 0.35%, 0.09%

LAB 8.47, -3.2, -5.04

 

CMYK 0 / 52 / 16 / 88

HEX #1F0F1A

RGB 31 15 26

HSL 318.75, 0.35%, 0.09%

LAB 6.39, 10.14, -4.17

 

CMYK 0 / 26 / 52 / 88

HEX #1F170F

RGB 31 23 15

HSL 30, 0.35%, 0.09%

LAB 8.47, 2.52, 6.27

 

CMYK 52 / 0 / 35 / 88

HEX #0F1F14

RGB 15 31 20

HSL 138.75, 0.35%, 0.09%

LAB 10.05, -9.99, 5.34

 

CMYK 52 / 26 / 0 / 88

HEX #0F171F

RGB 15 23 31

HSL 210, 0.35%, 0.09%

LAB 7.35, -0.91, -6.76

 

CMYK 0 / 52 / 16 / 88

HEX #1F0F1A

RGB 31 15 26

HSL 318.75, 0.35%, 0.09%

LAB 6.39, 10.14, -4.17

 

CMYK 0 / 10 / 52 / 88

HEX #1F1C0F

RGB 31 28 15

HSL 48.75, 0.35%, 0.09%

LAB 10.23, -1.12, 8.79

 

CMYK 52 / 0 / 35 / 88

HEX #0F1F14

RGB 15 31 20

HSL 138.75, 0.35%, 0.09%

LAB 10.05, -9.99, 5.34

 

CMYK 52 / 42 / 0 / 88

HEX #0F121F

RGB 15 18 31

HSL 228.75, 0.35%, 0.09%

LAB 5.72, 2.41, -9.23

 

Description

Color code: HEX #1F0F1A | qconv.com Color code: HEX #1F0F1A | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31 red, 15 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31 15 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 16 yellow and 88 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 16% 88% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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