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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1EE9DF it is the complementary color #E11620. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1EE9DF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1EE9DF shade: #23E9DA, #34FBED, #45FFFF, #56FFFF and #67FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1EE9DF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1EE9DF shade: #1EE9DF, #0DD7CC, #00C5B9, #00B3A6 and #00A193

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1EE9DF shade: #20E9DF, #20E9A9, #20E973, #20E93D and #3AE920

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1EE9DF shade: #20E9DF, #20BDE9, #2087E9, #2050E9 and #2020E9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1EE9DF shade matches the following richer shades: #20E9DF and #0CFDF1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1EE9DF shade: #20E9DF, #34D5CD, #48C1BB, #5CAEAA and #6F9A98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1EE9DF shade: #20E974, #20E9A9, #20E9DF, #20BDE9 and #2088E9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1EE9DF shade: #10A69F, #14CCC3, #20E9DF, #46EDE4 and #6BF0EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1EE9DF shade: #1EE9DF, #3E20E9 and #E98F20

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1EE9DF shade: #1EE9DF, #DF20E9 and #E9DF20

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1EE9DF shade: #1EE9DF, #3E20E9, #E9202A and #CBE920

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1EE9DF shade: #1EE9DF, #7B20E9, #E9202A and #8FE920

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 0 / 4 / 9

HEX #1EE9DF

RGB 30 233 223

HSL 177.04, 0.82%, 0.52%

LAB 83.9, -46.8, -8.13

 

Complementary color

CMYK 0 / 90 / 86 / 12

HEX #E11620

RGB 225 22 32

HSL 357.04, 0.82%, 0.48%

LAB 47.86, 71.11, 50.23

 

CMYK 85 / 0 / 6 / 9

HEX #23E9DA

RGB 35 233 218

HSL 175.45, 0.82%, 0.53%

LAB 83.81, -47.9, -5.63

 

CMYK 79 / 0 / 6 / 2

HEX #34FBED

RGB 52 251 237

HSL 175.78, 0.96%, 0.59%

LAB 89.78, -49.14, -6.73

 

CMYK 73 / 0 / 0 / 0

HEX #45FFFF

RGB 69 255 255

HSL 180, 1%, 0.64%

LAB 91.69, -44.34, -13.23

 

CMYK 66 / 0 / 0 / 0

HEX #56FFFF

RGB 86 255 255

HSL 180, 1%, 0.67%

LAB 92.01, -42.31, -12.72

 

CMYK 60 / 0 / 0 / 0

HEX #67FFFF

RGB 103 255 255

HSL 180, 1%, 0.7%

LAB 92.41, -39.79, -12.07

 

CMYK 87 / 0 / 4 / 9

HEX #1EE9DF

RGB 30 233 223

HSL 177.04, 0.82%, 0.52%

LAB 83.9, -46.8, -8.13

 

CMYK 94 / 0 / 5 / 16

HEX #0DD7CC

RGB 13 215 204

HSL 176.73, 0.89%, 0.45%

LAB 77.9, -45.13, -6.93

 

CMYK 100 / 0 / 6 / 23

HEX #00C5B9

RGB 0 197 185

HSL 176.35, 1%, 0.39%

LAB 71.85, -43.13, -5.63

 

CMYK 100 / 0 / 7 / 30

HEX #00B3A6

RGB 0 179 166

HSL 175.64, 1%, 0.35%

LAB 65.74, -40.75, -4.21

 

CMYK 100 / 0 / 9 / 37

HEX #00A193

RGB 0 161 147

HSL 174.78, 1%, 0.32%

LAB 59.52, -38.33, -2.73

 

CMYK 86 / 0 / 4 / 9

HEX #20E9DF

RGB 32 233 223

HSL 177.01, 0.82%, 0.52%

LAB 83.92, -46.69, -8.1

 

CMYK 86 / 0 / 27 / 9

HEX #20E9A9

RGB 32 233 169

HSL 160.9, 0.82%, 0.52%

LAB 82.62, -60.35, 18.4

 

CMYK 86 / 0 / 51 / 9

HEX #20E973

RGB 32 233 115

HSL 144.78, 0.82%, 0.52%

LAB 81.74, -70.49, 44.38

 

CMYK 86 / 0 / 74 / 9

HEX #20E93D

RGB 32 233 61

HSL 128.66, 0.82%, 0.52%

LAB 81.25, -76.57, 66.3

 

CMYK 75 / 0 / 86 / 9

HEX #3AE920

RGB 58 233 32

HSL 112.24, 0.82%, 0.52%

LAB 81.45, -75.32, 74.39

 

CMYK 86 / 0 / 4 / 9

HEX #20E9DF

RGB 32 233 223

HSL 177.01, 0.82%, 0.52%

LAB 83.92, -46.69, -8.1

 

CMYK 86 / 19 / 0 / 9

HEX #20BDE9

RGB 32 189 233

HSL 193.13, 0.82%, 0.52%

LAB 71.27, -22.98, -32.63

 

CMYK 86 / 42 / 0 / 9

HEX #2087E9

RGB 32 135 233

HSL 209.25, 0.82%, 0.52%

LAB 55.6, 7.26, -57.29

 

CMYK 86 / 66 / 0 / 9

HEX #2050E9

RGB 32 80 233

HSL 225.67, 0.82%, 0.52%

LAB 41.1, 41.92, -80.84

 

CMYK 86 / 86 / 0 / 9

HEX #2020E9

RGB 32 32 233

HSL 240, 0.82%, 0.52%

LAB 32.31, 66.81, -95.39

 

CMYK 86 / 0 / 4 / 9

HEX #20E9DF

RGB 32 233 223

HSL 177.01, 0.82%, 0.52%

LAB 83.92, -46.69, -8.1

 

CMYK 95 / 0 / 5 / 1

HEX #0CFDF1

RGB 12 253 241

HSL 177.01, 0.98%, 0.52%

LAB 90.17, -50.94, -8.27

 

CMYK 86 / 0 / 4 / 9

HEX #20E9DF

RGB 32 233 223

HSL 177.01, 0.82%, 0.52%

LAB 83.92, -46.69, -8.1

 

CMYK 76 / 0 / 4 / 16

HEX #34D5CD

RGB 52 213 205

HSL 177.02, 0.66%, 0.52%

LAB 77.71, -41.4, -7.71

 

CMYK 63 / 0 / 3 / 24

HEX #48C1BB

RGB 72 193 187

HSL 177.02, 0.49%, 0.52%

LAB 71.63, -34.6, -6.95

 

CMYK 47 / 0 / 2 / 32

HEX #5CAEAA

RGB 92 174 170

HSL 177.07, 0.34%, 0.52%

LAB 66.1, -25.98, -5.71

 

CMYK 28 / 0 / 1 / 40

HEX #6F9A98

RGB 111 154 152

HSL 177.21, 0.18%, 0.52%

LAB 60.57, -14.98, -3.68

 

CMYK 86 / 0 / 50 / 9

HEX #20E974

RGB 32 233 116

HSL 145.07, 0.82%, 0.52%

LAB 81.75, -70.33, 43.92

 

CMYK 86 / 0 / 27 / 9

HEX #20E9A9

RGB 32 233 169

HSL 160.9, 0.82%, 0.52%

LAB 82.62, -60.35, 18.4

 

CMYK 86 / 0 / 4 / 9

HEX #20E9DF

RGB 32 233 223

HSL 177.01, 0.82%, 0.52%

LAB 83.92, -46.69, -8.1

 

CMYK 86 / 19 / 0 / 9

HEX #20BDE9

RGB 32 189 233

HSL 193.13, 0.82%, 0.52%

LAB 71.27, -22.98, -32.63

 

CMYK 86 / 42 / 0 / 9

HEX #2088E9

RGB 32 136 233

HSL 208.96, 0.82%, 0.52%

LAB 55.89, 6.65, -56.84

 

CMYK 90 / 0 / 4 / 35

HEX #10A69F

RGB 16 166 159

HSL 177.2, 0.82%, 0.36%

LAB 61.56, -36.36, -6.49

 

CMYK 90 / 0 / 4 / 20

HEX #14CCC3

RGB 20 204 195

HSL 177.07, 0.82%, 0.44%

LAB 74.37, -42.64, -7.33

 

CMYK 86 / 0 / 4 / 9

HEX #20E9DF

RGB 32 233 223

HSL 177.01, 0.82%, 0.52%

LAB 83.92, -46.69, -8.1

 

CMYK 70 / 0 / 4 / 7

HEX #46EDE4

RGB 70 237 228

HSL 176.77, 0.82%, 0.6%

LAB 85.74, -43.68, -7.98

 

CMYK 55 / 0 / 3 / 6

HEX #6BF0EA

RGB 107 240 234

HSL 177.29, 0.82%, 0.68%

LAB 87.67, -37.73, -8.17

 

CMYK 87 / 0 / 4 / 9

HEX #1EE9DF

RGB 30 233 223

HSL 177.04, 0.82%, 0.52%

LAB 83.9, -46.8, -8.13

 

CMYK 73 / 86 / 0 / 9

HEX #3E20E9

RGB 62 32 233

HSL 248.96, 0.82%, 0.52%

LAB 33.86, 67.97, -92.77

 

CMYK 0 / 39 / 86 / 9

HEX #E98F20

RGB 233 143 32

HSL 33.13, 0.82%, 0.52%

LAB 67.33, 26.68, 66.65

 

CMYK 87 / 0 / 4 / 9

HEX #1EE9DF

RGB 30 233 223

HSL 177.04, 0.82%, 0.52%

LAB 83.9, -46.8, -8.13

 

CMYK 4 / 86 / 0 / 9

HEX #DF20E9

RGB 223 32 233

HSL 297.01, 0.82%, 0.52%

LAB 54.66, 87, -57.92

 

CMYK 0 / 4 / 86 / 9

HEX #E9DF20

RGB 233 223 32

HSL 57.01, 0.82%, 0.52%

LAB 87.1, -14.86, 82.56

 

CMYK 87 / 0 / 4 / 9

HEX #1EE9DF

RGB 30 233 223

HSL 177.04, 0.82%, 0.52%

LAB 83.9, -46.8, -8.13

 

CMYK 73 / 86 / 0 / 9

HEX #3E20E9

RGB 62 32 233

HSL 248.96, 0.82%, 0.52%

LAB 33.86, 67.97, -92.77

 

CMYK 0 / 86 / 82 / 9

HEX #E9202A

RGB 233 32 42

HSL 357.01, 0.82%, 0.52%

LAB 50.13, 71.78, 47.83

 

CMYK 13 / 0 / 86 / 9

HEX #CBE920

RGB 203 233 32

HSL 68.96, 0.82%, 0.52%

LAB 87.52, -32.03, 81.97

 

CMYK 87 / 0 / 4 / 9

HEX #1EE9DF

RGB 30 233 223

HSL 177.04, 0.82%, 0.52%

LAB 83.9, -46.8, -8.13

 

CMYK 47 / 86 / 0 / 9

HEX #7B20E9

RGB 123 32 233

HSL 267.16, 0.82%, 0.52%

LAB 39.79, 72.85, -82.76

 

CMYK 0 / 86 / 82 / 9

HEX #E9202A

RGB 233 32 42

HSL 357.01, 0.82%, 0.52%

LAB 50.13, 71.78, 47.83

 

CMYK 39 / 0 / 86 / 9

HEX #8FE920

RGB 143 233 32

HSL 86.87, 0.82%, 0.52%

LAB 84.08, -54.43, 77.7

 

Description

Color code: HEX #1EE9DF | qconv.com Color code: HEX #1EE9DF | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 30 red, 233 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
30 233 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, none magenta, 4 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 0% 4% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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