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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1EE144 it is the complementary color #E11EBB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1EE144. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1EE144 shade: #23E13F, #34F352, #45FF65, #56FF78 and #67FF8B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1EE144. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1EE144 shade: #1EE144, #0DCF31, #00BD1E, #00AB0B and #009900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1EE144 shade: #1FE044, #2DE01F, #61E01F, #96E01F and #CAE01F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1EE144 shade: #1FE044, #1FE079, #1FE0AD, #1FE0E0 and #1FABE0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1EE144 shade matches the following richer shades: #1FE044 and #0AF538

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1EE144 shade: #1FE044, #33CC51, #48B75E, #5CA36A and #718E77

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1EE144 shade: #62E01F, #2FE01F, #1FE042, #1FE076 and #1FE0A9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1EE144 shade: #15982E, #1ABC39, #1FE044, #43E563 and #67EA81

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1EE144 shade: #1EE144, #1F96E0 and #E01F49

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1EE144 shade: #1EE144, #421FE0 and #E0421F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1EE144 shade: #1EE144, #1F96E0, #E01FBD and #E0691F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1EE144 shade: #1EE144, #1F5CE0, #E01FBD and #E0A31F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 0 / 70 / 12

HEX #1EE144

RGB 30 225 68

HSL 131.69, 0.76%, 0.5%

LAB 78.78, -73.85, 61.29

 

Complementary color

CMYK 0 / 87 / 17 / 12

HEX #E11EBB

RGB 225 30 187

HSL 311.69, 0.76%, 0.5%

LAB 52.42, 81.27, -35.13

 

CMYK 84 / 0 / 72 / 12

HEX #23E13F

RGB 35 225 63

HSL 128.84, 0.76%, 0.51%

LAB 78.79, -73.86, 63.14

 

CMYK 79 / 0 / 66 / 5

HEX #34F352

RGB 52 243 82

HSL 129.42, 0.89%, 0.58%

LAB 84.71, -75.75, 62.33

 

CMYK 73 / 0 / 60 / 0

HEX #45FF65

RGB 69 255 101

HSL 130.32, 1%, 0.64%

LAB 88.79, -75.25, 59.19

 

CMYK 66 / 0 / 53 / 0

HEX #56FF78

RGB 86 255 120

HSL 132.07, 1%, 0.67%

LAB 89.32, -70.19, 51.52

 

CMYK 60 / 0 / 45 / 0

HEX #67FF8B

RGB 103 255 139

HSL 134.21, 1%, 0.7%

LAB 89.98, -64.22, 43.52

 

CMYK 87 / 0 / 70 / 12

HEX #1EE144

RGB 30 225 68

HSL 131.69, 0.76%, 0.5%

LAB 78.78, -73.85, 61.29

 

CMYK 94 / 0 / 76 / 19

HEX #0DCF31

RGB 13 207 49

HSL 131.13, 0.88%, 0.43%

LAB 72.85, -71.24, 61.87

 

CMYK 100 / 0 / 84 / 26

HEX #00BD1E

RGB 0 189 30

HSL 129.52, 1%, 0.37%

LAB 66.89, -67.88, 61.67

 

CMYK 100 / 0 / 94 / 33

HEX #00AB0B

RGB 0 171 11

HSL 123.86, 1%, 0.34%

LAB 60.91, -63.6, 60.18

 

CMYK 100 / 0 / 100 / 40

HEX #009900

RGB 0 153 0

HSL 120, 1%, 0.3%

LAB 54.85, -58.86, 56.81

 

CMYK 86 / 0 / 70 / 12

HEX #1FE044

RGB 31 224 68

HSL 131.5, 0.76%, 0.5%

LAB 78.47, -73.48, 60.97

 

CMYK 80 / 0 / 86 / 12

HEX #2DE01F

RGB 45 224 31

HSL 115.65, 0.76%, 0.5%

LAB 78.44, -74.45, 71.89

 

CMYK 57 / 0 / 86 / 12

HEX #61E01F

RGB 97 224 31

HSL 99.48, 0.76%, 0.5%

LAB 79.59, -64.78, 73.33

 

CMYK 33 / 0 / 86 / 12

HEX #96E01F

RGB 150 224 31

HSL 83.01, 0.76%, 0.5%

LAB 81.78, -48.4, 76.08

 

CMYK 10 / 0 / 86 / 12

HEX #CAE01F

RGB 202 224 31

HSL 66.84, 0.76%, 0.5%

LAB 84.98, -28.27, 80.04

 

CMYK 86 / 0 / 70 / 12

HEX #1FE044

RGB 31 224 68

HSL 131.5, 0.76%, 0.5%

LAB 78.47, -73.48, 60.97

 

CMYK 86 / 0 / 46 / 12

HEX #1FE079

RGB 31 224 121

HSL 147.98, 0.76%, 0.5%

LAB 79.03, -66.66, 38.06

 

CMYK 86 / 0 / 23 / 12

HEX #1FE0AD

RGB 31 224 173

HSL 164.15, 0.76%, 0.5%

LAB 79.97, -56.07, 12.58

 

CMYK 86 / 0 / 0 / 12

HEX #1FE0E0

RGB 31 224 224

HSL 180, 0.76%, 0.5%

LAB 81.28, -42.53, -12.56

 

CMYK 86 / 24 / 0 / 12

HEX #1FABE0

RGB 31 171 224

HSL 196.48, 0.76%, 0.5%

LAB 65.59, -16.7, -36.53

 

CMYK 86 / 0 / 70 / 12

HEX #1FE044

RGB 31 224 68

HSL 131.5, 0.76%, 0.5%

LAB 78.47, -73.48, 60.97

 

CMYK 96 / 0 / 77 / 4

HEX #0AF538

RGB 10 245 56

HSL 131.74, 0.92%, 0.5%

LAB 84.82, -81.41, 71.35

 

CMYK 86 / 0 / 70 / 12

HEX #1FE044

RGB 31 224 68

HSL 131.5, 0.76%, 0.5%

LAB 78.47, -73.48, 60.97

 

CMYK 75 / 0 / 60 / 20

HEX #33CC51

RGB 51 204 81

HSL 131.76, 0.6%, 0.5%

LAB 72.55, -63.72, 49.19

 

CMYK 61 / 0 / 49 / 28

HEX #48B75E

RGB 72 183 94

HSL 131.89, 0.44%, 0.5%

LAB 66.56, -50.62, 35.91

 

CMYK 44 / 0 / 35 / 36

HEX #5CA36A

RGB 92 163 106

HSL 131.83, 0.28%, 0.5%

LAB 61.23, -34.93, 22.84

 

CMYK 20 / 0 / 16 / 44

HEX #718E77

RGB 113 142 119

HSL 132.41, 0.11%, 0.5%

LAB 56.28, -15.07, 8.92

 

CMYK 56 / 0 / 86 / 12

HEX #62E01F

RGB 98 224 31

HSL 99.17, 0.76%, 0.5%

LAB 79.62, -64.53, 73.37

 

CMYK 79 / 0 / 86 / 12

HEX #2FE01F

RGB 47 224 31

HSL 115.03, 0.76%, 0.5%

LAB 78.47, -74.21, 71.92

 

CMYK 86 / 0 / 71 / 12

HEX #1FE042

RGB 31 224 66

HSL 130.88, 0.76%, 0.5%

LAB 78.46, -73.65, 61.7

 

CMYK 86 / 0 / 47 / 12

HEX #1FE076

RGB 31 224 118

HSL 147.05, 0.76%, 0.5%

LAB 78.99, -67.16, 39.49

 

CMYK 86 / 0 / 25 / 12

HEX #1FE0A9

RGB 31 224 169

HSL 162.9, 0.76%, 0.5%

LAB 79.88, -57.01, 14.56

 

CMYK 86 / 0 / 70 / 40

HEX #15982E

RGB 21 152 46

HSL 131.45, 0.76%, 0.34%

LAB 54.88, -54.47, 44.63

 

CMYK 86 / 0 / 70 / 26

HEX #1ABC39

RGB 26 188 57

HSL 131.48, 0.76%, 0.42%

LAB 66.89, -64.16, 52.96

 

CMYK 86 / 0 / 70 / 12

HEX #1FE044

RGB 31 224 68

HSL 131.5, 0.76%, 0.5%

LAB 78.47, -73.48, 60.97

 

CMYK 71 / 0 / 57 / 10

HEX #43E563

RGB 67 229 99

HSL 131.85, 0.76%, 0.58%

LAB 80.81, -67.35, 50.8

 

CMYK 56 / 0 / 45 / 8

HEX #67EA81

RGB 103 234 129

HSL 131.91, 0.76%, 0.66%

LAB 83.61, -57.86, 40.26

 

CMYK 87 / 0 / 70 / 12

HEX #1EE144

RGB 30 225 68

HSL 131.69, 0.76%, 0.5%

LAB 78.78, -73.85, 61.29

 

CMYK 86 / 33 / 0 / 12

HEX #1F96E0

RGB 31 150 224

HSL 203.01, 0.76%, 0.5%

LAB 59.42, -5.05, -46.21

 

CMYK 0 / 86 / 67 / 12

HEX #E01F49

RGB 224 31 73

HSL 346.94, 0.76%, 0.5%

LAB 48.65, 70.75, 27.92

 

CMYK 87 / 0 / 70 / 12

HEX #1EE144

RGB 30 225 68

HSL 131.69, 0.76%, 0.5%

LAB 78.78, -73.85, 61.29

 

CMYK 71 / 86 / 0 / 12

HEX #421FE0

RGB 66 31 224

HSL 250.88, 0.76%, 0.5%

LAB 32.96, 66.13, -89.11

 

CMYK 0 / 71 / 86 / 12

HEX #E0421F

RGB 224 66 31

HSL 10.88, 0.76%, 0.5%

LAB 51.66, 59.56, 53.73

 

CMYK 87 / 0 / 70 / 12

HEX #1EE144

RGB 30 225 68

HSL 131.69, 0.76%, 0.5%

LAB 78.78, -73.85, 61.29

 

CMYK 86 / 33 / 0 / 12

HEX #1F96E0

RGB 31 150 224

HSL 203.01, 0.76%, 0.5%

LAB 59.42, -5.05, -46.21

 

CMYK 0 / 86 / 16 / 12

HEX #E01FBD

RGB 224 31 189

HSL 310.88, 0.76%, 0.5%

LAB 52.4, 81.16, -36.34

 

CMYK 0 / 53 / 86 / 12

HEX #E0691F

RGB 224 105 31

HSL 23.01, 0.76%, 0.5%

LAB 58.08, 42.57, 58.97

 

CMYK 87 / 0 / 70 / 12

HEX #1EE144

RGB 30 225 68

HSL 131.69, 0.76%, 0.5%

LAB 78.78, -73.85, 61.29

 

CMYK 86 / 59 / 0 / 12

HEX #1F5CE0

RGB 31 92 224

HSL 221.04, 0.76%, 0.5%

LAB 43.25, 30.92, -72.21

 

CMYK 0 / 86 / 16 / 12

HEX #E01FBD

RGB 224 31 189

HSL 310.88, 0.76%, 0.5%

LAB 52.4, 81.16, -36.34

 

CMYK 0 / 27 / 86 / 12

HEX #E0A31F

RGB 224 163 31

HSL 41.04, 0.76%, 0.5%

LAB 70.97, 12.18, 69.42

 

Description

Color code: HEX #1EE144 | qconv.com Color code: HEX #1EE144 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 30 red, 225 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
30 225 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, none magenta, 70 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 0% 70% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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