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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1EDF0D it is the complementary color #E120F2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1EDF0D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1EDF0D shade: #23DF08, #34F11B, #45FF2E, #56FF41 and #67FF54

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1EDF0D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1EDF0D shade: #1EDF0D, #0DCD00, #00BB00, #00A900 and #009700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1EDF0D shade: #1EDE0D, #56DE0D, #8EDE0D, #C7DE0D and #DEBC0D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1EDF0D shade: #1EDE0D, #0DDE34, #0DDE6D, #0DDEA5 and #0DDEDD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1EDF0D shade matches the following richer shades: #1EDE0D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1EDF0D shade: #1EDE0D, #2ECB20, #3EB833, #4EA546 and #5D9259

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1EDF0D shade: #8EDE0D, #56DE0D, #1EDE0D, #0DDE33 and #0DDE6B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1EDF0D shade: #139008, #19B70B, #1EDE0D, #33F222 and #57F449

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1EDF0D shade: #1EDF0D, #0DC5DE and #DE0D72

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1EDF0D shade: #1EDF0D, #0D1EDE and #DE0D1E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1EDF0D shade: #1EDF0D, #0DC5DE, #CC0DDE and #DE250D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1EDF0D shade: #1EDF0D, #0D87DE, #CC0DDE and #DE640D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 0 / 94 / 13

HEX #1EDF0D

RGB 30 223 13

HSL 115.14, 0.89%, 0.46%

LAB 77.92, -76.17, 74.16

 

Complementary color

CMYK 7 / 87 / 0 / 5

HEX #E120F2

RGB 225 32 242

HSL 295.14, 0.89%, 0.54%

LAB 55.53, 88.71, -61.56

 

CMYK 84 / 0 / 96 / 13

HEX #23DF08

RGB 35 223 8

HSL 112.47, 0.93%, 0.45%

LAB 77.96, -75.83, 74.69

 

CMYK 78 / 0 / 89 / 5

HEX #34F11B

RGB 52 241 27

HSL 112.99, 0.88%, 0.53%

LAB 83.82, -78.59, 77.31

 

CMYK 73 / 0 / 82 / 0

HEX #45FF2E

RGB 69 255 46

HSL 113.4, 1%, 0.59%

LAB 88.44, -79.56, 77.63

 

CMYK 66 / 0 / 75 / 0

HEX #56FF41

RGB 86 255 65

HSL 113.37, 1%, 0.63%

LAB 88.87, -75.6, 72.85

 

CMYK 60 / 0 / 67 / 0

HEX #67FF54

RGB 103 255 84

HSL 113.33, 1%, 0.66%

LAB 89.41, -70.67, 66.92

 

CMYK 87 / 0 / 94 / 13

HEX #1EDF0D

RGB 30 223 13

HSL 115.14, 0.89%, 0.46%

LAB 77.92, -76.17, 74.16

 

CMYK 94 / 0 / 100 / 20

HEX #0DCD00

RGB 13 205 0

HSL 116.2, 1%, 0.4%

LAB 72.06, -72.59, 70.63

 

CMYK 100 / 0 / 100 / 27

HEX #00BB00

RGB 0 187 0

HSL 120, 1%, 0.37%

LAB 66.17, -68.26, 65.89

 

CMYK 100 / 0 / 100 / 34

HEX #00A900

RGB 0 169 0

HSL 120, 1%, 0.33%

LAB 60.23, -63.33, 61.12

 

CMYK 100 / 0 / 100 / 41

HEX #009700

RGB 0 151 0

HSL 120, 1%, 0.3%

LAB 54.17, -58.3, 56.26

 

CMYK 86 / 0 / 94 / 13

HEX #1EDE0D

RGB 30 222 13

HSL 115.12, 0.89%, 0.46%

LAB 77.61, -75.9, 73.9

 

CMYK 61 / 0 / 94 / 13

HEX #56DE0D

RGB 86 222 13

HSL 99.04, 0.89%, 0.46%

LAB 78.61, -67.24, 75.13

 

CMYK 36 / 0 / 94 / 13

HEX #8EDE0D

RGB 142 222 13

HSL 82.97, 0.89%, 0.46%

LAB 80.75, -50.8, 77.76

 

CMYK 10 / 0 / 94 / 13

HEX #C7DE0D

RGB 199 222 13

HSL 66.6, 0.89%, 0.46%

LAB 84.18, -28.87, 81.92

 

CMYK 0 / 15 / 94 / 13

HEX #DEBC0D

RGB 222 188 13

HSL 50.24, 0.89%, 0.46%

LAB 77, -2.18, 77.32

 

CMYK 86 / 0 / 94 / 13

HEX #1EDE0D

RGB 30 222 13

HSL 115.12, 0.89%, 0.46%

LAB 77.61, -75.9, 73.9

 

CMYK 94 / 0 / 77 / 13

HEX #0DDE34

RGB 13 222 52

HSL 131.2, 0.89%, 0.46%

LAB 77.62, -75.25, 65.59

 

CMYK 94 / 0 / 51 / 13

HEX #0DDE6D

RGB 13 222 109

HSL 147.56, 0.89%, 0.46%

LAB 78.13, -68.94, 42.75

 

CMYK 94 / 0 / 26 / 13

HEX #0DDEA5

RGB 13 222 165

HSL 163.64, 0.89%, 0.46%

LAB 79.07, -58.07, 15.51

 

CMYK 94 / 0 / 0 / 13

HEX #0DDEDD

RGB 13 222 221

HSL 179.71, 0.89%, 0.46%

LAB 80.49, -43.28, -12.17

 

CMYK 86 / 0 / 94 / 13

HEX #1EDE0D

RGB 30 222 13

HSL 115.12, 0.89%, 0.46%

LAB 77.61, -75.9, 73.9

 

CMYK 86 / 0 / 94 / 13

HEX #1EDE0D

RGB 30 222 13

HSL 115.12, 0.89%, 0.46%

LAB 77.61, -75.9, 73.9

 

CMYK 77 / 0 / 84 / 20

HEX #2ECB20

RGB 46 203 32

HSL 115.09, 0.73%, 0.46%

LAB 71.82, -68.14, 65.79

 

CMYK 66 / 0 / 72 / 28

HEX #3EB833

RGB 62 184 51

HSL 115.04, 0.57%, 0.46%

LAB 66.17, -58.16, 54.7

 

CMYK 53 / 0 / 58 / 35

HEX #4EA546

RGB 78 165 70

HSL 114.95, 0.4%, 0.46%

LAB 60.76, -45.31, 40.76

 

CMYK 36 / 0 / 39 / 43

HEX #5D9259

RGB 93 146 89

HSL 115.79, 0.24%, 0.46%

LAB 55.69, -29.55, 24.79

 

CMYK 36 / 0 / 94 / 13

HEX #8EDE0D

RGB 142 222 13

HSL 82.97, 0.89%, 0.46%

LAB 80.75, -50.8, 77.76

 

CMYK 61 / 0 / 94 / 13

HEX #56DE0D

RGB 86 222 13

HSL 99.04, 0.89%, 0.46%

LAB 78.61, -67.24, 75.13

 

CMYK 86 / 0 / 94 / 13

HEX #1EDE0D

RGB 30 222 13

HSL 115.12, 0.89%, 0.46%

LAB 77.61, -75.9, 73.9

 

CMYK 94 / 0 / 77 / 13

HEX #0DDE33

RGB 13 222 51

HSL 130.91, 0.89%, 0.46%

LAB 77.62, -75.31, 65.89

 

CMYK 94 / 0 / 52 / 13

HEX #0DDE6B

RGB 13 222 107

HSL 146.99, 0.89%, 0.46%

LAB 78.1, -69.24, 43.68

 

CMYK 87 / 0 / 94 / 44

HEX #139008

RGB 19 144 8

HSL 115.15, 0.89%, 0.3%

LAB 51.95, -54.63, 53.16

 

CMYK 86 / 0 / 94 / 28

HEX #19B70B

RGB 25 183 11

HSL 115.12, 0.89%, 0.38%

LAB 65.04, -65.43, 63.7

 

CMYK 86 / 0 / 94 / 13

HEX #1EDE0D

RGB 30 222 13

HSL 115.12, 0.89%, 0.46%

LAB 77.61, -75.9, 73.9

 

CMYK 79 / 0 / 86 / 5

HEX #33F222

RGB 51 242 34

HSL 115.1, 0.89%, 0.54%

LAB 84.13, -78.75, 76.31

 

CMYK 64 / 0 / 70 / 4

HEX #57F449

RGB 87 244 73

HSL 115.09, 0.89%, 0.62%

LAB 85.61, -71.3, 66.86

 

CMYK 87 / 0 / 94 / 13

HEX #1EDF0D

RGB 30 223 13

HSL 115.14, 0.89%, 0.46%

LAB 77.92, -76.17, 74.16

 

CMYK 94 / 11 / 0 / 13

HEX #0DC5DE

RGB 13 197 222

HSL 187.18, 0.89%, 0.46%

LAB 73.08, -31.44, -23.89

 

CMYK 0 / 94 / 49 / 13

HEX #DE0D72

RGB 222 13 114

HSL 331, 0.89%, 0.46%

LAB 48.3, 75.34, 2.22

 

CMYK 87 / 0 / 94 / 13

HEX #1EDF0D

RGB 30 223 13

HSL 115.14, 0.89%, 0.46%

LAB 77.92, -76.17, 74.16

 

CMYK 94 / 86 / 0 / 13

HEX #0D1EDE

RGB 13 30 222

HSL 235.12, 0.89%, 0.46%

LAB 30.13, 64.06, -92.75

 

CMYK 0 / 94 / 86 / 13

HEX #DE0D1E

RGB 222 13 30

HSL 355.12, 0.89%, 0.46%

LAB 46.86, 71.38, 50.11

 

CMYK 87 / 0 / 94 / 13

HEX #1EDF0D

RGB 30 223 13

HSL 115.14, 0.89%, 0.46%

LAB 77.92, -76.17, 74.16

 

CMYK 94 / 11 / 0 / 13

HEX #0DC5DE

RGB 13 197 222

HSL 187.18, 0.89%, 0.46%

LAB 73.08, -31.44, -23.89

 

CMYK 8 / 94 / 0 / 13

HEX #CC0DDE

RGB 204 13 222

HSL 294.83, 0.89%, 0.46%

LAB 49.98, 84.7, -59.39

 

CMYK 0 / 83 / 94 / 13

HEX #DE250D

RGB 222 37 13

HSL 6.89, 0.89%, 0.46%

LAB 48.11, 67.31, 57.65

 

CMYK 87 / 0 / 94 / 13

HEX #1EDF0D

RGB 30 223 13

HSL 115.14, 0.89%, 0.46%

LAB 77.92, -76.17, 74.16

 

CMYK 94 / 39 / 0 / 13

HEX #0D87DE

RGB 13 135 222

HSL 204.98, 0.89%, 0.46%

LAB 54.75, 2.11, -52.52

 

CMYK 8 / 94 / 0 / 13

HEX #CC0DDE

RGB 204 13 222

HSL 294.83, 0.89%, 0.46%

LAB 49.98, 84.7, -59.39

 

CMYK 0 / 55 / 94 / 13

HEX #DE640D

RGB 222 100 13

HSL 24.98, 0.89%, 0.46%

LAB 56.76, 43.94, 63.01

 

Description

Color code: HEX #1EDF0D | qconv.com Color code: HEX #1EDF0D | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 30 red, 223 green and 13 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
30 223 13 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, none magenta, 94 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 0% 94% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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