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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1EDDC5 it is the complementary color #E1223A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1EDDC5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1EDDC5 shade: #23DDC0, #34EFD3, #45FFE6, #56FFF9 and #67FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1EDDC5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1EDDC5 shade: #1EDDC5, #0DCBB2, #00B99F, #00A78C and #009579

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1EDDC5 shade: #1EDCC4, #1EDC91, #1EDC5E, #1EDC2A and #45DC1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1EDDC5 shade: #1EDCC4, #1EC1DC, #1E8DDC, #1E5ADC and #1E27DC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1EDDC5 shade matches the following richer shades: #1EDCC4 and #0AF0D3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1EDDC5 shade: #1EDCC4, #32C8B5, #46B3A6, #5B9F97 and #6F8B88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1EDDC5 shade: #1EDC5D, #1EDC90, #1EDCC3, #1EC3DC and #1E90DC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1EDDC5 shade: #149383, #19B8A4, #1EDCC4, #3EE5D0 and #63EAD9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1EDDC5 shade: #1EDDC5, #2B1EDC and #DC771E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1EDDC5 shade: #1EDDC5, #C31EDC and #DCC31E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1EDDC5 shade: #1EDDC5, #2B1EDC, #DC1E37 and #CFDC1E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1EDDC5 shade: #1EDDC5, #641EDC, #DC1E37 and #96DC1E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 0 / 11 / 13

HEX #1EDDC5

RGB 30 221 197

HSL 172.46, 0.76%, 0.49%

LAB 79.63, -48.85, -0.64

 

Complementary color

CMYK 0 / 85 / 74 / 12

HEX #E1223A

RGB 225 34 58

HSL 352.46, 0.76%, 0.51%

LAB 48.83, 69.79, 37.11

 

CMYK 84 / 0 / 13 / 13

HEX #23DDC0

RGB 35 221 192

HSL 170.65, 0.73%, 0.5%

LAB 79.54, -49.85, 1.9

 

CMYK 78 / 0 / 12 / 6

HEX #34EFD3

RGB 52 239 211

HSL 171.02, 0.85%, 0.57%

LAB 85.59, -50.97, 0.69

 

CMYK 73 / 0 / 10 / 0

HEX #45FFE6

RGB 69 255 230

HSL 171.94, 1%, 0.64%

LAB 91.01, -51, -1.27

 

CMYK 66 / 0 / 2 / 0

HEX #56FFF9

RGB 86 255 249

HSL 177.87, 1%, 0.67%

LAB 91.84, -43.91, -9.86

 

CMYK 60 / 0 / 0 / 0

HEX #67FFFF

RGB 103 255 255

HSL 180, 1%, 0.7%

LAB 92.41, -39.79, -12.07

 

CMYK 86 / 0 / 11 / 13

HEX #1EDDC5

RGB 30 221 197

HSL 172.46, 0.76%, 0.49%

LAB 79.63, -48.85, -0.64

 

CMYK 94 / 0 / 12 / 20

HEX #0DCBB2

RGB 13 203 178

HSL 172.11, 0.88%, 0.42%

LAB 73.55, -47.25, 0.68

 

CMYK 100 / 0 / 14 / 27

HEX #00B99F

RGB 0 185 159

HSL 171.57, 1%, 0.36%

LAB 67.43, -45.31, 2.12

 

CMYK 100 / 0 / 16 / 35

HEX #00A78C

RGB 0 167 140

HSL 170.3, 1%, 0.33%

LAB 61.25, -42.92, 3.72

 

CMYK 100 / 0 / 19 / 42

HEX #009579

RGB 0 149 121

HSL 168.72, 1%, 0.29%

LAB 54.94, -40.49, 5.39

 

CMYK 86 / 0 / 11 / 14

HEX #1EDCC4

RGB 30 220 196

HSL 172.42, 0.76%, 0.49%

LAB 79.3, -48.7, -0.59

 

CMYK 86 / 0 / 34 / 14

HEX #1EDC91

RGB 30 220 145

HSL 156.32, 0.76%, 0.49%

LAB 78.17, -60.86, 24.75

 

CMYK 86 / 0 / 57 / 14

HEX #1EDC5E

RGB 30 220 94

HSL 140.21, 0.76%, 0.49%

LAB 77.44, -69.49, 48.96

 

CMYK 86 / 0 / 81 / 14

HEX #1EDC2A

RGB 30 220 42

HSL 123.79, 0.76%, 0.49%

LAB 77.06, -74.28, 67.99

 

CMYK 69 / 0 / 86 / 14

HEX #45DC1E

RGB 69 220 30

HSL 107.68, 0.76%, 0.49%

LAB 77.61, -69.67, 71.52

 

CMYK 86 / 0 / 11 / 14

HEX #1EDCC4

RGB 30 220 196

HSL 172.42, 0.76%, 0.49%

LAB 79.3, -48.7, -0.59

 

CMYK 86 / 12 / 0 / 14

HEX #1EC1DC

RGB 30 193 220

HSL 188.53, 0.76%, 0.49%

LAB 71.95, -29.37, -24.53

 

CMYK 86 / 36 / 0 / 14

HEX #1E8DDC

RGB 30 141 220

HSL 204.95, 0.76%, 0.49%

LAB 56.58, -1.36, -48.48

 

CMYK 86 / 59 / 0 / 14

HEX #1E5ADC

RGB 30 90 220

HSL 221.05, 0.76%, 0.49%

LAB 42.39, 30.63, -71.34

 

CMYK 86 / 82 / 0 / 14

HEX #1E27DC

RGB 30 39 220

HSL 237.16, 0.76%, 0.49%

LAB 31.57, 60.16, -89.19

 

CMYK 86 / 0 / 11 / 14

HEX #1EDCC4

RGB 30 220 196

HSL 172.42, 0.76%, 0.49%

LAB 79.3, -48.7, -0.59

 

CMYK 96 / 0 / 12 / 6

HEX #0AF0D3

RGB 10 240 211

HSL 172.43, 0.92%, 0.49%

LAB 85.55, -53.74, 0.59

 

CMYK 86 / 0 / 11 / 14

HEX #1EDCC4

RGB 30 220 196

HSL 172.42, 0.76%, 0.49%

LAB 79.3, -48.7, -0.59

 

CMYK 75 / 0 / 10 / 22

HEX #32C8B5

RGB 50 200 181

HSL 172.4, 0.6%, 0.49%

LAB 73.1, -42.47, -1.56

 

CMYK 61 / 0 / 7 / 30

HEX #46B3A6

RGB 70 179 166

HSL 172.84, 0.44%, 0.49%

LAB 66.75, -34.06, -2.62

 

CMYK 43 / 0 / 5 / 38

HEX #5B9F97

RGB 91 159 151

HSL 172.94, 0.27%, 0.49%

LAB 61.01, -23.54, -2.58

 

CMYK 20 / 0 / 2 / 45

HEX #6F8B88

RGB 111 139 136

HSL 173.57, 0.11%, 0.49%

LAB 55.71, -10.54, -1.68

 

CMYK 86 / 0 / 58 / 14

HEX #1EDC5D

RGB 30 220 93

HSL 139.89, 0.76%, 0.49%

LAB 77.43, -69.62, 49.4

 

CMYK 86 / 0 / 35 / 14

HEX #1EDC90

RGB 30 220 144

HSL 156, 0.76%, 0.49%

LAB 78.16, -61.07, 25.25

 

CMYK 86 / 0 / 11 / 14

HEX #1EDCC3

RGB 30 220 195

HSL 172.11, 0.76%, 0.49%

LAB 79.27, -48.96, -0.09

 

CMYK 86 / 11 / 0 / 14

HEX #1EC3DC

RGB 30 195 220

HSL 187.89, 0.76%, 0.49%

LAB 72.54, -30.34, -23.62

 

CMYK 86 / 35 / 0 / 14

HEX #1E90DC

RGB 30 144 220

HSL 204, 0.76%, 0.49%

LAB 57.45, -3.12, -47.09

 

CMYK 86 / 0 / 11 / 42

HEX #149383

RGB 20 147 131

HSL 172.44, 0.76%, 0.33%

LAB 54.72, -35.7, -0.65

 

CMYK 86 / 0 / 11 / 28

HEX #19B8A4

RGB 25 184 164

HSL 172.45, 0.76%, 0.41%

LAB 67.4, -42.41, -0.65

 

CMYK 86 / 0 / 11 / 14

HEX #1EDCC4

RGB 30 220 196

HSL 172.42, 0.76%, 0.49%

LAB 79.3, -48.7, -0.59

 

CMYK 73 / 0 / 9 / 10

HEX #3EE5D0

RGB 62 229 208

HSL 172.46, 0.76%, 0.57%

LAB 82.71, -46.48, -1.92

 

CMYK 58 / 0 / 7 / 8

HEX #63EAD9

RGB 99 234 217

HSL 172.44, 0.76%, 0.65%

LAB 85.25, -40.8, -2.83

 

CMYK 86 / 0 / 11 / 13

HEX #1EDDC5

RGB 30 221 197

HSL 172.46, 0.76%, 0.49%

LAB 79.63, -48.85, -0.64

 

CMYK 80 / 86 / 0 / 14

HEX #2B1EDC

RGB 43 30 220

HSL 244.11, 0.76%, 0.49%

LAB 30.9, 64.26, -90.28

 

CMYK 0 / 46 / 86 / 14

HEX #DC771E

RGB 220 119 30

HSL 28.11, 0.76%, 0.49%

LAB 60.34, 33.87, 60.9

 

CMYK 86 / 0 / 11 / 13

HEX #1EDDC5

RGB 30 221 197

HSL 172.46, 0.76%, 0.49%

LAB 79.63, -48.85, -0.64

 

CMYK 11 / 86 / 0 / 14

HEX #C31EDC

RGB 195 30 220

HSL 292.11, 0.76%, 0.49%

LAB 49.13, 80.67, -59.69

 

CMYK 0 / 11 / 86 / 14

HEX #DCC31E

RGB 220 195 30

HSL 52.11, 0.76%, 0.49%

LAB 78.66, -6.38, 75.7

 

CMYK 86 / 0 / 11 / 13

HEX #1EDDC5

RGB 30 221 197

HSL 172.46, 0.76%, 0.49%

LAB 79.63, -48.85, -0.64

 

CMYK 80 / 86 / 0 / 14

HEX #2B1EDC

RGB 43 30 220

HSL 244.11, 0.76%, 0.49%

LAB 30.9, 64.26, -90.28

 

CMYK 0 / 86 / 75 / 14

HEX #DC1E37

RGB 220 30 55

HSL 352.11, 0.76%, 0.49%

LAB 47.52, 69.15, 37.11

 

CMYK 6 / 0 / 86 / 14

HEX #CFDC1E

RGB 207 220 30

HSL 64.11, 0.76%, 0.49%

LAB 84.25, -24.33, 79.78

 

CMYK 86 / 0 / 11 / 13

HEX #1EDDC5

RGB 30 221 197

HSL 172.46, 0.76%, 0.49%

LAB 79.63, -48.85, -0.64

 

CMYK 55 / 86 / 0 / 14

HEX #641EDC

RGB 100 30 220

HSL 262.11, 0.76%, 0.49%

LAB 35.61, 68.04, -82.33

 

CMYK 0 / 86 / 75 / 14

HEX #DC1E37

RGB 220 30 55

HSL 352.11, 0.76%, 0.49%

LAB 47.52, 69.15, 37.11

 

CMYK 32 / 0 / 86 / 14

HEX #96DC1E

RGB 150 220 30

HSL 82.11, 0.76%, 0.49%

LAB 80.61, -46.76, 75.28

 

Description

Color code: HEX #1EDDC5 | qconv.com Color code: HEX #1EDDC5 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 30 red, 221 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
30 221 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, none magenta, 11 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 0% 11% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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