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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1EDC4E it is the complementary color #E123B1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1EDC4E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1EDC4E shade: #23DC49, #34EE5C, #45FF6F, #56FF82 and #67FF95

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1EDC4E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1EDC4E shade: #1EDC4E, #0DCA3B, #00B828, #00A615 and #009402

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1EDC4E shade: #1EDC4E, #21DC1E, #54DC1E, #88DC1E and #BBDC1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1EDC4E shade: #1EDC4E, #1EDC81, #1EDCB4, #1ED0DC and #1E9DDC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1EDC4E shade matches the following richer shades: #1EDC4E and #0AF044

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1EDC4E shade: #1EDC4E, #32C858, #46B362, #5B9F6C and #6F8B76

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1EDC4E shade: #54DC1E, #21DC1E, #1EDC4D, #1EDC80 and #1EDCB3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1EDC4E shade: #149334, #19B841, #1EDC4E, #3EE568 and #63EA85

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1EDC4E shade: #1EDC4E, #1E86DC and #DC1E3A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1EDC4E shade: #1EDC4E, #4D1EDC and #DC4D1E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1EDC4E shade: #1EDC4E, #1E86DC, #DC1EAC and #DC731E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1EDC4E shade: #1EDC4E, #1E4DDC, #DC1EAC and #DCAC1E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 0 / 65 / 14

HEX #1EDC4E

RGB 30 220 78

HSL 135.16, 0.76%, 0.49%

LAB 77.29, -71.39, 55.75

 

Complementary color

CMYK 0 / 84 / 21 / 12

HEX #E123B1

RGB 225 35 177

HSL 315.16, 0.76%, 0.51%

LAB 52.27, 79.14, -29.53

 

CMYK 84 / 0 / 67 / 14

HEX #23DC49

RGB 35 220 73

HSL 132.32, 0.73%, 0.5%

LAB 77.3, -71.48, 57.8

 

CMYK 78 / 0 / 61 / 7

HEX #34EE5C

RGB 52 238 92

HSL 132.9, 0.85%, 0.57%

LAB 83.26, -73.17, 56.64

 

CMYK 73 / 0 / 56 / 0

HEX #45FF6F

RGB 69 255 111

HSL 133.55, 1%, 0.64%

LAB 88.89, -74.07, 54.97

 

CMYK 66 / 0 / 49 / 0

HEX #56FF82

RGB 86 255 130

HSL 135.62, 1%, 0.67%

LAB 89.44, -68.81, 47.03

 

CMYK 60 / 0 / 42 / 0

HEX #67FF95

RGB 103 255 149

HSL 138.16, 1%, 0.7%

LAB 90.12, -62.67, 38.85

 

CMYK 86 / 0 / 65 / 14

HEX #1EDC4E

RGB 30 220 78

HSL 135.16, 0.76%, 0.49%

LAB 77.29, -71.39, 55.75

 

CMYK 94 / 0 / 71 / 21

HEX #0DCA3B

RGB 13 202 59

HSL 134.6, 0.88%, 0.42%

LAB 71.31, -69, 56.81

 

CMYK 100 / 0 / 78 / 28

HEX #00B828

RGB 0 184 40

HSL 133.04, 1%, 0.36%

LAB 65.31, -65.88, 57.37

 

CMYK 100 / 0 / 87 / 35

HEX #00A615

RGB 0 166 21

HSL 127.59, 1%, 0.33%

LAB 59.28, -61.85, 56.95

 

CMYK 100 / 0 / 99 / 42

HEX #009402

RGB 0 148 2

HSL 120.81, 1%, 0.29%

LAB 53.15, -57.38, 55.11

 

CMYK 86 / 0 / 65 / 14

HEX #1EDC4E

RGB 30 220 78

HSL 135.16, 0.76%, 0.49%

LAB 77.29, -71.39, 55.75

 

CMYK 85 / 0 / 86 / 14

HEX #21DC1E

RGB 33 220 30

HSL 119.05, 0.76%, 0.49%

LAB 77.04, -74.59, 70.81

 

CMYK 62 / 0 / 86 / 14

HEX #54DC1E

RGB 84 220 30

HSL 102.95, 0.76%, 0.49%

LAB 77.97, -66.58, 71.98

 

CMYK 38 / 0 / 86 / 14

HEX #88DC1E

RGB 136 220 30

HSL 86.53, 0.76%, 0.49%

LAB 79.91, -51.69, 74.4

 

CMYK 15 / 0 / 86 / 14

HEX #BBDC1E

RGB 187 220 30

HSL 70.42, 0.76%, 0.49%

LAB 82.83, -32.52, 78.04

 

CMYK 86 / 0 / 65 / 14

HEX #1EDC4E

RGB 30 220 78

HSL 135.16, 0.76%, 0.49%

LAB 77.29, -71.39, 55.75

 

CMYK 86 / 0 / 41 / 14

HEX #1EDC81

RGB 30 220 129

HSL 151.26, 0.76%, 0.49%

LAB 77.9, -63.98, 32.6

 

CMYK 86 / 0 / 18 / 14

HEX #1EDCB4

RGB 30 220 180

HSL 167.37, 0.76%, 0.49%

LAB 78.9, -52.85, 7.35

 

CMYK 86 / 5 / 0 / 14

HEX #1ED0DC

RGB 30 208 220

HSL 183.79, 0.76%, 0.49%

LAB 76.41, -36.52, -17.75

 

CMYK 86 / 29 / 0 / 14

HEX #1E9DDC

RGB 30 157 220

HSL 199.89, 0.76%, 0.49%

LAB 61.27, -10.54, -41.07

 

CMYK 86 / 0 / 65 / 14

HEX #1EDC4E

RGB 30 220 78

HSL 135.16, 0.76%, 0.49%

LAB 77.29, -71.39, 55.75

 

CMYK 96 / 0 / 72 / 6

HEX #0AF044

RGB 10 240 68

HSL 135.13, 0.92%, 0.49%

LAB 83.34, -79.16, 65.98

 

CMYK 86 / 0 / 65 / 14

HEX #1EDC4E

RGB 30 220 78

HSL 135.16, 0.76%, 0.49%

LAB 77.29, -71.39, 55.75

 

CMYK 75 / 0 / 56 / 22

HEX #32C858

RGB 50 200 88

HSL 135.2, 0.6%, 0.49%

LAB 71.34, -61.64, 44.57

 

CMYK 61 / 0 / 45 / 30

HEX #46B362

RGB 70 179 98

HSL 135.41, 0.44%, 0.49%

LAB 65.3, -48.87, 32.26

 

CMYK 43 / 0 / 32 / 38

HEX #5B9F6C

RGB 91 159 108

HSL 135, 0.27%, 0.49%

LAB 59.98, -33.02, 20.05

 

CMYK 20 / 0 / 15 / 45

HEX #6F8B76

RGB 111 139 118

HSL 135, 0.11%, 0.49%

LAB 55.23, -14.37, 7.99

 

CMYK 62 / 0 / 86 / 14

HEX #54DC1E

RGB 84 220 30

HSL 102.95, 0.76%, 0.49%

LAB 77.97, -66.58, 71.98

 

CMYK 85 / 0 / 86 / 14

HEX #21DC1E

RGB 33 220 30

HSL 119.05, 0.76%, 0.49%

LAB 77.04, -74.59, 70.81

 

CMYK 86 / 0 / 65 / 14

HEX #1EDC4D

RGB 30 220 77

HSL 134.84, 0.76%, 0.49%

LAB 77.28, -71.5, 56.15

 

CMYK 86 / 0 / 42 / 14

HEX #1EDC80

RGB 30 220 128

HSL 150.95, 0.76%, 0.49%

LAB 77.89, -64.16, 33.09

 

CMYK 86 / 0 / 19 / 14

HEX #1EDCB3

RGB 30 220 179

HSL 167.05, 0.76%, 0.49%

LAB 78.88, -53.1, 7.85

 

CMYK 86 / 0 / 65 / 42

HEX #149334

RGB 20 147 52

HSL 135.12, 0.76%, 0.33%

LAB 53.24, -52.27, 40.2

 

CMYK 86 / 0 / 65 / 28

HEX #19B841

RGB 25 184 65

HSL 135.09, 0.76%, 0.41%

LAB 65.65, -62.18, 48.31

 

CMYK 86 / 0 / 65 / 14

HEX #1EDC4E

RGB 30 220 78

HSL 135.16, 0.76%, 0.49%

LAB 77.29, -71.39, 55.75

 

CMYK 73 / 0 / 55 / 10

HEX #3EE568

RGB 62 229 104

HSL 135.09, 0.76%, 0.57%

LAB 80.77, -67.47, 48.45

 

CMYK 58 / 0 / 43 / 8

HEX #63EA85

RGB 99 234 133

HSL 135.11, 0.76%, 0.65%

LAB 83.54, -58.15, 38.18

 

CMYK 86 / 0 / 65 / 14

HEX #1EDC4E

RGB 30 220 78

HSL 135.16, 0.76%, 0.49%

LAB 77.29, -71.39, 55.75

 

CMYK 86 / 39 / 0 / 14

HEX #1E86DC

RGB 30 134 220

HSL 207.16, 0.76%, 0.49%

LAB 54.55, 2.82, -51.71

 

CMYK 0 / 86 / 74 / 14

HEX #DC1E3A

RGB 220 30 58

HSL 351.16, 0.76%, 0.49%

LAB 47.56, 69.26, 35.39

 

CMYK 86 / 0 / 65 / 14

HEX #1EDC4E

RGB 30 220 78

HSL 135.16, 0.76%, 0.49%

LAB 77.29, -71.39, 55.75

 

CMYK 65 / 86 / 0 / 14

HEX #4D1EDC

RGB 77 30 220

HSL 254.84, 0.76%, 0.49%

LAB 33.29, 66.13, -86.24

 

CMYK 0 / 65 / 86 / 14

HEX #DC4D1E

RGB 220 77 30

HSL 14.84, 0.76%, 0.49%

LAB 52.53, 53.91, 54.56

 

CMYK 86 / 0 / 65 / 14

HEX #1EDC4E

RGB 30 220 78

HSL 135.16, 0.76%, 0.49%

LAB 77.29, -71.39, 55.75

 

CMYK 86 / 39 / 0 / 14

HEX #1E86DC

RGB 30 134 220

HSL 207.16, 0.76%, 0.49%

LAB 54.55, 2.82, -51.71

 

CMYK 0 / 86 / 22 / 14

HEX #DC1EAC

RGB 220 30 172

HSL 315.16, 0.76%, 0.49%

LAB 50.83, 78.42, -28.9

 

CMYK 0 / 48 / 86 / 14

HEX #DC731E

RGB 220 115 30

HSL 26.84, 0.76%, 0.49%

LAB 59.5, 35.94, 60.22

 

CMYK 86 / 0 / 65 / 14

HEX #1EDC4E

RGB 30 220 78

HSL 135.16, 0.76%, 0.49%

LAB 77.29, -71.39, 55.75

 

CMYK 86 / 65 / 0 / 14

HEX #1E4DDC

RGB 30 77 220

HSL 225.16, 0.76%, 0.49%

LAB 39.16, 38.94, -76.64

 

CMYK 0 / 86 / 22 / 14

HEX #DC1EAC

RGB 220 30 172

HSL 315.16, 0.76%, 0.49%

LAB 50.83, 78.42, -28.9

 

CMYK 0 / 22 / 86 / 14

HEX #DCAC1E

RGB 220 172 30

HSL 44.84, 0.76%, 0.49%

LAB 72.77, 5.63, 70.95

 

Description

Color code: HEX #1EDC4E | qconv.com Color code: HEX #1EDC4E | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 30 red, 220 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
30 220 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, none magenta, 65 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 0% 65% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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