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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1EDC24 it is the complementary color #E123DB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1EDC24. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1EDC24 shade: #23DC1F, #34EE32, #45FF45, #56FF58 and #67FF6B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1EDC24. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1EDC24 shade: #1EDC24, #0DCA11, #00B800, #00A600 and #009400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1EDC24 shade: #1EDC24, #4BDC1E, #7EDC1E, #B2DC1E and #DCD31E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1EDC24 shade: #1EDC24, #1EDC57, #1EDC8A, #1EDCBE and #1EC7DC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1EDC24 shade matches the following richer shades: #1EDC24 and #0AF011

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1EDC24 shade: #1EDC24, #32C837, #46B34A, #5B9F5D and #6F8B70

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1EDC24 shade: #80DC1E, #4DDC1E, #1EDC21, #1EDC54 and #1EDC86

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1EDC24 shade: #149318, #19B81E, #1EDC24, #3EE544 and #63EA67

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1EDC24 shade: #1EDC24, #1EB3DC and #DC1E67

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1EDC24 shade: #1EDC24, #211EDC and #DC211E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1EDC24 shade: #1EDC24, #1EB3DC, #DC1ED9 and #DC471E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1EDC24 shade: #1EDC24, #1E7ADC, #DC1ED9 and #DC801E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 0 / 84 / 14

HEX #1EDC24

RGB 30 220 36

HSL 121.89, 0.76%, 0.49%

LAB 77.03, -74.59, 69.47

 

Complementary color

CMYK 0 / 84 / 3 / 12

HEX #E123DB

RGB 225 35 219

HSL 301.89, 0.76%, 0.51%

LAB 54.37, 84.75, -50.45

 

CMYK 84 / 0 / 86 / 14

HEX #23DC1F

RGB 35 220 31

HSL 118.73, 0.75%, 0.49%

LAB 77.07, -74.37, 70.63

 

CMYK 78 / 0 / 79 / 7

HEX #34EE32

RGB 52 238 50

HSL 119.36, 0.85%, 0.56%

LAB 82.97, -76.73, 71.43

 

CMYK 73 / 0 / 73 / 0

HEX #45FF45

RGB 69 255 69

HSL 120, 1%, 0.64%

LAB 88.55, -78.19, 71.12

 

CMYK 66 / 0 / 65 / 0

HEX #56FF58

RGB 86 255 88

HSL 120.71, 1%, 0.67%

LAB 89.02, -73.77, 64.83

 

CMYK 60 / 0 / 58 / 0

HEX #67FF6B

RGB 103 255 107

HSL 121.58, 1%, 0.7%

LAB 89.61, -68.41, 57.76

 

CMYK 86 / 0 / 84 / 14

HEX #1EDC24

RGB 30 220 36

HSL 121.89, 0.76%, 0.49%

LAB 77.03, -74.59, 69.47

 

CMYK 94 / 0 / 92 / 21

HEX #0DCA11

RGB 13 202 17

HSL 121.27, 0.88%, 0.42%

LAB 71.12, -71.41, 67.94

 

CMYK 100 / 0 / 100 / 28

HEX #00B800

RGB 0 184 0

HSL 120, 1%, 0.36%

LAB 65.18, -67.45, 65.1

 

CMYK 100 / 0 / 100 / 35

HEX #00A600

RGB 0 166 0

HSL 120, 1%, 0.33%

LAB 59.23, -62.5, 60.32

 

CMYK 100 / 0 / 100 / 42

HEX #009400

RGB 0 148 0

HSL 120, 1%, 0.29%

LAB 53.15, -57.45, 55.44

 

CMYK 86 / 0 / 84 / 14

HEX #1EDC24

RGB 30 220 36

HSL 121.89, 0.76%, 0.49%

LAB 77.03, -74.59, 69.47

 

CMYK 66 / 0 / 86 / 14

HEX #4BDC1E

RGB 75 220 30

HSL 105.79, 0.76%, 0.49%

LAB 77.74, -68.51, 71.69

 

CMYK 43 / 0 / 86 / 14

HEX #7EDC1E

RGB 126 220 30

HSL 89.68, 0.76%, 0.49%

LAB 79.45, -55, 73.83

 

CMYK 19 / 0 / 86 / 14

HEX #B2DC1E

RGB 178 220 30

HSL 73.26, 0.76%, 0.49%

LAB 82.24, -36.12, 77.31

 

CMYK 0 / 4 / 86 / 14

HEX #DCD31E

RGB 220 211 30

HSL 57.16, 0.76%, 0.49%

LAB 82.86, -14.46, 79.08

 

CMYK 86 / 0 / 84 / 14

HEX #1EDC24

RGB 30 220 36

HSL 121.89, 0.76%, 0.49%

LAB 77.03, -74.59, 69.47

 

CMYK 86 / 0 / 60 / 14

HEX #1EDC57

RGB 30 220 87

HSL 138, 0.76%, 0.49%

LAB 77.37, -70.37, 52.01

 

CMYK 86 / 0 / 37 / 14

HEX #1EDC8A

RGB 30 220 138

HSL 154.11, 0.76%, 0.49%

LAB 78.05, -62.27, 28.2

 

CMYK 86 / 0 / 14 / 14

HEX #1EDCBE

RGB 30 220 190

HSL 170.53, 0.76%, 0.49%

LAB 79.14, -50.29, 2.39

 

CMYK 86 / 10 / 0 / 14

HEX #1EC7DC

RGB 30 199 220

HSL 186.63, 0.76%, 0.49%

LAB 73.73, -32.27, -21.81

 

CMYK 86 / 0 / 84 / 14

HEX #1EDC24

RGB 30 220 36

HSL 121.89, 0.76%, 0.49%

LAB 77.03, -74.59, 69.47

 

CMYK 96 / 0 / 93 / 6

HEX #0AF011

RGB 10 240 17

HSL 121.83, 0.92%, 0.49%

LAB 83.14, -81.73, 77.99

 

CMYK 86 / 0 / 84 / 14

HEX #1EDC24

RGB 30 220 36

HSL 121.89, 0.76%, 0.49%

LAB 77.03, -74.59, 69.47

 

CMYK 75 / 0 / 73 / 22

HEX #32C837

RGB 50 200 55

HSL 122, 0.6%, 0.49%

LAB 71.05, -65.19, 58.15

 

CMYK 61 / 0 / 59 / 30

HEX #46B34A

RGB 70 179 74

HSL 122.2, 0.44%, 0.49%

LAB 64.99, -52.29, 43.75

 

CMYK 43 / 0 / 42 / 38

HEX #5B9F5D

RGB 91 159 93

HSL 121.76, 0.27%, 0.49%

LAB 59.72, -35.62, 27.86

 

CMYK 20 / 0 / 19 / 45

HEX #6F8B70

RGB 111 139 112

HSL 122.14, 0.11%, 0.49%

LAB 55.09, -15.54, 11.23

 

CMYK 42 / 0 / 86 / 14

HEX #80DC1E

RGB 128 220 30

HSL 89.05, 0.76%, 0.49%

LAB 79.54, -54.35, 73.94

 

CMYK 65 / 0 / 86 / 14

HEX #4DDC1E

RGB 77 220 30

HSL 105.16, 0.76%, 0.49%

LAB 77.79, -68.1, 71.75

 

CMYK 86 / 0 / 85 / 14

HEX #1EDC21

RGB 30 220 33

HSL 120.95, 0.76%, 0.49%

LAB 77.02, -74.72, 70.15

 

CMYK 86 / 0 / 62 / 14

HEX #1EDC54

RGB 30 220 84

HSL 137.05, 0.76%, 0.49%

LAB 77.34, -70.72, 53.28

 

CMYK 86 / 0 / 39 / 14

HEX #1EDC86

RGB 30 220 134

HSL 152.84, 0.76%, 0.49%

LAB 77.98, -63.04, 30.16

 

CMYK 86 / 0 / 84 / 42

HEX #149318

RGB 20 147 24

HSL 121.89, 0.76%, 0.33%

LAB 53.04, -54.76, 50.61

 

CMYK 86 / 0 / 84 / 28

HEX #19B81E

RGB 25 184 30

HSL 121.89, 0.76%, 0.41%

LAB 65.42, -65.02, 60.39

 

CMYK 86 / 0 / 84 / 14

HEX #1EDC24

RGB 30 220 36

HSL 121.89, 0.76%, 0.49%

LAB 77.03, -74.59, 69.47

 

CMYK 73 / 0 / 70 / 10

HEX #3EE544

RGB 62 229 68

HSL 122.16, 0.76%, 0.57%

LAB 80.45, -71.37, 63.16

 

CMYK 58 / 0 / 56 / 8

HEX #63EA67

RGB 99 234 103

HSL 121.78, 0.76%, 0.65%

LAB 83.17, -62.31, 51.97

 

CMYK 86 / 0 / 84 / 14

HEX #1EDC24

RGB 30 220 36

HSL 121.89, 0.76%, 0.49%

LAB 77.03, -74.59, 69.47

 

CMYK 86 / 19 / 0 / 14

HEX #1EB3DC

RGB 30 179 220

HSL 192.95, 0.76%, 0.49%

LAB 67.79, -22.34, -30.92

 

CMYK 0 / 86 / 53 / 14

HEX #DC1E67

RGB 220 30 103

HSL 336.95, 0.76%, 0.49%

LAB 48.42, 71.73, 9.1

 

CMYK 86 / 0 / 84 / 14

HEX #1EDC24

RGB 30 220 36

HSL 121.89, 0.76%, 0.49%

LAB 77.03, -74.59, 69.47

 

CMYK 85 / 86 / 0 / 14

HEX #211EDC

RGB 33 30 220

HSL 240.95, 0.76%, 0.49%

LAB 30.45, 63.92, -91.05

 

CMYK 0 / 85 / 86 / 14

HEX #DC211E

RGB 220 33 30

HSL 0.95, 0.76%, 0.49%

LAB 47.49, 67.87, 50.46

 

CMYK 86 / 0 / 84 / 14

HEX #1EDC24

RGB 30 220 36

HSL 121.89, 0.76%, 0.49%

LAB 77.03, -74.59, 69.47

 

CMYK 86 / 19 / 0 / 14

HEX #1EB3DC

RGB 30 179 220

HSL 192.95, 0.76%, 0.49%

LAB 67.79, -22.34, -30.92

 

CMYK 0 / 86 / 1 / 14

HEX #DC1ED9

RGB 220 30 217

HSL 300.95, 0.76%, 0.49%

LAB 53.12, 84.43, -51.36

 

CMYK 0 / 68 / 86 / 14

HEX #DC471E

RGB 220 71 30

HSL 12.95, 0.76%, 0.49%

LAB 51.63, 56.34, 53.83

 

CMYK 86 / 0 / 84 / 14

HEX #1EDC24

RGB 30 220 36

HSL 121.89, 0.76%, 0.49%

LAB 77.03, -74.59, 69.47

 

CMYK 86 / 45 / 0 / 14

HEX #1E7ADC

RGB 30 122 220

HSL 210.95, 0.76%, 0.49%

LAB 51.11, 10.17, -57.21

 

CMYK 0 / 86 / 1 / 14

HEX #DC1ED9

RGB 220 30 217

HSL 300.95, 0.76%, 0.49%

LAB 53.12, 84.43, -51.36

 

CMYK 0 / 42 / 86 / 14

HEX #DC801E

RGB 220 128 30

HSL 30.95, 0.76%, 0.49%

LAB 62.29, 29.14, 62.48

 

Description

Color code: HEX #1EDC24 | qconv.com Color code: HEX #1EDC24 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 30 red, 220 green and 36 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
30 220 36 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, none magenta, 84 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 0% 84% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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