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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1ED894 it is the complementary color #E1276B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1ED894. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1ED894 shade: #23D88F, #34EAA2, #45FCB5, #56FFC8 and #67FFDB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1ED894. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1ED894 shade: #1ED894, #0DC681, #00B46E, #00A25B and #009048

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1ED894 shade: #1DD793, #1DD761, #1DD72F, #3ED71D and #70D71D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1ED894 shade: #1DD793, #1DD7C6, #1DB7D7, #1D85D7 and #1D53D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1ED894 shade matches the following richer shades: #1DD793 and #0AEB99

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1ED894 shade: #1DD793, #31C48E, #45B089, #599C83 and #6D887E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1ED894 shade: #1DD730, #1DD762, #1DD793, #1DD7C5 and #1DB8D7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1ED894 shade: #138F62, #18B37B, #1DD793, #3AE4A6 and #5EE9B6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1ED894 shade: #1ED894, #1D3CD7 and #D7491D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1ED894 shade: #1ED894, #931DD7 and #D7931D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1ED894 shade: #1ED894, #1D3CD7, #D71D62 and #D7B81D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1ED894 shade: #1ED894, #361DD7, #D71D62 and #BFD71D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 0 / 31 / 15

HEX #1ED894

RGB 30 216 148

HSL 158.06, 0.76%, 0.48%

LAB 77, -58.77, 21.59

 

Complementary color

CMYK 0 / 83 / 52 / 12

HEX #E1276B

RGB 225 39 107

HSL 338.06, 0.76%, 0.52%

LAB 50.12, 71.42, 9.19

 

CMYK 84 / 0 / 34 / 15

HEX #23D88F

RGB 35 216 143

HSL 155.8, 0.72%, 0.49%

LAB 76.95, -59.44, 24.14

 

CMYK 78 / 0 / 31 / 8

HEX #34EAA2

RGB 52 234 162

HSL 156.26, 0.81%, 0.56%

LAB 83.01, -60.51, 22.6

 

CMYK 73 / 0 / 28 / 1

HEX #45FCB5

RGB 69 252 181

HSL 156.72, 0.97%, 0.63%

LAB 89.03, -61.27, 21.19

 

CMYK 66 / 0 / 22 / 0

HEX #56FFC8

RGB 86 255 200

HSL 160.47, 1%, 0.67%

LAB 90.63, -55.92, 13.73

 

CMYK 60 / 0 / 14 / 0

HEX #67FFDB

RGB 103 255 219

HSL 165.79, 1%, 0.7%

LAB 91.47, -48.75, 5.19

 

CMYK 86 / 0 / 31 / 15

HEX #1ED894

RGB 30 216 148

HSL 158.06, 0.76%, 0.48%

LAB 77, -58.77, 21.59

 

CMYK 93 / 0 / 35 / 22

HEX #0DC681

RGB 13 198 129

HSL 157.62, 0.88%, 0.41%

LAB 70.91, -57.18, 23.26

 

CMYK 100 / 0 / 39 / 29

HEX #00B46E

RGB 0 180 110

HSL 156.67, 1%, 0.35%

LAB 64.78, -55.13, 25.09

 

CMYK 100 / 0 / 44 / 36

HEX #00A25B

RGB 0 162 91

HSL 153.7, 1%, 0.32%

LAB 58.6, -52.5, 27.07

 

CMYK 100 / 0 / 50 / 44

HEX #009048

RGB 0 144 72

HSL 150, 1%, 0.28%

LAB 52.3, -49.69, 29.11

 

CMYK 87 / 0 / 32 / 16

HEX #1DD793

RGB 29 215 147

HSL 158.06, 0.76%, 0.48%

LAB 76.66, -58.69, 21.65

 

CMYK 87 / 0 / 55 / 16

HEX #1DD761

RGB 29 215 97

HSL 141.94, 0.76%, 0.48%

LAB 75.9, -67.58, 45.74

 

CMYK 87 / 0 / 78 / 16

HEX #1DD72F

RGB 29 215 47

HSL 125.81, 0.76%, 0.48%

LAB 75.49, -72.65, 65.09

 

CMYK 71 / 0 / 87 / 16

HEX #3ED71D

RGB 62 215 29

HSL 109.35, 0.76%, 0.48%

LAB 75.89, -69.41, 70.17

 

CMYK 48 / 0 / 87 / 16

HEX #70D71D

RGB 112 215 29

HSL 93.23, 0.76%, 0.48%

LAB 77.36, -57.49, 72.01

 

CMYK 87 / 0 / 32 / 16

HEX #1DD793

RGB 29 215 147

HSL 158.06, 0.76%, 0.48%

LAB 76.66, -58.69, 21.65

 

CMYK 87 / 0 / 8 / 16

HEX #1DD7C6

RGB 29 215 198

HSL 174.52, 0.76%, 0.48%

LAB 77.84, -46.1, -3.8

 

CMYK 87 / 15 / 0 / 16

HEX #1DB7D7

RGB 29 183 215

HSL 190.32, 0.76%, 0.48%

LAB 68.78, -26.1, -26.66

 

CMYK 87 / 38 / 0 / 16

HEX #1D85D7

RGB 29 133 215

HSL 206.45, 0.76%, 0.48%

LAB 53.97, 1.46, -49.83

 

CMYK 87 / 61 / 0 / 16

HEX #1D53D7

RGB 29 83 215

HSL 222.58, 0.76%, 0.48%

LAB 40.17, 33.19, -72.11

 

CMYK 87 / 0 / 32 / 16

HEX #1DD793

RGB 29 215 147

HSL 158.06, 0.76%, 0.48%

LAB 76.66, -58.69, 21.65

 

CMYK 96 / 0 / 35 / 8

HEX #0AEB99

RGB 10 235 153

HSL 158.13, 0.92%, 0.48%

LAB 82.8, -65.49, 26.88

 

CMYK 87 / 0 / 32 / 16

HEX #1DD793

RGB 29 215 147

HSL 158.06, 0.76%, 0.48%

LAB 76.66, -58.69, 21.65

 

CMYK 75 / 0 / 28 / 23

HEX #31C48E

RGB 49 196 142

HSL 157.96, 0.6%, 0.48%

LAB 70.93, -50.59, 16.42

 

CMYK 61 / 0 / 22 / 31

HEX #45B089

RGB 69 176 137

HSL 158.13, 0.44%, 0.48%

LAB 65.06, -40.11, 10.98

 

CMYK 43 / 0 / 16 / 39

HEX #599C83

RGB 89 156 131

HSL 157.61, 0.27%, 0.48%

LAB 59.47, -27.39, 6.47

 

CMYK 20 / 0 / 7 / 47

HEX #6D887E

RGB 109 136 126

HSL 157.78, 0.11%, 0.48%

LAB 54.41, -11.78, 2.19

 

CMYK 87 / 0 / 78 / 16

HEX #1DD730

RGB 29 215 48

HSL 126.13, 0.76%, 0.48%

LAB 75.5, -72.58, 64.8

 

CMYK 87 / 0 / 54 / 16

HEX #1DD762

RGB 29 215 98

HSL 142.26, 0.76%, 0.48%

LAB 75.91, -67.44, 45.29

 

CMYK 87 / 0 / 32 / 16

HEX #1DD793

RGB 29 215 147

HSL 158.06, 0.76%, 0.48%

LAB 76.66, -58.69, 21.65

 

CMYK 87 / 0 / 8 / 16

HEX #1DD7C5

RGB 29 215 197

HSL 174.19, 0.76%, 0.48%

LAB 77.81, -46.37, -3.3

 

CMYK 87 / 14 / 0 / 16

HEX #1DB8D7

RGB 29 184 215

HSL 190, 0.76%, 0.48%

LAB 69.07, -26.6, -26.2

 

CMYK 87 / 0 / 31 / 44

HEX #138F62

RGB 19 143 98

HSL 158.23, 0.77%, 0.32%

LAB 52.58, -42.73, 15.19

 

CMYK 87 / 0 / 31 / 30

HEX #18B37B

RGB 24 179 123

HSL 158.32, 0.76%, 0.4%

LAB 64.85, -50.76, 18.23

 

CMYK 87 / 0 / 32 / 16

HEX #1DD793

RGB 29 215 147

HSL 158.06, 0.76%, 0.48%

LAB 76.66, -58.69, 21.65

 

CMYK 75 / 0 / 27 / 11

HEX #3AE4A6

RGB 58 228 166

HSL 158.12, 0.76%, 0.56%

LAB 81.37, -56.69, 18.27

 

CMYK 60 / 0 / 22 / 9

HEX #5EE9B6

RGB 94 233 182

HSL 157.99, 0.76%, 0.64%

LAB 83.98, -49.53, 13.69

 

CMYK 86 / 0 / 31 / 15

HEX #1ED894

RGB 30 216 148

HSL 158.06, 0.76%, 0.48%

LAB 77, -58.77, 21.59

 

CMYK 87 / 72 / 0 / 16

HEX #1D3CD7

RGB 29 60 215

HSL 230, 0.76%, 0.48%

LAB 34.8, 47.51, -80.95

 

CMYK 0 / 66 / 87 / 16

HEX #D7491D

RGB 215 73 29

HSL 14.19, 0.76%, 0.48%

LAB 51.04, 53.84, 53.39

 

CMYK 86 / 0 / 31 / 15

HEX #1ED894

RGB 30 216 148

HSL 158.06, 0.76%, 0.48%

LAB 77, -58.77, 21.59

 

CMYK 32 / 87 / 0 / 16

HEX #931DD7

RGB 147 29 215

HSL 278.06, 0.76%, 0.48%

LAB 41.2, 72.7, -70.05

 

CMYK 0 / 32 / 87 / 16

HEX #D7931D

RGB 215 147 29

HSL 38.06, 0.76%, 0.48%

LAB 66.06, 16.81, 65.56

 

CMYK 86 / 0 / 31 / 15

HEX #1ED894

RGB 30 216 148

HSL 158.06, 0.76%, 0.48%

LAB 77, -58.77, 21.59

 

CMYK 87 / 72 / 0 / 16

HEX #1D3CD7

RGB 29 60 215

HSL 230, 0.76%, 0.48%

LAB 34.8, 47.51, -80.95

 

CMYK 0 / 87 / 54 / 16

HEX #D71D62

RGB 215 29 98

HSL 337.74, 0.76%, 0.48%

LAB 47.25, 70.33, 10.39

 

CMYK 0 / 14 / 87 / 16

HEX #D7B81D

RGB 215 184 29

HSL 50, 0.76%, 0.48%

LAB 75.34, -2.88, 73.04

 

CMYK 86 / 0 / 31 / 15

HEX #1ED894

RGB 30 216 148

HSL 158.06, 0.76%, 0.48%

LAB 77, -58.77, 21.59

 

CMYK 75 / 87 / 0 / 16

HEX #361DD7

RGB 54 29 215

HSL 248.06, 0.76%, 0.48%

LAB 30.81, 63.73, -87.54

 

CMYK 0 / 87 / 54 / 16

HEX #D71D62

RGB 215 29 98

HSL 337.74, 0.76%, 0.48%

LAB 47.25, 70.33, 10.39

 

CMYK 11 / 0 / 87 / 16

HEX #BFD71D

RGB 191 215 29

HSL 67.74, 0.76%, 0.48%

LAB 81.71, -28.58, 77.42

 

Description

Color code: HEX #1ED894 | qconv.com Color code: HEX #1ED894 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 30 red, 216 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
30 216 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, none magenta, 31 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 0% 31% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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