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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1ED889 it is the complementary color #E12776. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1ED889. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1ED889 shade: #23D884, #34EA97, #45FCAA, #56FFBD and #67FFD0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1ED889. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1ED889 shade: #1ED889, #0DC676, #00B463, #00A250 and #00903D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1ED889 shade: #1DD788, #1DD756, #1DD724, #49D71D and #7BD71D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1ED889 shade: #1DD788, #1DD7BB, #1DC2D7, #1D90D7 and #1D5ED7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1ED889 shade matches the following richer shades: #1DD788 and #0AEB8B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1ED889 shade: #1DD788, #31C485, #45B082, #599C7F and #6D887C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1ED889 shade: #1DD724, #1DD755, #1DD787, #1DD7B8 and #1DC5D7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1ED889 shade: #138F5A, #18B371, #1DD788, #3AE49C and #5EE9AE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1ED889 shade: #1ED889, #1D49D7 and #D73C1D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1ED889 shade: #1ED889, #871DD7 and #D7871D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1ED889 shade: #1ED889, #1D49D7, #D71D6E and #D7AC1D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1ED889 shade: #1ED889, #2A1DD7, #D71D6E and #CBD71D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 0 / 37 / 15

HEX #1ED889

RGB 30 216 137

HSL 154.52, 0.76%, 0.48%

LAB 76.8, -61.05, 27.04

 

Complementary color

CMYK 0 / 83 / 48 / 12

HEX #E12776

RGB 225 39 118

HSL 334.52, 0.76%, 0.52%

LAB 50.41, 72.28, 2.91

 

CMYK 84 / 0 / 39 / 15

HEX #23D884

RGB 35 216 132

HSL 152.15, 0.72%, 0.49%

LAB 76.76, -61.63, 29.57

 

CMYK 78 / 0 / 35 / 8

HEX #34EA97

RGB 52 234 151

HSL 152.64, 0.81%, 0.56%

LAB 82.81, -62.73, 27.98

 

CMYK 73 / 0 / 33 / 1

HEX #45FCAA

RGB 69 252 170

HSL 153.11, 0.97%, 0.63%

LAB 88.82, -63.51, 26.5

 

CMYK 66 / 0 / 26 / 0

HEX #56FFBD

RGB 86 255 189

HSL 156.57, 1%, 0.67%

LAB 90.4, -58.3, 19.06

 

CMYK 60 / 0 / 18 / 0

HEX #67FFD0

RGB 103 255 208

HSL 161.45, 1%, 0.7%

LAB 91.22, -51.27, 10.5

 

CMYK 86 / 0 / 37 / 15

HEX #1ED889

RGB 30 216 137

HSL 154.52, 0.76%, 0.48%

LAB 76.8, -61.05, 27.04

 

CMYK 93 / 0 / 40 / 22

HEX #0DC676

RGB 13 198 118

HSL 154.05, 0.88%, 0.41%

LAB 70.72, -59.4, 28.77

 

CMYK 100 / 0 / 45 / 29

HEX #00B463

RGB 0 180 99

HSL 153, 1%, 0.35%

LAB 64.6, -57.26, 30.64

 

CMYK 100 / 0 / 51 / 36

HEX #00A250

RGB 0 162 80

HSL 149.63, 1%, 0.32%

LAB 58.43, -54.48, 32.63

 

CMYK 100 / 0 / 58 / 44

HEX #00903D

RGB 0 144 61

HSL 145.42, 1%, 0.28%

LAB 52.16, -51.48, 34.59

 

CMYK 87 / 0 / 37 / 16

HEX #1DD788

RGB 29 215 136

HSL 154.52, 0.76%, 0.48%

LAB 76.46, -60.96, 27.1

 

CMYK 87 / 0 / 60 / 16

HEX #1DD756

RGB 29 215 86

HSL 138.39, 0.76%, 0.48%

LAB 75.78, -69.03, 50.62

 

CMYK 87 / 0 / 83 / 16

HEX #1DD724

RGB 29 215 36

HSL 122.26, 0.76%, 0.48%

LAB 75.44, -73.26, 68.03

 

CMYK 66 / 0 / 87 / 16

HEX #49D71D

RGB 73 215 29

HSL 105.81, 0.76%, 0.48%

LAB 76.13, -67.36, 70.47

 

CMYK 43 / 0 / 87 / 16

HEX #7BD71D

RGB 123 215 29

HSL 89.68, 0.76%, 0.48%

LAB 77.82, -54.06, 72.58

 

CMYK 87 / 0 / 37 / 16

HEX #1DD788

RGB 29 215 136

HSL 154.52, 0.76%, 0.48%

LAB 76.46, -60.96, 27.1

 

CMYK 87 / 0 / 13 / 16

HEX #1DD7BB

RGB 29 215 187

HSL 170.97, 0.76%, 0.48%

LAB 77.55, -49.07, 1.67

 

CMYK 87 / 10 / 0 / 16

HEX #1DC2D7

RGB 29 194 215

HSL 186.77, 0.76%, 0.48%

LAB 72.06, -31.51, -21.64

 

CMYK 87 / 33 / 0 / 16

HEX #1D90D7

RGB 29 144 215

HSL 202.9, 0.76%, 0.48%

LAB 57.19, -5.03, -44.72

 

CMYK 87 / 56 / 0 / 16

HEX #1D5ED7

RGB 29 94 215

HSL 219.03, 0.76%, 0.48%

LAB 43.02, 26.06, -67.45

 

CMYK 87 / 0 / 37 / 16

HEX #1DD788

RGB 29 215 136

HSL 154.52, 0.76%, 0.48%

LAB 76.46, -60.96, 27.1

 

CMYK 96 / 0 / 41 / 8

HEX #0AEB8B

RGB 10 235 139

HSL 154.4, 0.92%, 0.48%

LAB 82.56, -68.2, 33.66

 

CMYK 87 / 0 / 37 / 16

HEX #1DD788

RGB 29 215 136

HSL 154.52, 0.76%, 0.48%

LAB 76.46, -60.96, 27.1

 

CMYK 75 / 0 / 32 / 23

HEX #31C485

RGB 49 196 133

HSL 154.29, 0.6%, 0.48%

LAB 70.75, -52.54, 20.99

 

CMYK 61 / 0 / 26 / 31

HEX #45B082

RGB 69 176 130

HSL 154.21, 0.44%, 0.48%

LAB 64.91, -41.69, 14.61

 

CMYK 43 / 0 / 19 / 39

HEX #599C7F

RGB 89 156 127

HSL 154.03, 0.27%, 0.48%

LAB 59.37, -28.29, 8.59

 

CMYK 20 / 0 / 9 / 47

HEX #6D887C

RGB 109 136 124

HSL 153.33, 0.11%, 0.48%

LAB 54.36, -12.21, 3.26

 

CMYK 87 / 0 / 83 / 16

HEX #1DD724

RGB 29 215 36

HSL 122.26, 0.76%, 0.48%

LAB 75.44, -73.26, 68.03

 

CMYK 87 / 0 / 60 / 16

HEX #1DD755

RGB 29 215 85

HSL 138.06, 0.76%, 0.48%

LAB 75.77, -69.15, 51.05

 

CMYK 87 / 0 / 37 / 16

HEX #1DD787

RGB 29 215 135

HSL 154.19, 0.76%, 0.48%

LAB 76.44, -61.16, 27.6

 

CMYK 87 / 0 / 14 / 16

HEX #1DD7B8

RGB 29 215 184

HSL 170, 0.76%, 0.48%

LAB 77.47, -49.86, 3.16

 

CMYK 87 / 8 / 0 / 16

HEX #1DC5D7

RGB 29 197 215

HSL 185.81, 0.76%, 0.48%

LAB 72.96, -32.95, -20.28

 

CMYK 87 / 0 / 37 / 44

HEX #138F5A

RGB 19 143 90

HSL 154.35, 0.77%, 0.32%

LAB 52.42, -44.53, 19.47

 

CMYK 87 / 0 / 37 / 30

HEX #18B371

RGB 24 179 113

HSL 154.45, 0.76%, 0.4%

LAB 64.67, -52.91, 23.37

 

CMYK 87 / 0 / 37 / 16

HEX #1DD788

RGB 29 215 136

HSL 154.52, 0.76%, 0.48%

LAB 76.46, -60.96, 27.1

 

CMYK 75 / 0 / 32 / 11

HEX #3AE49C

RGB 58 228 156

HSL 154.59, 0.76%, 0.56%

LAB 81.17, -58.81, 23.2

 

CMYK 60 / 0 / 25 / 9

HEX #5EE9AE

RGB 94 233 174

HSL 154.53, 0.76%, 0.64%

LAB 83.82, -51.24, 17.63

 

CMYK 86 / 0 / 37 / 15

HEX #1ED889

RGB 30 216 137

HSL 154.52, 0.76%, 0.48%

LAB 76.8, -61.05, 27.04

 

CMYK 87 / 66 / 0 / 16

HEX #1D49D7

RGB 29 73 215

HSL 225.81, 0.76%, 0.48%

LAB 37.72, 39.57, -76.13

 

CMYK 0 / 72 / 87 / 16

HEX #D73C1D

RGB 215 60 29

HSL 10, 0.76%, 0.48%

LAB 49.21, 58.82, 51.91

 

CMYK 86 / 0 / 37 / 15

HEX #1ED889

RGB 30 216 137

HSL 154.52, 0.76%, 0.48%

LAB 76.8, -61.05, 27.04

 

CMYK 37 / 87 / 0 / 16

HEX #871DD7

RGB 135 29 215

HSL 274.19, 0.76%, 0.48%

LAB 39.47, 71.1, -72.94

 

CMYK 0 / 37 / 87 / 16

HEX #D7871D

RGB 215 135 29

HSL 34.19, 0.76%, 0.48%

LAB 63.23, 23.28, 63.27

 

CMYK 86 / 0 / 37 / 15

HEX #1ED889

RGB 30 216 137

HSL 154.52, 0.76%, 0.48%

LAB 76.8, -61.05, 27.04

 

CMYK 87 / 66 / 0 / 16

HEX #1D49D7

RGB 29 73 215

HSL 225.81, 0.76%, 0.48%

LAB 37.72, 39.57, -76.13

 

CMYK 0 / 87 / 49 / 16

HEX #D71D6E

RGB 215 29 110

HSL 333.87, 0.76%, 0.48%

LAB 47.56, 71.23, 3.44

 

CMYK 0 / 20 / 87 / 16

HEX #D7AC1D

RGB 215 172 29

HSL 46.13, 0.76%, 0.48%

LAB 72.26, 3.42, 70.56

 

CMYK 86 / 0 / 37 / 15

HEX #1ED889

RGB 30 216 137

HSL 154.52, 0.76%, 0.48%

LAB 76.8, -61.05, 27.04

 

CMYK 80 / 87 / 0 / 16

HEX #2A1DD7

RGB 42 29 215

HSL 244.19, 0.76%, 0.48%

LAB 30.1, 63.19, -88.73

 

CMYK 0 / 87 / 49 / 16

HEX #D71D6E

RGB 215 29 110

HSL 333.87, 0.76%, 0.48%

LAB 47.56, 71.23, 3.44

 

CMYK 6 / 0 / 87 / 16

HEX #CBD71D

RGB 203 215 29

HSL 63.87, 0.76%, 0.48%

LAB 82.59, -23.61, 78.49

 

Description

Color code: HEX #1ED889 | qconv.com Color code: HEX #1ED889 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 30 red, 216 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
30 216 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, none magenta, 37 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 0% 37% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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