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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1ED74B it is the complementary color #E128B4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1ED74B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1ED74B shade: #23D746, #34E959, #45FB6C, #56FF7F and #67FF92

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1ED74B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1ED74B shade: #1ED74B, #0DC538, #00B325, #00A112 and #008F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1ED74B shade: #1DD74B, #22D71D, #54D71D, #87D71D and #B9D71D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1ED74B shade: #1DD74B, #1DD77D, #1DD7AF, #1DCED7 and #1D9CD7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1ED74B shade matches the following richer shades: #1DD74B and #0AEB40

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1ED74B shade: #1DD74B, #31C455, #45B05F, #599C69 and #6D8873

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1ED74B shade: #55D71D, #24D71D, #1DD749, #1DD77A and #1DD7AC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1ED74B shade: #138F31, #18B33E, #1DD74B, #3AE463 and #5EE980

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1ED74B shade: #1ED74B, #1D87D7 and #D71D3C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1ED74B shade: #1ED74B, #491DD7 and #D7491D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1ED74B shade: #1ED74B, #1D87D7, #D71DAC and #D76E1D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1ED74B shade: #1ED74B, #1D4FD7, #D71DAC and #D7A61D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 0 / 65 / 16

HEX #1ED74B

RGB 30 215 75

HSL 134.59, 0.76%, 0.48%

LAB 75.69, -70.2, 55.22

 

Complementary color

CMYK 0 / 82 / 20 / 12

HEX #E128B4

RGB 225 40 180

HSL 314.59, 0.76%, 0.52%

LAB 52.75, 78.5, -30.53

 

CMYK 84 / 0 / 67 / 16

HEX #23D746

RGB 35 215 70

HSL 131.67, 0.72%, 0.49%

LAB 75.7, -70.27, 57.27

 

CMYK 78 / 0 / 62 / 9

HEX #34E959

RGB 52 233 89

HSL 132.27, 0.8%, 0.56%

LAB 81.69, -71.95, 56.13

 

CMYK 73 / 0 / 57 / 2

HEX #45FB6C

RGB 69 251 108

HSL 132.86, 0.96%, 0.63%

LAB 87.65, -73.15, 54.84

 

CMYK 66 / 0 / 50 / 0

HEX #56FF7F

RGB 86 255 127

HSL 134.56, 1%, 0.67%

LAB 89.41, -69.23, 48.39

 

CMYK 60 / 0 / 43 / 0

HEX #67FF92

RGB 103 255 146

HSL 136.97, 1%, 0.7%

LAB 90.08, -63.15, 40.25

 

CMYK 86 / 0 / 65 / 16

HEX #1ED74B

RGB 30 215 75

HSL 134.59, 0.76%, 0.48%

LAB 75.69, -70.2, 55.22

 

CMYK 93 / 0 / 72 / 23

HEX #0DC538

RGB 13 197 56

HSL 134.02, 0.88%, 0.41%

LAB 69.69, -67.8, 56.25

 

CMYK 100 / 0 / 79 / 30

HEX #00B325

RGB 0 179 37

HSL 132.4, 1%, 0.35%

LAB 63.65, -64.66, 56.71

 

CMYK 100 / 0 / 89 / 37

HEX #00A112

RGB 0 161 18

HSL 126.71, 1%, 0.32%

LAB 57.59, -60.56, 56.12

 

CMYK 100 / 0 / 100 / 44

HEX #008F00

RGB 0 143 0

HSL 120, 1%, 0.28%

LAB 51.43, -56.02, 54.07

 

CMYK 87 / 0 / 65 / 16

HEX #1DD74B

RGB 29 215 75

HSL 134.84, 0.76%, 0.48%

LAB 75.68, -70.28, 55.21

 

CMYK 84 / 0 / 87 / 16

HEX #22D71D

RGB 34 215 29

HSL 118.39, 0.76%, 0.48%

LAB 75.47, -73.13, 69.63

 

CMYK 61 / 0 / 87 / 16

HEX #54D71D

RGB 84 215 29

HSL 102.26, 0.76%, 0.48%

LAB 76.42, -64.97, 70.83

 

CMYK 37 / 0 / 87 / 16

HEX #87D71D

RGB 135 215 29

HSL 85.81, 0.76%, 0.48%

LAB 78.37, -50.05, 73.27

 

CMYK 14 / 0 / 87 / 16

HEX #B9D71D

RGB 185 215 29

HSL 69.68, 0.76%, 0.48%

LAB 81.29, -31.03, 76.9

 

CMYK 87 / 0 / 65 / 16

HEX #1DD74B

RGB 29 215 75

HSL 134.84, 0.76%, 0.48%

LAB 75.68, -70.28, 55.21

 

CMYK 87 / 0 / 42 / 16

HEX #1DD77D

RGB 29 215 125

HSL 150.97, 0.76%, 0.48%

LAB 76.28, -63.06, 32.5

 

CMYK 87 / 0 / 19 / 16

HEX #1DD7AF

RGB 29 215 175

HSL 167.1, 0.76%, 0.48%

LAB 77.26, -52.16, 7.66

 

CMYK 87 / 4 / 0 / 16

HEX #1DCED7

RGB 29 206 215

HSL 182.9, 0.76%, 0.48%

LAB 75.64, -37.17, -16.21

 

CMYK 87 / 27 / 0 / 16

HEX #1D9CD7

RGB 29 156 215

HSL 199.03, 0.76%, 0.48%

LAB 60.73, -11.84, -39.14

 

CMYK 87 / 0 / 65 / 16

HEX #1DD74B

RGB 29 215 75

HSL 134.84, 0.76%, 0.48%

LAB 75.68, -70.28, 55.21

 

CMYK 96 / 0 / 73 / 8

HEX #0AEB40

RGB 10 235 64

HSL 134.4, 0.92%, 0.48%

LAB 81.76, -78.09, 65.76

 

CMYK 87 / 0 / 65 / 16

HEX #1DD74B

RGB 29 215 75

HSL 134.84, 0.76%, 0.48%

LAB 75.68, -70.28, 55.21

 

CMYK 75 / 0 / 57 / 23

HEX #31C455

RGB 49 196 85

HSL 134.69, 0.6%, 0.48%

LAB 70.03, -60.84, 44.41

 

CMYK 61 / 0 / 46 / 31

HEX #45B05F

RGB 69 176 95

HSL 134.58, 0.44%, 0.48%

LAB 64.28, -48.4, 32.5

 

CMYK 43 / 0 / 33 / 39

HEX #599C69

RGB 89 156 105

HSL 134.33, 0.27%, 0.48%

LAB 58.9, -32.78, 20.23

 

CMYK 20 / 0 / 15 / 47

HEX #6D8873

RGB 109 136 115

HSL 133.33, 0.11%, 0.48%

LAB 54.13, -14.07, 8.13

 

CMYK 60 / 0 / 87 / 16

HEX #55D71D

RGB 85 215 29

HSL 101.94, 0.76%, 0.48%

LAB 76.45, -64.73, 70.87

 

CMYK 83 / 0 / 87 / 16

HEX #24D71D

RGB 36 215 29

HSL 117.74, 0.76%, 0.48%

LAB 75.49, -72.94, 69.66

 

CMYK 87 / 0 / 66 / 16

HEX #1DD749

RGB 29 215 73

HSL 134.19, 0.76%, 0.48%

LAB 75.66, -70.49, 56.01

 

CMYK 87 / 0 / 43 / 16

HEX #1DD77A

RGB 29 215 122

HSL 150, 0.76%, 0.48%

LAB 76.23, -63.6, 33.96

 

CMYK 87 / 0 / 20 / 16

HEX #1DD7AC

RGB 29 215 172

HSL 166.13, 0.76%, 0.48%

LAB 77.19, -52.91, 9.15

 

CMYK 87 / 0 / 66 / 44

HEX #138F31

RGB 19 143 49

HSL 134.52, 0.77%, 0.32%

LAB 51.84, -51.41, 40

 

CMYK 87 / 0 / 65 / 30

HEX #18B33E

RGB 24 179 62

HSL 134.71, 0.76%, 0.4%

LAB 63.98, -61.04, 47.76

 

CMYK 87 / 0 / 65 / 16

HEX #1DD74B

RGB 29 215 75

HSL 134.84, 0.76%, 0.48%

LAB 75.68, -70.28, 55.21

 

CMYK 75 / 0 / 57 / 11

HEX #3AE463

RGB 58 228 99

HSL 134.47, 0.76%, 0.56%

LAB 80.34, -68.37, 50.21

 

CMYK 60 / 0 / 45 / 9

HEX #5EE980

RGB 94 233 128

HSL 134.68, 0.76%, 0.64%

LAB 83.03, -59.63, 39.95

 

CMYK 86 / 0 / 65 / 16

HEX #1ED74B

RGB 30 215 75

HSL 134.59, 0.76%, 0.48%

LAB 75.69, -70.2, 55.22

 

CMYK 87 / 37 / 0 / 16

HEX #1D87D7

RGB 29 135 215

HSL 205.81, 0.76%, 0.48%

LAB 54.55, 0.26, -48.9

 

CMYK 0 / 87 / 72 / 16

HEX #D71D3C

RGB 215 29 60

HSL 350, 0.76%, 0.48%

LAB 46.51, 68.22, 32.74

 

CMYK 86 / 0 / 65 / 16

HEX #1ED74B

RGB 30 215 75

HSL 134.59, 0.76%, 0.48%

LAB 75.69, -70.2, 55.22

 

CMYK 66 / 87 / 0 / 16

HEX #491DD7

RGB 73 29 215

HSL 254.19, 0.76%, 0.48%

LAB 32.26, 64.87, -85.08

 

CMYK 0 / 66 / 87 / 16

HEX #D7491D

RGB 215 73 29

HSL 14.19, 0.76%, 0.48%

LAB 51.04, 53.84, 53.39

 

CMYK 86 / 0 / 65 / 16

HEX #1ED74B

RGB 30 215 75

HSL 134.59, 0.76%, 0.48%

LAB 75.69, -70.2, 55.22

 

CMYK 87 / 37 / 0 / 16

HEX #1D87D7

RGB 29 135 215

HSL 205.81, 0.76%, 0.48%

LAB 54.55, 0.26, -48.9

 

CMYK 0 / 87 / 20 / 16

HEX #D71DAC

RGB 215 29 172

HSL 313.87, 0.76%, 0.48%

LAB 49.86, 77.57, -30.48

 

CMYK 0 / 49 / 87 / 16

HEX #D76E1D

RGB 215 110 29

HSL 26.13, 0.76%, 0.48%

LAB 57.74, 36.47, 58.83

 

CMYK 86 / 0 / 65 / 16

HEX #1ED74B

RGB 30 215 75

HSL 134.59, 0.76%, 0.48%

LAB 75.69, -70.2, 55.22

 

CMYK 87 / 63 / 0 / 16

HEX #1D4FD7

RGB 29 79 215

HSL 223.87, 0.76%, 0.48%

LAB 39.17, 35.76, -73.75

 

CMYK 0 / 87 / 20 / 16

HEX #D71DAC

RGB 215 29 172

HSL 313.87, 0.76%, 0.48%

LAB 49.86, 77.57, -30.48

 

CMYK 0 / 23 / 87 / 16

HEX #D7A61D

RGB 215 166 29

HSL 44.19, 0.76%, 0.48%

LAB 70.74, 6.61, 69.33

 

Description

Color code: HEX #1ED74B | qconv.com Color code: HEX #1ED74B | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 30 red, 215 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
30 215 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, none magenta, 65 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 0% 65% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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