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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1ED6D4 it is the complementary color #E1292B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1ED6D4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1ED6D4 shade: #23D6CF, #34E8E2, #45FAF5, #56FFFF and #67FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1ED6D4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1ED6D4 shade: #1ED6D4, #0DC4C1, #00B2AE, #00A09B and #008E88

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1ED6D4 shade: #1FD6D4, #1FD6A3, #1FD671, #1FD640 and #2FD61F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1ED6D4 shade: #1FD6D4, #1FA7D6, #1F75D6, #1F44D6 and #1F1FD6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1ED6D4 shade matches the following richer shades: #1FD6D4 and #0BEAE8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1ED6D4 shade: #1FD6D4, #32C2C1, #46AFAD, #5A9B9A and #6E8787

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1ED6D4 shade: #1FD671, #1FD6A2, #1FD6D3, #1FA8D6 and #1F77D6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1ED6D4 shade: #148E8D, #19B2B0, #1FD6D4, #3BE3E1 and #5FE8E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1ED6D4 shade: #1ED6D4, #401FD6 and #D68A1F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1ED6D4 shade: #1ED6D4, #D31FD6 and #D6D31F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1ED6D4 shade: #1ED6D4, #401FD6, #D61F22 and #B5D61F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1ED6D4 shade: #1ED6D4, #771FD6, #D61F22 and #7DD61F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 0 / 1 / 16

HEX #1ED6D4

RGB 30 214 212

HSL 179.35, 0.75%, 0.48%

LAB 77.95, -41.63, -11.14

 

Complementary color

CMYK 0 / 82 / 81 / 12

HEX #E1292B

RGB 225 41 43

HSL 359.35, 0.75%, 0.52%

LAB 49.21, 67.76, 45.88

 

CMYK 84 / 0 / 3 / 16

HEX #23D6CF

RGB 35 214 207

HSL 177.65, 0.72%, 0.49%

LAB 77.85, -42.75, -8.6

 

CMYK 78 / 0 / 3 / 9

HEX #34E8E2

RGB 52 232 226

HSL 178, 0.8%, 0.56%

LAB 83.93, -43.95, -9.65

 

CMYK 72 / 0 / 2 / 2

HEX #45FAF5

RGB 69 250 245

HSL 178.34, 0.95%, 0.63%

LAB 89.97, -44.89, -10.6

 

CMYK 66 / 0 / 0 / 0

HEX #56FFFF

RGB 86 255 255

HSL 180, 1%, 0.67%

LAB 92.01, -42.31, -12.72

 

CMYK 60 / 0 / 0 / 0

HEX #67FFFF

RGB 103 255 255

HSL 180, 1%, 0.7%

LAB 92.41, -39.79, -12.07

 

CMYK 86 / 0 / 1 / 16

HEX #1ED6D4

RGB 30 214 212

HSL 179.35, 0.75%, 0.48%

LAB 77.95, -41.63, -11.14

 

CMYK 93 / 0 / 2 / 23

HEX #0DC4C1

RGB 13 196 193

HSL 179.02, 0.88%, 0.41%

LAB 71.84, -39.95, -10.01

 

CMYK 100 / 0 / 2 / 30

HEX #00B2AE

RGB 0 178 174

HSL 178.65, 1%, 0.35%

LAB 65.67, -37.93, -8.76

 

CMYK 100 / 0 / 3 / 37

HEX #00A09B

RGB 0 160 155

HSL 178.13, 1%, 0.31%

LAB 59.44, -35.48, -7.38

 

CMYK 100 / 0 / 4 / 44

HEX #008E88

RGB 0 142 136

HSL 177.46, 1%, 0.28%

LAB 53.08, -32.99, -5.96

 

CMYK 86 / 0 / 1 / 16

HEX #1FD6D4

RGB 31 214 212

HSL 179.34, 0.75%, 0.48%

LAB 77.96, -41.57, -11.13

 

CMYK 86 / 0 / 24 / 16

HEX #1FD6A3

RGB 31 214 163

HSL 163.28, 0.75%, 0.48%

LAB 76.7, -54.56, 13.25

 

CMYK 86 / 0 / 47 / 16

HEX #1FD671

RGB 31 214 113

HSL 146.89, 0.75%, 0.48%

LAB 75.81, -64.66, 37.92

 

CMYK 86 / 0 / 70 / 16

HEX #1FD640

RGB 31 214 64

HSL 130.82, 0.75%, 0.48%

LAB 75.3, -70.89, 59.14

 

CMYK 78 / 0 / 86 / 16

HEX #2FD61F

RGB 47 214 31

HSL 114.75, 0.75%, 0.48%

LAB 75.32, -71.3, 69.15

 

CMYK 86 / 0 / 1 / 16

HEX #1FD6D4

RGB 31 214 212

HSL 179.34, 0.75%, 0.48%

LAB 77.96, -41.57, -11.13

 

CMYK 86 / 22 / 0 / 16

HEX #1FA7D6

RGB 31 167 214

HSL 195.41, 0.75%, 0.48%

LAB 63.99, -18.03, -33.51

 

CMYK 86 / 45 / 0 / 16

HEX #1F75D6

RGB 31 117 214

HSL 211.8, 0.75%, 0.48%

LAB 49.34, 11.06, -56.67

 

CMYK 86 / 68 / 0 / 16

HEX #1F44D6

RGB 31 68 214

HSL 227.87, 0.75%, 0.48%

LAB 36.52, 42.44, -77.53

 

CMYK 86 / 86 / 0 / 16

HEX #1F1FD6

RGB 31 31 214

HSL 240, 0.75%, 0.48%

LAB 29.73, 61.77, -88.78

 

CMYK 86 / 0 / 1 / 16

HEX #1FD6D4

RGB 31 214 212

HSL 179.34, 0.75%, 0.48%

LAB 77.96, -41.57, -11.13

 

CMYK 95 / 0 / 1 / 8

HEX #0BEAE8

RGB 11 234 232

HSL 179.46, 0.91%, 0.48%

LAB 84.35, -45.39, -12.22

 

CMYK 86 / 0 / 1 / 16

HEX #1FD6D4

RGB 31 214 212

HSL 179.34, 0.75%, 0.48%

LAB 77.96, -41.57, -11.13

 

CMYK 74 / 0 / 1 / 24

HEX #32C2C1

RGB 50 194 193

HSL 179.58, 0.59%, 0.48%

LAB 71.63, -36.41, -10.27

 

CMYK 60 / 0 / 1 / 31

HEX #46AFAD

RGB 70 175 173

HSL 178.86, 0.43%, 0.48%

LAB 65.73, -30.24, -8

 

CMYK 42 / 0 / 1 / 39

HEX #5A9B9A

RGB 90 155 154

HSL 179.08, 0.27%, 0.48%

LAB 59.84, -20.99, -6

 

CMYK 19 / 0 / 0 / 47

HEX #6E8787

RGB 110 135 135

HSL 180, 0.1%, 0.48%

LAB 54.44, -8.89, -2.98

 

CMYK 86 / 0 / 47 / 16

HEX #1FD671

RGB 31 214 113

HSL 146.89, 0.75%, 0.48%

LAB 75.81, -64.66, 37.92

 

CMYK 86 / 0 / 24 / 16

HEX #1FD6A2

RGB 31 214 162

HSL 162.95, 0.75%, 0.48%

LAB 76.67, -54.79, 13.75

 

CMYK 86 / 0 / 1 / 16

HEX #1FD6D3

RGB 31 214 211

HSL 179.02, 0.75%, 0.48%

LAB 77.93, -41.86, -10.64

 

CMYK 86 / 21 / 0 / 16

HEX #1FA8D6

RGB 31 168 214

HSL 195.08, 0.75%, 0.48%

LAB 64.28, -18.57, -33.04

 

CMYK 86 / 44 / 0 / 16

HEX #1F77D6

RGB 31 119 214

HSL 211.15, 0.75%, 0.48%

LAB 49.91, 9.8, -55.75

 

CMYK 86 / 0 / 1 / 44

HEX #148E8D

RGB 20 142 141

HSL 179.51, 0.75%, 0.32%

LAB 53.4, -30.35, -8.36

 

CMYK 86 / 0 / 1 / 30

HEX #19B2B0

RGB 25 178 176

HSL 179.22, 0.75%, 0.4%

LAB 65.89, -36.25, -9.52

 

CMYK 86 / 0 / 1 / 16

HEX #1FD6D4

RGB 31 214 212

HSL 179.34, 0.75%, 0.48%

LAB 77.96, -41.57, -11.13

 

CMYK 74 / 0 / 1 / 11

HEX #3BE3E1

RGB 59 227 225

HSL 179.29, 0.75%, 0.56%

LAB 82.54, -41.32, -11.18

 

CMYK 59 / 0 / 0 / 9

HEX #5FE8E7

RGB 95 232 231

HSL 179.56, 0.75%, 0.64%

LAB 84.95, -36.97, -10.67

 

CMYK 86 / 0 / 1 / 16

HEX #1ED6D4

RGB 30 214 212

HSL 179.35, 0.75%, 0.48%

LAB 77.95, -41.63, -11.14

 

CMYK 70 / 86 / 0 / 16

HEX #401FD6

RGB 64 31 214

HSL 250.82, 0.75%, 0.48%

LAB 31.64, 63.32, -85.56

 

CMYK 0 / 36 / 86 / 16

HEX #D68A1F

RGB 214 138 31

HSL 35.08, 0.75%, 0.48%

LAB 63.81, 21.28, 63.1

 

CMYK 86 / 0 / 1 / 16

HEX #1ED6D4

RGB 30 214 212

HSL 179.35, 0.75%, 0.48%

LAB 77.95, -41.63, -11.14

 

CMYK 1 / 86 / 0 / 16

HEX #D31FD6

RGB 211 31 214

HSL 299.02, 0.75%, 0.48%

LAB 51.48, 82.25, -52.35

 

CMYK 0 / 1 / 86 / 16

HEX #D6D31F

RGB 214 211 31

HSL 59.02, 0.75%, 0.48%

LAB 82.37, -16.98, 78.28

 

CMYK 86 / 0 / 1 / 16

HEX #1ED6D4

RGB 30 214 212

HSL 179.35, 0.75%, 0.48%

LAB 77.95, -41.63, -11.14

 

CMYK 70 / 86 / 0 / 16

HEX #401FD6

RGB 64 31 214

HSL 250.82, 0.75%, 0.48%

LAB 31.64, 63.32, -85.56

 

CMYK 0 / 86 / 84 / 16

HEX #D61F22

RGB 214 31 34

HSL 359.02, 0.75%, 0.48%

LAB 46.17, 66.74, 46.9

 

CMYK 15 / 0 / 86 / 16

HEX #B5D61F

RGB 181 214 31

HSL 70.82, 0.75%, 0.48%

LAB 80.75, -32.14, 75.94

 

CMYK 86 / 0 / 1 / 16

HEX #1ED6D4

RGB 30 214 212

HSL 179.35, 0.75%, 0.48%

LAB 77.95, -41.63, -11.14

 

CMYK 44 / 86 / 0 / 16

HEX #771FD6

RGB 119 31 214

HSL 268.85, 0.75%, 0.48%

LAB 37.4, 68.37, -75.84

 

CMYK 0 / 86 / 84 / 16

HEX #D61F22

RGB 214 31 34

HSL 359.02, 0.75%, 0.48%

LAB 46.17, 66.74, 46.9

 

CMYK 42 / 0 / 86 / 16

HEX #7DD61F

RGB 125 214 31

HSL 89.18, 0.75%, 0.48%

LAB 77.61, -52.95, 72.03

 

Description

Color code: HEX #1ED6D4 | qconv.com Color code: HEX #1ED6D4 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 30 red, 214 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
30 214 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, none magenta, 1 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 0% 1% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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