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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1ED549 it is the complementary color #E12AB6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1ED549. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1ED549 shade: #23D544, #34E757, #45F96A, #56FF7D and #67FF90

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1ED549. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1ED549 shade: #1ED549, #0DC336, #00B123, #009F10 and #008D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1ED549 shade: #1FD64A, #25D61F, #56D61F, #88D61F and #B9D61F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1ED549 shade: #1FD64A, #1FD67B, #1FD6AD, #1FCED6 and #1F9DD6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1ED549 shade matches the following richer shades: #1FD64A and #0BEA3F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1ED549 shade: #1FD64A, #32C254, #46AF5F, #5A9B69 and #6E8774

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1ED549 shade: #56D61F, #25D61F, #1FD649, #1FD67A and #1FD6AB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1ED549 shade: #148E31, #19B23D, #1FD64A, #3BE363 and #5FE87F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1ED549 shade: #1ED549, #1F87D6 and #D61F3D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1ED549 shade: #1ED549, #491FD6 and #D6491F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1ED549 shade: #1ED549, #1F87D6, #D61FAB and #D66E1F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1ED549 shade: #1ED549, #1F50D6, #D61FAB and #D6A51F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 0 / 66 / 16

HEX #1ED549

RGB 30 213 73

HSL 134.1, 0.75%, 0.48%

LAB 75.04, -69.81, 55.33

 

Complementary color

CMYK 0 / 81 / 19 / 12

HEX #E12AB6

RGB 225 42 182

HSL 314.1, 0.75%, 0.52%

LAB 52.99, 78.31, -31.32

 

CMYK 84 / 0 / 68 / 16

HEX #23D544

RGB 35 213 68

HSL 131.12, 0.72%, 0.49%

LAB 75.05, -69.86, 57.36

 

CMYK 77 / 0 / 62 / 9

HEX #34E757

RGB 52 231 87

HSL 131.73, 0.79%, 0.55%

LAB 81.05, -71.55, 56.26

 

CMYK 72 / 0 / 57 / 2

HEX #45F96A

RGB 69 249 106

HSL 132.33, 0.94%, 0.62%

LAB 87.02, -72.75, 54.99

 

CMYK 66 / 0 / 51 / 0

HEX #56FF7D

RGB 86 255 125

HSL 133.85, 1%, 0.67%

LAB 89.38, -69.51, 49.29

 

CMYK 60 / 0 / 44 / 0

HEX #67FF90

RGB 103 255 144

HSL 136.18, 1%, 0.7%

LAB 90.05, -63.46, 41.19

 

CMYK 86 / 0 / 66 / 16

HEX #1ED549

RGB 30 213 73

HSL 134.1, 0.75%, 0.48%

LAB 75.04, -69.81, 55.33

 

CMYK 93 / 0 / 72 / 24

HEX #0DC336

RGB 13 195 54

HSL 133.52, 0.88%, 0.41%

LAB 69.03, -67.39, 56.31

 

CMYK 100 / 0 / 80 / 31

HEX #00B123

RGB 0 177 35

HSL 131.86, 1%, 0.35%

LAB 62.98, -64.22, 56.68

 

CMYK 100 / 0 / 90 / 38

HEX #009F10

RGB 0 159 16

HSL 126.04, 1%, 0.31%

LAB 56.91, -60.07, 55.93

 

CMYK 100 / 0 / 100 / 45

HEX #008D00

RGB 0 141 0

HSL 120, 1%, 0.28%

LAB 50.75, -55.45, 53.52

 

CMYK 86 / 0 / 65 / 16

HEX #1FD64A

RGB 31 214 74

HSL 134.1, 0.75%, 0.48%

LAB 75.38, -69.92, 55.29

 

CMYK 83 / 0 / 86 / 16

HEX #25D61F

RGB 37 214 31

HSL 118.03, 0.75%, 0.48%

LAB 75.19, -72.47, 68.98

 

CMYK 60 / 0 / 86 / 16

HEX #56D61F

RGB 86 214 31

HSL 101.97, 0.75%, 0.48%

LAB 76.17, -64.09, 70.22

 

CMYK 36 / 0 / 86 / 16

HEX #88D61F

RGB 136 214 31

HSL 85.57, 0.75%, 0.48%

LAB 78.13, -49.23, 72.68

 

CMYK 14 / 0 / 86 / 16

HEX #B9D61F

RGB 185 214 31

HSL 69.51, 0.75%, 0.48%

LAB 81.02, -30.52, 76.28

 

CMYK 86 / 0 / 65 / 16

HEX #1FD64A

RGB 31 214 74

HSL 134.1, 0.75%, 0.48%

LAB 75.38, -69.92, 55.29

 

CMYK 86 / 0 / 43 / 16

HEX #1FD67B

RGB 31 214 123

HSL 150.16, 0.75%, 0.48%

LAB 75.96, -62.93, 33.1

 

CMYK 86 / 0 / 19 / 16

HEX #1FD6AD

RGB 31 214 173

HSL 166.56, 0.75%, 0.48%

LAB 76.92, -52.13, 8.25

 

CMYK 86 / 4 / 0 / 16

HEX #1FCED6

RGB 31 206 214

HSL 182.62, 0.75%, 0.48%

LAB 75.63, -37.35, -15.69

 

CMYK 86 / 27 / 0 / 16

HEX #1F9DD6

RGB 31 157 214

HSL 198.69, 0.75%, 0.48%

LAB 61.01, -12.61, -38.14

 

CMYK 86 / 0 / 65 / 16

HEX #1FD64A

RGB 31 214 74

HSL 134.1, 0.75%, 0.48%

LAB 75.38, -69.92, 55.29

 

CMYK 95 / 0 / 73 / 8

HEX #0BEA3F

RGB 11 234 63

HSL 133.99, 0.91%, 0.48%

LAB 81.44, -77.86, 65.78

 

CMYK 86 / 0 / 65 / 16

HEX #1FD64A

RGB 31 214 74

HSL 134.1, 0.75%, 0.48%

LAB 75.38, -69.92, 55.29

 

CMYK 74 / 0 / 57 / 24

HEX #32C254

RGB 50 194 84

HSL 134.17, 0.59%, 0.48%

LAB 69.4, -60.14, 44.13

 

CMYK 60 / 0 / 46 / 31

HEX #46AF5F

RGB 70 175 95

HSL 134.29, 0.43%, 0.48%

LAB 63.99, -47.78, 32.14

 

CMYK 42 / 0 / 32 / 39

HEX #5A9B69

RGB 90 155 105

HSL 133.85, 0.27%, 0.48%

LAB 58.64, -32.01, 19.88

 

CMYK 19 / 0 / 14 / 47

HEX #6E8774

RGB 110 135 116

HSL 134.4, 0.1%, 0.48%

LAB 53.92, -12.96, 7.27

 

CMYK 60 / 0 / 86 / 16

HEX #56D61F

RGB 86 214 31

HSL 101.97, 0.75%, 0.48%

LAB 76.17, -64.09, 70.22

 

CMYK 83 / 0 / 86 / 16

HEX #25D61F

RGB 37 214 31

HSL 118.03, 0.75%, 0.48%

LAB 75.19, -72.47, 68.98

 

CMYK 86 / 0 / 66 / 16

HEX #1FD649

RGB 31 214 73

HSL 133.77, 0.75%, 0.48%

LAB 75.37, -70.03, 55.69

 

CMYK 86 / 0 / 43 / 16

HEX #1FD67A

RGB 31 214 122

HSL 149.84, 0.75%, 0.48%

LAB 75.94, -63.11, 33.58

 

CMYK 86 / 0 / 20 / 16

HEX #1FD6AB

RGB 31 214 171

HSL 165.9, 0.75%, 0.48%

LAB 76.88, -52.63, 9.25

 

CMYK 86 / 0 / 65 / 44

HEX #148E31

RGB 20 142 49

HSL 134.26, 0.75%, 0.32%

LAB 51.52, -50.98, 39.64

 

CMYK 86 / 0 / 66 / 30

HEX #19B23D

RGB 25 178 61

HSL 134.12, 0.75%, 0.4%

LAB 63.66, -60.75, 47.83

 

CMYK 86 / 0 / 65 / 16

HEX #1FD64A

RGB 31 214 74

HSL 134.1, 0.75%, 0.48%

LAB 75.38, -69.92, 55.29

 

CMYK 74 / 0 / 56 / 11

HEX #3BE363

RGB 59 227 99

HSL 134.29, 0.75%, 0.56%

LAB 80.05, -67.9, 49.87

 

CMYK 59 / 0 / 45 / 9

HEX #5FE87F

RGB 95 232 127

HSL 134.01, 0.75%, 0.64%

LAB 82.74, -59.2, 40.09

 

CMYK 86 / 0 / 66 / 16

HEX #1ED549

RGB 30 213 73

HSL 134.1, 0.75%, 0.48%

LAB 75.04, -69.81, 55.33

 

CMYK 86 / 37 / 0 / 16

HEX #1F87D6

RGB 31 135 214

HSL 205.9, 0.75%, 0.48%

LAB 54.53, 0.03, -48.37

 

CMYK 0 / 86 / 71 / 16

HEX #D61F3D

RGB 214 31 61

HSL 350.16, 0.75%, 0.48%

LAB 46.46, 67.62, 32.03

 

CMYK 86 / 0 / 66 / 16

HEX #1ED549

RGB 30 213 73

HSL 134.1, 0.75%, 0.48%

LAB 75.04, -69.81, 55.33

 

CMYK 66 / 86 / 0 / 16

HEX #491FD6

RGB 73 31 214

HSL 253.77, 0.75%, 0.48%

LAB 32.37, 63.93, -84.31

 

CMYK 0 / 66 / 86 / 16

HEX #D6491F

RGB 214 73 31

HSL 13.77, 0.75%, 0.48%

LAB 50.87, 53.54, 52.35

 

CMYK 86 / 0 / 66 / 16

HEX #1ED549

RGB 30 213 73

HSL 134.1, 0.75%, 0.48%

LAB 75.04, -69.81, 55.33

 

CMYK 86 / 37 / 0 / 16

HEX #1F87D6

RGB 31 135 214

HSL 205.9, 0.75%, 0.48%

LAB 54.53, 0.03, -48.37

 

CMYK 0 / 86 / 20 / 16

HEX #D61FAB

RGB 214 31 171

HSL 314.1, 0.75%, 0.48%

LAB 49.76, 76.89, -30.07

 

CMYK 0 / 49 / 86 / 16

HEX #D66E1F

RGB 214 110 31

HSL 25.9, 0.75%, 0.48%

LAB 57.6, 36.12, 57.97

 

CMYK 86 / 0 / 66 / 16

HEX #1ED549

RGB 30 213 73

HSL 134.1, 0.75%, 0.48%

LAB 75.04, -69.81, 55.33

 

CMYK 86 / 63 / 0 / 16

HEX #1F50D6

RGB 31 80 214

HSL 223.93, 0.75%, 0.48%

LAB 39.38, 34.87, -72.83

 

CMYK 0 / 86 / 20 / 16

HEX #D61FAB

RGB 214 31 171

HSL 314.1, 0.75%, 0.48%

LAB 49.76, 76.89, -30.07

 

CMYK 0 / 23 / 86 / 16

HEX #D6A51F

RGB 214 165 31

HSL 43.93, 0.75%, 0.48%

LAB 70.39, 6.75, 68.5

 

Description

Color code: HEX #1ED549 | qconv.com Color code: HEX #1ED549 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 30 red, 213 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
30 213 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, none magenta, 66 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 0% 66% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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