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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1ED1D2 it is the complementary color #E12E2D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1ED1D2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1ED1D2 shade: #23D1CD, #34E3E0, #45F5F3, #56FFFF and #67FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1ED1D2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1ED1D2 shade: #1ED1D2, #0DBFBF, #00ADAC, #009B99 and #008986

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1ED1D2 shade: #1DD0D1, #1DA0D1, #1D6FD1, #1D3FD1 and #2D1DD1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1ED1D2 shade: #1DD0D1, #1DA0D1, #1D6FD1, #1D3FD1 and #1D1DD1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1ED1D2 shade matches the following richer shades: #1DD0D1 and #0AE3E5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1ED1D2 shade: #1DD0D1, #31BDBE, #44AAAA, #589797 and #6B8484

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1ED1D2 shade: #1DD171, #1DD1A1, #1DD1D1, #1DA1D1 and #1D71D1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1ED1D2 shade: #138889, #18ACAD, #1DD0D1, #36E1E2 and #5AE6E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1ED1D2 shade: #1ED1D2, #411DD1 and #D1891D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1ED1D2 shade: #1ED1D2, #D11DD1 and #D1D11D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1ED1D2 shade: #1ED1D2, #411DD1, #D11D1D and #ADD11D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1ED1D2 shade: #1ED1D2, #771DD1, #D11D1D and #77D11D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 0 / 0 / 18

HEX #1ED1D2

RGB 30 209 210

HSL 180.33, 0.75%, 0.47%

LAB 76.39, -39.97, -12.39

 

Complementary color

CMYK 0 / 80 / 80 / 12

HEX #E12E2D

RGB 225 46 45

HSL 0.33, 0.75%, 0.53%

LAB 49.68, 66.55, 45.27

 

CMYK 83 / 0 / 2 / 18

HEX #23D1CD

RGB 35 209 205

HSL 178.62, 0.71%, 0.48%

LAB 76.29, -41.1, -9.84

 

CMYK 77 / 0 / 1 / 11

HEX #34E3E0

RGB 52 227 224

HSL 178.97, 0.76%, 0.55%

LAB 82.41, -42.3, -10.86

 

CMYK 72 / 0 / 1 / 4

HEX #45F5F3

RGB 69 245 243

HSL 179.32, 0.9%, 0.62%

LAB 88.47, -43.24, -11.79

 

CMYK 66 / 0 / 0 / 0

HEX #56FFFF

RGB 86 255 255

HSL 180, 1%, 0.67%

LAB 92.01, -42.31, -12.72

 

CMYK 60 / 0 / 0 / 0

HEX #67FFFF

RGB 103 255 255

HSL 180, 1%, 0.7%

LAB 92.41, -39.79, -12.07

 

CMYK 86 / 0 / 0 / 18

HEX #1ED1D2

RGB 30 209 210

HSL 180.33, 0.75%, 0.47%

LAB 76.39, -39.97, -12.39

 

CMYK 93 / 0 / 0 / 25

HEX #0DBFBF

RGB 13 191 191

HSL 180, 0.87%, 0.4%

LAB 70.25, -38.29, -11.28

 

CMYK 100 / 0 / 1 / 32

HEX #00ADAC

RGB 0 173 172

HSL 179.65, 1%, 0.34%

LAB 64.05, -36.25, -10.06

 

CMYK 100 / 0 / 1 / 39

HEX #009B99

RGB 0 155 153

HSL 179.23, 1%, 0.3%

LAB 57.79, -33.78, -8.7

 

CMYK 100 / 0 / 2 / 46

HEX #008986

RGB 0 137 134

HSL 178.69, 1%, 0.27%

LAB 51.4, -31.25, -7.31

 

CMYK 86 / 0 / 0 / 18

HEX #1DD0D1

RGB 29 208 209

HSL 180.33, 0.76%, 0.47%

LAB 76.05, -39.88, -12.36

 

CMYK 86 / 23 / 0 / 18

HEX #1DA0D1

RGB 29 160 209

HSL 196.33, 0.76%, 0.47%

LAB 61.66, -16.16, -34.35

 

CMYK 86 / 47 / 0 / 18

HEX #1D6FD1

RGB 29 111 209

HSL 212.67, 0.76%, 0.47%

LAB 47.28, 12.77, -57.13

 

CMYK 86 / 70 / 0 / 18

HEX #1D3FD1

RGB 29 63 209

HSL 228.67, 0.76%, 0.47%

LAB 34.84, 43.6, -77.41

 

CMYK 78 / 86 / 0 / 18

HEX #2D1DD1

RGB 45 29 209

HSL 245.33, 0.76%, 0.47%

LAB 29.51, 61.64, -86.22

 

CMYK 86 / 0 / 0 / 18

HEX #1DD0D1

RGB 29 208 209

HSL 180.33, 0.76%, 0.47%

LAB 76.05, -39.88, -12.36

 

CMYK 86 / 23 / 0 / 18

HEX #1DA0D1

RGB 29 160 209

HSL 196.33, 0.76%, 0.47%

LAB 61.66, -16.16, -34.35

 

CMYK 86 / 47 / 0 / 18

HEX #1D6FD1

RGB 29 111 209

HSL 212.67, 0.76%, 0.47%

LAB 47.28, 12.77, -57.13

 

CMYK 86 / 70 / 0 / 18

HEX #1D3FD1

RGB 29 63 209

HSL 228.67, 0.76%, 0.47%

LAB 34.84, 43.6, -77.41

 

CMYK 86 / 86 / 0 / 18

HEX #1D1DD1

RGB 29 29 209

HSL 240, 0.76%, 0.47%

LAB 28.76, 61.05, -87.51

 

CMYK 86 / 0 / 0 / 18

HEX #1DD0D1

RGB 29 208 209

HSL 180.33, 0.76%, 0.47%

LAB 76.05, -39.88, -12.36

 

CMYK 96 / 1 / 0 / 10

HEX #0AE3E5

RGB 10 227 229

HSL 180.55, 0.92%, 0.47%

LAB 82.2, -43.21, -13.86

 

CMYK 86 / 0 / 0 / 18

HEX #1DD0D1

RGB 29 208 209

HSL 180.33, 0.76%, 0.47%

LAB 76.05, -39.88, -12.36

 

CMYK 74 / 1 / 0 / 25

HEX #31BDBE

RGB 49 189 190

HSL 180.43, 0.59%, 0.47%

LAB 70.01, -35.07, -11.05

 

CMYK 60 / 0 / 0 / 33

HEX #44AAAA

RGB 68 170 170

HSL 180, 0.43%, 0.47%

LAB 64.06, -29.01, -8.82

 

CMYK 42 / 0 / 0 / 41

HEX #589797

RGB 88 151 151

HSL 180, 0.26%, 0.47%

LAB 58.45, -20.21, -6.37

 

CMYK 19 / 0 / 0 / 48

HEX #6B8484

RGB 107 132 132

HSL 180, 0.1%, 0.47%

LAB 53.27, -8.92, -2.98

 

CMYK 86 / 0 / 46 / 18

HEX #1DD171

RGB 29 209 113

HSL 148, 0.76%, 0.47%

LAB 74.22, -63.13, 35.9

 

CMYK 86 / 0 / 23 / 18

HEX #1DD1A1

RGB 29 209 161

HSL 164, 0.76%, 0.47%

LAB 75.1, -53.22, 12.06

 

CMYK 86 / 0 / 0 / 18

HEX #1DD1D1

RGB 29 209 209

HSL 180, 0.76%, 0.47%

LAB 76.35, -40.33, -11.91

 

CMYK 86 / 23 / 0 / 18

HEX #1DA1D1

RGB 29 161 209

HSL 196, 0.76%, 0.47%

LAB 61.96, -16.7, -33.88

 

CMYK 86 / 46 / 0 / 18

HEX #1D71D1

RGB 29 113 209

HSL 212, 0.76%, 0.47%

LAB 47.85, 11.5, -56.22

 

CMYK 86 / 1 / 0 / 46

HEX #138889

RGB 19 136 137

HSL 180.51, 0.76%, 0.31%

LAB 51.33, -28.76, -9.14

 

CMYK 86 / 1 / 0 / 32

HEX #18ACAD

RGB 24 172 173

HSL 180.4, 0.76%, 0.39%

LAB 63.93, -34.44, -10.78

 

CMYK 86 / 0 / 0 / 18

HEX #1DD0D1

RGB 29 208 209

HSL 180.33, 0.76%, 0.47%

LAB 76.05, -39.88, -12.36

 

CMYK 76 / 0 / 0 / 11

HEX #36E1E2

RGB 54 225 226

HSL 180.35, 0.75%, 0.55%

LAB 81.91, -40.65, -12.66

 

CMYK 61 / 0 / 0 / 9

HEX #5AE6E7

RGB 90 230 231

HSL 180.43, 0.75%, 0.63%

LAB 84.24, -36.88, -11.74

 

CMYK 86 / 0 / 0 / 18

HEX #1ED1D2

RGB 30 209 210

HSL 180.33, 0.75%, 0.47%

LAB 76.39, -39.97, -12.39

 

CMYK 69 / 86 / 0 / 18

HEX #411DD1

RGB 65 29 209

HSL 252, 0.76%, 0.47%

LAB 30.89, 62.74, -83.89

 

CMYK 0 / 34 / 86 / 18

HEX #D1891D

RGB 209 137 29

HSL 36, 0.76%, 0.47%

LAB 62.96, 19.62, 62.74

 

CMYK 86 / 0 / 0 / 18

HEX #1ED1D2

RGB 30 209 210

HSL 180.33, 0.75%, 0.47%

LAB 76.39, -39.97, -12.39

 

CMYK 0 / 86 / 0 / 18

HEX #D11DD1

RGB 209 29 209

HSL 300, 0.76%, 0.47%

LAB 50.73, 81.49, -50.7

 

CMYK 0 / 0 / 86 / 18

HEX #D1D11D

RGB 209 209 29

HSL 60, 0.76%, 0.47%

LAB 81.43, -18.16, 77.74

 

CMYK 86 / 0 / 0 / 18

HEX #1ED1D2

RGB 30 209 210

HSL 180.33, 0.75%, 0.47%

LAB 76.39, -39.97, -12.39

 

CMYK 69 / 86 / 0 / 18

HEX #411DD1

RGB 65 29 209

HSL 252, 0.76%, 0.47%

LAB 30.89, 62.74, -83.89

 

CMYK 0 / 86 / 86 / 18

HEX #D11D1D

RGB 209 29 29

HSL 0, 0.76%, 0.47%

LAB 44.97, 65.69, 47.94

 

CMYK 17 / 0 / 86 / 18

HEX #ADD11D

RGB 173 209 29

HSL 72, 0.76%, 0.47%

LAB 78.8, -33.11, 74.5

 

CMYK 86 / 0 / 0 / 18

HEX #1ED1D2

RGB 30 209 210

HSL 180.33, 0.75%, 0.47%

LAB 76.39, -39.97, -12.39

 

CMYK 43 / 86 / 0 / 18

HEX #771DD1

RGB 119 29 209

HSL 270, 0.76%, 0.47%

LAB 36.75, 67.8, -74.02

 

CMYK 0 / 86 / 86 / 18

HEX #D11D1D

RGB 209 29 29

HSL 0, 0.76%, 0.47%

LAB 44.97, 65.69, 47.94

 

CMYK 43 / 0 / 86 / 18

HEX #77D11D

RGB 119 209 29

HSL 90, 0.76%, 0.47%

LAB 75.83, -53.02, 70.81

 

Description

Color code: HEX #1ED1D2 | qconv.com Color code: HEX #1ED1D2 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 30 red, 209 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
30 209 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, none magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 0% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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