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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1ED174 it is the complementary color #E12E8B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1ED174. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1ED174 shade: #23D16F, #34E382, #45F595, #56FFA8 and #67FFBB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1ED174. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1ED174 shade: #1ED174, #0DBF61, #00AD4E, #009B3B and #008928

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1ED174 shade: #1ED274, #1ED244, #29D21E, #59D21E and #89D21E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1ED174 shade: #1ED274, #1ED2A5, #1ECED2, #1E9ED2 and #1E6DD2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1ED174 shade matches the following richer shades: #1ED274 and #0BE574

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1ED174 shade: #1ED274, #31BE75, #45AB76, #589877 and #6C8477

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1ED174 shade: #2AD21E, #1ED242, #1ED272, #1ED2A2 and #1ED2D2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1ED174 shade: #148A4C, #19AE60, #1ED274, #37E289 and #5BE89E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1ED174 shade: #1ED174, #1E5AD2 and #D22A1E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1ED174 shade: #1ED174, #721ED2 and #D2721E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1ED174 shade: #1ED174, #1E5AD2, #D21E7E and #D2961E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1ED174 shade: #1ED174, #1E24D2, #D21E7E and #D2CC1E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 0 / 44 / 18

HEX #1ED174

RGB 30 209 116

HSL 148.83, 0.75%, 0.47%

LAB 74.28, -62.53, 34.46

 

Complementary color

CMYK 0 / 80 / 38 / 12

HEX #E12E8B

RGB 225 46 139

HSL 328.83, 0.75%, 0.53%

LAB 51.64, 72.51, -7.97

 

CMYK 83 / 0 / 47 / 18

HEX #23D16F

RGB 35 209 111

HSL 146.21, 0.71%, 0.48%

LAB 74.26, -62.96, 36.95

 

CMYK 77 / 0 / 43 / 11

HEX #34E382

RGB 52 227 130

HSL 146.74, 0.76%, 0.55%

LAB 80.34, -64.13, 35.32

 

CMYK 72 / 0 / 39 / 4

HEX #45F595

RGB 69 245 149

HSL 147.27, 0.9%, 0.62%

LAB 86.38, -64.93, 33.79

 

CMYK 66 / 0 / 34 / 0

HEX #56FFA8

RGB 86 255 168

HSL 149.11, 1%, 0.67%

LAB 90.01, -62.49, 29.18

 

CMYK 60 / 0 / 27 / 0

HEX #67FFBB

RGB 103 255 187

HSL 153.16, 1%, 0.7%

LAB 90.78, -55.75, 20.66

 

CMYK 86 / 0 / 44 / 18

HEX #1ED174

RGB 30 209 116

HSL 148.83, 0.75%, 0.47%

LAB 74.28, -62.53, 34.46

 

CMYK 93 / 0 / 49 / 25

HEX #0DBF61

RGB 13 191 97

HSL 148.31, 0.87%, 0.4%

LAB 68.18, -60.77, 36.22

 

CMYK 100 / 0 / 55 / 32

HEX #00AD4E

RGB 0 173 78

HSL 147.05, 1%, 0.34%

LAB 62.03, -58.44, 38.06

 

CMYK 100 / 0 / 62 / 39

HEX #009B3B

RGB 0 155 59

HSL 142.84, 1%, 0.3%

LAB 55.85, -55.34, 39.88

 

CMYK 100 / 0 / 71 / 46

HEX #008928

RGB 0 137 40

HSL 137.52, 1%, 0.27%

LAB 49.55, -51.91, 41.4

 

CMYK 86 / 0 / 45 / 18

HEX #1ED274

RGB 30 210 116

HSL 148.67, 0.75%, 0.47%

LAB 74.59, -62.88, 34.86

 

CMYK 86 / 0 / 68 / 18

HEX #1ED244

RGB 30 210 68

HSL 132.67, 0.75%, 0.47%

LAB 74.05, -69.41, 56.28

 

CMYK 80 / 0 / 86 / 18

HEX #29D21E

RGB 41 210 30

HSL 116.33, 0.75%, 0.47%

LAB 73.97, -70.92, 68.13

 

CMYK 58 / 0 / 86 / 18

HEX #59D21E

RGB 89 210 30

HSL 100.33, 0.75%, 0.47%

LAB 75.02, -62.03, 69.46

 

CMYK 35 / 0 / 86 / 18

HEX #89D21E

RGB 137 210 30

HSL 84.33, 0.75%, 0.47%

LAB 76.98, -47.26, 71.93

 

CMYK 86 / 0 / 45 / 18

HEX #1ED274

RGB 30 210 116

HSL 148.67, 0.75%, 0.47%

LAB 74.59, -62.88, 34.86

 

CMYK 86 / 0 / 21 / 18

HEX #1ED2A5

RGB 30 210 165

HSL 165, 0.75%, 0.47%

LAB 75.5, -52.58, 10.5

 

CMYK 86 / 2 / 0 / 18

HEX #1ECED2

RGB 30 206 210

HSL 181.33, 0.75%, 0.47%

LAB 75.5, -38.61, -13.74

 

CMYK 86 / 25 / 0 / 18

HEX #1E9ED2

RGB 30 158 210

HSL 197.33, 0.75%, 0.47%

LAB 61.12, -14.65, -35.75

 

CMYK 86 / 48 / 0 / 18

HEX #1E6DD2

RGB 30 109 210

HSL 213.67, 0.75%, 0.47%

LAB 46.8, 14.5, -58.48

 

CMYK 86 / 0 / 45 / 18

HEX #1ED274

RGB 30 210 116

HSL 148.67, 0.75%, 0.47%

LAB 74.59, -62.88, 34.86

 

CMYK 95 / 0 / 49 / 10

HEX #0BE574

RGB 11 229 116

HSL 148.9, 0.91%, 0.47%

LAB 80.39, -70.15, 42.19

 

CMYK 86 / 0 / 45 / 18

HEX #1ED274

RGB 30 210 116

HSL 148.67, 0.75%, 0.47%

LAB 74.59, -62.88, 34.86

 

CMYK 74 / 0 / 38 / 25

HEX #31BE75

RGB 49 190 117

HSL 148.94, 0.59%, 0.47%

LAB 68.58, -53.48, 26.53

 

CMYK 60 / 0 / 31 / 33

HEX #45AB76

RGB 69 171 118

HSL 148.82, 0.43%, 0.47%

LAB 63.09, -42.11, 18.67

 

CMYK 42 / 0 / 22 / 40

HEX #589877

RGB 88 152 119

HSL 149.06, 0.27%, 0.47%

LAB 57.91, -28.37, 11.02

 

CMYK 18 / 0 / 10 / 48

HEX #6C8477

RGB 108 132 119

HSL 147.5, 0.1%, 0.47%

LAB 52.97, -11.42, 4.15

 

CMYK 80 / 0 / 86 / 18

HEX #2AD21E

RGB 42 210 30

HSL 116, 0.75%, 0.47%

LAB 73.98, -70.8, 68.15

 

CMYK 86 / 0 / 69 / 18

HEX #1ED242

RGB 30 210 66

HSL 132, 0.75%, 0.47%

LAB 74.04, -69.6, 57.04

 

CMYK 86 / 0 / 46 / 18

HEX #1ED272

RGB 30 210 114

HSL 148, 0.75%, 0.47%

LAB 74.56, -63.22, 35.83

 

CMYK 86 / 0 / 23 / 18

HEX #1ED2A2

RGB 30 210 162

HSL 164, 0.75%, 0.47%

LAB 75.44, -53.3, 12.01

 

CMYK 86 / 0 / 0 / 18

HEX #1ED2D2

RGB 30 210 210

HSL 180, 0.75%, 0.47%

LAB 76.69, -40.42, -11.94

 

CMYK 86 / 0 / 45 / 46

HEX #148A4C

RGB 20 138 76

HSL 148.47, 0.75%, 0.31%

LAB 50.51, -45.39, 24.7

 

CMYK 86 / 0 / 45 / 32

HEX #19AE60

RGB 25 174 96

HSL 148.59, 0.75%, 0.39%

LAB 62.78, -54.32, 29.89

 

CMYK 86 / 0 / 45 / 18

HEX #1ED274

RGB 30 210 116

HSL 148.67, 0.75%, 0.47%

LAB 74.59, -62.88, 34.86

 

CMYK 76 / 0 / 39 / 11

HEX #37E289

RGB 55 226 137

HSL 148.77, 0.75%, 0.55%

LAB 80.19, -62.16, 31.61

 

CMYK 61 / 0 / 32 / 9

HEX #5BE89E

RGB 91 232 158

HSL 148.51, 0.75%, 0.63%

LAB 83.13, -54.65, 24.96

 

CMYK 86 / 0 / 44 / 18

HEX #1ED174

RGB 30 209 116

HSL 148.83, 0.75%, 0.47%

LAB 74.28, -62.53, 34.46

 

CMYK 86 / 57 / 0 / 18

HEX #1E5AD2

RGB 30 90 210

HSL 220, 0.75%, 0.47%

LAB 41.6, 26.8, -66.91

 

CMYK 0 / 80 / 86 / 18

HEX #D22A1E

RGB 210 42 30

HSL 4, 0.75%, 0.47%

LAB 46.25, 62.96, 48.61

 

CMYK 86 / 0 / 44 / 18

HEX #1ED174

RGB 30 209 116

HSL 148.83, 0.75%, 0.47%

LAB 74.28, -62.53, 34.46

 

CMYK 46 / 86 / 0 / 18

HEX #721ED2

RGB 114 30 210

HSL 268, 0.75%, 0.47%

LAB 36.29, 67.16, -75.38

 

CMYK 0 / 46 / 86 / 18

HEX #D2721E

RGB 210 114 30

HSL 28, 0.75%, 0.47%

LAB 57.88, 32.39, 58.31

 

CMYK 86 / 0 / 44 / 18

HEX #1ED174

RGB 30 209 116

HSL 148.83, 0.75%, 0.47%

LAB 74.28, -62.53, 34.46

 

CMYK 86 / 57 / 0 / 18

HEX #1E5AD2

RGB 30 90 210

HSL 220, 0.75%, 0.47%

LAB 41.6, 26.8, -66.91

 

CMYK 0 / 86 / 40 / 18

HEX #D21E7E

RGB 210 30 126

HSL 328, 0.75%, 0.47%

LAB 47.15, 71.25, -7.09

 

CMYK 0 / 29 / 86 / 18

HEX #D2961E

RGB 210 150 30

HSL 40, 0.75%, 0.47%

LAB 66.22, 13.04, 65.17

 

CMYK 86 / 0 / 44 / 18

HEX #1ED174

RGB 30 209 116

HSL 148.83, 0.75%, 0.47%

LAB 74.28, -62.53, 34.46

 

CMYK 86 / 83 / 0 / 18

HEX #1E24D2

RGB 30 36 210

HSL 238, 0.75%, 0.47%

LAB 29.89, 58.48, -86.2

 

CMYK 0 / 86 / 40 / 18

HEX #D21E7E

RGB 210 30 126

HSL 328, 0.75%, 0.47%

LAB 47.15, 71.25, -7.09

 

CMYK 0 / 3 / 86 / 18

HEX #D2CC1E

RGB 210 204 30

HSL 58, 0.75%, 0.47%

LAB 80.17, -15.23, 76.56

 

Description

Color code: HEX #1ED174 | qconv.com Color code: HEX #1ED174 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 30 red, 209 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
30 209 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, none magenta, 44 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 0% 44% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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