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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1ED070 it is the complementary color #E12F8F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1ED070. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1ED070 shade: #23D06B, #34E27E, #45F491, #56FFA4 and #67FFB7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1ED070. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1ED070 shade: #1ED070, #0DBE5D, #00AC4A, #009A37 and #008824

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1ED070 shade: #1ED271, #1ED240, #2CD21E, #5DD21E and #8DD21E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1ED070 shade: #1ED271, #1ED2A1, #1ED2D2, #1EA1D2 and #1E71D2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1ED070 shade matches the following richer shades: #1ED271 and #0BE56F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1ED070 shade: #1ED271, #31BE72, #45AB74, #589875 and #6C8477

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1ED070 shade: #2DD21E, #1ED23F, #1ED26F, #1ED29F and #1ED2CF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1ED070 shade: #148A4A, #19AE5D, #1ED271, #37E286 and #5BE89C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1ED070 shade: #1ED070, #1E5DD2 and #D2271E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1ED070 shade: #1ED070, #6F1ED2 and #D26F1E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1ED070 shade: #1ED070, #1E5DD2, #D21E81 and #D2931E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1ED070 shade: #1ED070, #1E27D2, #D21E81 and #D2C91E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 0 / 46 / 18

HEX #1ED070

RGB 30 208 112

HSL 147.64, 0.75%, 0.47%

LAB 73.91, -62.88, 35.99

 

Complementary color

CMYK 0 / 79 / 36 / 12

HEX #E12F8F

RGB 225 47 143

HSL 327.64, 0.75%, 0.53%

LAB 51.86, 72.65, -10.02

 

CMYK 83 / 0 / 49 / 18

HEX #23D06B

RGB 35 208 107

HSL 144.97, 0.71%, 0.48%

LAB 73.89, -63.28, 38.47

 

CMYK 77 / 0 / 44 / 11

HEX #34E27E

RGB 52 226 126

HSL 145.52, 0.75%, 0.55%

LAB 79.97, -64.46, 36.84

 

CMYK 72 / 0 / 41 / 4

HEX #45F491

RGB 69 244 145

HSL 146.06, 0.89%, 0.61%

LAB 86.01, -65.28, 35.3

 

CMYK 66 / 0 / 36 / 0

HEX #56FFA4

RGB 86 255 164

HSL 147.69, 1%, 0.67%

LAB 89.94, -63.24, 31.1

 

CMYK 60 / 0 / 28 / 0

HEX #67FFB7

RGB 103 255 183

HSL 151.58, 1%, 0.7%

LAB 90.7, -56.55, 22.59

 

CMYK 86 / 0 / 46 / 18

HEX #1ED070

RGB 30 208 112

HSL 147.64, 0.75%, 0.47%

LAB 73.91, -62.88, 35.99

 

CMYK 93 / 0 / 51 / 25

HEX #0DBE5D

RGB 13 190 93

HSL 147.12, 0.87%, 0.4%

LAB 67.8, -61.09, 37.75

 

CMYK 100 / 0 / 57 / 33

HEX #00AC4A

RGB 0 172 74

HSL 145.81, 1%, 0.34%

LAB 61.65, -58.7, 39.55

 

CMYK 100 / 0 / 64 / 40

HEX #009A37

RGB 0 154 55

HSL 141.43, 1%, 0.3%

LAB 55.47, -55.53, 41.3

 

CMYK 100 / 0 / 74 / 47

HEX #008824

RGB 0 136 36

HSL 135.88, 1%, 0.27%

LAB 49.17, -52, 42.65

 

CMYK 86 / 0 / 46 / 18

HEX #1ED271

RGB 30 210 113

HSL 147.67, 0.75%, 0.47%

LAB 74.55, -63.39, 36.31

 

CMYK 86 / 0 / 70 / 18

HEX #1ED240

RGB 30 210 64

HSL 131.33, 0.75%, 0.47%

LAB 74.02, -69.79, 57.8

 

CMYK 79 / 0 / 86 / 18

HEX #2CD21E

RGB 44 210 30

HSL 115.33, 0.75%, 0.47%

LAB 74.01, -70.56, 68.19

 

CMYK 56 / 0 / 86 / 18

HEX #5DD21E

RGB 93 210 30

HSL 99, 0.75%, 0.47%

LAB 75.15, -61, 69.62

 

CMYK 33 / 0 / 86 / 18

HEX #8DD21E

RGB 141 210 30

HSL 83, 0.75%, 0.47%

LAB 77.19, -45.83, 72.19

 

CMYK 86 / 0 / 46 / 18

HEX #1ED271

RGB 30 210 113

HSL 147.67, 0.75%, 0.47%

LAB 74.55, -63.39, 36.31

 

CMYK 86 / 0 / 23 / 18

HEX #1ED2A1

RGB 30 210 161

HSL 163.67, 0.75%, 0.47%

LAB 75.42, -53.54, 12.51

 

CMYK 86 / 0 / 0 / 18

HEX #1ED2D2

RGB 30 210 210

HSL 180, 0.75%, 0.47%

LAB 76.69, -40.42, -11.94

 

CMYK 86 / 23 / 0 / 18

HEX #1EA1D2

RGB 30 161 210

HSL 196.33, 0.75%, 0.47%

LAB 62.01, -16.28, -34.35

 

CMYK 86 / 46 / 0 / 18

HEX #1E71D2

RGB 30 113 210

HSL 212.33, 0.75%, 0.47%

LAB 47.93, 11.96, -56.65

 

CMYK 86 / 0 / 46 / 18

HEX #1ED271

RGB 30 210 113

HSL 147.67, 0.75%, 0.47%

LAB 74.55, -63.39, 36.31

 

CMYK 95 / 0 / 52 / 10

HEX #0BE56F

RGB 11 229 111

HSL 147.52, 0.91%, 0.47%

LAB 80.32, -70.92, 44.5

 

CMYK 86 / 0 / 46 / 18

HEX #1ED271

RGB 30 210 113

HSL 147.67, 0.75%, 0.47%

LAB 74.55, -63.39, 36.31

 

CMYK 74 / 0 / 40 / 25

HEX #31BE72

RGB 49 190 114

HSL 147.66, 0.59%, 0.47%

LAB 68.53, -54.06, 28.04

 

CMYK 60 / 0 / 32 / 33

HEX #45AB74

RGB 69 171 116

HSL 147.65, 0.43%, 0.47%

LAB 63.05, -42.52, 19.71

 

CMYK 42 / 0 / 23 / 40

HEX #589875

RGB 88 152 117

HSL 147.19, 0.27%, 0.47%

LAB 57.86, -28.79, 12.09

 

CMYK 18 / 0 / 10 / 48

HEX #6C8477

RGB 108 132 119

HSL 147.5, 0.1%, 0.47%

LAB 52.97, -11.42, 4.15

 

CMYK 79 / 0 / 86 / 18

HEX #2DD21E

RGB 45 210 30

HSL 115, 0.75%, 0.47%

LAB 74.03, -70.43, 68.2

 

CMYK 86 / 0 / 70 / 18

HEX #1ED23F

RGB 30 210 63

HSL 131, 0.75%, 0.47%

LAB 74.02, -69.88, 58.17

 

CMYK 86 / 0 / 47 / 18

HEX #1ED26F

RGB 30 210 111

HSL 147, 0.75%, 0.47%

LAB 74.52, -63.73, 37.27

 

CMYK 86 / 0 / 24 / 18

HEX #1ED29F

RGB 30 210 159

HSL 163, 0.75%, 0.47%

LAB 75.37, -54.02, 13.51

 

CMYK 86 / 0 / 1 / 18

HEX #1ED2CF

RGB 30 210 207

HSL 179, 0.75%, 0.47%

LAB 76.6, -41.3, -10.46

 

CMYK 86 / 0 / 46 / 46

HEX #148A4A

RGB 20 138 74

HSL 147.46, 0.75%, 0.31%

LAB 50.48, -45.76, 25.75

 

CMYK 86 / 0 / 47 / 32

HEX #19AE5D

RGB 25 174 93

HSL 147.38, 0.75%, 0.39%

LAB 62.73, -54.85, 31.39

 

CMYK 86 / 0 / 46 / 18

HEX #1ED271

RGB 30 210 113

HSL 147.67, 0.75%, 0.47%

LAB 74.55, -63.39, 36.31

 

CMYK 76 / 0 / 41 / 11

HEX #37E286

RGB 55 226 134

HSL 147.72, 0.75%, 0.55%

LAB 80.14, -62.7, 33.06

 

CMYK 61 / 0 / 33 / 9

HEX #5BE89C

RGB 91 232 156

HSL 147.66, 0.75%, 0.63%

LAB 83.09, -55.03, 25.93

 

CMYK 86 / 0 / 46 / 18

HEX #1ED070

RGB 30 208 112

HSL 147.64, 0.75%, 0.47%

LAB 73.91, -62.88, 35.99

 

CMYK 86 / 56 / 0 / 18

HEX #1E5DD2

RGB 30 93 210

HSL 219, 0.75%, 0.47%

LAB 42.4, 24.84, -65.61

 

CMYK 0 / 81 / 86 / 18

HEX #D2271E

RGB 210 39 30

HSL 3, 0.75%, 0.47%

LAB 45.97, 63.74, 48.38

 

CMYK 86 / 0 / 46 / 18

HEX #1ED070

RGB 30 208 112

HSL 147.64, 0.75%, 0.47%

LAB 73.91, -62.88, 35.99

 

CMYK 47 / 86 / 0 / 18

HEX #6F1ED2

RGB 111 30 210

HSL 267, 0.75%, 0.47%

LAB 35.91, 66.81, -76.02

 

CMYK 0 / 47 / 86 / 18

HEX #D26F1E

RGB 210 111 30

HSL 27, 0.75%, 0.47%

LAB 57.24, 33.96, 57.78

 

CMYK 86 / 0 / 46 / 18

HEX #1ED070

RGB 30 208 112

HSL 147.64, 0.75%, 0.47%

LAB 73.91, -62.88, 35.99

 

CMYK 86 / 56 / 0 / 18

HEX #1E5DD2

RGB 30 93 210

HSL 219, 0.75%, 0.47%

LAB 42.4, 24.84, -65.61

 

CMYK 0 / 86 / 39 / 18

HEX #D21E81

RGB 210 30 129

HSL 327, 0.75%, 0.47%

LAB 47.26, 71.54, -8.77

 

CMYK 0 / 30 / 86 / 18

HEX #D2931E

RGB 210 147 30

HSL 39, 0.75%, 0.47%

LAB 65.49, 14.66, 64.57

 

CMYK 86 / 0 / 46 / 18

HEX #1ED070

RGB 30 208 112

HSL 147.64, 0.75%, 0.47%

LAB 73.91, -62.88, 35.99

 

CMYK 86 / 81 / 0 / 18

HEX #1E27D2

RGB 30 39 210

HSL 237, 0.75%, 0.47%

LAB 30.35, 57.12, -85.43

 

CMYK 0 / 86 / 39 / 18

HEX #D21E81

RGB 210 30 129

HSL 327, 0.75%, 0.47%

LAB 47.26, 71.54, -8.77

 

CMYK 0 / 4 / 86 / 18

HEX #D2C91E

RGB 210 201 30

HSL 57, 0.75%, 0.47%

LAB 79.37, -13.73, 75.91

 

Description

Color code: HEX #1ED070 | qconv.com Color code: HEX #1ED070 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red.

The breakdown of the color into the RGB color system: of 255 maximum color components, 30 red, 208 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
30 208 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, none magenta, 46 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 0% 46% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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